Sentences with phrase «odd scene in»

It's all very strange, but I assure you, that's the least odd scene in the two hours it takes to complete Datura.
Much of the film focuses on Sinan's visit to his hometown of Çan and the nearby countryside, along with the odd scene in his university town of Çanakkale.

Not exact matches

An odd coalition that includes public employee unions and the state Conservative Party have used phone banks, bumper stickers and even a TV ad depicting a state constitutional convention as a bar scene reminiscent of the famous one in «Star Wars.»
One of the odder scenes, among many, at today's Columbus Day parade on Fifth Avenue: the dozen or so Jeanine Pirro campaign workers wearing «Vote for Pirro» T - shirts in the exact style of Napoleon Dynamite's «Vote for Pedro» T - shirts.
Nottingham - About Blog A fully independent delve into the Nottingham food scene, with the odd journey elsewhere thrown in.
The odd gunshot notwithstanding, the scene transpires in almost complete silence.
She played the woman who gets to play scenes opposite all three of the leading men in the Oscar - winning No Country for Old Men, and followed that up in the odd romantic black comedy Choke.
If I had any pull in Hollywood, Goldblum would be given a dump truck full of Oscars for his work in this movie, acting so self - consciously odd and undeniably hilarious that any scene he's not in is irritating to watch.
The pic looks sensational, especially in the night scenes, not only in its lush survey of Tim and Lee's swank temporary pad, but also in the digging scenes, in which Richardson populates the wide frame with searing lamp light from odd angles.
In Holy Motors the odd, moving scene involving Kylie Minogue takes place there.
One of the most impressive things of Bahrani and Bahareh Azimi «s script is that it sets up scenes which could have followed into much more dramatic outcomes but the writers chose to take the road less traveled and in an odd way, by taking the less dramatic approach, the film removes itself that much further from the majority of indie films that concern themselves with cramming the most amount of drama into the least amount of time.
In one of the film's odder scenes, she tells Max, rhapsodically, how Charlie almost beat the number - one boxing contender («He was beautiful,» she says).
If the spirit of Busby Berkeley lives on in «Reefer Madness,» so does the Grand - Guignol style of George Romero, in the blood - spattered scenes of mayhem, the staggering zombies, the beheadings, the odd impaling and occasional taste of cannibalism.
When Gibson goes out into his field in the middle of the night after hearing odd noises, that scene is incredibly tense because you just know he's going to see something odd out there.
While two couples star in the Hollingsworth v. Perry trial that dominated the news last summer, «The Case Against 8» attributes the lawsuit that started it all to a third odd couple operating behind the scenes.
In spite of its obvious flaws — and there are plenty of them — this odd mixture of dramatic chase scenes, more about goofy medical advice and family comedy actually...
The first half is great, but PTA let's all the story threads go in the second half and it unwinds into a couple of odd scenes without so much of a conclusion as just an end.
The film has the odd interesting loose - end, uses music unpredictably and it is properly grotesque in places, such as the first scene in which we see the Brufort family chewing on the various limbs and body parts of their victims.
Though deceptive advertising is nothing new in movies, the DVD cover art of Coming & Going takes the practice far, keeping the wheelchair out of the picture (save for the title logo's odd twist on the familiar handicap symbol), portraying the leads as young and hip in their jeans and tall boots respectively, and, most egregiously, placing a chihuahua poodle hybrid that features in a single 1 - minute scene front, center, and large.
She also is a control freak who can't simply let go and enjoy herself, as shown in a scene when she stomps out of an unsatisfactory massage session, or seeks brief relief through drink, drug use and an odd sexual interlude.
But in the movie this leads to an odd dichotomy between the drily cerebral and the powerfully sexual: on the one hand, decorous scenes of intellectual jousting between the two esteemed gentlemen, and on the other, primal shots of Jung (Michael Fassbender) and Spielrein (Keira Knightley) getting it on, which culminate in a bound Spielrein shouting with pleasure as Jung spanks her with a leather belt.
It's an issue not ameliorated by the appearance of house - painter Hubert (Janet McTeer), who, in one of the more terrifying scenes of nudity in the history of cinema, reveals that he is also a she, and married, I guess, to the oddest - looking one from The Commitments (Bronagh Gallagher).
Thus what might seem like a surefire thing, a love scene between two of the most charismatic and attractive actors in movies today, turns into something odd, distant and vaguely embarrassing.
Gervais and Leoni work this potentially awkward scene in such a way that we believe because they've established their odd rapport from early on.
Your character in The Descendants, she talks about complicated the emotions are for her and the three scenes are these odd situations.
The scenes of bloody, excessive violence are odd and troubling — the former because they are in such stark contrast to the movie's mostly playful demeanor and the latter because Vaughn seems to take such giddy pleasure in them.
It's an odd, unpleasant little movie, with too - brief appearances by name actors like Jennifer Jason Leigh and Barkhad Abdi («Captain Phillips»), and too many scenes filmed in such dim light you're not sure exactly what's happening.
The film has extended soft - core - style sex scenes, a weird, inexplicable confrontation between Danny and a drug dealer, and another odd scene with guys in tuxedos tossing a football.
It comes with odd distractions such as a long scene in which we watch a musical production.
In fact, something about the crime scene feels odd, though the police can't put their finger on it.
The story focuses on the teenage Bliss Cavendar (Ellen Page), an odd girl out in the pageant scene of her one - stoplight town of Bodine, TX.
The action scenes are wonderfully ridiculous, performed as an odd combination of street - brawling and wrestling that's as fast - paced as you could possibly imagine; these five ordinary blokes being surprisingly competent fighters is the kind of incongruity that The World's End revels in.
Since he died in the first film, however, we're left with a charming - but - empty Odd Couple thing with Frank and Marvin, the occasional hilarious scene with a highly underused Mirren, and the younger players (Parker and Byung - hun) dancing around them trying to get an action picture made.
by Bill Chambers Given that it may have the most famous scene in the Disney oeuvre, it's odd that Lady and the Tramp doesn't enjoy a better, or at least bigger, reputation.
«Updating a Classic» (19 minutes) is a making - of featurette with lots of behind - the - scenes footage, although given the press that they've received in recent years, it's odd to see Lohan's parents on the set.
There are no deleted scenes here, but there is an odd alternate opening, in pan-and-scan (upconverted to 1080i), that is apparently used for television screenings and has some material that doesn't show up in the theatrical cut.
I have only touched on the greatness that is Berberian Sound Studio; the performances are haunting and stilted with enigmatic and odd characters that could happily exist in the Lynch universe, as well as some truly unique ones, in particular the unseen sinister gloved hand that manically controls the projection of each scene.
Amazingly, both are the original sites that Wiseau hastily created in promotion of the room — that much is clear by the incredibly basic and bombastic design of the sites, as well as the odd flaming picture titled «Shame On You» linking to a horrendously edited video of behind - the - scenes footage of the Room.
For a while she has been a talented actress playing second banana roles in a number of Judd Apatow comedies (minus last year's abysmal «I Give It A Year «-RRB- and odd genre affairs, always stealing a scene here and there but never warping the entire movie around her greatness.
Cut - scenes are mostly limited to a talking book and the odd piece of moving artwork, but all in all it helps draw you into the world very well and sets it apart from its contemporaries» limited storylines.
Auteil is excellent as the unfortunate Vrinks, with his expressive face and commanding presence, and although some of his scenes have their power diminished by some odd choices by Marchal — the non-linear format in this case reduces the impact of Vrink's fall — he really steals the show.
There is an odd and unnecessary attempt at social commentary in many scenes between Daryl and Freddy.
Written and directed by Bryan Poyser, the film starts with an odd scene with a middle - aged white guy, Rudy (Chris Doubek), washing himself with a hose as his wife of 12 years, Diana (Heather Kafka) has thrown him out of the house, and he is living in his Ford Escort in Austin.
The oddest aspect of the DVD's multiple audio tracks lies in the Spanish dub track, which often features no music in scenes where there's score in the French and English tracks and completely different cues elsewhere, making one believe that all elements had to be recreated for the Spanish print, relying on awfully sparse sound effects, Spanish dialogue recorded in a sterile environment, and stock music in place of Newman's original score.
By now, we are accustomed to the smart - assed commentary that disfigured mutant mercenary Wade Wilson (Reynolds) offers as he narrates his life story, but it's still odd to see our main character blow himself to bits in the opening scene.
The Director's Cut, however, still retains those odd bits of temp trash music which Scott and editor Terry Rawlings retained in the final mix, so amid Goldsmith's elegant score, morsels from «Psycho 2» still bring key scenes to a crashing halt.
First announced at the end of last year, we have since been treated to the odd trailer and some screenshots, most of which emphasize the animated cut - scene popular in a lot of Atlus» RPG titles.
These problems are constant, with distortions and audio that fades in and out being the most prominent, alongside odd echoes and background noises that don't suit the scene.
SCENE, the third expansion, is now available along with some great bundles in case by some odd chance those living under rocks haven't experienced the first two expansions yet.
The music and sound effects in Oddworld: New «n» Tasty is very appropriate to the title and sets the scene for this fantastic world filled with so many odd - looking creatures.
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