Created and migrated all database
objects through various development, testing, and production environments.
My objective is to make use of the expertise that I have in the field and also the knowledge that I have gathered in order to improve the quality of art
objects through the process of restoration conveyed.
The company had already announced that it would soon enable its cameras to distinguish people from moving
objects through Person Detection, but now it's also adding a Package Detection feature to its Canary Flex.
The motion tracking camera assists in tracking a user's position in three - dimensional space, and the depth sensing camera measures the distance between
objects through an IR emitter.
The phone takes advantage of AI to recognise a range of
objects through the camera, such as animals and food, and learn your usage habits so that the device can predict when to launch an app, for example.
Today, in addition to scanning a barcode or typing in a search term, Amazon's app can also identify
objects through the camera, then suggest related products, similar to Pinterest and Google's visual search products.
Not only will it pay to replace or repair your moveable
objects through coverage known as contents or personal property protection, but it can also protect your guests as well as yourself.
It is defined so as to be additive in the sense that the optical depth of two
objects through which radiation passes consecutively is the sum of their respective optical depths.
Pistoletto writes ``... They are
objects through whose agency I free myself from something — not constructions, then, but liberations.
As you said, there are a number of different paintings that serve as touchstones for these paintings, the large blue painting «Calif.» is reminiscent of Matisse» blue paintings, in color, but also in his way of making space, and distributing
objects through the picture plane.
Erin Shirreff explores the possibilities of representing three - dimensional
objects through photography, painting, sculpture, and video.
Invest time and resources in the eloquence of describing and defining social
objects through titles, descriptions, tags (keywords), links, and active content promotion.
Garnier's practice navigates around benign
objects through olfactive lens and History.
Combining and reconfiguring familiar objects into new material forms, Wermers addresses the structures of ritualised social relations and the material
objects through which these associations are communicated.
In Wrong Angles, Spremberg transforms everyday
objects through strategies of fragmentation and obfuscation.
Nauman talks about the importance of our teachers and communicates that the pedagogical process isn't only about learning a specific task but asks us to expand ourselves as moving bodies, as thinking people, in relationship to the world and
objects through that task.
Maisel often subtly reorients the same cast of
objects through a series of images, playing with the variable effects of color, form, surface, reflectivity, opacity and translucence on these mise - en - scènes.
Figures (2011) groups
objects through usage, for instance banknotes, coins and poker chips.
Throughout 2018, the Smart will continue to reconfigure and re-examine its galleries and collection, opening new perspectives on beloved artists and art
objects through projects like Conversations with the Collection: Building / Environments.
Brackens» similarly explores the intimacy of
objects through an oeuvre that delves into the history of weaving.
Casa de empeño will feature a compelling and diverse array of artists from all over the world who create relatable
objects through painting, film, photography, sculpture, drawing, print, editions and merchandise:
These seemingly simple images often transform mundane
objects through poetic visual associations.
Encased in structures that protect and transport precious
objects through generations, the ringboxes become symbolic of oral historical practices.
The task for the curators and the artists of No Windows is to reveal the over-arching themes that are imposed onto art
objects through exhibition practices, and to invite the public to decode the conventions of looking and thinking about art in Vancouver and beyond.
Exploration of new materials can be seen in the making strange of common
objects through a shift in their perceived properties.
From his earliest paintings, collages and assemblages to his later bronze sculptures, the works included in the exhibition allows for a thorough investigation of Miro's use of
objects through the different stages of his career.
Objects through the space offer cautionary tales of following through on masculine ideals, and show possible glimpses of strength redefined.
The movement of people or
objects through airport baggage claims, factory conveyor belts, and the gates of heaven inform the layout of the exhibition.
He later interprets these found visual elements into made concrete
objects through a reductive process, eliminating what is not necessary and allowing the essence of his findings to manifest anew
The Atlanta and Athens artists featured in this exhibition critically examine domestic and nostalgic
objects through the mediums of installation, sculpture, and photography, and manifest representations and reshapings in regards to the construction of house and «home.»
London - based Mark Leckey, recipient of the 2008 Turner prize, immerses himself in images and
objects through a ritualistic process of communication.
By placing his initial
objects through various stages of reproduction, he creates digitized, dynamic moments in the otherwise immutable life of the work.
Their practice consists of artwork that examines the nature of the object via the use of shadows and the recording of bodily actions and static
objects through video, paint, sculptural elements and charcoal media.
The humblest forms are elevated to devotional
objects through the act of embellishment.»
Shirreff studied sculpture, but her practice is now focused on depicting and challenging the representation of three - dimensional art
objects through photography and video.
Claes Oldenberg (born 1929) and Coosje van Bruggen (1942 - 2009) transform familiar
objects through their sculptures and give them a new reality filled with mystery, humor, and sensuality.
The artist concentrates on renewing the life of these documentary
objects through visual exploration of color, transparency, and balance, while achieving tactile surface texture.
Josiah McElheny «s new solo exhibition at Andrea Rosen Gallery explores textiles and
objects through innovative abstraction.
Some of the artists such as Jim Lambie, Tonico Lemos Auad, Adriano Amaral and Andrea Zucchini also try to develop an intimacy with the materiality of
the objects through craftsmanship and renewed attention to their materials.
While the Syracuse University Art Collection has evolved over 135 years of active collecting, its mission continues to follow Dr. Comfort's original intent: to establish a resource that provides meaningful encounters with
objects through the acquisition, preservation and interpretation of the collection to the University community of students, faculty and staff, alumni, and to the region's general public.
Thompson recontextualizes
these objects through painting.
In the 1980s and early 90s Group Material's projects similarly collated various cultural
objects through «review, selection and critical juxtaposition,» a collective process that emphasized «shared learning and shared ideas.»
These large sections of asymmetrical photo paper evolve into a pictorial language of impressions of bodies, and
objects through color, light and shadows.
The flattened architecture and exaggerated perspective of Suss's canvases memorialize their collected art and
objects through an intimate, archeological process that opens familial narrative to questions of class, politics, and religion.
In the late 1970s his practice delved into spatial questions of visual syntax, honing in on the quotidian rituals of collecting and arranging
objects through a continued engagement with the Display works.
Combining her talent with her superior skills, she sought to capture the emotion and power of
objects through abstracting the natural world.
This is also what I take to be the subject of Elizabeth Price's wholly compelling, «User Group Disco», a work about the status of
objects through time rendered utterly seductive through the film's sensuous superficiality.
Though Durham is wary of iconic representation in his work, in the late 1980s and early 1990s he began experiments on the relationship between culture and man made
objects through his extensive use of installations.
These are technologies of memory, not vessels of memory in which memory passively resides so much as
objects through which memories are shared, produced, and given meaning.»
When Motherwell represents
objects through textures, he slips in wood veneer along with fine paper, much as with Picasso's guitars.