The ABS debate is shaping up to be a generational one, so the words
of David Bowie seem most appropriate:
The exhibition also includes Ziggy Stardust 2001, a haunting a cappella rendition
of David Bowie's extraordinary 1972 studio album.
Soon to be hosted by New York's Lehmann Maupin and entitled Stone Love, her latest show is yet another ode and exploration of this mysterious concept we all depend on so dearly, inspired by the first line
of David Bowie's song Soul Love and possibly this new spouse of hers.
His recent publications include The Rise
of David Bowie 1972 — 1973 (Taschen, 2016), Bridget Riley: Paintings and Related Work (National Gallery, 2010), and a short story, The Way Ahead (Sternberg Press, Berlin, 2018).
In the days before the sales, collectors, art advisers and auction specialists were pointing to encouraging signs, citing the postelection stock market highs, the post - «Brexit» London sales in June and Sotheby's London auction
of David Bowie's art collection last week, which had a sell - through rate of 100 percent and set new top prices for 59 artists.
«Preliminary drawings of some of the Scottish artist Peter Howson's best known works including sketches
of David Bowie and Madonna are among 390 items which are being sold by his ex-wife in order to provide care treatment for their daughter, who has Asperger's syndrome.»
His work is held in the collections of Tate, London, and the Museum of Modern Art, New York, and the collection
of David Bowie.
«Works by artist Peter Howson, including 10 original drawings
of David Bowie, have sold at auction for more than # 200,000.»
The title of the exhibition, Stone Love, comes from the first line
of David Bowie's song Soul Love, which explores notions of romantic, physical, and familial love.
The artist, who won the Turner Prize in 2004, represented Britain in the previous Venice Biennale in 2013 with a pavilion called English Magic, which included a film featuring steel bands playing Vaughan Williams and acid house, as well as images
of David Bowie's Ziggy Stardust tour in the UK in 1972 - 73 alongside photographs of the Troubles in Northern Ireland.
Yet her influences are not limited to the visual arts: music, film and fashion have helped define her aesthetic, with the likes
of David Bowie, Vivienne Westwood, Alfred Hitchcock and David Lynch having a huge impact on her practice.
William Tillyer's work is held in the Tate, the Museum of Modern Art in New York and in the private collections
of David Bowie and Charles Saatchi.
Part II of the Bowie / Collector auction reveals the full extent
of David Bowie's eclectic and understated collection.
It's the first international retrospective curation of the extraordinary career
of David Bowie, who is quite possibly one of the most pioneering and influential performers of modern times.
In honor
of David Bowie on the one - year anniversary of his death, ad agency Wieden + Kennedy London created a beautiful data - driven tribute, ``
Goss also hastened to say that, despite optimism regarding the fall sales — which include a work by Edvard Munch as the marquee Imp - Mod lot, a duo of primo Richters from the Ann and Steven Ames collection, and works from the collection
of David Bowie — the fourth quarter would probably also be down compared to last year.
Born from the artist's longstanding admiration
of David Bowie, «Neon» celebrates the pop icon's artistic journey from 1970 - 1980.
In honor
of David Bowie on the one - year anniversary of his death, ad agency Wieden + Kennedy London created a beautiful data - driven tribute, «Space Oddity — a visual deconstruction,» as their first window display back in January 2017.
The work might appear as a trace
of David Bowie's Ziggy Stardust concert tour that is documented with a wall drawing by Scott King.
«Brion Gysin: Dream Machine» at the New Museum, 235 Bowery, through October 3, newmuseum.org A stroboscopic dream machine sounds about as intriguing as can be, especially when its maker served as mentor (and allegedly pot - smoking companion) to the likes
of David Bowie, Keith Haring, Jean - Michel Basquiat and Patti Smith at his artistic - subculture outpost in 222 Bowery — just across the street from where the New Museum now stands.
Realife 1972, a spectacular glitter - strewn installation with mirror balls, stage lighting and the music
of David Bowie.
This museum accommodates an assortment of shows from the pop icon
of David Bowie to the permanent installation of Judy Chicago's 1970's collaborative work The Dinner Party.
His work combines the classical ballet of his training with the music
of David Bowie, Wire, and The Fall, amongst others, and collaborations with artists and designers such as Sarah Lucas, Peter Doig, Leigh Bowery, and Bodymap have all been part of this ongoing history.
António Ole (lots 87 & 103, Angola), superseding the artist record set at Sotheby's London sale
of David Bowie's personal collection last year.
Charlie James Gallery is delighted to present The Fourth Wall, a group show organized by Kristin Calabrese, including works by Alexis Murray, Jeremy Rocine, Oscar Moreno, and many other artists under the umbrella
of The David Bowie Tribute Wall.
From the 10th to the 11th November, Sotheby's will stage Bowie / Collector, a three - part sale encompassing over 350 works from the private collection
of David Bowie.
Having opened in London five years ago, this final presentation
of David Bowie Is is the most comprehensive, and by far one of the Museum's largest shows to date.
Crepuscule with Bowie, I thought, not quite groping my way through the perpetual twilight
of David Bowie is at the Brooklyn Museum.
The exhibition also will feature iconic and rarely released photography from the estate of iconic fashion and portrait photographer Brian Duffy, such as limited edition photography
of David Bowie, Michael Caine, and a self - portrait.
It has even further meaning now, considering the unfortunate passing
of David Bowie, one of Kojima's main influences.
In the game's beginning sequence, you wake up after a nine - year coma in some kind of military hospital to the sound of a cover
of David Bowie's «The Man Who Sold the World».
One of the inspirations for MGS, which became more pronounced as the series matured, is the protean career
of David Bowie.
The game begins with an especially memorable scene of Snake waking up in the hospital from a coma as Midge Ure's haunting cover
of David Bowie's «The Man Who Sold the World» plays in the background.
Opening up to Midge Ure's cover
of David Bowie's «The Man Who Sold the World» is a cinematically appropriate introduction that foreshadows Venom's identity, both through the content of the song and the fact that a cover is playing instead of the original, while building anticipation for the game proper to begin.
I wasn't the hugest fan of David Cage's titles besides Omikron because
of David Bowie clearly, but the addition of Willem Dafoe has me pretty stoked.
Victoria Brouckes, co-curator
of the David Bowie Is exhibition said in a recent interview that while the show remains primarily the same at each stop, each venue has the ability to add material specific to Bowie in that city and country, and that is what keeps me coming back.
On a sadder note, the world also bid farewell to an iconic artist in the passing
of David Bowie this past week.
As a bonus, we are treated to a fitting tribute
of David Bowie with his hit «Starman» playing during the commercial.
Earlier this week, a well - known playwright even invoked the spirit
of David Bowie to criticise the EBacc policy in the Evening Standard.
No space - themed playlist would be complete without this brilliant rendition
of David Bowie's song Space Oddity, performed by astronaut Chris Hadfield.
Despite testimony from many of his closest friends and collaborators, «The Last Five Years» doesn't so much draw a picture
of David Bowie as trace his outline.
(This feeling is forcefully brought home by the end credits, scored to Peter Gabriel's cover
of David Bowie's «Heroes,» which show pictures and video of the real - life soldiers.)
Flowers are laid beneath a mural
of David Bowie in London in January.
Watch the trailer below, but be warned: Fans
of David Bowie might not get «Modern Love» out of their head after watching it (seemingly a direct nod to this scene from Leos Carax's Mauvais Sang).
No one person can or could ever put the legacy
of David Bowie into adequate words, but all of us coming together to celebrate the man in all of his chameleonic forms, all of his music and his films and his work, just might be able to begin to scratch the surface of the absurdly massive effect he has had on this world.
by Walter Chaw Sort of expecting an impressionistic adaptation
of David Bowie's «Ziggy Stardust» cycle, imagine my surprise to discover that Ruairi Robinson's The Last Days on Mars is a derivative, flaccid little space - set horror flick that proves the maxim that movies with «Mars» in the title tend to suck.
I was familiar with the work
of David Bowie from a young age, but I didn't fall in love with the man and his work until 1999.
Todd Haynes» 1999 film «Velvet Goldmine» (Miramax) reimagines the Glam rock era and the iconic influence
of David Bowie through the kaleidoscopic lens of «Citizen Kane» and the fictionalized persona of rock legend and bi-sexual pop icon Brian Slade (played by Jonathan Rhys - Myers).
For me, it's the blissful image of Gerwig running in «Frances Ha,» her arms flailing and her hair whipping behind her as she sprints and leaps down a New York Chinatown street — an ebullient vision of carefree innocence set to the crackling beat
of David Bowie's «Modern Love.»
Following the psychedelic rock of the 60s, the 70s kicked off with a homo - eroticized bend on rock music that was dubbed «glam rock», led by the likes
of David Bowie, Iggy Pop and Lou Reed.