Sentences with phrase «occurs in the work of art»

«If there occurs in the work of art a disclosure of a particular being, disclosing what and how it is, then there is here an occurring, a happening of truth at work.»

Not exact matches

has led us to the conclusion, so far, that art is not a free, autonomous activity of a super-endowed individual, «influenced» by previous artists, and, more vaguely and superficially, by «social forces,» but rather, that the total situation of art making, both in terms of the development of the art maker and in the nature and quality of the work of art itself, occur in a social situation, are integral elements of this social structure, and are mediated and determined by specific and definable social institutions, be they art academies, systems of patronage, mythologies of the divine creator, artist as he - man or social outcast.
The work presented will speak to the dynamic changes that occurred in the art world in general as a result of its occurrence, and to the history of its effect on the artistic life of the Capital Region.
It houses the documentation of their public performance work organized under Adriadne: A Social Art Network, which occurred between 1977 - 82 during a seminal moment in the international feminist movement.
Of Warhol in particular, Craig - Martin said: «Warhol is possibly the most important figure in the fundamental change that occurred in art in the early 60s... [he] changes the whole notion about what a work of art is and how one deals with it.&raquOf Warhol in particular, Craig - Martin said: «Warhol is possibly the most important figure in the fundamental change that occurred in art in the early 60s... [he] changes the whole notion about what a work of art is and how one deals with it.&raquof art is and how one deals with it.»
In addition to electing new members as vacancies occur, the Academy seeks to «foster and sustain an interest in Literature, Music, and the Fine Arts» by administering over 70 awards and prizes, exhibiting art and manuscripts, funding performances of new works of musical theater, and purchasing artwork for donation to museums across the countrIn addition to electing new members as vacancies occur, the Academy seeks to «foster and sustain an interest in Literature, Music, and the Fine Arts» by administering over 70 awards and prizes, exhibiting art and manuscripts, funding performances of new works of musical theater, and purchasing artwork for donation to museums across the countrin Literature, Music, and the Fine Arts» by administering over 70 awards and prizes, exhibiting art and manuscripts, funding performances of new works of musical theater, and purchasing artwork for donation to museums across the country.
Linden states that, «These pictures, many of which have never been exhibited, capture moments of subversive works of performance and installation that occurred in the Bay Area in the wake of the Beat, hippie, and conceptual art movements... her photographs, themselves powerful works of art, constitute an immensely valuable archive of the ephemeral artistic activity the Bay Area has historically fostered.»
It will lead him into unknown territory and his work demonstrates that most of the beautiful things in art occur when you let them happen.
The final result can not be predicted as the work unfolds and makes us realise that most of the beautiful things in art occur when you let them happen.
[3] However although the concept of change has come to consensus, and whether it is a post-modernist change, or a late modernist period, is undetermined, the consensus is that a profound change in the perception of works of art has occurred and a new era has been emerging on the world stage since at least the 1960s.
Reminiscent of early forms of abstract modern art — a moment of convergence that did not actually occur in art history between cubism, constructivism and neoplasticism — her paintings emerge through a process of layering and accrual, with the finished work being «a concentrate of the many paintings underneath».
No such developments have occurred in the work of Elaine Sturtevant, who continues in fairly straightforward fashion to do her own versions of the art of Jasper Johns and others.
The folk revival occurred chiefly in the sphere of music during the 1930s and»40s, while folk art surfaced a decade later in the work of Jasper Johns and Robert Rauschenberg.
Interacting conceptually and aesthetically, the work in «Recent Histories» sought to deepen and expand the representation surrounding the discourse of African photography and video art, as well as dealing with the social and political tensions that occur worldwide.
Selections from the Ella Fontanals - Cisneros Collection, curated by Osbel Suárez, showcases a cross section of the collection and presents to the public a compilation of works by over 60 artists from North America, Latin America, Africa, Europe and Asia, who have witnessed and played key roles in changes that have occurred in the most significant trends in art over the last fifty years.
Curators Janet Bishop (of SFMOMA) and Katy Rothkopf (of The Baltimore Museum of Art) have carefully structured the exhibition as a series of encounters, which occur not only in real time, as visitors come upon the works, but also by way of time traveling, as they vicariously encounter Matisse through Diebenkorn's eyes.
However, Fraquelli states, «What becomes evident when looking at Picasso's work between 1914 and 1924, is that his two artistic styles — Cubism and Neoclassicism — are not antithetical; on the contrary, each informs the other, to the degree that the metamorphosis from one style to the other is so natural for the artist that occasionally they occur in the same works of art
Taken as a whole, the exhibition is a clean, a strong, and a varied one and of vast artistic, educational interest and importance, and, if I mistake not, will have as a result, and despite the unquestionably skeptical and even hostile attitude towards the merits of the new foreign movements, or an indisposition to accept them as being worthy of the title of art movements in general — the most marked effect upon the cause of art in America, and upon the coming production of American painters and sculptors, than anything that has occurred since the first exhibition of the so - called Munich band of young American painters in the old American art galleries in 1878, and of the work of Monet and his contemporaries and followers held here in 1883.
Only two years later the first exhibition of his work with the Whitney Museum of American Art occurred at the 1935 «Abstract Painting in America» show, which featured Balcomb Greene, Arshile Gorky, and Stuart Davis.
Unlike other museum - quality shows that occur in commercial spaces, usually of a single famous artist like the Francis Bacon triptych show at Gagosian (www.gagosian.com), Victoria Miro has allowed Grayson Perry to organise a show of artifacts — not art works — from the Victorian period intermingled with his own ceramic sculptures.
His sensitivity to works of art takes in not only the works of art themselves but the dialogue that he believes can and should occur between one work and another, provided the placement, the lighting, the sightlines can all be worked out.
To showcase the breadth and depth of the Museum's impressive modern art collection, a rotation will occur in May 2013 in order that other artists and works can be installed.
A more recent precedent for this kind of dialogue at Pomona occurred in 1969, when gallery director Hal Glicksman proposed the then radical idea to work with artists directly, commissioning installations and artists» projects, rather than solely exhibiting discrete art objects.
The revolutionary developments which occurred in art between end of the 19th century and the early 20th century are represented by works from Spanish artists like Fauvist Anglada Camarasa (1871 — 1959), portraitist Ramon Casas (1866 - 1932), Jose Gutierrez Solana (1886 - 1945), Dario Regoyos (1857 - 1913), Catalan naturalist painter Santiago Rusinol (1861 - 1931), Isidro Nonell (1873 - 1911), popular seascape and landscape artist Joaquin Sorolla Y Bastida (1863 — 1923), Maria Blanchard (1881 - 1932) and Ignacio Zuloaga (1870 — 1945).
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