Sentences with phrase «odd views about»

The editor of its bi-monthly magazine, Fr Patrick Burke, said with a rueful smile that it has a reputation for holding «odd views about evolution».

Not exact matches

Anyway, despite all the confusion about pre-millenialism, a-millenialism, post-millenialism, the recent invention of the rapture, Paul's confusing statement about «we who remain», the entire book of Revelation not appearing to be written by John because of the Greek used, and the odd way in which eschatological views seem to change in the New Testament Pauline letters, and the bizarrely easy way people like Thessalonians became convinced Christ had already returned in their time, and all the other confusing things about New Testament prophecy — the truth is that it is all trustworthy and you should not question this.

Too many critics talk about the cinematography of the film, who cares about the skylines, odd view points, etc let us just focus on the story and the message of the movie.

For journalism historians, this can be viewed as an odd way to talk about the Pentagon Papers.

What is especially odd about this featurette is how it takes the point of view of a veteran caretaker at the station, but that's all the better to show how Babs can have such a spellbinding effect on regular folk.

Sometimes I think about how odd it would be to catch a glimpse of the future, a quick view of events lying in store for us at some undisclosed date.

Early in today's piece, Jopson made an assertion about how Amazon is viewed that seems odd to me.

Sorry, I don't have specifics about the paintings, but in the two images below — which look closely at the small painting in the picture above, you can see the odd placement of the staples holding the canvas to the frame, and a side view showing the frame itself

Despite my reservations about the Sterne - Steinberg matchup, the quality of works on view is so high that any excuse to see them will do, so get to the Menil for this odd pairing of wonderful artists before it closes at 7 p.m. Sunday.

Over the last few weeks I have encountered a rather odd collection of sculptural things: the postwar ceramic sculpture of Lucio Fontana and Fausto Melotti bursting with dynamically glazed and roughly handled surfaces, currently on view at the Nasher Sculpture Center; The Age of Innocence, a victorian bust in three different materials by the English sculptor Alfred Drury at the Henry Moore Institute; a visit to Henry Moore's house, studios, and now foundation at Perry Green, and most recently what I can only describe as a wonderfully insane lecture by the contemporary sculptor Thomas Houseago, which involved an increasingly drunk, cursing artist saying some surprisingly sincere, profound things about sculpture.