Not exact matches
This reprobate
character is known not only through an individual's own experience with himself as he struggles with impulses too strong for his own strength to overcome, but also through his
observation of the world
about him, a world in which evil and its works are so terribly apparent, and in whose operations he is so inextricably involved.
For our
observations about the scandal
of the gospel and the impossibility
of proving it arise from this partial
character of our knowledge.
Suffice it to say that the conceptuality which I accept — and accept because it seems to do justice to deep analysis
of human experience and
observation, as well as to the knowledge we now have
of the way «things go» in the world — lays stress on the dynamic «event»
character of that world; on the inter-relationships which exist in what is a societal universe, on the inadequacy
of «substance» thinking to describe such a universe
of «becoming» and «belonging», on the place
of decisions in freedom by the creatures with the consequences which such decisions bring
about, and on the central importance
of persuasion rather than coercive force as a clue to the «going»
of things in that universe.
Given the difficulties faced by actor Carlyle and the screenwriters to successfully convey pure, unadulterated evil, much
of what we learn
about Hitler is conveyed by the
observations and reactions
of other
characters, notably crusading but ineffectual anti-Nazi journalist Fritz Gerlich (Matthew Modine), and especially German publisher Ernst Hanfstaengl (Liev Schreiber) and his wife, Helene (Julianna Margulies).
Just a
observation turned into a discussion
about the nailpolish
of a fictional
character.
A low - key comedy
about a couple going through divorce may not sound like the stuff
of cinematic magic, but with its spot - on
character observation and sardonic wit The Squid and the Whale is an unexpected delight.
So much here is rife for broad satire — a man who lives out
of his wallet, has compartmentalized his life to fit into a single carry - on bag, and argues
about the joys
of independent, single living only to meet a seemingly ideal mate — but he is too concerned
about his
characters to descend to obvious
observations or generalizations.
The creator
of The West Wing and The Newsroom, and the screenwriter
of The Social Network and Steve Jobs, has a knack - or at least a propensity - for telling stories
about fast - talking intellectuals whose brains are overflowing with
observations and anecdotes, most
of which are thematically important by the end
of the conversation... a conversation that had at least a 40 % chance
of being given while the
characters walked somewhere.
I think that's what compels me
about the whole film — it's evidence
of very careful
observation of characters, places, and actions on Gerwig's part, and it also asks you to pay close attention to understand what's happening.
Alexis de Tocqueville made similar
observations about the unique
character of the citizenry in Democracy in America in 1835.
The advantages come at the price
of concerns
about the limited number
of country
observations, the mostly cross-sectional
character of available achievement data, and possible bias from unobserved country factors such as culture.
«Somewhat anemic
characters, a silly subplot involving the autobiography
of a yeti, and a lack
of trenchant
observations about human nature may disappoint those expecting the high quality
of Smith's No. 1 Ladies» Detective Agency series.»
In some ways writing
about Edward R. Murrow was easier than the other
characters because his
character, his mode
of speaking, his
observations are so much a part
of the public record.
None
of the
characters are interesting, and the dialogue is just a series
of F - bombs and ho - hum
observations about the awfulness
of corporations.
The novel's central
character, whose name also evokes that
of a famous observatory, continuously makes philosophical
observations and speculations
about the world around him — a wave, the rays
of the sun, a pair
of turtles, a sand garden — all leading to ruminations on the nature
of things and Being towards the universal.
Which is why a new piece in Yale Environment 360 on efforts to rein in urban sprawl in Europe caught my eye: After going through a brief overview
of the rise
of new urbanism in Europe as a response to American - style suburban development and Corbusier - inspired high - rise housing blocks, author Bruce Stutz brings up an important
observation about the
character of EU sprawl: It has happened during a period
of declining populations.