Sentences with phrase «of dia»

Morgan has also expanded the range of projects upstate at Dia: Beacon and in Manhattan in Chelsea, where a work involving lasers and mist by Rita McBride is currently on show next to a retrospective of François Morellet in two of Dia's buildings in the neighborhood.

Robert Morris was a «gaping hole in the collection,» of the Dia Art Foundation, Jessica Morgan, its director, said.

And opening 23 June just three blocks north of Dia at PACE Gallery, the exhibition Blackness in Abstraction explores monochromatic black works curated from an «international and intergenerational» group of artists.

«This is extremely rare,» said Michael Govan, director of the Dia Art Foundation and the curator of a Flavin retrospective opening at the National Gallery this fall.

Hired by Krane in October 2015, Batton had served as managing director of Dia: Beacon in Beacon, N.Y., from 2010 to 2015.

Previously, Ms. Raymond served as a curator at the of Dia Art Foundation, where she organized exhibitions and projects with artists Allora & Calzadilla (2015), Carl Andre (2014), Thomas Hirschhorn (2013), Jean - Luc Moulène (2012), Yvonne Rainer (2011), Ian Wilson (2015 - 2011), Robert Whitman (2011), Koo Jeong A (2010), Franz Erhard Walther (2010), and Trisha Brown (2009).

In 2014, however, Dia: Beacon, in Beacon, New York — one of the sites exhibiting the art of the Dia Art Foundation — held a major retrospective of his work, the first one in more than 30 years.

Irwin has conceived fifty - five site - conditional projects since 1975, ranging from the architectural and grounds design of Dia: Beacon Center for the Arts (completed in 2003) to the lush Central Gardens for the Getty Center in Los Angeles, California (completed in 2005).

Philippe Vergne is the Director of the Museum of Contemporary Art, Los Angeles, and has previously served as Director of the Dia Art Foundation, Deputy Director and Chief Curator at the Walker Art Center, Director of the François Pinault Foundation in Paris, and Director of the Musée d'art Contemporain (MAC) in Marseille.

The lawsuit claims that selling the works to private collectors would remove them «from public access and viewing in direct contravention of Dia's entire intent and purpose.»

Right: Lynne Cooke, curator of Dia and chief curator at the Reina Sofía.

In the late 1970s, under the auspices of the Dia Art Foundation, the artist Donald Judd acquired the former fort and began converting the buildings to house permanent large - scale art installations.

I am confident that Courtney's leadership will bring new insights and energy to the institution,» said Jessica Morgan, director of the Dia Art Foundation.

On the block will be 14 Twombly works from the»50s,»60s and»70s; some 10 of Dia's 100 - strong Chamberlain holdings; and Genesis — The Break (1946), the sole Newman work in the collection, an abstract painting estimated at $ 3.5 - $ 4 million.

That was about to disappear — and it represented about 20 years of Dia's history.

Prior to that, she was the Deputy Director of the Dia Art Foundation, and held positions at the Solomon R. Guggenheim Museum, Public Art Fund, and NYC Department of Parks and Recreation.

«It is kind of confounding that we were not aware of her work,» says Jessica Morgan, the director of Dia, which recently acquired four major paintings by Corse that will go on show as part of a long - term installation of her work at Dia: Beacon this month.

A June 28 letter to Dia Art Foundation director Philippe Vergne from Paul Winkler, brother of Dia co-founder Helen Winkler, opposing the foundation's planned sale of artworks this fall at Sotheby's, has become public.

A June 28 letter to Dia Art Foundation director Philippe Vergne fromPaul Winkler, brother of Dia co-founder Helen Winkler, opposing the foundation's planned sale of artworks this fall at Sotheby's, has become public.

Juan Muñoz's series of cast - resin and bronze tableaux occupied a full floor of the Dia Center in New York in 1996 — 97, but the Hirshhorn exhibition comprises the Spanish sculptor's first career survey in the States.

A major retrospective of the work of Dia Al - Azzawi is to take place simultaneously at Mathaf: Arab Museum of Modern Art and QM Gallery Al Riwaq in Doha, opening over two days on 16 and 17 October 2016 and running until 16 April 2017.

Prior to his move to the West Coast, he served as director of the Dia Art Foundation, leading the project to create Dia: Beacon.

Public response to last year's opening of the Dia Art Foundation's Dia: Beacon, a ruined upstate New York factory converted to a museum of mostly minimal art, lends weight to the idea of minimalism as calmative.

Dan Flavin's series for one walled circular fluorescent light, 1974, is a 2 - dimensional representation of an installation dedicated to Heiner Friedrich, founder of the Dia Art Foundation.

With the help of the Dia Art Foundation, Judd created the Chinati Foundation on the site of a former army barracks for the purpose of exhibiting his work as well as that of his contemporaries John Chamberlain and Dan Flavin, with an emphasis on works linked to the surrounding environment.

Mentor artists are selected by a four - member jury, composed of two members of the art department — Dadi and assistant professor Carl Ostendarp — and two external curators and art educators — Tom Eccles, executive director of Bard College's Center for Curatorial Studies, and Yasmil Raymond, curator of the Dia Art Foundation.

The show at Dia: Chelsea, moreover, triangulates in space and time the institutional history of Dia Art Foundation.

And you said that the pavilion at Dia was in part countering the white cube of Dia's gallery space.

Philippe Vergne has served as Director of the Dia Art Foundation in New York since 2008, following his tenure as Deputy Director and Chief Curator of the Walker Art Center in Minneapolis, where he inaugurated over twenty - five international exhibitions.

Together with Dia: Chelsea, Dia: Beacon is the museum's branch of Dia Art Foundation which brings together a collection of art from the 1960s to the present.

The pavilion part of the work is baroque, like the piece I did on the roof of the Dia Art Foundation in 1992.

But last night, in honor of the memory of the late artist Ana Mendieta and in protest of the Dia Art Foundation's current retrospective of her husband, Carl Andre, artist Christen Clifford and the feminist No Wave Performance Task Force offered up deep red chicken blood and dark, chunky guts.

Pinnell, who made his fortune with SkinCeuticals, a line of high - end skin - care products, lived in New York from 2005 to 2010, serving on the board of Dia and living across the street from Storefront for Art and Architecture, two institutions that he credits with inspiring his vision for the Power Station.

They now regularly come to New York, where they have an apartment on the Upper East Side adorned with works by Richard Serra, Bill Viola, Carol Bove, and Ellsworth Kelly, and Genny recently joined the board of the Dia Art Foundation.

The former Nabisco box printing factory opened to the public in May 2003 as the Reggio Galleries of Dia: Beacon, following Robert Irwin's plans for the conversion and landscaping.

Its installation was completed one year later with the assistance of the Dia Center for the Arts and Fondazione Prada.

Works of his published in «Boiler» include interviews with Matthew Antezzo, Carles Congost, Christian Flamm, Graham Little, Victor Rodriguez, Lisa Ruyter, and Gordon Terry; a review of a Marilyn Minter exhibition; an article about the inauguration of Dia: Beacon; and a remembrance of the late Colin De Land.

Both are part of Dia Foundation.

Full reviews will tell you all about Dia: Beacon, starting with my first visit the summer of Dia's opening, in 2003, and my return in 2014 for a retrospective of Carl Andre and in 2015 for «Excursus: Homage to the Square3,» an installation by Robert Irwin.

Steven Evans, managing director of Dia: Beacon, a contemporary art space in Beacon, N.Y., has been named executive director and curator of the Linda Pace Foundation.

Beacon is perhaps best known as the home of Dia: Beacon, a massive art complex situated in a former cracker factory where Minimalist work by all the heavy hitters — Sol Lewitt, Richard Serra, Fred Sandback and so forth — are on permanent display, but there is more to see.

She sits on the Board of Directors at Performa, is Co-Chair of the Performa Visionaries, a founding member of the Dia Beacon Contemporary Associates, as well as an active committee member of UNICEF's Next Generation.

«The new trustees bring insight, experience, and expertise that will serve as an invaluable resource for the ongoing advancement of Dia's mission, collection, and program.»

The sale, which raised $ 38 million, was criticized by many in the art world as a betrayal of the foundation's roots, and two of Dia's founders briefly filed suit to stop the auction.

Nathalie de Gunzburg, the chairwoman of the Dia Art Foundation's board, talks about collecting works by Carl Andre, Louise Bourgeois, Sonia Delaunay and others.

But in her collecting life, Nathalie de Gunzburg, the chairwoman of the Dia Art Foundation's board in Manhattan, has bridged the gap.

Jessica Morgan, the director of Dia, whose collection centers on the Minimalist and Post-Minimalist generation, said the foundation had long hoped that the Ryman works would remain in that configuration and never leave.

Nathalie de Gunzburg, the chairwoman of Dia's board, said that 60 percent of the money for a new building on West 22nd Street had been raised, but that the project had been stalled after the sudden departure early this year of Dia's previous director, Philippe Vergne, who left to take over the Museum of Contemporary Art in Los Angeles.

Since 1992, the Dia Center for the Arts has presented the Robert Lehman Lectures on Contemporary Art — an example of Dia's ongoing commitment to cross-disciplinary critical discourse.

The exhibition is the gallery's first manifestation at 548 West 22nd Street, the former home of the Dia Center for the Arts and X Initiative.