Obviously, there are some
liberties taken in the story, particularly in its portrayal of the wild and wacky Hollywood lifestyle, which can
at times be very reminiscent of Crocodile Dundee in its brand of humor.
At the time the most important art journal of France, L'Artiste, in its issue of March 12, 1848, extolled the «genius of
liberty» which had revived «the eternal flames of art» (
obviously it had been less effective in reviving the rhetorical power of its writers), and the next week, Clément de Ris, writing in the same periodical, while slightly chagrined by the mediocrity of the first «liberated» Salon, nevertheless maintained that «in the realm of art, as in that of morals, social thought and politics, barriers are falling and the horizon is expanding.»
Although there apparently are some such students
at Trinity Western, the Covenant is
obviously a greater burden on most of them (except those who do not view celibacy as a burden) than on most heterosexual students (though it's worth noting that the Covenant does restrict the
liberty of such students too, and in a way that would surely be unconstitutional if this restriction were imposed by the state).