Sentences with phrase «oeuvre opens»

Not exact matches

I am Someone who is Interpersonal, Love to have fun, Open to many Ideas, Ultimate Satisfactoire, Innovative, I am more than a Hors d' oeuvre, I am Decadent.

His small but distinctive oeuvre sets an example, not simply to that oft - cited cliché the «maverick» strain in American indiedom, but to an industry grown complacent on technology, genre gimmickry and opening weekends.

Bildmuseet presents Ana Mendieta's captivating oeuvre through 21 films as well as a selection of photographs, graphic works and objects.The exhibition Ana Mendieta / Covered in Time and History opens to the public on Sunday 18 June, at 2 pm.

Ben Brown Fine Arts is delighted to announce the opening of Heinz Mack / Lucio Fontana, a groundbreaking show placing the oeuvres of these two masters...

Making History, a survey show of the artistic oeuvre and creative output that Bushwick has fostered over the past decade, is set to open on April 19.

The statement opens the door to an understanding of the artist's oeuvre, or to a particular series, or even to a specific work.

The highly acclaimed British artist, who will attend the opening, will bring together a varied selection from his iconic and provocative oeuvre spanning the last decade.

The oeuvre of Lynda Benglis was already formidable before this show opened.

Galerie Lelong is pleased to announce the opening of Jaume Plensa: The Inner Sight at the Max Ernst Museum, a major solo exhibition that highlights the wide range of medium and forms within his oeuvre.

Join us on select evenings, Thursday April 23 (Members Night), Friday May 1, Friday May 8 and Friday May 15 to enjoy the Night Lights Lounge, with open bar and hors d' oeuvres.

Join us on select evenings, Thursday April 23 - Members Night, Friday May 1, Friday May 8 and Friday May 15 for Night Lights Lounge with open bar and hors d' oeuvres.

The wall collages are forming a dialogue between images from different series and periods in Sherman's oeuvre, and opens new possibilities for reading the images.

«Austin,» which opens to the public this month, is very much the culmination of Kelly's oeuvre, not just a summation of his work's themes but his masterpiece, the grandest exploration of pure color and form in a seven - decade career spent testing the boundaries of both.

He produced some of the most innovative and profound imagery of the 20th century, such as the Elegy to the Spanish Republic, Iberia, Open, and Summertime in Italy series, as well as one of the largest and most inventive oeuvres in collage.

What's more, the exhibition opens an interesting dialogue between Murkudis» designs and the museum's collection, juxtaposing his oeuvre with works by John Chamberlain, Jack Goldstein, Steven Parrino, Yves Klein, Juergen Teller, Mark Borthwick, Blinky Palermo, Sigmar Polke and Franz Erhard Walther.

[7] The progression of forms and colors in LeWitt's oeuvre proves that he was a firm believer that «once you reach the end of something, it opens the beginning of something else.»

Featured in this exhibition will be a recreation of Open House, 1972, a work that, like much of Matta - Clark's oeuvre, applies new meaning to abandoned and commonplace materials through the act of recycling.

[28] Just the week prior to his death the artist was working with the Museo Nacional Centro de Arte Reina Sofía, Madrid, to prepare a major museum retrospective of his oeuvre that had already been scheduled to open first at Tate Modern, London, on 13 February 2014, travelling later to Madrid where it will open on 24 June 2014.

Opening: Lygia Clark at Luhring Augustine This show, the first of Lygia Clark's work at Luhring Augustine, which now co-represents her with London's Alison Jacques Gallery, will act as a sampler of the Brazilian artist's oeuvre.

«BITS & PIECES PUT TOGETHER TO PRESENT A SEMBLANCE OF A WHOLE» This is a work by Lawrence Weiner one might appropriately use to open a laudation, since what could better describe an oeuvre than this sequence of words, literally enacting their proposition on the wall: bit by bit, as we read, it purportedly assembles itself into a unity.

I can never remember if white is supposed to be the color of life or death, but standing inside Marilyn Minter's cavernous bright white studio, walls close to bare due to the fact that much of Minter's recent work is on exhibit now at Salon 94 and much of Minter's entire oeuvre is included in her major career retrospective, which opens today at the Brooklyn Museum, feels not unlike being in a womb.

The exhibition will feature highlights of an open chapter in the Swiss artist's oeuvre, showcasing the breadth and vision of the Furniture Sculptures from 1979 to the present.

1989 Concept - Decoratif (Anti-Formalist Art of the 70s), Nahan Contemporary, New York, US The Presence of Absence: New Installations, Gallery 400, University of Illinois at Chicago, Chicago, Illinois, US; University of Arizona Museum of Art, Tucson, Arizona, US; Laumeire Sculpture Park and Garden, St. Louis, Missouri, US; Albany Institute of History and Art, Albany, New York, US; Oakville Galleries, Oakville, Ontario, CA; University of Kentucky Art Museum, Lexington, Kentucky, US; Longview Museum and Arts Center, Longview, Texas, US; Prichard Art Gallery, University of Idaho, Idaho, US; Museum of Art, Penn State University, University Park, Pennsylvania, US; The University of Iowa Museum of Art, Iowa City, Iowa, US; University Art Museum, University of New Mexico, Albuquerque, MX; Otis / Parsons Gallery, Los Angeles, California, US Words, Tony Shafrazi Gallery, New York, US Inedits / I, FRAC Bourgogne, Dijon, FR; APAC, Centre d'Art Contemporain, Nevers, FR Micro Sculpture, Fine Arts Center, University of Rhode Island, Kingston, Rhode Island, US Early Conceptual Works, Sperone Westwater Gallery, New York, US From Concept to Context, The Art Gallery of York University, Toronto, CA Saga 89, Eric Linard Editions, Grand - Palais, Paris, FR Un Choix dans les Collections du Nouveau Musee de Villeurbanne, Palais de Beaux Arts de Charleroi, Charleroi, BE Collections du Frac Nord Pas - de-Calais, Santa Scolastica, Bari, IT Group Show, San Francisco University Art Department Gallery, A&I Room 201, San Francisco, US Word / Image, Lehman College Art Gallery, Bronx, New York, US Ad Usum Dimorae, Palazzo Querini Stampalia, Venice, IT Bilderstreit, Ludwig Museum, Rheinhallen, Cologne fair grounds, Cologne, DE From the Collection of Dorothy and Herbert Vogel, Terra Museum of American Art, Chicago, Illinois, US Open Mind - Circuit Ferme, Museum van Hedendaagse Kunst, Ghent, BE Ohne Auftrag, Mai 36 Gallery, Art Frankfurt, The New International Art Fair, Frankfurt, DE Magiciens de la Terre, Centre Georges Pompidou and Grande Halle, La Villette, Paris, FR Competition Diomede, The Clocktower Gallery, New York, US; San Francisco State University Art Department Gallery, A&I Room 201, San Francisco, California, US Ideas and Ephemera, Real Art Ways, Hartford, Conneticut, US Geometrie Meridienne, Chateau Coquelle, FRAC Nord Pas - de-Calais, Dunkerque, FR Noise et Fenetres en Vue, Musee d'Art Moderne, Liege, BE Locus Solus XII, Galerie Hubert Winter, Vienna, AT Fondation Daniel Templon, L'Exposition Inaugurale, Capitou, FR Furkart 1989, Furkapasshoehe, CH Analytic to Poetic, Burnett Miller Gallery, Los Angeles, California, US Skulpturen für Krefeld I, Museum Haus Esters, Krefeld, DE John Miller / Gary Mirabelle / Lawrence Weiner, American Fine Arts Co, New York, US In Other Words, Museum am Ostwall, Dortmund, DE Gran Pavese: The Flag Project, Museum van Hedendaagse Kunst, Antwerpen, BE; Druot Montaigne, Paris, FR Another Group Show, Galerie Hubert Winter, Vienna, AT Forum, Stalke Gallery, Hamburg, DE Hier Wird Getanzt, XPO Galerie, Hamburg, DE Group Show, Elizabeth Kaufman, Basel, CH Lineart»89 Gent, Galerie B. Coppens and R. Van De Velde, Flanders Expo, Brussels, BE «Dreams» and Other Works on Paper, Leo Castelli Gallery, New York, US Moscow - Vienna - New York, Wiener Festwochen, Messepalast, Vienna, AT Minimal and Conceptuel, Oeuvres Anciennes, Gabrielle Maubrie, Paris, FR The Library - Artists» Books, A / D, New York, US Hamburg Projekt 1989, Hamburg, DE Einleuchten, Will, Vorstel und Simul in HH, Deichtorhallen, Hamburg, DE Musee d'Art Contemporain Lyon / Werke aus der Sammlung, Stadtische Galerie Goppingen, Goppingen, DE Sculptures de Kabakof, et al, ELAC, Lyon, FR Conceptual Art - Une Perspective, ARC, Paris, FR; Deichtorhallen Hamburg, Hamburg, DE; Fundacio Caixa de Pensions, Madrid, ES Broken Lines, Victoria Miro Gallery, London, UK Bel voor de Laatste Ronde, Art and Project, Amsterdam, NL Die Letzen 22 Jahre, Kunstverein in Hamburg, DE Acchrochage für Tatlin, Stadtische Kunsthalle Dusseldorf, DE

In 1995, the artist was honored with the opening of the Cy Twombly Gallery, an annex of the Menil Collection, a museum specifically devoted to the artist's oeuvre.

And as a further, decisive demonstration of the abstract nature of his oeuvre, we have the Robert Rauschenberg retrospective that opened 1 December 2016 at the Tate Modern in London.

Landscape is evoked everywhere in Martin's oeuvre: the orientation of the work suggests the horizon that demarcates the open skies from the vast expanses of desert; the coloring is reminiscent of cool dawns and damp river clay; the gravelly texture effects the touch of sand.

While the work uses a familiar vocabulary in Buren's oeuvre: colour, light and black and white 8.7 cm stripes, A Perimeter for a Room defines an entirely new system in its treatment of interior space that opens the way for new developments.

Equally respected in the art world and the electronic music community, his works lay open the functional principles of codification, self - organization and perception so that the hand of the artist recedes and the classical notion of an oeuvre is put into question.

Surveillance and state - sanctioned human - rights violations are, of course, connected — a continuation of Cold War political practices that have forever altered the relationship between citizen and state — but it is Cruz Azaceta's decision to ground this new work in the administration of social order and control that opens his oeuvre to novel interpretations.

Photographs March 11 - May 13, 2017 Opening: Saturday, March 11, 2017, 6 - 8 pm WORKS EXHIBITION BROSHURE The Galerie Karsten Greve is delighted to present Photographs, an exhibition devoted to the photographic oeuvre of the major twentieth - century American artist John Chamberlain, whose metallic works, resulting from a mechanical process of compression and crushing, revolutionised contemporary art.

Situated between the monumental and the miniature, Shapiro's oeuvre encompasses compact, closed polygonal bodies as well as open structures, whose joined wooden slats or elongated bronze elements recall an unfinished framework or scaffold.

Opening June 10 at Pioneer Works, the month - long solo exhibition incorporates a medley from Adams's oeuvre: performance, mixed - media collage, video, and sound installation.

As affirmed by this recent award, Horn's oeuvre is endlessly open - ended.

Flowers, Kingsland Road, will present a diverse range of iconic works which best represent the artist's oeuvre, while a simultaneous exhibition New Works will open at Flowers Cork Street, from 14 July — 3 September 2011.

Galerie Thaddaeus Ropac will open in London with an exhibition of Joseph Beuys, bringing together a series of early drawings alongside one of his most import sculptures, highlighting Thaddaeus Ropac's long - standing relationship to the artist's oeuvre.

In a unique collaboration never seen before in the UK, three major London galleries will open three distinct exhibitions, each of which will focus on a specific genre of Tacita Dean «s oeuvre.

Opening on February 3 and running through May 6, 2012, Tacita Dean is the first major museum exhibition to focus on the photographic oeuvre of Dean, who is best known for her canon of work on film.

Opening in December, the exhibition highlights key series within Oehlen's oeuvre alongside the works of other artists who have helped shape his outlook.

Opening on September 8th, the presentation will illuminate the pioneering scope of his oeuvre across a diverse range of mediums.

In an exceptionally informative catalog essay for the present exhibition (organized by Corey Keller, a curator at the San Francisco Museum of Modern Art, where it opened last November), the art historian Julia Bryan - Wilson surveys the critical and art historical literature that has proliferated around Woodman's oeuvre.

18 February — 7 May 2017 Opening: Friday, 17 February 2017 In her native Canada and beyond, the artist Liz Magor (b. 1948) is regarded as one of the most influential contemporary sculptors; the oeuvre she has built since the 1970s has guided an entire generation of younger artists.

Last year witnessed «Women» at LA's Regen Projects and «Man» at Zurich's Galerie Eva Presenhuber — self - curated surveys of the fashion models and biker chicks, cowboys and rock stars that populate his oeuvre — and his Catskills property Second House will soon open to the public as a Guggenheim - run museum.

Since the early 1980s, his oeuvre has built new bridges across the rift between American and European modernist and postmodernist painting, and his art has been wide open to other cultural influences.

My sense is that behind this apparent coolness, regularity and control in her work an engagement with the world as it is experienced (hence the opening paragraph), both visually and physically, continues to inform her whole oeuvre.