Unfortunately, the more
obvious metaphor of de-construction captivated the avant - garde power structure, especially in Germany.
Not exact matches
It is
obvious, then, what sin is in this
metaphor of the world as God's body: it is refusal to be part
of the body, the special part we are as imago dei.
It is a
metaphor with no
obvious point
of reference.
To say the
obvious (but it has so often been lost during the period
of modernity)
metaphors can be profoundly true, even if they aren't literally or factually true.
Discovered one night by troubled little Samuel (Noah Wiseman) and read to him by his mom, long - suffering palliative - care nurse Amelia (Essie Davis — stardom awaits), the book foretells the arrival
of a Jack White - looking thing (Tim Purcell) that serves as an unfortunately
obvious metaphor for repressed grief.
There are some too -
obvious metaphors (like Wilson struggling in the deep end
of a swimming pool), but you forgive them.
There is,
of course, no structural reason for the stage in terms
of narrative — Melanie Oliver's editing is, after all, more responsible for the film's allegro tempo than Wright's staging — but as a
metaphor for the aristocratic world wherein the majority
of the film takes place, it has some appreciated if
obvious bite (Wright ensures his intentions by juxtaposing natural environments when Levin returns to his home in the country).
(Ramsay, fond
of obvious and familiar visual
metaphors, leans hard on the image
of suffocation to reflect Joe's mental affliction.)
Even if you take its unfathomable action as a
metaphor for maternal anxiety — which is surely the point
of the exercise — it's dismally
obvious stuff.
As he edges further and further from the church he'd once cocooned himself in, Toller sees his body degrade more rapidly, an
obvious but effective
metaphor for the miserable state
of the world.
Lucky has the same affection pouring out
of it, which makes it easy to forgive its clumsier attempts at symbolism (there's a much - discussed lost tortoise that serves as a cheerfully
obvious metaphor for Lucky's own hard - shelled existence) and its mostly caricatured picture
of community.
We get plenty
of conversation,
obvious metaphors such as mirror gazing and metamorphic amphibians, but truly salient points about identity and limitation seem just out
of reach.
However, connoisseurs
of graphic design and poetic
metaphors may find themselves mesmerized by movie's amazing art direction and the script's
obvious attempts to draw parallels between the heroine's real and imaginary worlds.
So I couldn't help but cringe with the
obvious metaphor opening scene where Hugh Jackman's character (Keller Dover) experiences one
of those life - bonding moments with his teenage son Ralph (played by Dylan Minnette).
For this sad but ultimately optimistic tale
of estranged brothers reuniting under strained, phony circumstances, Anderson, Coppola, and Schwartzman set up a literal scenario to showcase the old
metaphor that life is a journey, and while some
of that theme gets blatantly
obvious near the somewhat problematic end, the journey
of the film itself more than compensates.
Sure, it could be that that's the point, that's the
metaphor; in a time when the president is easily caricatured by a sickly orange blob and a swoop
of yellow, it's
obvious that the ridiculous can be very real.
The Nash equilibrium, once it is explained, sounds
obvious, but by formulating the problem
of economic competition in the why that he did, Nash showed that a decentralized decision making process could, in fact, be coherent — giving economics an updated, far more sophisticated version
of Adam Smith's great
metaphor of the Invisible Hand.
Strip out all
of the
obvious weaknesses
of «Seize the Night» — the maddening, superfluous detail upon detail; the overworked similes and
metaphors; the ridiculously impossible plot; the improbable oh - so - cool banter — and you still have a book well worth reading.
Setting aside the
obvious racial
metaphor, the clash
of black and white offers a dialectical contrast that alludes to the many conflicted states
of marginalized identity, and to conditions
of visibility and invisibility.
In the visual
metaphors of his videos, sculptures and drawings, Cass highlights the materiality
of elements — through the intensity
of colors, the texture
of objects and the brutality
of actions — in order to reach for a poetic, political and spiritual meaning, beyond what is
obvious and visible in the work.
Of all the obvious metaphors in the Harry Potter series, Mad Eye's crazy eyeball replacement is one of the cleares
Of all the
obvious metaphors in the Harry Potter series, Mad Eye's crazy eyeball replacement is one
of the cleares
of the clearest.