Mark Rothko saw these paintings as
objects of contemplation, demanding the viewer's complete absorption.
His paintings are, at base, beautiful
objects of contemplation, with their deliciously tactile, hard candy surfaces and muted harvest colors.
Shot primarily in slow motion, the competitive nature of the Jiu - Jitsu fighters and racehorses is paralysed by an extreme aestheticisation, transforming scenes of action into
objects of contemplation and visual pleasure.
Shen's intriguing twisted and metamorphic sculpture made of paper, ink and wax referenced a long tradition of Chinese scholars» rocks, which are collected and treasured as
objects of contemplation.
«Though the works effectively resist the hype around 3 - D modeling, they also comment upon the objects they depict: By subjecting them to an algorithm's gaze, Valla's works transform the originals from the unitary, transcendent
objects of our contemplation into provisional artifacts whose reception is necessarily conditioned by discourses and technologies alike.»
Such an awareness is impossible if and so long as the other is for me the detached
object of my contemplation or observation, for he will not thus yield his wholeness and its centre.
The mysteries of faith are degraded if they are made into an object of affirmation and negation, when in reality they should be
an object of contemplation.
«The mysteries of the faith are degraded when made into objects of affirmation or negation, when they ought to be
the object of contemplation.»
Even beauty must be stripped of its surface in order to become an intelligible
object of contemplation.
Brooks is asking for the strongest instances of structural complexity, which will clearly introduce it into the conscious mind; not, perhaps, as
an object of contemplation, but as an effective agent within the experience, whose stresses are definitely felt.
The light beckoning at the end of the tunnel is often a mirage or a firefly briefly lighting the path of those relatively few souls who make legal matters
the object of their contemplations and, especially, their outspoken criticism.
The collage and cut outs of John O'Reilly and Brainard bump up against each other in their juxtapositions of classic Greek sculpture and the eroticized male form, as ideal,
object of contemplation and as pop advertisement.
As evidence of this ambient trend's beginnings, Pollock famously painted the engulfing «Mural» (1943) for Peggy Guggenheim, where he transformed the canvas into a whole wall instead of the usual small
object of contemplation visually and physically dominated by the viewer.
All of these works reflect aspects of how a painting can function — as
an object of contemplation, for example, or an object of commerce.
Not exact matches
But if it should as
objects for the
contemplation of the intellect but its objectification in actions and deeds that become embodied in the flesh and blood life
of the reader, it will in turn realize a new potentiality: the transformation
of the reader's self and the world to which that self belongs.
Contemporary modernists like Barth, Barthelme, Coover, Pynchon and Gass offer works that are, in Dillard's estimate, nearly completely artifactual,
objects of wonder, amusement or
contemplation, but not to be taken in any sense as mirroring reality «out there.»
Catholic teaching distinguishes between dulia — paying honor, respect and veneration to saints and also indirectly to God through
contemplation of objects such as paintings and statues — and latria — adoration directed to God alone.
He did not want Absolute pragmatism to lapse into the usual caricature
of idealism, which made ideas into nothing more than
objects of idle
contemplation; ideas always contain, at their core, an intention to act.
Thus we are not concerned with requirements which have arisen only from
contemplation; hence we are not concerned only with «structures
of the world» which occur in the experiential contact between consciousness and
object.
They are not just tools but
objects worthy
of contemplation in their own right.
Because
of her, and with her, I am able — by moments — to move out
of my own natural larval state and experience movies not just as deliverers
of entertainment, conveyors
of meaning, or
objects of aesthetic
contemplation, but as pure fields
of emotional and sensory intensity, almost like rooms to which one can return.»
They're immersed in their experiences, and it's not until they're older that their «Understanding turns inwards upon itself, reflects on its own Operations, and makes them the
Object of its own
Contemplation.»
Incredibly, and without the overt drama
of the narrative
of Ugetsu, that is somewhat the sensation I had when I walked from Kiki Smith's exhibition at Pace Gallery in Chelsea, through a narrow passage way into a new smaller wing that Pace has built under the High Line and found myself, without preparation or expectation, in an exquisite, thrilling, soul - soothing, museum quality exhibition
of craft
objects and artworks, arranged in an inventive, harmonious, and instructive manner for
contemplation.
«There are no heroes; this is a hero-less time,» 3 claimed Merz in 2009, and this view is in keeping with the Serpentine show's atmosphere
of contemplation, in which the emphasis lies on the
objects themselves rather than outdated notions
of artistic genius.
In this new body
of work consisting
of sculptures, works on paper, and video, Ward articulates a dialogue surrounding the idea
of support — physical, spiritual, social, and judicial — while introducing
contemplation of everyday
objects.
From afar, art is art, an
object of serious
contemplation.
It took me those two shots at Japan in the 1960s to get over its strangeness, to see not just gimmicks but the meeting
of objects, conceptual art, and
contemplation.
I am honored that people would trust me, not only with their
objects, but with the decades
of gathering, deep
contemplation, and time.
Nabuqi's
contemplation on the ontology
of objects is reflected in her sculptures:
objects surrounding us also exist independent
of human perception.
If, as Michael Fried complained long ago, Minimalism turns the gallery into a theater, these remain
objects of art and
of contemplation, only somewhere apart.
«This is about the
object of male
contemplation rejecting the gaze, the simple refusal
of that access.»
As Zhang says, he is creating a «societal landscape,» one where, whether he is manipulating an image
of a building in Chelsea or one half way around the world in China, his aim is not to efface but to meld disparate concepts and histories, disparate types
of visual information, and make yet a third thing — a multifaceted, multi-media,
object for
contemplation.
Museum visitors are depicted in relation to museum
objects, their bodies as much forms for
contemplation as the artworks depicted, as in In Order
of Appearance IX (2012).
While her earlier work looked at art museums as places for worship or
contemplation — in the vein
of cathedrals or pilgrimage sites — and artworks as
objects of faith, her recent works, such as Deposit III (2015), give more importance to painting as an actual
object in its own right: «It allowed me to leave bi-dimensionality, unhang [painting] from the wall and naturally add other supports
of images (video, mirrors, printed matter, found paintings) and link them to a same genealogy.»
Organized by Evelyn Hankins, a curator at the Hirshhorn, this is also Mr. Irwin's first major American survey outside his native California in nearly 40 years and the first anywhere devoted entirely to his work from the 1960s, when, in full experimental mode, he was shifting the emphasis
of his own art from psychic encounters to physical ones, from precious
objects to environments, places
of contemplation.
Chief amongst these is that it offers, as the
object of study, the
contemplation of an exhibition rather than individual artworks
These simple, silent constellations
of colour and form serve as
objects for
contemplation rather than representations to be interpreted or decoded.
Because the moon remains purely an
object for
contemplation, not
of the will.
The opening exhibition includes work by internationally renowned artists, including Andreas Gursky, Wade Guyton, Damien Hirst, Sergej Jensen, Brice Marden, Gabriel Orozco, Sterling Ruby, Robert Ryman and Jeff Wall, amongst others, alongside Chinese scholar's rocks, which are revered in China as
objects of both trade and
contemplation.
But to place this car in the gallery seems to miss the point, offering it as an
object of aesthetic
contemplation and period design rather than the embodiment
of a particular kind
of fantasy that suffused»60s culture, that often found its expression in a burgeoning ethos
of conspicuous consumption.
In this new body
of work I am continuing my exploration
of the art
object as a catalyst for
contemplation and meditation for the viewer as well as the artist.
The importance
of viewing these works from a variety
of angles is key, and with quiet
contemplation, visitors can perceive the works as Judd had intended: without prior expectation (as he wrote in his canonical 1965 essay, Specific
Objects).
With its humorous nods to constructive and conceptual art, Please Touch entails active
contemplation from the spectator, in that it extends familiar
objects into the arena
of the nonsensical.
Her work explores and encourages collective human encounters, rather than individual
contemplation of produced
objects.
Had Mr. Robert Doty devoted a few moments
of serious
contemplation to these different approaches, the hideous embarrassment suffered by the Whitney Museum at the disastrous history
of Light:
Object and Image might have been avoided.
Through sculpture, performance and installation, my work utilizes a wide range
of materials — from pigmented silicone rubbers to concrete — to recreate underutilized
objects and situations into venues for participation and
contemplation.
At a moment when looking at a static art
object is often dismissed unnecessarily by advocates
of performance, participatory or social - practice art for encouraging only «passive
contemplation,» Mr. Whitney's paintings are opulently interactive and engaging.
Here, assemblages made
of weeds, seed pods, grass stalks, burrs, horse or dog hair, transform into independent
objects, which reflect a larger
contemplation of space, structure and light.
I was completely disinterested in experiencing a visitor's engagement in a kind
of disinterested
contemplation of an art
object.
Displayed in stark white - on - white galleries, the sealed vitrines become hermetic environments for
contemplation or even mourning as these silenced
objects of ritual, play, and aesthetic devotion seem to have reached some form
of transcendent afterlife.