Sentences with phrase «of action painting for»

Absent the Postwar malaise, Existentialist angst, and Surrealist bent that shaped the cultural context of Action Painting for the New York School, the uniquely American reference of landscape in Abstract Expressionism is perhaps more visible on the West Coast, especially in the work of Jack Jefferson, Frank Lobdell, and Charles Strong, the artists most heavily represented in the show.

Not exact matches

When she reaches the bottom of the article, she notices a call - to - action (CTA), which is essentially an ad, for one of your offers — a free painting consultation to help her decide which color scheme would work best with the size and type of nursery she's working with.

They are also asking for an overall review nine months into the program; the redeployment of staff and resources from projects like station painting and retiling to signal repair and track inspection; better ways to report causes for subway delays; and a comprehensive plan for the future that details how work from the Subway Action Plan will be carried forward over the coming years.

Schumer's comments add to the growing call for action in Buffalo, where elevated lead levels have been a problem for years because of the presence of lead paint in its old housing stock.

To be sure, plenty of «action - oriented recommendations structured for immediate implementation» are included in the report, after the expectedly dismal picture of the status of women and underrepresented minorities in science and engineering is painted.

Mia recently posted... Painting murals: Action in the Special School of Egaleo (Painters in Action for the Children)

The more you play it the more you become aware that it's an old game given a new lick of paint, but if you love Diablo don't let that put you off; Titan Quest has a great deal of entertainment in store for fans of loot - filled action RPGs.

It's tragic what happened to these men, there's no question about that, and Landesman is just in wanting to paint the NFL in this light for their actions, but it doesn't make for a very level - headed product and that imbalance can get in the way of his storytelling at times.

It might have been easy to overlook as a piece of controversy - garnering, conspiratorial intrigue if not for the fact that the movie goes to great lengths to paint the late humanitarian, philanthropist, and, at the time of her death, formerly official member of the Royal Family as an unstable and petty woman whose every action is motivated by a need to be loved by someone — anyone — who could look past the drama of her life and accept her for the, well, unstable and petty woman she knows she is.

Hand drawn and painted animated imagery was matched to live action of real characters in this defining moment for visual effects.

With wild - card additions like the Silver Surfer and Clea and the Son of Satan, the series would become an unwieldy canvas for the action - painting antics of whichever writer happened to have the assignment.

That said, kids will certainly be amused by the visuals and action that paint dogs and cats as leading clandestine lives as secret agents, and for a while adults will have fun — mostly thanks to Sean Hayes» energetic voiceover work for the baddest (in every sense) cat of them all, Mr. Tinkles.

Directors Dorota Kobiela and Hugh Welchman filmed Ronan performing this scene and then turned the live - action footage over to a team of animators, who used it as visual reference for their emulation of van Gogh's own painting style.

By ignoring the intimidating conventions of the likes of Call of Duty, the Japanese funsters conjured a delicious confection of riotous colour and frenetic action with paint guns substituting for real weapons.

The quiet girl from Brooklyn refused to go back to the projects — being raised by her selfish aunt her whole life was the push she needed to run far away and never return.According to Ms. Hudson, actions have always spoken louder than words, so when a blast from the past resurfaces and refuses to take «no» for an answer, Nia decides to give him one hour of her time.Surprisingly, one hour turns into a week, a week transpires into months and before she knows it, the two have become a couple.Together, East and Nia don't paint the perfect - picture — they have nothing in common, and in fact, he's the complete opposite of everything she stands for.Dangerous, thr...

If you're still looking for more action on your Moliets surfing holidays, our Star Surf Camps Moliets Team is on - site and can arrange for you to go paint balling, hit the trees in a nearby high ropes course or go explore the Southwest of France on horseback.

KEY FEATURES — Stunning hand - painted artwork — Critically - acclaimed original music score — Hours of reactive narration deliver a deep story — Intuitive touch controls created exclusively for iOS — Universal App runs on iPad, iPhone, and iPod touch — Variable difficulty for players of all skill levels — Action - packed combat rewards playing with finesse — 10 + unique upgradeable weapons to be used — 6 powerful Bastion structures to be discovered — «New Game Plus» mode unlocked after finishing the story — Game Center achievements and leaderboards — Sync saved data seamlessly via iCloud

Despite early previews stirring up fears that the series was adopting an uncharacteristically dark and gritty tone, this new SSX is pretty much the same, light - hearted, trick - laden action that was a smash hit last generation, just with a fresh coat of paint and a leaderboard system called RiderNet, similar to Need for Speed «s Autolog.

DLC content for GoW3 was minimal and framerate is important to me (especially in an action game), so I'm going to wait for it to show up on PS + before I check out the new coat of paint.

This is also good for quickly taking out opponents during a match, where you can douse them in paint and take them out of action briefly during an encounter.

For the most part, they just tweaked a few things and gave the game a fresh coat of paint, making the interesting pogo - jumping action still stand strong as a unique mechanic.

This first trailer doesn't show any gameplay, but the mix of CGI and live action does paint a foreboding picture for the latest adventure.

There are also multiple skins for your helicopters, but this is like applying a new coat of paint to the side of the house facing the alley: no one ever appreciates it since the action is always focused on shooting at your enemies to keep them off your allies or away from yourself.

And this technique is crucial for understanding of the Action Painting.

In the press release for the Fort Tilden show, MoMAPS1 suggested that Grosse's ambition was to «extend the scope of her painting beyond the borders of the canvas» and declared that her installation projects «evoke the physicality of action painting and earthworks through their gestures and monumentality.»

Jackson Pollock claimed to be the influence of «action painting,» despite Rosenberg's rumored lack of respect for the artist because Pollock wasn't particularly well - read.

As the term says for itself, Action Painting is a style used in painting — a style that emphasizes the process of making art, often through a variety of techniques that include dripping, dabbing, smearing, and even flinging paint on to the surface of thePainting is a style used in painting — a style that emphasizes the process of making art, often through a variety of techniques that include dripping, dabbing, smearing, and even flinging paint on to the surface of thepainting — a style that emphasizes the process of making art, often through a variety of techniques that include dripping, dabbing, smearing, and even flinging paint on to the surface of the canvas.

1958 1958 Pittsburgh Bicentennial International Exhibition of Contemporary Painting and Sculpture, Museum of Art, Carnegie Institute, Pittsburgh (December 5, 1958 — February 8, 1959) A propos du baroque: Jean Degottex, Marcelle Ferron, Sam Francis, Simon Hantaï, Shirley Jaffe, Marcelle Loubchansky, Joan Mitchell, Judit Reigl, Jean - Paul Riopelle, Galerie Kléber, Paris (November — December) Some Contemporary Works of Art, Cleveland Museum of Art, Ohio (November 11 - December 31) American Symbolic Realists: Fifteen American Artists, Palazzo Collicola, Festival dei Due Mondi, Spoleto, Italy (June 8 — 29) 18th Annual Exhibition of the Society for Contemporary Art, Art Institute of Chicago (May 8 — June 8) The Museum and Its Friends: Twentieth - Century American Art from Collections of the Friends of the Whitney Museum, Whitney Museum of American Art, New York (April 30 — June 15) American Artists of Younger Reputation, New York Art Foundation, Rome (opened April 14) The Evocative Eye, Signa Gallery, East Hampton, New York (July 5 - 24) The International Art of a New Era: Informel and Gutai, Osaka Festival, Osaka, Japan (September 2 — 7) Action Painting, Dallas Museum of Contemporary Arts (March 5 — April 13) Abstract Impressionism, The Art Galleries, Portland Building, University of Nottingham, England (February 19 — March 19).

The aspirational placement of the paintings, and their current «tabling» in lieu of action is a direct reference to the longstanding debate regarding atonement for America's history of slavery and racial subjugation.

For this reason, his paintings are often displayed alongside their packing crates, which serve as reminders of the physical action required to deliver a finished work to an audience.

During the 1940s and 50s, New York became the centre for abstract art, with a group of artists such as Jackson Pollock and Willem De Kooning practicing action painting.

For example, I think of painting as a stage set on which symbolic action is performed.

Painting in the genre of Abstract Expressionism, I feel a strong affinity for artists such as Joan Mitchell and Willem De Kooning, whose work also emphasizes action and emotion over ideas.

The «gesture» in the show's title is shorthand for the term Action Painting, coined by Rosenberg to describe the calligraphic brushstrokes — and, by extension, the existential angst — of AbEx's embryonic phase in the early 1940s.

Abstract expressionist painters who fall into the category of «action painting,» like Pollock and de Kooning, were known for being «one with the paint.»

Alfonso Ossorio, known primarily for his later compositions of found gewgaws and the ever - present evil eye, also has a traditional oil on canvas action painting from 1955.

Rosenberg, writing in 1962, had his own name for art of the 1950s, action painting.

Both trends conceived paintings as an experiential space, for a physical / psychic action, which in the case of action painting would be comparable to the act for someone who climbs mountains and whose literature and imagination are clearly rooted in romanticism.

For him, silence was a landscape of unintentional sounds experienced between intentional sounds; as such, it was absolutely substantive, inseparable from and interdependent with sound.22 By extension, we might expand our view of the White Paintings, considering them not as inert screens waiting to be activated by life's subtle projections but rather as provocative agents of activity and profoundly physical objects that link our actions and perceptions, making us aware of the same perceptual interdependency that was central to silence for CaFor him, silence was a landscape of unintentional sounds experienced between intentional sounds; as such, it was absolutely substantive, inseparable from and interdependent with sound.22 By extension, we might expand our view of the White Paintings, considering them not as inert screens waiting to be activated by life's subtle projections but rather as provocative agents of activity and profoundly physical objects that link our actions and perceptions, making us aware of the same perceptual interdependency that was central to silence for Cafor Cage.

De Kooning is, after all, one of the pioneers of Abstract Expressionism, the artist for whom the label «action painting» was all but tailor - made.

The two - minute version, he says, would be that Greenberg favored «purity, formalism, flatness, overall design, and surface incident» in painting while Rosenberg argued for «the action of the artist on the canvas and the notion of the creative act being the most important aspect of art making, rather than the product.»

Exhibitions at SDMA include; Animated Painting (2007); Transmission: The Art of Matta and Gordon Matta - Clark (2006); Past in Reverse: Contemporary Art of East Asia (2004), for which she received the Emily Hall Tremaine Exhibition Award; and Axis Mexico: Common Objects and Cosmopolitan Actions (2002).

Noland and Louis recognized almost immediately that the technique of staining -LRB-»... a way to think about and use color») was also a means of eliminating gesture and drawing, hallmarks of «action painting» which had dominated American at for a decade.

Artists such as Nevelson and David Smith became known for large - scale outdoor sculptures and public art, while Aaron Siskind sought to capture the same kind of energy and movement in his photography that Pollock was attempting to evoke through action painting.

In his trademark cartoon paintings begun in 1961, Lichtenstein enlarged and edited the single frame of a comic strip, either romance or action subjects, including the talk balloon, the simplified back outlines, and the dots used for printing color.

Active from the late 1930s through the 1970s, Greenberg and Rosenberg served as champions of what came to be known as Abstract Expressionism or Action Painting (how there came to be two names for the same movement is part of the story).

Greenberg, who'd already gained recognition for essays on art like «Avant - Garde and Kitsch» (1939) and «Towards a Newer Laocoon» (1940), responded critically to the idea of «action painting.»

I get the feeling looking at this painting, that I am looking at a field of action that exists behind the plane of the canvas, and I think that is an extremely interesting thing for an abstract painting to be doing, if indeed it remains just that, an abstract painting.

Influenced by Jackson Pollock's method of action painting, Kaprow gravitated toward the act of making a painting more than the painting itself, and in his 1958 essay «The Legacy of Jackson Pollock,» he called for the overthrow of objects by actions.

Lisa says that Painting is a metaphor for life: The best you can hope to achieve is a familiarity with the most likely outcome of your actions.