Laura Brown
of AQNB in conversation with Kelly Akashi about her practice and the material concerns of extending art - making into daily life.
Featuring the likes
of aqnb regulars, Kareem Lotfy, who is the show's organiser and a current Rijksakademie resident, Katja Novitskova, Ilya Smirnov and Anna Solal, CAROGNA promises to be an interesting gathering of works.
Not exact matches
As part
of our ongoing video series made in collaboration with Video in Common,
aqnb recently caught up with Claire Tolan during her three - month Perlin Noise Residency at SPACE in London.
AQNB has listed the opening
of SYNTHETIC SEDUCTION, a new dual show featuring the work
of Stine Deja and Marie Munk, as one
of their top event picks for the week.
Erdem Çetrez, curator
of OJ, introduces the Istanbul - based project space to
aqnb, along with some contemporary Turkish artists working in the scene.
View images
of the show on
AQNB here.
Included in the Agora Rollberg space — the collective's second, which the coming exhibition will «unveil» and «witness» — is the work
of Berlin - based artists Nicolas Puyjalon, Chile - born Michelle Marie Letelier, duo Anne Fellner & Burkhard Beschow, who were a part
of Comedy Club that
aqnb reviewed earlier this month and Paul Barsch.
Neil Raitt solo presentation at SUNDAY Art Fair noted by Kenny Schachter in his review
of Frieze week for artnet, among top picks
of Elephant Magazine, The Financial Times, among top six artists at SUNDAY Art Fair according to FAD Magazine, and highlighted by
aqnb, Artspace, and ARTnews.
The week
of salon - style exhibitions, hosted conversations and daily artist talks include some names all too familiar to
aqnb, including Daniel Temkin, as well as Carla Gannis and Claudia Hart who recently showed at the Coded After Lovelace exhibition, Spanish artist Claudia Mate, Marisa Olson
of Art Post-Internet, and artist Alma Alloro.
Featuring a few
aqnb favorites, including Jesse Darling and Arcadia Missa «s Rozsa Farkas, the group show also brings the works
of Jennifer Chan, Kitty Clark, Phoebe Collings - James, Jake Kent, Melika Ngombe Kolongo, Jaako Pallasvuo, Leon Sadler, and Alice Theobald, as well as additional texts by Mathew Parkin and James Poyser.
On illegibility, friendship, + other havens: A preview
of the upcoming Syllogy group show at Seattle's Veronica by Minh Ngueyn for
AQNB
Artists in Mo» Tile are Neïl Beloufa and Cooper Jacoby whose solo show Stagnants is on at Berlin's Mathew Gallery until March 19 and
aqnb reviewed earlier this month set out to continue his exploration
of «forms
of capture nestled in ubiquitous interfaces».
Dullaart's practice spans a career
of challenging the corporate interface with his early therevolovinginternet.com and calling the internet «a fucking big shopping mall owned by Facebook» in an interview with
aqnb.
Hornig extends the sentiment by mentioning to
aqnb that the motif
of a wild rose painted on a neon shimmering background «functions like a modern answer to our romantic need».
AQNB has included VITRINE's presentations
of Jamie Fitzpatrick and Tim Etchells in their Artissima 2016 recommendations.
Berlin - Helsinki based Sutela seeks to identify and react to precarious social and material moments, while London - based Rooney, who
aqnb interviewed back in 2014 and who was a part
of Cell Project Space «s sets
of poetry event, works between fiction and memory, or, reflection as she puts it.
The first event, Closest Thing to Wearing Nothing is a group show featuring the work
of Racheal Crowther, Benjamin Edwin Slinger, Nina Kettiger, who showed in the pop up Ying Colosseum event at Blacklands early last month that
aqnb went to and reviewed, and Esben Weile Kjær.
AQNB reviewed a recent exhibition
of Nevine Mahmoud's Three Isolated Effects in LA and Menna Comminetti and Sophie Lee presented Boy, ’12 in London.
Alexandra Symons Sutcliffe, Dignity as aspiration: The privilege
of representation + the obligation to attend in the work
of Amalia Ulman + American Artist
AQNB, July 21, 2017.
Ever the artist for slightly nihilistic, self - reflexivity, Jaakko Pallasvuo has managed a fascinating practice from his so - called «analysis paralysis», as reflected in one
of our favourite
aqnb interviews.
Adeleine St has written a thorough review
of Ivana Basic's exhibition Throat wanders down the blade... at Annka Kultys Gallery for
AQNB magazine.
As discourse develops beyond ideas
of visibility and representation to notions
of assimilation into existing cultural paradigms,
aqnb editor Jean Kay will be presenting a selection
of artists» works that considers the consequences
of structural affiliations and institutionalisation as both inspiring and influencing critical art practice.
Some
of these new names are not, however, new to
aqnb.
Banners, jerseys, and paintings hung throughout the gallery will feature the logos
of the art - related institutions, including
aqnb, which have agreed to sponsor the exhibition — by making some sort
of exchange with the artist.