Sentences with phrase «of creative drama»

This study measured the growth of reading comprehension skills of 51 remedial fifth - grade students after exposure to a treatment of creative drama integrated with children's literature reading material over a six - week period.

Not exact matches

«God as Composer - Director and Enjoyer, and in a Sense Player, of the Cosmic Drama» dates to 1987; the six arguments of Creative Synthesis are mentioned and two are summarized.
The upshot of Landry's seeking solidarity with his people in the first creative silences of the sermon's gestation is that the listeners, in James Sanders» analogy, are being coaxed on stage to participate themselves in the drama of redemption.
In Shakespeare's poems, the creative power and the intellectual energy wrestle as in a war embrace... At length, in the drama they were reconciled, and fought each with its shield before the breast of the other.
In the biblical view, by contrast, the natural world is no mere setting but part of the drama which is a single unified creative - redemptive work.
So they cooked up this scenario to get people off of Roman and Brock and onto this creative mini drama.
People went nuts for it; performances from an internationally recognized troupe and a creative team with a ridiculous number of Tony, Obie and Drama Desk awards between them will do that.
This may especially suit Play Therapists and other Creative Arts Therapists (i.e. IACAT members) who frequently work creatively with clients and will find exploration of their clinical work through Art, Clay Work, Sandplay, Drama and Projection particularly important.
Individual, family, couples, or group sessions include the use of creative arts / drama therapy, psychodrama, and play therapy.
Play Therapy, Drama Therapy, and Creative Arts Therapy used to aid in the expression of feelings, communicating needs, and addressing challenging behaviors.
The goal of the 2 - week day camp program is to prepare and present a creative drama work incorporating all performing arts areas of Drama, Vocal and Instrumental Music, Dance, and Visualdrama work incorporating all performing arts areas of Drama, Vocal and Instrumental Music, Dance, and VisualDrama, Vocal and Instrumental Music, Dance, and Visual Art.
Her many other accomplishments include: speech artist - and - therapist - in - residence at Karl - Schubert - Schule (Stuttgart); faculty of the School for Pedagogical and Therapeutic Speech (Switzerland), current chairperson of Creative Speech North America (association of speech artists); representative of the Performing Arts Section (Eurythmy, Speech, Music, Puppetry and Drama) on the North American Collegium of the School of Spiritual Science; translator, editor, author, and actor.
«Today's announcement to make it compulsory will exacerbate the already evident problems that far too many children and young people are being denied the opportunity to study a broad and balanced range of subjects, particularly creative subjects such as music, art and drama.
Celebrate your creativity and expand your mind through arts programs that include the combination of wine, food, music, poetry and painting, drama and theater workshops, creative writing and story - telling infused with illustrative techniques and methods.
I live very down to earth in the sense that I don't fly off the handle or dive head first into a vat of drama, but at the same time my creative and...
I am a 44 year old beautiful vivacious female who is looking for a equally vivacious male ages 35 - 50 for good conversation creative fun and companionship.I have a great sense of humor and not drama felt.
Hailed by Interview Magazine as one of the «14 to Be» emerging creative women back in October 2004, Independent Spirit Award nominee Elizabeth Reaser has proven to be one of the most promising onscreen talents of her generation thanks to memorable roles in the independent drama Sweet Land and the hit medical drama Grey's Anatomy.
In their debut feature directors Iain Forsyth & Jane Pollard fuse drama and documentary, weaving a staged day in Cave's life with never - before - seen verité observation of his creative cycle.
The creative script by writer Andrew Niccol was punched up by director Peter Weir, creating a nearly seamless story and a perfect blend of comedic aspects coupled with mounting tension and drama.
Scorsese's barely contained energy (invigorated by a 60s rock soundtrack that was, at the time, a genuinely creative use of popular music to define the mood, describe the culture, and punctuate the drama) drives the loose plot and his rich sense of place and culture gives it a home.
They don't need to be period pieces or intimate dramas (although that won't hurt), but they have to be in films that hit creative peaks such as «Room» or «The Revenant» («Beasts of No Nation» should have been one of those films, but more on that in a minute).
There are high expectations for the creative genius behind Mad Men, one of the most acclaimed drama series ever.
Here as in Ex Machina (2015), Garland's creative élan comes from his merging of sleek conceptual art and messy, juicy drama.
That might sound like a weird mix of creative talent, seeing how Romanek's previous feature - length efforts (One Hour Photo, Never Let Me Go) are worlds apart from the fluffy rom - coms and feel - good drama that Weitz and McKenna are known for writing.
Whether it's the unique plot and concept of «2 Guns,» its combination of humor and drama or the chemistry of the cast, one thing is crystal clear: The creative talent involved really believes in the finished film.
Jafar Panahi's drama is a gently provocative meditation on the role of creative souls in modern - day Iran.
The psychological drama stars James Rolleston (The Dead Lands) as one of a group of acting students who use a real - life sex scandal involving a tennis coach, as creative fuel for their end of year show.
The only extras include the Blu - ray - only Making Every Second Count with Spencer Stone, Alek Skarlatos and Anthony Sadler taking us moment - by - moment through the real - life drama, just as they lived it and on both discs, Portrait of Courage with Eastwood and his creative team telling why they took the bold step of casting the three Americans to play themselves in the film and other approaches to the film.
At the film's recent press day, Shyamalan and Blum discussed their creative partnership and the most surprising aspect of working with each other, why the scares in this film are deceptively simple yet terrifying and original, how the mock documentary style format gave Shyamalan new cinematic tools for keeping the audience guessing, his directing style, what he was looking for in his young actors, why he cast experienced stage actors for the grandparents» roles, his collaboration with award - winning DP Maryse Alberti, how he recruited Oxenbould to shoot the chase sequence underneath the house, why he likes treating B genre movies like they're A dramas, and more.
The ZeBBies were established to recognise the writer as the creative architect of every drama.
The late, great Satoshi Kon was such a relentlessly creative force that even when he tackled a musty old John Ford Western (they're not all musty, of course, but that one sure is) he was able to transform it into an imaginative animated drama that bristles with real life.
This creative production marks Crowe's only real work in a genre outside of comedy - drama and romance.
If the creative team behind the new «Rocky» spin - off «Creed» have their way, the boxing drama will go the way of it's...
MILLER»S GIRL by Jade Bartlett The story of a young precocious writer who becomes involved with her high school creative writing teacher in a dark coming - of - age drama that explores the often blurred lines of connectivity between professor and protege, child and adult.
Inspired by the adventures of Doyle's brilliant detective Sherlock Holmes, and based on Eve Titus» engaging book Basil of Baker Street, The Great Mouse Detective is a smartly sketched blend of comedy, action, adolescent drama and mystery which marks the directing debut of now legendary filmmakers Ron Clements and John Musker, important creative forces behind such Disney animated blockbusters as The Princess and the Frog, as well as the aforementioned The Little Mermaid and Aladdin.
The only person who upstages Gere is Cedar himself, who makes Norman an unexpectedly stylish drama full of flair, with some real creative split screens and an inspired dreamlike central sequence.
A posh, period, Anglophilic celebration of the creative process, taking up where Finding Neverland and other polite dramas of similar ilk left off (and where the upcoming Dickens saga The Man Who Invented Christmas threatens to go).
The creative team behind dramas like It's Kind of a Funny Story and the Oscar - nominated Half Nelson beat out well - known, female contenders for the 2019 feature.
Unlike Sean Baker, who found great success in his 2015 street drama Tangerine, interestingly among the first few feature films to dabble in Apple, Soderbergh's implementation tends to draw attention to style and like the worst of found - footage (which this film mercifully isn't), ends up more as a gimmick than the product of creative budgeting.
Screenwriters Boyce (24 Hour Party People, Millions) and Paterson do try to punch up the narrative with quite a few sensationalized bits of drama (a suicide occurs in the film that never happened from a character that never existed) and a helping of creative license (no mention that Lomax meets Patti while he had still been married with children, or of Patti's own children from a previous marriage for that matter), but those moments feel like inauthentic, manipulative movie moments (the film ramps up the climax with murderous intent that was not prevalent in reality), exacerbated by overcooked dialogue that not even these capable thespians can spout without it feeling manufactured.
The journey of «Solo» to the big screen was dogged with some production drama last summer when Lucasfilm president Kathleen Kennedy fired the original directors, Chris Miller and Phil Lord, over «creative differences» and brought on Ron Howard to finish directing.
Among his other television credits is the ABC comedy series «Big Shots,» in which he starred with Michael Vartan and Dylan McDermott; memorable recurring arcs on Ryan Murphy's «American Horror Story»; USA Network's drama «In Plain Sight»; «The Big Bang Theory»; «NUMB3RS»; and HBO's «The Larry Sanders Show» as Kenny, the shockingly uncreative creative executive; the Tom Hanks HBO production of «From the Earth to the Moon»; «Tracey Takes On...»; the telefilm «How to Marry a Billionaire»; «Extant»; «Children's Hospital»; «Psych»; «Bones»; «House»; «CSI»; «Law & Order: SVU»; Medium»; «Grey's Anatomy»; «Terminator: The Sarag Connor Chronicles»; and the ABC Family Channel original «See Jane Date.»
It proposes that the New Baccalaureate should include: - English - Maths - Two science GCSEs — one of which could be computer science - A creative GCSE from a list which would include art and design, music, dance and drama - A humanities GCSE from a list which would include history, geography, religious education and foreign languages - A design and technology GCSE or an approved technical award
You can download science - experiment plans, creative writing plans centered around the life and personality of Mark Twain, and, for drama and history classes, the full text of Sophocles's Oedipus Rex.
There's a lot to learn from the above study, but making assumptions from one study, ignoring all the other research, forgetting that learning that is associated with the intellectual or creative problem solving areas are always treated differently to grouping in sport, drama or music, shows that there is a bias towards accepting the findings of this one study - maybe not by the author, but by those in the community who are jumping on this study.
Currently, the EBacc comprises english, maths, science, a language and a humanities subject, either history or geography, and in its current form, fails to recognise the need for creative subjects including art, drama and music, giving no acknowledgement to the significance of these to nurture the young more creatively - minded individuals through education in this country.
Participants dive into creative writing, dance, drama, music, and art activities under the guidance of professional artists and learn how to fuse the arts fields across their curricula.
Use DRAMA TRUNK drama cards for tons of creative, fun, imaginative, any day activities, including: • Drama games (including last minute activities) • Warm ups • Team building and cooperation activities • Improvisation / quick thinking • Audition / rehearsal activities • Language activities • Guided learning • Listening skills • Inspiration • Storytelling Combine the use of multiple cards for even more activities, challenges and ideas (you will have a HUGE amount of drama activities ready to go when neeDRAMA TRUNK drama cards for tons of creative, fun, imaginative, any day activities, including: • Drama games (including last minute activities) • Warm ups • Team building and cooperation activities • Improvisation / quick thinking • Audition / rehearsal activities • Language activities • Guided learning • Listening skills • Inspiration • Storytelling Combine the use of multiple cards for even more activities, challenges and ideas (you will have a HUGE amount of drama activities ready to go when neeDRAMA TRUNK drama cards for tons of creative, fun, imaginative, any day activities, including: • Drama games (including last minute activities) • Warm ups • Team building and cooperation activities • Improvisation / quick thinking • Audition / rehearsal activities • Language activities • Guided learning • Listening skills • Inspiration • Storytelling Combine the use of multiple cards for even more activities, challenges and ideas (you will have a HUGE amount of drama activities ready to go when needrama cards for tons of creative, fun, imaginative, any day activities, including: • Drama games (including last minute activities) • Warm ups • Team building and cooperation activities • Improvisation / quick thinking • Audition / rehearsal activities • Language activities • Guided learning • Listening skills • Inspiration • Storytelling Combine the use of multiple cards for even more activities, challenges and ideas (you will have a HUGE amount of drama activities ready to go when needrama cards for tons of creative, fun, imaginative, any day activities, including: • Drama games (including last minute activities) • Warm ups • Team building and cooperation activities • Improvisation / quick thinking • Audition / rehearsal activities • Language activities • Guided learning • Listening skills • Inspiration • Storytelling Combine the use of multiple cards for even more activities, challenges and ideas (you will have a HUGE amount of drama activities ready to go when neeDrama games (including last minute activities) • Warm ups • Team building and cooperation activities • Improvisation / quick thinking • Audition / rehearsal activities • Language activities • Guided learning • Listening skills • Inspiration • Storytelling Combine the use of multiple cards for even more activities, challenges and ideas (you will have a HUGE amount of drama activities ready to go when neeDrama games (including last minute activities) • Warm ups • Team building and cooperation activities • Improvisation / quick thinking • Audition / rehearsal activities • Language activities • Guided learning • Listening skills • Inspiration • Storytelling Combine the use of multiple cards for even more activities, challenges and ideas (you will have a HUGE amount of drama activities ready to go when needrama activities ready to go when needrama activities ready to go when needed).
The mask set was designed with the Drama teacher in mind as part of a comprehensive collection of masks.Masks can be integrated into many other areas of the curriculum and would be useful as topic starters in English, discussions of occupations and careers in HASS, models for Design and technology or for creative play and art work.
Challenging and creative work for teenagers in drama workshops A dark, surreal and comic tale For the PERILOUS TALES collection of surreal and slightly dark cautionary tales by Offbeat Theatre's Barbara Hockley A tale concerning the perils of greed, self interest and narcissism Flexible staging and versatile character work Open to extreme creativity and physical comedy - a great workshop activity, but performances also possible with a licence Plot: Gerald is narcissistic, beautiful, vain and, unfortunately, extremely dim.
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