During their 33 - year collaboration, the husband and wife team have garnered attention for their playful sculptures of ordinary
objects on a monumental scale.
In 1963 he moved to New York and in 1965 began making his large outdoor sculpture featuring common household
objects on a monumental scale.
Not exact matches
Exhibiting at the gallery for the first time, DeLucia's work centers
on images of domestic
objects rendered in
monumental scale through sculpture and relief.
The gallery's website describes Chamberlain's process as «crumpling, crushing, bending, twisting and welding to form individual
objects, which may be further painted and sprayed, [and combined] into aggregations, often
on a
monumental scale.
Often working
on a
monumental scale, with light and temporary materials, some of her sculptures seem to represent an ordinary
object (a raspberry, a pile of newspapers), whereas some represent «sculpture» itself (public monuments, an ancient goddess, Neolithic stones), and some represent the act of making (a swoop of the hand, a crush of the fist).
Her work references both the transformative effects of photography as well as the sculptural relationship of
objects to the body, alternating between an association with
objects that are intimate, wearable or ornamental and an idea of
scale that verges
on the architectural or
monumental.
Often working
on a large if not
monumental scale, she takes ordinary, domestic items - such as platters and chargers - and elevates them into powerful, sculptural
objects.