Sentences with phrase «of cibachrome»

Using no lens, Fuss's images are created by placing objects on large sheets of cibachrome paper that are briefly exposed to light.

The narrative work in the exhibition represents the last of the Cibachrome photograph printing process, now impossible to recreate.

«5 This distinction is probably most clearly articulated in a work Heinecken made on January 20th, 1981, when he pressed an 11 x 14 — inch piece of Cibachrome paper to a small color television set as Ronald Reagan gave his first inaugural address.6 The resulting image, a blurry «videogram,» in Heinecken's idiosyncratic terminology, embodies this tension.

Not exact matches

From Struycken a major work from the «70s is shown, a spectacular wall - sized set of 29 screenprints on paper as well as a great work from the «80s consisting of 6 cibachrome prints.

Monticello # 3, 2001 framed Cibachrome (dye destruction) print paper: 46 1/2 x 58 inches (118.1 x 147.3 cm) framed: 49 1/2 x 61 inches (125.7 x 154.9 cm) edition of 5 with 2 APs JC - 102

Flooded Hallway, 1998 framed Cibachrome (dye destruction) print paper: 46 1/2 x 58 3/8 inches (118.1 x 148.3 cm) framed: 49 1/2 x 61 3/8 inches (125.7 x 155.9 cm) edition of 5 with 2 APs JC - 30

Two Bunk Cell, 1998 framed Cibachrome (dye destruction) print paper: 58 1/8 x 46 1/2 inches (147.6 x 118.1 cm) framed: 61 1/8 x 49 1/2 inches (155.3 x 125.7 cm) edition of 5 with 2 APs JC - 58

Arcade, 1995 framed Cibachrome (dye destruction) print paper: 58 3/4 x 46 1/2 inches (149.2 x 118.1 cm) framed: 61 3/4 x 49 1/2 inches (156.8 x 125.7 cm) edition of 5 with 2 APs JC - 119

Yellow Hallway # 2, 2001 framed Cibachrome (dye destruction) print paper: 46 1/2 x 58 inches (118.1 x 147.3 cm) framed: 49 1/2 x 61 inches (125.7 x 154.9 cm) edition of 5 with 2 APs JC - 125

Nevisian Underground # 2, 2001 framed Cibachrome (dye destruction) print paper: 59 1/2 x 46 1/2 inches (151.1 x 118.1 cm) framed: 62 1/2 x 49 1/2 inches (158.8 x 125.7 cm) edition of 5 with 2 APs JC - 104

Top: Andres Serrano, Untitled VII (Ejaculate in Trajectory), 1989 Cibachrome, silicone, Plexiglas Gift of the artist to Julie Ault, 1989

Center: Andres Serrano, St. Michael's Blood, I & II, 1990 Cibachrome, silicone, Plexiglas Gift of the artist to Julie Ault, 1991

Right: Andres Serrano, Klansman (Imperial Wizard), 1990 Cibachrome, silicone, Plexiglas Gift of the artist to Julie Ault, 1990

LOUISE LAWLER Table Setting, 2004/2010 Cibachrome print face mounted to plexi on museum box, Ed 3/5 19 x 14 3/4» Courtesy of the artist and Metro Pictures Value: $ 20,000 / Minimum bid: $ 14,000

The eleven cibachrome prints in The Drug Series — Crack, Cocaine, Heroin, Marijuana, LSD, Psilocybin, Ketamine, Ecstasy, Amphetamine, Hashish, and Mescaline — depict a cross-cultural sample of adults ranging in age from 24 to28 years who had little or no prior experience with drugs.

Super Natural, National Museum of Women in the Arts, 2015 left wall: 4 works from Aquatica, 2014, 16 x 24 inch digital c - prints right wall: Aude 2, from the series The Moat and the Moon, 2003, 40 x 50 inch cibachrome

A list of some of the processes, materials, and cameras used in A Fine Experiment reads like a grand catalogue of photography's means: offset lithograph, dye transfer print, Polaroid print, gelatin silver print, Cibachrome print, color - in - color print, photogram, photo collage, double exposure, cliché verre, contact print, large format, panoramic, 35 mm camera.

Roses Are, Violets Are, Sugar Are, 1974 Cibachrome photographs, printed 2013 framed: 40.87 x 30.87 inches 103.8 x 78.4 cm (each) framed: 40.87 x 92.6 inches 103.8 x 78.4 x 235.2 cm (overall) Edition of 3

It is a 28 1/2 - by - 18 1/2 - inch cibachrome, numbered 30 of an edition of 50.

They came in 57 varieties of format: Polaroids, photocopies, inkjet prints, cibachrome panoramas in saturated colours.

, 1991, set of 8 Cibachrome photographs, 24 x 20 in.

Robert Heinecken, P.P. Three Women A, 1990; Cibachrome photogram; Edition of 3; 14 x 11 inches, 35.56 x 27.94 centimeters.

World auction records were also set for Gordon Matta - Clark (1943 - 1978), Lot 21, «Bronx Floors: Threshole,» 1972, $ 222,500; Matthew Barney (b. 1967), Lot 5, «Cremaster 4,» 1994 - 5, $ 387,500, more than double its high estimate; Mariko Mori (b. 1967), Lot 6, «Red Light,» 1994, one of an edition of three, $ 101,500, well over its high estimate of $ 60,000; Christopher Wool (b. 1955), Lot 35, «Untitled (Fool),» 1990, $ 420,500, seven times its high estimate; John Currin (b. 1962), Lot 2, «Untitled,» 1990, $ 46,000; Jeff Koons (b. 1955), Lot 14, «Buster Keaton,» 1988, a large polychrome wood sculpture, one of an edition of three, $ 409,500; Andreas Gursky (b. 1955), Lot 11, «Atlanta,» 1996, a large Cibachrome print from an edition of six, $ 90,500; and Richard Serra (b. 1939), Lot 22, «Sign Board,» 1969, $ 431,500.

Vik Muniz (Brazilian, b. 1961) Action Photo after Hans Namuth, from the series Pictures of Chocolate 1998 Cibachrome print © Vik Muniz and the estate of Hans Namuth, VAGA

The Cibachrome photographs presented in this exhibition are offshoots of Szymanski's 2015 sculpture series solfege inflatables and her 2015 painting series Icons: light reflections of the paintings» colors bouncing off the Mylar silver surfaces of the sculpture.

Amy Adler, 37, performs similar sleight - of - hand with her large - format Cibachromes.

Three exterior sites comprise Jeff Wall's recent exhibition of his trademark fluorescent - lit and aluminum - framed Cibachrome transparencies.

Lorraine O'Grady; Miscegenated Family Album (Ceremonial Occasions II), L: Devonia attending a wedding; R: Nefertiti performing an Aten ritual (1980/1994) Cibachrome prints; 26h x 37w in (66.04 h x 93.98 w cm); Edition of 8 with 1 AP

Contemporary works featured include Barbara Kasten's Site 16: Whitney Museum of American Art, NYC, cibachrome print, 1987 ($ 6,000 to $ 9,000); Philip - Lorca DiCorcia's Untitled (Strip Club), chromogenic print, 1980s ($ 5,000 to $ 7,500); Tracey Moffatt's Beauty (In Wine), chromogenic print, 1994 ($ 5,000 to $ 7,500) and Adam Fuss's Butterfly daguerreotype from the artist's My Ghost series, 2000 ($ 10,000 to $ 15,000).

At three meters long, the sheer scale of Gursky's «Los Angeles» Cibachrome print is a celebration of...

Sequoia - Shadow - Light - Reflection series, 2013 pigment print on archival paper, 120 x 90 cm, 2 parts Perspective of Disappearance, 2008 cibachrome print in lightbox, 190 x 235 x 60 cm Girl Making a Model of a Landscape - Sceneries series, 2005 - 2007 pigment print on archival paper, 100 x 100 cm

On the ground right: Martin Kippenberger Richter - Modell (interconti), 1987 a 1972 Gerhard Richter painting, wood frame, metal legs From right to left: Lucio Fontana — Hisachika Takahashi Concetto spaziale, Attese, 1966 oil on canvas; Louise Lawler Chandelier, 2007 cibachrome mounted on museum box Elad Lassry Man (Selfie), 2014 c - print photograph; Sturtevant Duchamp Man Ray Portrait, 1966 black and white photograph; Louise Lawler Marilyn, 1999 cibachrome, museum mount; Sturtevant Warhol Marilyn (study for Warhol diptych), 1973 silkscreen and acrylic on canvas; Maurizio Mochetti Mochetti di Mochetti (Jean Harlow), 1976 Conté de Paris on paper; Pierre Huyghe De Hory Modigliani, 2007 oil on canvas; Cy Twombly Copy of a Picasso, 1988 acrylic on canvas; Jean - Auguste - Dominique Ingres Autoportrait de Raphael, 1820 — 1824 oil on canvas; Francis Bacon four slashed canvas oil on canvas; Asger Jorn Brotherhood Above All, 1962 oil on canvas; Asger Jorn The Sweet Life II, 1962 oil on canvas Asger Jorn Rutting Stag in the Royal Forest, 1960 oil on canvas; Background wallpaper: Sara Cwynar 72 Pictures of Modern Paintings, 2016 wallpaper On the ground left: Vija Celmins To Fix the Image in Memory XIII, 1977 — 1982 tones and painted bronze

From left to right: Jean - Auguste - Dominique Ingres Autoportrait de Raphael, 1820 — 1824 oil on canvas; Cy Twombly Copy of a Picasso, 1988 acrylic on canvas; Pierre Huyghe De Hory Modigliani, 2007 oil on canvas; Maurizio Mochetti Mochetti di Mochetti (Jean Harlow), 1976 Conté de Paris on paper Sturtevant Warhol Marilyn (study for Warhol diptych), 1973 silkscreen and acrylic on canvas; Louise Lawler Marilyn, 1999 cibachrome, museum mount

After experimenting with many different papers and processes, we selected Cibachrome for the brilliance of its color and its proven longevity.

As supplies of analogue Cibachrome paper are increasingly threatened by the popularity of digital technology, Miller has had to stockpile his beloved raw materials.

That backward - forward sensibility is highly apparent in Heinecken's first posthumous retrospective, which includes his mash - ups of men's magazines and popular newsweeklies and «videograms» made by pressing Cibachrome paper against a television screen.

Cibachrome, 16 x 20 inches (405 x 508 mm), signed, dated, and numbered 1 from the edition of five in pencil on verso, with the Marian Goodman Gallery label on back mat.

In 1985, Jimmy DeSana produced a set of 30 Cibachrome prints for a collector.

Les Levine, «We Are Not Afraid» campaign, NYC subways, 1981, Unique cibachrome, 50.8 x 60.96 cm, Collection Irish Museum of Modern Art Donated by Barbara and Donald Seligman, 2014

This photographic documentation was the premise for Matta - Clark's typical colligated Cibachromes that build the core also of this exhibition.

Lorraine O'Grady; Miscegenated Family Album (Young Queens), L: Nefertiti, age 24; R: Devonia, age 24 (1980/1994) Cibachrome prints; 26h x 37w in (66.04 h x 93.98 w cm) Edition of 8 with 1 AP

The mainstay of the exhibition is a group of large Cibachrome photographs that depict two bodies of Szymanski's work together: a 2015 series of Mylar sculptures, named «solfege inflatables», and a painting series entitled «Icons» (also 2015).

In the early and mid - 80's he created series of captions that explored classical aesthetics from many angles, using new techniques and scale, such as Polaroids, photogravure, platinum, dye transfer prints and Cibachrome.

: RENEE COX, «Chillin» with Liberty,» 1998 (Cibachrome print, edition of 3).

In this context, Steven Kasher is showing 30 newly discovered Cibachrome photographs of one of the quintessential photographers of that decade: the late Jimmy DeSana.

Andres Serrano, Klansman (Great Titan of the Invisible Empire), 1990, cibachrome, silicone, plexiglass, wood frame.

SOLD Standard Station (Night) after Ed Ruscha From Pictures of Cars 2008 Cibachrome print mounted on aluminum in artists frame 36h X 67.5 w in Edition 3/6

The series «Viruses + Bacteria» created in 2003 contains unique digitized cibachrome prints created with the use of found x-rays, anatomical, and medical images combined with images of Martínez - Cañas» saliva to create digitized files.

The first is a group of 80 cibachrome photographs forming part of a series of works for which the artist coined the terms «media sculpture» and «media art».