Sentences with phrase «obliteration at»

In 1968, Kusama presided over the happening Homosexual Wedding at the Church of Self - obliteration at 33 Walker Street in New York and performed alongside Fleetwood Mac and Country Joe and the Fish at the Fillmore East in New York City.

Not exact matches

Prior to the market correction, which has reduced Tesla's 2018 gain to about 3 % ahead of earnings, there was no real major dip, so you could argue that the staggering losses and the capital obliteration — over $ 1 billion per quarter at his point — are, well, somehow rationally priced in.

Ahead of earnings, there's been no real dip, so you could argue that the staggering losses and the capital obliteration — over $ 1 billion per quarter at his point — are, well, somehow rationally priced in.

It appears to me that the above argument concerning specifically the obliteration of the past and future is not effective, at least against counter-arguments of process philosophers.

The system of regions and states preserving their autonomy in relation to local matters such as education, healthcare, language, chieftaincy, local government, intra-state commerce, local policing etc. while federating together regarding matters such as currency, defence and national security, foreign relations, customs and excise etc. liberates diverse peoples by removing the fear of obliteration of their local identity while allowing for synergies at the national level that benefit everyone.

Cruddas also took an interesting conclusion of how Labour should respond to its obliteration in Scotland at the hands of the SNP.

Designed for track - day use and utter obliteration of lap times (and rear tires), the Z06 is a 650 HP supercharged Corvette starting at $ 79,000...

As for the way the inner inhabitants are created, if the obliteration [of sentient beings] occurs through fire, then the life span, merit, and karma of the gods of Ābhāsvara at the second realm of concentration will be obliterated and they will meet with death.

The first is Obliteration in which both teams via for control of a bomb that they must deliver into enemy territory and detonate, making for a frantic tug of war as both sides manage to halt the bomb's explosion at the last second, grab it and make a run for the objective.

In a new mode like Obliteration, where a tug - of - war between teams requires teams to retrieve a randomly spawned bomb and deliver it to an enemy site whilst having to destroy all the opposing team's bomb sites, Levolution can help a team turn the tide of war at the most crucial of times.

When playing multiplayer modes like Conquest, Rush and Obliteration you can take control of the battle by issuing orders to squads, deploying UAVs to locate the enemy team to help give your squad needed help, and deploy a gunship to initiate Cruise Missile Strikes at enemy vehicles.

Obliteration sees two teams fighting over a single bomb that they must plant at the opposing team's bases.

A view of Yayoi Kusama's installation Aftermath of Obliteration of Eternity at Gagosian Gallery until June 27, West 24th street, New York.

Recently showing at the Tate Modern, Yayoi Kusama's interactive Obliteration Room began as an entirely white space, furnished as a monochrome living room, which people were then invited to «obliterate» with multi-coloured stickers.

Children's modified version of Yayoi Kusama's Obliteration Room, inspired by the exhibition at the Hirshhorn Museum and Sculpture Garden.

This spring Kusama's Obliteration Room (2002 - present) landed at David Zwirner's pair of 19th St. galleries, with visitors queuing up for hours in a testament to contemporary art's six - decade - in - the - making love affair with the Japanese artist.

Tacita Dean, in the book accompanying her recent Turbine Hall installation at London's Tate Modern [1], essentially campaigns for the preservation of celluloid film by rallying film makers, writers and artists to speak out against the immediate threat of obliteration of her (and their) medium.

The Gallery's beguiling Narcissus Garden (1966/2002) is on display in the Watermall at QAG, while the Children's Art Centre at GOMA hosts the interactive phenomenon The Obliteration Room (2002 — ongoing).

Her recent installation at the 2018 National Gallery of Victoria Triennial in Australia versioned the «Obliteration Room» series with flowers, with visitors handed faux Gerbera daisies and flower stickers to place wherever they liked.

If you missed the Yayoi Kusama: Infinity Mirrors frenzy at the Broad in Los Angeles, or The Obliteration Room — where visitors were invited to add 750,000 stickers to the walls and seating — at the Hirshhorn Museum earlier this year, the Kusama craze has returned to New York, with two major concurrent exhibitions by Yayoi Kusama at David Zwirner's two gallery spaces.

The Obliteration Room is currently showing at David Zwirner, New York, and Give Me Love documents its transformation from a clean, white slate to an overwhelming, color - infused collaborative space.

«THE ART WORLD IS A POISON in the community of artists and must be removed by obliteration,» asserted Carl Andre at a late - 1960s meeting of the Art Workers» Coalition, calling for the demolition...

* Please note: The Institute for Creative Destruction will be present at the opening to discuss its work while demonstrating its mission on documents or other material deemed to be in need of generative obliteration.

[10] These hallucinations also included flowers that spoke to Kusama, and patterns in fabric that she stared at coming to life, multiplying, and engulfing or expunging her, [11] a process which she has carried into her artistic career and which she calls «self - obliteration».

In 1968, the film Kusama's Self - Obliteration which Kusama produced and starred in won a prize at the Fourth International Experimental Film Competition in Belgium and the Second Maryland Film Festival and the second prize at the Ann Arbor Film Festival.

Yayoi Kusama, Aftermath of Obliteration of Eternity, 2009, Installation view at the Hirshhorn Museum and Sculpture Garden.

Yayoi Kusama: Give Me Love documents the artist's most recent exhibition at David Zwirner, New York, which marked the US debut of The Obliteration Room, an all - white interior that viewers were invited to cover with dot stickers of various sizes and colors.

While Kusama enthusiasts will prefer her «Obliteration Room» down the road at David Zwirner, we appreciate this show's pared - down aesthetic and emphasis on showcasing a variety of paintings.

In Brisbane, the exhibition was accompanied by Kusama's Narcissus Garden (1966/2002) in the Watermall at Queensland Art Gallery, and the interactive installation The Obliteration Room (2002 — ongoing) in the Children's Art Centre at the Gallery of Modern Art.

Considering the determined perseverance, time, effort and money that many prospective adoptive parents are willing to devote to adopting a child, I am astounded at the acceptance and inertia they demonstrate when faced with the obliteration of the adoptee's history.