Sentences with phrase «observation times show»

Lengthy series of observation times show that the total amount of snow in the Northern Hemisphere has declined in the spring period and that the melting of the snow has started earlier in the same period.

Not exact matches

Since the causal concept above explicated says nothing about the extent of the time difference between condition and its most immediate results, it is not clear how such observations or any others could show the invalidity of the concept.

But is it a secret that satellites and ground observations show a meltdown in Arctic sea ice that will open new shipping lanes — and security concerns — for the first time in recorded history?

Satellite observations have shown for the first time that smoke from forest fires can shut off rainfall from storm clouds in the tropics, according to a report in today's issue of Geophysical Research Letters.

Observations made between 2002 and 2009 show that the time between transits is shortening by 60 milliseconds per Earth year, say Elisabeth Adams of the Massachusetts Institute of Technology and colleagues (Astrophysical Journal, vol 721, p 1829).

«The fact that most of the countries that did not show an increase in individualist values were among the lowest in socioeconomic development over the time period examined is consistent with the observation that socioeconomic development drove the rise in individualism,» the researchers explain in their paper.

«Our current observations show that plants in Concord today are leafing out earlier than in Thoreau's time in response to warm temperatures,» she said.

Climate - change studies by Boston University biologists show leaf - out times of trees and shrubs at Walden Pond are an average of 18 days earlier than when Henry David Thoreau made his observations there in the 1850s.

Recent observations of IC 4651 showed that the cluster contains a mass of 630 times the mass of the Sun [2] and yet it is thought that it initially contained at least 8300 stars, with a total mass 5300 times that of the Sun.

Surprisingly, such observations show that the sun also causes semidiurnal tides in the atmosphere, which are more than 20 times stronger, although the solar gravitational forcing is less than half that of the moon.

Later observations showed that the planet was radiating 1.7 times as much energy as it was receiving from the Sun.

Airport observations at Redmond, at the south limit of the shadow track, show an average cloud cover of 24 percent at eclipse time.

«The observations show the blobs moving over time,» Sahai said.

Study participants whose genome exhibited an «unfavorable» methylation status at five or more of these sites had a risk of death within the 14 - year observation period that was seven times that of study participants whose methylation at these positions showed no abnormalities.

New observations from ESO's Very Large Telescope show for the first time a gas cloud being ripped apart by the supermassive black hole at the center of the galaxy.

New observations from ESO's Very Large Telescope show for the first time a gas cloud being ripped apart by the supermassive black hole at the centre of the galaxy.

This shows that identifying inconsistent observations is a pre-requisite for studying and interpreting the impact of climate change on the timing of life cycle events.

The observations by Dr. Anglada - Escudé's team have shown that both of the newly discovered planets are «Super-Earths,» which are worlds whose masses can be up to 10 times that of the Earth.

Analysis of the observations show the newly - discovered planet is around 2.5 times as large as the Earth, and 12 times as massive.

An obvious feature of the satellite TOA observations (figure 4) is that they do not show a sharp decline between 2002 - 2005 - the time of the transition from XBT to ARGO.

VLBA observations of TX Cam and other stars have shown motion of the gas when observed at different times.

However, comparison of the global, annual mean time series of near - surface temperature (approximately 0 to 5 m depth) from this analysis and the corresponding SST series based on a subset of the International Comprehensive Ocean - Atmosphere Data Set (ICOADS) database (approximately 134 million SST observations; Smith and Reynolds, 2003 and additional data) shows a high correlation (r = 0.96) for the period 1955 to 2005.

The VLBA observations show a level of detail more than 50 times greater than that of the Hubble Space Telescope at optical wavelengths.

Tom says one of the memorable events of his career was a time when he was reading about some observations of a star that showed strange a magnitude change.

At the present time the teams which are observing on the GTC, as well as those around the world, are waiting for Tabby's star to wake up again, and show stronger dimming, from 10 % to 20 % as found in the observations from Kepler over 5 years ago.

However, ground - based observations of Pluto taken in 1988 and 2002 show that Pluto's atmosphere has doubled over that time, possibly due to the amount of ice turning into a gas as Pluto makes its closest approach to the Sun in its orbit.

But satellite observations show that it is about 100 times greater at around 10 - 9 tesla.

Their time series of VLA observations showed that a pair of objects ejected from GRS 1915 +105 were moving apart at super speeds.

What makes «Year of the Rat» so vital is how, incidentally or not, it goes from denouncing the auteur theory (through not only the typically insecure observations of actors, but also the deflective statements of Morgan and long - time creative partner Wong) to validating it: In a coda, we see that the movie's poor box - office showing has shaken Morgan and only Morgan to the core; call filmmaking a «collaborative effort» to your heart's content, but as William Shatner, of all people, opines on the recent Star Trek V discs, at the end of the day no one on the set has as much emotionally invested in the picture's success as the person at its helm.

But too often, teachers are worried about how they are being evaluated, spending too much time on projects that don't have clear objectives to support instruction, or putting on a show for observation day.

And in my observations and experience, to be loved by those whom you teach, you have to show vulnerability, at times reveal who you are, your feelings, challenges, hopes, cares, and dreams.

Observations of child - care settings and pre-K, kindergarten, and 1st - grade classrooms show that some children spend most of their time engaged in productive instructional activities with caring and responsive adults who consistently provide feedback, challenges to think, and social supports.

«A simple observation of children's play clearly shows that rules and roles are frequently changed, children move on to different games with different playmates, and play is interrupted numerous times as problems are solved through kid - like discussions.

At Englewood's Harper High, where Michelle Obama recently visited in response to a public radio series about 29 current and former students being shot in a year's time, district data show administrators falling behind on teacher observations where Hancock is ahead of schedule.

In most school districts, principals show up at prearranged times to observe teachers» work, and then write their observations.

The writing was lyrical at times and the descriptions of nature show keen observation.

This image shows one of the more fascinating observations that could help you sell more books: Shoppers spent more time looking at «Books In This Series» than «Customers Also Bought...»

(An interesting side observation: I've noticed that I watch far more TV shows and movies than I did before I was forced into buying print and new all the time.)

-LSB-...] News «Amazon borrows from YouTube script, opens marketplace to video creators» $ by Angel Gonzalez at The Seattle Times — May 10, 2016 «Google» $ ™ s Answer to Amazon's Echo is code - named «Chirp» $ ™ and is landing soon» by Marg Bergen at The Verge — May 11, 2016 «Forget Amazon» $ ™ s Echo: Lexi lets you speak to Alexa through your phone» $ by MIX at TheNextWeb — May 6, 2016 «Move Over Lexi — Roger Puts Amazon Alexa in Your iPhone for Free» by Nate Hoffelder at The Digital Reader — May 12, 2016 Free Roger app for iOS «Goodreads launches free e-book giveaway promotions for $ 119 fee» $ by Chris Meadows at TeleRead — May 6, 2016 Tech Tip Audible's new Send This Book feature Thinking, Fast and Slow by Daniel Kahneman (Audible)-- email me at PodChronicles AT gmail DOT com if you» $ ™ d like me to send you a free copy of this audiobook, using Audible's new Send This Book Book Feature Interview with Peter Korn Amazon's guide to VoiceView Kindle Paperwhite blind and visually impaired readers bundle My Coverage of VoiceView at TeleRead and The Kindle Chronicles — May 10, 2016 Content Trump» $ ™ s America: The Complete Loser» $ ™ s Guide by Scott Dikkers Next Week's Show Interviews and my observations from Book Expo America in Chicago If you are interested, please check out my BEA Liveblog posts on Goodreads author tips and Rethinking the Standard Author Contract -LSB-...]

Abstraction, New Observations, June 1984, No. 24 1984 Is Abstract Painting Regaining its Popularity by Victoria Donohoe, Philadelphia Inquirer, September 14, 1984 1983 Ted Stamm by Sanford Kwinter, Art In America, January 1983, pp. 121-122 1983 Ted Stamm by Stephen Westfall, Arts Magazine, January 1983, p. 3 1983 Ted Stamm at the Far Turn by William Zimmer, Re-Dact 1 by Peter Frank, Published by Willis Locker and Owens, ISBN 093027900X 1982 Ted Stamm, Art Economist, Volume II, No. 14, December 31, 1982, p. 5 1982 Drawing Invitational 1981 by Geynne Vernet, Arts Magazine, February 1982 1982 Two Unprovincial Shows at the Jersey City Museum by Vivien Raynor, The New York Times, New Jersey supplement, October 10, 1982, p. 28 1981 Ted Stamm by Valentine Tatransky, Arts Magazine, February 1981, pp. 35 - 36 1981 Surely Temple Black by William Zimmer, SoHo Weekly News, February 18, 1981, p. 49 1981 Abstraction with a Relaxed Air by David L. Shirey, The New York Times, March 1, 1981, p. 19 1981 Ted Stamm by Tiffany Bell, Arts Magazine, May 1981, p. 8 1981 From the General to the Particular: Some Thoughts on Abstract Painting by Tiffany Bell, Arts Magazine, June 1981, pp. 120-124 1980 Tre Amerikaner i Skaane by by Sune Nordgren, Dagens Nyheter (Stockholm), May 5, 1980 1980 Pool Documentation by Kay Larson, Village Voice, June 2, 1980, p. 85 1980 Jane Highstein and Sensibility Minimalism: A Tissue of Happenstance by Robert Pincus - Witten, Arts Magazine, October 1980 p. 140 1980 La Nouvelle Vogue New Yorkaise est Portee Para La Musie Rock by Daniel Cornu, Tribune De Geneve, December 1980 School's Out by William Zimmer, The SoHo Weekly News, June 11, 1980, p. 61 1980 Old Wine, New Bottles, Bad Year by John Perreault, The SoHo Weekly News, June 18, 1980 1979 Ted Stamm by December Kur, Handelsblatt (Dusseldorf), March 3,1979, p. 21 1979 Entries: Styles of Artists and Critics by Robert Pincus - Witten, Arts Magazine, November 1979, pp. 127 - 28 1979 Where is New York by Peter Frank, ARTnews, November 1979, pp. 59 - 65 1978 Ted Stamm by Tiffany Bell, Arts Magazine, February 1978, pp. 33 - 34 1978 Ted Stamm by Edit De Ak, Artforum, February 1978, pp. 63 - 64 1978 Artful Dodger by Gerald Marzorati, SoHo Weekly News, May 18, 1978, 10 1978 Pittori di New York by Riccardo Guarneri, Visual, April - May 1978, No. 2 - 3, pp. 40 - 43 1978 Ted Stamm at Hal Bromm Gallery by Peter Frank, Village Voice, December 19, 1977, pp. 93, 98 1977 Arts and Leisure Guide by Ann Barry, New York Times, November 27, 1977 1977 Voice Choices by Ali Anderson, Village Voice, December 12, 1977, p. 59 1977 New Museum at the New School by Peter Frank, Village Voice, December 19, 1977, p. 98 1976 Ted Stamm by Barbara Catoir, Das Kunstwerk, January 1976, p. 64 1976 Alternative Arts Spaces: One to one politics for the avant - garde by Stephen Reichard, New York Downtown Manhattan, Akademie Der Kunste - Berliner Festwochen, September 1976, p. 249 1975 Reviews by Susan Heineman, Artforum, March 1975, pp. 62 - 63 1975 Artists Space by Trudie Grace, Art Journal, Summer 1975, XXXIV / 4, pp. 323 - 326.

I had to envy Agee the Proustian privilege of time travel, if only for the opportunity to show the continuing relevance of this observation almost 50 years later.

Waiting to be shipped out, in a shed abutting the kitchen, her new commissions for Quack Quack, as the new Serpentine show is called, draw on memories from her time in Kensington as a child during the blitz, as well as observations of the park's present - day visitors — a mix of fighter planes, cavorting dogs and resting migrants.

«Oceanic Feeling» is a show which rewards careful, fine - grained observation over sustained periods of time, and a keen appetite for the simplicity of material processes.

The Mitchell Algus show received a positive review in The New York Times from Holland Cotter, who noted Bernstein's relative obscurity with the sly observation:

In this interview Rauschenberg speaks of his role as a bridge from the Abstract Expressionists to the Pop artists; the relationship of affluence and art; his admiration for de Kooning, Jack Tworkov, and Franz Kline; the support he received from musicians Morton Feldman, John Cage, and Earl Brown; his goal to create work which serves as unbiased documentation of his observations; the irrational juxtaposition that makes up a city, and the importance of that element in his work; the facsimile quality of painting and consequent limitations; the influence of Albers» teaching and his resulting inability to do work focusing on pain, struggle, or torture; the «lifetime» of painting and the problems of time relative symbolism; his feelings on the possibility of truly simulating chance in his work; his use of intervals, and its possible relation to the influence of Cage; his attempt to show as much drama on the edges of a piece as in the dead center; his belief in the importance of being stylistically flexible throughout a career; his involvement with the Stadtlijk Museum; his loss of interest in sculpture; his belief in the mixing of technology and aesthetics; his interest in moving to the country and the prospect of working with water, wind, sun, rain, and flowers; Ad Reinhardt's remarks on his Egan Show; his discontinuation of silk screens; his illustrations for Life Magazine; his role as a non-political artist; his struggles with abstraction; his recent theater work «Map Room Two;» his white paintings; and his disapproval of value hierarchy in show as much drama on the edges of a piece as in the dead center; his belief in the importance of being stylistically flexible throughout a career; his involvement with the Stadtlijk Museum; his loss of interest in sculpture; his belief in the mixing of technology and aesthetics; his interest in moving to the country and the prospect of working with water, wind, sun, rain, and flowers; Ad Reinhardt's remarks on his Egan Show; his discontinuation of silk screens; his illustrations for Life Magazine; his role as a non-political artist; his struggles with abstraction; his recent theater work «Map Room Two;» his white paintings; and his disapproval of value hierarchy in Show; his discontinuation of silk screens; his illustrations for Life Magazine; his role as a non-political artist; his struggles with abstraction; his recent theater work «Map Room Two;» his white paintings; and his disapproval of value hierarchy in art.

2012 «Light Darkness and Shadow: Art and the Meaning of Life», Huffpost Culture, 11 December «Review: Tim Noble & Sue Webster Nihilistic Optimistic, Blain Southern», Kentish Towner, 6 November Mark Sinclair, «Nihilism, optimism and bedtime tales», Creative Review, 1 November Martin Coomer, «Tim Noble and Sue Webster: Nihilistic Optimistic», TimeOut: London, 29 October «Where to buy... Tim Noble and Sue Webster», The Week, 27 October Amy Dawson, «Art Review», The Metro, 24 October Rachel Campbell - Johnston, «Exhibitions: Critic» s Choice», The Times, 20 October Lia Chavez, «A Glimpse at Splitting, Multiplying Universes: Frieze London 2012 Highlights», Huffpost Arts & Culture, 17 October «Arts Agenda: The cultural highlights you have to see», I Newspaper, 16 October «Tim Noble and Sue Webster exhibition: We and Our Shadows», Evening Standard, 16 October Rob Alderson, «Amazing Silhouette Sculptures by Tim Noble and Sue Webster on show in London», It» s Nice That, 16 October Waldemar Januszczak, «Magic Lurks in the Shadows», The Sunday Times, 14 October Emma O'Kelly, «Nihilistic Optimistic by Tim Noble and Sue Webster, Blain Southern Gallery», Wallpaper, 10 October Colin Gleadell, «The best anti-Frieze in London», The Daily Telegraph, 9 October Jon Savage, «Frieze Week: Tim Noble & Sue Webster», Dazed Digital, 8 October Kate Kellaway, «Interview with Tim Noble & Sue Webster», The Observer, 7 October Rachel Campbell - Johnston, «Critics Choice», The Times, 6 October Lynn Barber, «The Dark Arts», The Sunday Times, 30 September Charlotte Cripps, «Bringing art to the Charts», The Independent, 29 September «Modern Life is Rubbish», The Art Newspaper, October John B. Henderson, «Chess», The Scotsman, 18 September Tim Walker, «Observations: Chess is the name of the game in a new London show», The Independent, 4 September Liz Stinson, «Artists Turn Junk Into Amazing Silhouettes», Wired, 6 July «Tim and Sue», Hunger, Summer «Tim Noble, Sue Webster and David Adjaye in Coversation with Louisa Buck», Garage Mag Online, 25 May

These time consuming and labor demanding installations represent artist's visual commentary of consumerist culture and mass production, and show his careful artistic observation of the sunlight in nature.

Sarah Charlesworth's recontextualized newspapers, a comparison of The Family of Man by Edward Steichen and Steve McQueen, typologies by the Bechers, Karl Blossfeldt, Dan Graham, and others, the photographic archive as a tool of social control, series - based portraiture by artists August Sander, VALIE EXPORT, Claude Cahun, Bea Nettles, Annette Messager, and Sophie Calle, the passage of space and time in works by Ed Ruscha, Duane Michals, Minor White, William Christenberry, and Atta Kim, photographic documention of artistic process, observation and experimentation, the photobook as a traveling idea, the slide show as performed sequence, Eadweard Muybridge and the illusion of motion, sequential narrative in works by Jan Groover, Eleanor Antin, and Chris Marker, compressing time in video works by Andy Warhol and Paul Pfeiffer, and more...

Observations show chaotic behavior of the climate system on all time scales, including sudden regime transitions, as we documented in Rial, J., R.A. Pielke Sr., M. Beniston, M. Claussen, J. Canadell, P. Cox, H. Held, N. de Noblet - Ducoudre, R. Prinn, J. Reynolds, and J.D. Salas, 2004: Nonlinearities, feedbacks and critical thresholds within the Earth's climate system.

I think some further explanation of the statement, «Observations show chaotic behavior of the climate system on all time scales, including sudden regime transitions» is warranted.