Sentences with phrase «oeuvre uses»

His often intensely personal oeuvre uses photography, text and video to plot an affecting route straight to the heart of the human condition.
Since the late 1970s, she has created a singular and complex oeuvre using a variety of media, including photography, painting, and sculpture.

Not exact matches

While I'm a Born Liar assumes too much knowledge of Fellini's oeuvre and place in film history to be of much use as an general introduction... the legendary director's enthusiastic participation makes it a must - see for buffs.
The use of music in Scorpio Rising is possibly the most influential aspect of Anger's oeuvre.
- Use one of your Ritz - Carlton Rewards Credit Card Club Level Upgrade certificates for full access and benefits to The Ritz - Carlton Club Lounge (5 culinary presentations: breakfast, light snacks, cocktails and hors d' oeuvres).
Present in each body of work, Ofili's deft perspective, painting and drawing techniques and use of color or not, unify his diverse oeuvre.
Paper in Practice presents work by artists who consider paper an important part of their oeuvre, and whose use of paper is markedly diverse, yet also critical in relation to their individual output, overall.
The curatorial perspective, in turn, will provide a rhizomatic framework to Moses's oeuvre — a genealogy of these strategies — in place of the conventional, chronological account typically used by institutions to situate an artist's work within historical movements alone.
In addition to the significance of this particular work within the artist's oeuvre, the distinguishing quality of this piece is Judd's use of intense color to express form.
Beijing artist Liu Wei's oeuvre includes assemblages of door frames, use of excrement as an artistic material, and a work made from dog chews.
Carefully calculated use of gradation and shadows create a slick, fashionable allure to his entire oeuvre, which is often in direct contrast with irregular, distorted shapes appearing regularly.
This had an obvious impact on the way in which Spiller's oeuvre developed as he used colour and material to visually express emotions and beauty.
NINA KATCHADOURIAN: CURIOUSER This midcareer survey will showcase the quirky oeuvre of Nina Katchadourian, a Brooklyn artist whose work includes photographs and videos made on airplanes and photographs that mimic 17th - century Dutch paintings by using napkins to recreate the caps and lace collars.
This new performance registers in Gilmore's oeuvre, using the female body and token exaggerations of femininity, including the color pink and fashion accessories, to test endurance and question reward.
His work for Art Brussels pushes his oeuvre further in his use of iconography to cultural references including symbolism.
The exhibition «In Different Ways» at Almine Rech Gallery focuses on how artists have developed unique techniques — at times diverse within their own oeuvresusing a brush, airbrush, spray paint, silkscreen and even pouring paint, collaging a range of materials, questioning canvas and wood support structures, or a combination of these processes.
The perversity of using this museological form to present practical objects sets up a welcome tension to the exhibition — asking the viewer to question the purpose and status of the objects in this particular strand of Weiner's oeuvre.
Of central focus to his oeuvre are his monochrome works where — using layers of oil or acrylic gel on hard reflective stainless steel, aluminum or Perspex — he combs the paint across the surface in continuous rhythmic movements.
In the catalogue for the exhibition Robert Rauschenberg: The Silkscreen Paintings, 1962 — 64, at the Whitney Museum of American Art in 1991, art historian Roni Feinstein writes, «Almost the whole of Rauschenberg's oeuvre, but most particularly the Silkscreen Paintings, anticipates contemporary works in which images are used to create images».
Steinkamp is one of the most important video and new media artists of her generation, and she brings a heightened focus on human sensory experience through her phenomenological installations, using light, motion, and sound to dematerialize and activate space, setting her oeuvre apart from that of her peers.
This experimental software project aimed to analyse Rembrandt's oeuvre digitally, and to create convincing original compositions in a similar style using the data.
Using minimal means — paint straight from the tube, applied meticulously with a palette knife — and a focused selection of colors, Josef Albers's sustained, serial investigation into rhythm, mood, and spatial movement is explored in this lavishly produced catalogue that looks solely at his respective grey and yellow paintings, exploring two distinct color palettes pervasive to his oeuvre.
This was the first time he used differently sized, individually crafted stretchers in one painting, lending special significance to this work of his early oeuvre.
Her tech - savvy, often humorous oeuvre includes such pieces as How To Sell A Digital Painting, an ongoing work in which she instructs readers on using smartphone apps to edit selfies into paintings, later reaping the benefits of selling to an «interested collector» and «closing the deal.»
Alongside Waldstück (Okinawa), 1969, which depicts the southern Japanese jungle, this small series of forest paintings from 1969 are remarkable in Richter's oeuvre, distinguished by the use of a subtle grisaille palette to capture the landscape.
Central to her oeuvre is her use of 16 and 35 mm film, a dependency not without its problems such as in 2011 when her lab in Soho, London informed her they would no longer be printing 16 mm film to immediate effect.
An emblematic figure in the Italian contemporary art scene and part of the Arte Povera movement, since the 1960s Pier Paolo Calzolari has developed an unusual oeuvre based on the use of certain recurring materials: tobacco leaves, salt, fire, frost, copper and lead.
With his work for the Biennale, Markus Schinwald has used spatial constriction to create spatial expansion — a paradox pervading his artistic oeuvre.
You might see Ofili's use of elephant dung and pornographic collage as purposefully blasphemous, indiscriminately desecrating Christianity's holiest icon with profane materials, but that would be a misreading of the artist's thoughtful, highly personal, and — ironically — highly spiritual oeuvre.
Burri was an undisputed master of twentieth - century art; his oeuvre brought a new language to Post-War art and his use of unconventional materials created a new aesthetic that paved the way for many younger artists.
While Bruguera's most recent work often uses the strategies of social movements and education platforms to address topical matters, this exhibition looks back to Untitled (Havana, 2000) as a crucial work at the turn of the millennium that symbolizes an important shift in Bruguera's oeuvre, as she moved from working primarily with her own body to considering active audience engagement.
Richard Tuttle's multifarious oeuvre is a study in scale and line using common materials that have been inventively assembled and exhibited.
She is noted for her use of line as the subject itself, which resonates throughout her entire oeuvre.
Guest curator and Picasso scholar Michael FitzGerald assembles nearly forty of the Spaniard's works and some 120 objects by Americans — including Stuart Davis, Jackson Pollock, and David Smith — who used his oeuvre as a point of departure.
There is another underpinning that can be found throughout her oeuvre; the great equalizers, death and decay, are represented through many of the natural and fragile materials used in Eberle's work.
Combining the seductive invocations of fire with Guyton's signature use of abstract lettering, these works played a critical role in the development of an oeuvre that has come to represent one of the twenty - first century's most searing enquiries into the relationship between art and technology.
Texts have formed an important part of Gillick's oeuvre and From 199A to 199B: Liam Gillick highlights his use of the written and spoken word through a new recording of his novel Erasmus is late, and a radio broadcast, A Broadcast from 1887 on the subject of our time (1996), taken from his republished edition of Looking Backward, by Edward Bellamy.
Legs are the subject matter of choice of Cousin's oeuvre that examines the human condition and the history of painting through a mixture of figurative and geometric elements rendered in a distinctively painterly style using a bold colour palette and with particular attention to the symbolic meaning of the visual forms depicted in her work.
This use of Perspex, so different from the 1960 monochromes, not only demonstrates another radical shift in Schifano's oeuvre, but also pre-empts his later interest in painting television screens.
With their collage of quotidian materials, their vertical orientation reminiscent of skyscrapers (albeit in miniature), and their use of a sculptural idiom, the columns are typical of Genzken's approach, for although her oeuvre is heterogeneous, architecture, sculpture, modernism, and the readymade remain touchstones of her artistic practice.
Incorporating footage from a wide variety of sources — from countdown leaders and coming attractions to training films and newsreels — and adding later his own 16 mm film footage, Conner developed a quick - cut method of editing which defined his oeuvre, and coupled with his use of pop music soundtracks, made films like COSMIC RAY (1961) and BREAKAWAY (1966) among the earliest precursors of the music video.
It will draw attention to the most radical aspects of his oeuvre, in particular his use of the close - up to focus attention on a specific motif, his unusual use of perspective and the arresting and dynamic poses of his figures.
«BITS & PIECES PUT TOGETHER TO PRESENT A SEMBLANCE OF A WHOLE» This is a work by Lawrence Weiner one might appropriately use to open a laudation, since what could better describe an oeuvre than this sequence of words, literally enacting their proposition on the wall: bit by bit, as we read, it purportedly assembles itself into a unity.
Lasker made use of the art world's conceptual turn in the 1980's, engaging in new possibilities of painting, and so developing the abstract formal idiom that has come to characterise his oeuvre.
Through an exploration of new directions and experimentation with use of bright, fluorescent color palettes (meant to capture the pink hats), as well as sculpture, this show offers a fresh new perspective on the artist's oeuvre.
Her oeuvre is comprised of mixed - media, installation, performance and video, which she uses to investigate anti-colonial struggle in her ancestral home Tanzania, spiritual belief systems and popular culture.
The term liquer d'expedition could also be used as a metaphor for Gavin Turk's entire artistic oeuvre, which is a several decades long comment on the role of art as a kind of additive set to fill the cultural bottle to the top and give the final distinct flavor to it's particular time.
Likewise, dedications, proper names, and other literary references in titles are used to evoke a narrative imaginary that runs through Schnabel's oeuvre.
Using paint and explosives — recurring materials in Van den Bosch's oeuvre — he compels Klein's heritage to become a modus operandi for today.
The Hotel Il Pellicano images also mark the first occasion Teller used a digital camera in his oeuvre, allowing him to get closer to the subject matter.
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