Sentences with phrase «of architectural theories»

She is the editor of Architectural Theories of the Environment: Posthuman Territory (Routledge, 2013).

Trix & Robert Haussmann have been pioneers in breaking with the canonical premises of modernist design, playfully reinterpreting the linguistic dogmas of its architectural theories.

Formal elements within the work reference various art historical movements: from the gesture of Abstract Expressionism to the flatness of Minimalist paintings, to the spatial considerations of architectural theory.

Formal elements within the work reference various art and architectural movements: from the gesture of Abstract Expressionism to the austerity of Minimalist paintings, to the spatial considerations of architectural theory, specifically the work of Frank Gehry.

Not exact matches

Plainspoken and witty, it qualifies as social history, film theory, personal reverie, architectural history and criticism, a bittersweet meditation on automotive transport, a critical history of mass transit in southern California, a wisecracking compilation of local folklore, «a city symphony in reverse,» and a song of nostalgia for lost neighborhoods such as Bunker Hill and unchronicled lifestyles such as those of locals who walk or take buses.

Lunch break / Afternoon — BioRock Theory: slide and film presentations on the theory of mineral accretion, reef reconstruction, shore protection and architectural applicaTheory: slide and film presentations on the theory of mineral accretion, reef reconstruction, shore protection and architectural applicatheory of mineral accretion, reef reconstruction, shore protection and architectural applications.

Barry Bergdoll Meyer Schapiro Professor of Art History and Archaeology 19th - and 20th - century Architectural History; Theory and Criticism

Contributors include: Vito Acconci, designer; Kai - Uwe Bergmann, Partner, Business Development at BIG; Mindy Thompson Fullilove, Professor of Clinical Psychiatry and Professor of Clinical Sociomedical Sciences at Columbia University; Ariane Lourie Harrison, principal of Harrison Atelier and a critic and lecturer at the Yale School of Architecture; Seth Harrison, principal of Harrison Atelier and founder of Apple Tree Partners; media artist Brian House; poet Rachel Levitsky; artist, designer and founder of The Center for Urban Pedagogy Damon Rich; artist Martha Rosler; Associate Professor of Architectural History and Theory at Pratt Institute's School of Architecture, Meredith Tenhoor; modular synthesizer artist Ben Vida; and musician C. Spencer Yeh.

Jeffrey Kipnis is professor of architectural design and theory at the Knowlton School of Architecture at Ohio State University and architecture / design curator for the Wexner Center for the Arts.

In a focused manner, Maunz's work mines the history of classical art, architectural structures abstracted from memory, particular aspects of the artist's past, and family and childhood psychological theory.

Martin Hartung is a doctoral fellow at the Institute for the History and Theory of Architecture (gta) at ETH Zurich, Switzerland, where he researches the exhibition history of architectural projects on the art market.

Sabina Andron is a teaching fellow in Architectural History at the Bartlett School of Architecture, University College London and Lecturer in Interiors History & Theory, Univeristy fo East London.

Besides architectural commissions, murals, painting and printmaking, he published books on art theory and produced an enormous amount of silkscreen prints.

Until 2010, Arakawa and Gins painted large canvases that consistd of letters and numbers arranged geometrically, in which they meditated on their theory of the «mechanism of meaning»; these works enabled the couple to financially support their architectural projects.

Marianne Zamecznik, Curator, writer and director of Oslo Open, Johanna Agerman Ross, Curator at V&A and co-founder of Disegno, Peter Lang, Design critic, Professor Architectural Theory and History, Architecture, Royal Institute of Art, Stockholm, Sweden.

Contributions by: Vito Acconci, designer; Diana Balmori, Landscape and Urban Designer; Kai - Uwe Bergmann, Partner, Business Development at BIG; Mindy Thompson Fullilove, Professor of Clinical Psychiatry and Professor of Clinical Sociomedical Sciences at Columbia University; Ariane Lourie Harrison, principal of Harrison Atelier and a critic and lecturer at the Yale School of Architecture; Seth Harrison, principal of Harrison Atelier and founder of Apple Tree Partners; media artist Brian House; poet Rachel Levitsky; artist, designer and founder of The Center for Urban Pedagogy Damon Rich; Associate Professor of Architectural History and Theory at Pratt Institute's School of Architecture, Meredith TenHoor; modular synthesizer artist Ben Vida; and musician C. Spencer Yeh.

The imagery appears to extend or recede from the surface of the picture plane through the artist's carefully developed variations on colour theory and architectural elements with influences of Op art and Mathematical perspectives.

Co-directors of DAAR, an architectural office and artistic residency programme that combines conceptual speculations and architectural interventions, their theory and practice moves between art, architecture and education.

Created at the height of postmodern theory, Kasten's Architectural Sites submits iconic buildings to distorting angles and colored lights, thus transforming already vertiginous structures into truly illusory spaces.

Taking root from architectural theory, futurology and geopolitics, as well as family photographs and memory of place, his hand - drawn and digital sketches, collages and mobile constructs respond to the psychic and physical impact of space, and to how these experiences are navigated and mapped.

Founded in NYC in 1967 as an alternative forum for architectural research, education, and practice, the IAUS was a place of immense energy and effervescence, whose young founders and participants, while hardly known at the time, would shape architectural practice and theory for decades.

Elements of Balzer's work run parallel to contemporary influences on graphic, industrial, and architectural design, the flatness of the vibrantly colored foils create a contemporary twist on the theories of non-representational neoplasticism, cubist sculpture and the Japanese Superflat movement.