The human body is a society of this type because the actual
occasions of each part of the body are experienced as being spatially connected in the formation of a single body.
Not exact matches
When the sandwich is not a «problem,» the thread
of nondominant
occasions may be presumed to be directing the relevant
parts of the
body in a way those
parts often follow; the reservoir
of canalized previous initiative suffices and conscious awareness does not intervene.
If it were the case that there were a single terminal
occasion in the nonsocial nexus which is directly connected to each separate
part of the
body, the unity
of experience would indeed be difficult to explain.
Also the individual
occasions constituting
body and soul also include
occasions occurring outside the
body, as
parts of other souls, for example.
These choices by the mind set conditions
of which
occasions which constitute various
parts of the
body must take account as they concresce.
Each new
occasion in our
body feels, as
part of its past,
occasions which are members
of the society
of occasions which constitute the mind
of human being.
Beyond the
body there are also
occasions which are closely related to the central
occasion, but which are not directly
part of the
body that it coordinates.
The best
part is that everything is actually really functional for winter nights out — even the tulle skirt works for a super dressy
occasion because it covers up so much
of your
body and keeps the cold out.
As a
part of an ongoing inquiry into the place
of the human
body in contemporary art (occasioned by the release of Phaidon's new book Body of Art), Artspace's Dylan Kerr spoke to Thomas about artists who have influenced his own approach to the b
body in contemporary art (
occasioned by the release
of Phaidon's new book
Body of Art), Artspace's Dylan Kerr spoke to Thomas about artists who have influenced his own approach to the b
Body of Art), Artspace's Dylan Kerr spoke to Thomas about artists who have influenced his own approach to the
bodybody.
On the
occasion of the exhibition Maren Hassinger: The Spirit
of Things, Jenkins will discuss his diverse
body of video and performance work and historical past collaborating with artist Maren Hassinger, as
part of Jenkins involvement in Studio Z, a collective
of artists that included Hassinger, Barbara McCullough, Franklin Parker, David Hammons and Senga Nengudi, and others in the 1970s.