Sentences with phrase «objects move according»

In the day time, the ambient shadows of trees, walls and objects move according to an east - west sun position.

Above a certain acceleration, called a0, objects move according to the conventional form of gravity, whose effects weaken as two bodies move further apart in proportion to the square of distance.

Not exact matches

(3) And while the transitional object can take most any form, it has common features, according to Winnicott: «It must seem to the infant to give warmth, or to move, or to have texture, or to do something that seems to show it has a vitality or reality of its own.»

In fact just about every moving object stirs up such waves, according to Einstein's general theory of relativity.

Charles Theis, a poet and an engineer who once studied Kentucky's geology by walking across the state, theorized that water moved in the Earth according to the same properties by which heat moved in a solid object — that is, it seeps from areas of high pressure to low pressure.

Our brains track moving objects by applying one of the algorithms your phone's GPS uses, according to researchers at the University of Rochester.

According to Newton, you could catch up to any speeding object if you moved quickly enough.

Until now, all machines have moved according to the not - surprising laws of classical mechanics, which govern the motion of everyday objects.

The large red shifts of quasars would also seem to indicate that these objects are very distant: according to the theory of an expanding universe, the farther an object is from the Milky Way, the faster it appears to be moving away.

According to him, space and time imply movement and the change of light: «As light moves across the object, the forms and the color appear to change with the rearrangement of the shadows.

According to the gallery, his use of quilted moving blankets, that are «used to project objects in transit», reference ideas around domesticity that hint at the nomadic nature of his life as an artist.

According to Kelley, the process of moving through these diverse throngs of art and non-art objects, many of which had once served as doubles for actual human beings, was meant to provoke «disturbing, unrecallable memories» à la Sigmund Freud, who, in his 1919 text, «The Uncanny,» questioned whether «a lifeless object might not in fact be animate.»