Marsicano's figures of the 1960s suggest Ingres's odalisques repainted by Willem de Kooning, except that Marsicano's figures read not as presences but absences.
Medieval manuscripts and Malevich's Black Square; a niggly grey and black Giacometti and Titian's Portrait of a Lady; Cy Twombly's scribbled writing and Ingres's La Grande Odalisque, repainted in shades of grey.