However when it comes to
observational painting there is a curious paradox; I feel deeply connected to the natural world but disconnected to doing something to protect it.
Not exact matches
I think people respond to
observational painting because it speaks to issues beyond the formal, but you have to have the formal
there to be able to get to that other stuff.
There's a link to an
observational study and to the 2 part SkS series by Rob
Painting highlighting the Meehl et al model - based study that suggests this is a HUGE phenomenon occurring in the ocean gyres explaining 700 - 2000m warming.