Sentences with phrase «of action painting as»

New York, NY... By the late 1950s, American painter Allan Kaprow — formally trained in the era of Abstract Expressionism — began to view the action of Action Painting as far more important than painting itself.

In 1952, Kramer took issue with a prevailing understanding of action painting as a «psychological event».

By the late 1950s, American painter Allan Kaprow — formally trained in the era of Abstract Expressionism — began to view the action of Action Painting as far more important than painting itself.

Not exact matches

A May 2017 profile in the Guardian that painted the Robert Mercer - funded data company as shadowy and all - powerful resulted in legal action on behalf of Cambridge Analytica.

In the nightcap watch the action in the paint as junior centers Nazr Mohammed of Kentucky and Tim Young of Stanford go pivot - to - pivot.

That is why a lot of Arsenal fans are so upset right now and why we wanted some serious transfer action after the shaky start, but Granit Xhaka has offered a different take on the early stages of the new season, reports Metro, suggesting that apart from the below par showing against Liverpool at Anfield, the Gunners have not been as bad as painted.

At home, paint each of the pieces and write an action on them, such as «do a handstand» or «sing a song.»

A new study led by biologist R. Thomas Zoeller of the University of Massachusetts Amherst provides «the strongest evidence to date» that endocrine disrupting chemicals such as polychlorinated biphenyls (PCB) found in flame retardant cloth, paint, adhesives and electrical transformers, can interfere with thyroid hormone action in pregnant women and may travel across the placenta to affect the fetus.

Also, to Ms. Taymor's credit, she intelligently provides at times inspired touches such as — stop motion action shots, color tinting in brightly exotic desert shades, finely textured black - and - white sequences, shots of Diego in New York to do the Rockefeller commissioned mural against a lively Dadaist collage of the New York setting, Frida's dream of her hubby as King Kong, a puppet show in the hospital (with the help of the gifted Quay brothers animations of skeletons in the post-accident emergency room — the skeletons were copied from one of Frida's paintings).

Majewski uses CGI to place actors within Bruegel's paintings and layer live action in painterly compositions, both as a way to explore the creative process and as illustration and commentary on the social and political reality of Spanish - ruled Flanders that inspired Bruegel.

It might have been easy to overlook as a piece of controversy - garnering, conspiratorial intrigue if not for the fact that the movie goes to great lengths to paint the late humanitarian, philanthropist, and, at the time of her death, formerly official member of the Royal Family as an unstable and petty woman whose every action is motivated by a need to be loved by someone — anyone — who could look past the drama of her life and accept her for the, well, unstable and petty woman she knows she is.

Billed as «the world's first oil painted feature film», which is slightly harder to quantify than the film's PR people might hope, Loving Vincent consists 65,000 frames painted by a team of 125 classically - trained painters on glass, with about two - thirds of those have been copied over live - action reference footage.

That said, kids will certainly be amused by the visuals and action that paint dogs and cats as leading clandestine lives as secret agents, and for a while adults will have fun — mostly thanks to Sean Hayes» energetic voiceover work for the baddest (in every sense) cat of them all, Mr. Tinkles.

Directors Dorota Kobiela and Hugh Welchman filmed Ronan performing this scene and then turned the live - action footage over to a team of animators, who used it as visual reference for their emulation of van Gogh's own painting style.

The film doesn't always paint a flattering portrait of both of these well - respected figures, and some of their actions are largely seen as deplorable (the PG - 13 rating keeps most of the horrific acts they perform left to the imagination).

It's clear he is sympathetic and fully supportive of Snowden's actions, and does his best to paint him as a patriot who had no choice but to go public with his belief that the spying had nothing to do with terrorism, but was instead a form of social and economic control.

As a spin - off of the popular action series, Monster Hunter Stories expands the world with a shiny, new, undeniably cute coat of paint.

Many of the landscapes are painted backdrops with moving figures, as in a»30s film, and some of the outdoor action, especially a chase down a ski hill, looks accomplished with models.

Trying to paint any segment as being undesirable based on the actions of a few is a poor proposition and is the sign of an industry in trouble.

The game opens with one of the most horribly - acted live - action bits ever filmed as a cast of S.T.A.R.S. lookalikes mimes being chased and eaten by dogs wearing face paint.

A few days ago we brought you a mashup of Master Chief action figure and painted as Samus from Metriod.

Blur is the ultimate powered - up racing experience, dropping you into electrified action with a mass of cars targeting the finish line and battling each other as they trade paint in both single player and multiplayer action.

The combination makes it seem as if the action is taking place in front of an old oil painting.

For the most part, they just tweaked a few things and gave the game a fresh coat of paint, making the interesting pogo - jumping action still stand strong as a unique mechanic.

Kurchanova writes: «Apart from large canvases covered by Pollock's signature all - over web of patterned, dripped or sculpted paint, a range of his smaller abstract paintings adds complexity to our understanding of his work as that of an «action» painter... Pollock's active engagement with printing presents his achievement as a painter to us from a completely different angle and complicates the understanding of his work as based in physical action and unmediated involvement of the artist's hand.

Cornish writes: «I like how dramatic the paintings are as images, and how this drama pushes and pulls (surges may be a better word) in two directions: the ruffs and ripples of canvas and colour work upwards towards the containing outline, whilst the outline imposes itself on the action it frames: cutting, nipping, tucking and cropping.»

As with Action Painting so exemplified by the likes of Jackson Pollock and Helen Frankenthaler, each work resides as a minute experiment and an unveiled universe all at oncAs with Action Painting so exemplified by the likes of Jackson Pollock and Helen Frankenthaler, each work resides as a minute experiment and an unveiled universe all at oncas a minute experiment and an unveiled universe all at once.

McCarthy's provocative early performances in the late 1960s and 70s used his own body as the raw material to explore masculinity, where, drawing on performance art and action painting, he substituted the Viennese Actionists» sacrificial use of blood with ketchup and the Abstract Expressionists» paintbrush with phallic false limbs.

These works gained him international recognition as one of the first painters to develop a new style of postwar abstraction, and he was eventually associated — despite his rejection of labels — with such movements as tachisme, art informel, and action painting.

It helps explain how a single movement has struck different people as formalism or action painting, the pure representation of space or an artist's self - representation.

The works evoke the artists» belief in action painting as a means of embodying freedom.

Borne out of Modernist painting as well as «action painting» — a style of painting in which paint is spontaneously dribbled, splashed or smeared onto the canvas, rather than being carefully applied — this theme extends to present day, where brushstrokes fade away to innovative mark - making techniques or performance and video.

As the term says for itself, Action Painting is a style used in painting — a style that emphasizes the process of making art, often through a variety of techniques that include dripping, dabbing, smearing, and even flinging paint on to the surface of thePainting is a style used in painting — a style that emphasizes the process of making art, often through a variety of techniques that include dripping, dabbing, smearing, and even flinging paint on to the surface of thepainting — a style that emphasizes the process of making art, often through a variety of techniques that include dripping, dabbing, smearing, and even flinging paint on to the surface of the canvas.

ArtsATL: You often talk about the «immediate present» in your work, especially with the environmental paintings, which makes me think of action painting in the 1950s and the contemporary idea of focusing on the «present moment» as a stress - reducing mental exercise.

This group of exclusively male artists were often referred to as action painters, a term coined by Modernist art historian Robert Rosenblum, referring to the abstract, gestural painting style.

For this reason, his paintings are often displayed alongside their packing crates, which serve as reminders of the physical action required to deliver a finished work to an audience.

The piles of peeled paint seem like large books, as if the pages are a leaf in an action painting.

Like Cubism and Impressionism, «action painting» (as Rosenberg called it in 1952) advanced the course of Modernism along the path toward abstraction.

Painting as Action, Moderna Museet, Stockholm, Sweden Mexico: Expected / Unexpected, Katzen Arts Centre, Washington D.C., USA Sammen / Together, Trondheim Kunstmuseum, Trondheim, Norway Marking Time, The Museum of Contemporary Art, Sydney, Australia (catalogue) Notations: The Cage Effect Today, The Hunter College Art, New York, USA The Spiral and the Square.

Drawing from his daily life, and using his work as a tool to deal with the experience of existence, Auerbach has stated that painting is «something that happens to a man working in a room, alone with his actions, his ideas, and perhaps his model.

During the 1940s and 50s, New York became the centre for abstract art, with a group of artists such as Jackson Pollock and Willem De Kooning practicing action painting.

The Icelandic artist's work gives performance art, and contemporary art in general, a good rep.. His actions, musical scores, films and paintings are reminiscent of the repetitious, contemplative tone of Bill Viola's video work as well as Anselm Kiefer's multimedia, existential reflections on the creative «self» and on cultural inheritance.

Critic Helen Sumpter suggests in her recent essay on Gabb: «It's almost as if Gabb had taken something of the cool colour field paintings of Barnet Newman and turned them into something like the gestural action paintings of Jackson Pollock... These extraordinary artworks could also be seen as somewhat flighty but if they've become sculpture, paintings should at least stay fixed in their final form, shouldn't they?

For example, I think of painting as a stage set on which symbolic action is performed.

Painting in the genre of Abstract Expressionism, I feel a strong affinity for artists such as Joan Mitchell and Willem De Kooning, whose work also emphasizes action and emotion over ideas.

The paintings on exhibition are marked by an action of making so patently visible as marks, daubs and strokes of colour on the surface that the making and seeing of the scene are brought together in the painting.

Through paintings and film, Busuttil directly questions the legacy of British colonial action in Africa — an unresolved debate, as evidenced recently by the emergence of the #rhodesmustfall movement.

Previous influential works by their peers and predecessors are also featured, such as examples from Yves Klein's Anthropométrie, which uses the naked female body as a living paint brush, and Andy Warhol's invocation of automatic movement and action through his series of Dance Diagrams.

Think of it as action painting without the action or what Pierre Soulages called «beyond black.»

While New York and the world were yet unfamiliar with the New York avant - garde by the late 1940s, most of the artists who have become household names today had their well - established patron critics: Clement Greenberg advocated Jackson Pollock and the color field painters like Clyfford Still, Mark Rothko, Barnett Newman, Adolph Gottlieb and Hans Hofmann; Harold Rosenberg seemed to prefer the action painters such as Willem de Kooning and Franz Kline, as well as the seminal paintings of Arshile Gorky; Thomas B. Hess, the managing editor of ARTnews, championed Willem de Kooning.