Sentences with phrase «objects real close»

A high 7X magnification with auto - focusing prism brings far away objects real close, and they can even be used up to a short 20 feet for close - up exploration.

Not exact matches

I held my daughters a little closer and prayed for Amanda Berry, Gina DeJesus and Michelle Knight (names matter — they are real people, not objects).

October 11: Children ages 3 - 8 can celebrate National Fossil Day by learning how fossils form, making imprints of natural objects, and seeing real fossils up close (Boston)

He alerted astronomers in Australia, New Zealand, and Japan to watch for the closest approach the next day, as a «useful simulation of what could be done if the object were perceived to be a real danger».

Because neighbouring cells work together, objects close to each other in the real world are represented close to each other in the brain.

It's quite pretty and it's fun to see how the relevant real world objects (a recorder, a rotunda) are inserted into the environment, but it doesn't come close to the fantasy sequences in Heavenly Creatures and, all in all, seems like a waste of the $ 100 million budget.

-LSB-[17]-RSB- Green, yellow, and red indicators also help you gauge how close you are to objects — a real help in tight spaces.

And while we were certainly impressed with its stellar rearview camera system — which features dynamic trajectory lines and integrates with front and rear mounted sensors that provide audible warnings when approaching too close to an object — the absence of any sort of forward collision mitigation system, lane departure warning, and blind - spot monitoring system is a real disappointment.

Thinking of the photographs in this series as observations of overlooked or forgotten details and remnants of daily existence, Letinsky ultimately transforms this refuse into a subject worthy of close study - objects of real beauty.

At first glance, Eaton's works can easily be misread as digital manipulations; however, on close viewing, the surface textures, edges, and shadows suggest they are depictions of real objects.

Exhibitionism's 16 exhibitions in the Hessel Museum are (1) «Jonathan Borofsky,» featuring Borofsky's Green Space Painting with Chattering Man at 2,814,787; (2) «Andy Warhol and Matthew Higgs,» including Warhol's portrait of Marieluise Hessel and a work by Higgs; (3) «Art as Idea,» with works by W. Imi Knoebel, Joseph Kosuth, and Allan McCollum; (4) «Rupture,» with works by John Bock, Saul Fletcher, Isa Genzken, Thomas Hirschhorn, Martin Kippenberger, and Karlheinz Weinberger; (5) «Robert Mapplethorpe and Judy Linn,» including 11 of the 70 Mapplethorpe works in the Hessel Collection along with Linn's intimate portraits of Mapplethorpe; (6) «For Holly,» including works by Gary Burnley, Valerie Jaudon, Christopher Knowles, Robert Kushner, Thomas Lanigan - Schmidt, Kim MacConnel, Ned Smyth, and Joe Zucker — acquired by Hessel from legendary SoHo art dealer Holly Solomon; (7) «Inside — Outside,» juxtaposing works by Scott Burton and Günther Förg with the picture windows of the Hessel Museum; (8) «Lexicon,» exploring a recurring motif of the Collection through works by Martin Creed, Jenny Holzer, Barbara Kruger, Bruce Nauman, Sean Landers, Raymond Pettibon, Jack Pierson, Jason Rhoades, and Allen Ruppersberg; (9) «Real Life,» examines different forms of social systems in works by Robert Beck, Sophie Calle, Matt Mullican, Cady Noland, Pruitt & Early, and Lawrence Weiner; (10) «Image is a Burden,» presents a number of idiosyncratic positions in relation to the figure and figuration (and disfigurement) through works by Rita Ackerman, Jonathan Borofsky, John Currin, Carroll Dunham, Philip Guston, Rachel Harrison, Adrian Piper, Peter Saul, Rosemarie Trockel, and Nicola Tyson; (11) «Mirror Objects,» including works by Donald Judd, Blinky Palermo, and Jorge Pardo; (12) «1982,» including works by Carl Andre, Robert Longo, Robert Mangold, Robert Mapplethorpe, A. R. Penck, and Cindy Sherman, all of which were produced in close — chronological — proximity to one another; (13) «Monitor,» with works by Vito Acconci, Cheryl Donegan, Vlatka Horvat, Bruce Nauman, and Aïda Ruilova; (14) «Cindy Sherman,» includes 7 of the 25 works by Sherman in the Hessel Collection; (15) «Silence,» with works by Christian Marclay, Pieter Laurens Mol, and Lorna Simpson that demonstrate art's persistent interest in and engagement with the paradoxical idea of «silence»; and (16) «Dan Flavin and Felix Gonzalez - Torres.»

School was basically closed, and we were let loose, [to roam] the streets... We stole chalk from the classroom, drew objects on the walls, and made the [younger] kids interact with objects, as if the objects were real.»

The amalgamation of classical African cult objects and real women enables Ingrid to transcend the natural and constitute an outer - wordly realm that feels near but is, upon closer inspection, quite unsettling.

At first sight, they simply seem to be oversized representatives of luxury label products, but at a closer look some of the objects bear names such as Rolls Phillipe and Real Sprada.

In my artwork I am used to working with different media depending on how interested I am: painting, installations, sculptures, prints, ceramics; this, however, has been associated generally with the soft sculpture (sewn and stuffed fabrics), a technique that brings me closer to the craftwork of the popular cultures of the Caribbean, incorporating real chosen objects.»

Adam McEwen: «A Real Slow Drag» (closes on Saturday) Mr. McEwen's forcefully expressed, three - story solo show interlaces his most famous work — the» «obituaries» of still - living celebrities — with his sculptures of everyday objects and fixtures in machined graphite.

The closest this clown came to being a real lawyer was his proclamation upon being arrested for fraudulent behavior: «I object!»

Persistent tracking would allow users to place a virtual object in a location in the real world, and return to it in the same position over time — one step closer to a shared Metaverse-esque virtual world.

The original Vive featured a single camera that worked in tandem with the Chaperone system to let you look out into the real world when you got to close to walking into a real - world object.

With this data, it is able to insert a 3D object into your real world surroundings and will scale up and down proportionally as you move closer or further from the AR character.

This app takes advantage of the Galaxy S8's camera to recognize objects and deliver information in close to real time.

Now, HTC's handy Chaperone feature will not only tell you when you're close to a wall by displaying a grid, but also show you real - world objects in your VR view, like tables, chairs and people.

An aircraft (sound object) could start behind you in the distance and fly closer and over you — objects can go anywhere and reflect the real - world sound.

An aircraft (sound object) could start behind you in the distance and fly closer and over you — objects can be placed anywhere and reflect the real - world sound.

Once you've placed it, the app behaves as if the object exists in the real world: walk closer to it and it gets bigger.