Not exact matches
More recent work on the sources and composition
of the Second Gospel may be seen in such a book as J. M. C. Crum's St. Mark's Gospel: Two Stages
of Its Making (1936); also in A. T. Cadoux, The Sources
of the Second Gospel (n.d.), Rudolph Thiel,
Drei Markus - Evangelien (1938), and — as supplying criteria for these hypotheses — in M. Zerwick, Untersuchungen zum Markus - Stil (1937).
Merkel's 20 percent threshold was reached and then surpassed, however, and new BMWs and little bottles
of Bayer aspirin continued rolling off German assembly lines, eins... zwei...
drei, without interruption.
And if you are interested in one
of the most - loved german Christmas movies: then you should take a look at «
Drei Haselnüsse für Aschenbrödel».
SPECIAL PRESENTATIONS «The Captain» («Der Hauptmann»), Robert Schwentke, Germany / France / Poland «The Conformist,» Cai Shangjun, China «The Cured,» David Freyne, Ireland / United Kingdom / France «The Escape,» Dominic Savage, United Kingdom «The Florida Project,» Sean Baker, USA «Foxtrot,» Samuel Maoz, Israel / Germany / France / Switzerland «I Love You, Daddy,» Louis C.K., USA «In the Fade» («Aus dem Nichts») Fatih Akin, Germany / France «Journey's End,» Saul Dibb, United Kingdom «The Killing
of a Sacred Deer,» Yorgos Lanthimos, Ireland / United Kingdom «Kodachrome,» Mark Raso, Canada / USA «Lean On Pete,» Andrew Haigh, USA / United Kingdom «Loving Pablo,» Fernando León de Aranoa, Spain «Michael Jackson's Thriller 3D,» John Landis, USA Preceded By «Making
of Michael Jackson's Thriller,» Jerry Kramer, USA «Manhunt,» John Woo, Hong Kong / China «Mark Felt — The Man Who Brought Down the White House,» Peter Landesman, USA «Marrowbone,» Sergio G. Sánchez, Spain «Molly's Game,» Aaron Sorkin, USA «The Motive» («El Autor»), Manuel Martín Cuenca, Spain «Number One» («Numéro Une»), Tonie Marshall, France «On Chesil Beach,» Dominic Cooke, United Kingdom «Outside In,» Lynn Shelton, USA «Papillon,» Michael Noer, Serbia / Montenegro / Malta «Racer and the Jailbird,» Michaël R. Roskam, Belgium / France «Radiance» («Hikari») Naomi Kawase, Japan / France «Redoubtable,» Michel Hazanavicius, France «Three Peaks» («
Drei Zinnen»), Jan Zabeil, Germany / Italy «Unicorn Store,» Brie Larson, USA «Who We Are Now,» Matthew Newton, USA «You Disappear» («Du Forsvinder»), Peter Schønau Fog, Denmark / Sweden «Youth» («Fāng Huá»), Feng Xiaogang, China
His Von de
Drei Lowen are behind every Löwchen
of today.
The train departs from
Drei Annen Hohne station and takes approximately fifty minutes to climb through an ever - changing vista
of alpine meadows and dense fir and pine forests eventually arriving at Brocken Station, which, at an elevation
of 1,125 metres above sea level is just sixteen metres below the mountain's summit.
This year sees a number
of gallerists pairing up to present artists, like
DREI and Proyectos Monclova who are collaborating in their presentation
of artists Hayley Aviva Silverman, Anna Virnich and collective, Tercerunquinto, and Natalia Hug Gallery with LA's Mier space who are presenting Jana Schroeder.
The haunting dual screen construction that is Sweet 16, 2006, occupying a prominent place at DHC / ART, applies the avant - garde concept
of phasing to build a new composition from two short, almost identical Guns N» Roses video clips, while Schoenberg's atonal
Drei Klaviertucke op 11, 2009 is charmingly rendered — nearly note - perfect — by videos
of cats on keyboards.
Published on the occasion
of the following exhibitions: Markus Lüpertz: About the Three Graces, 21 April - 29 May 2004 at Michael Werner Gallery, New York and Markus Lüpertz: ÿber die
Drei Grazien, 25 June - 31 July 2004 at Galerie Michael Werner, Cologne.
Norwegian artist Tiril Hasselknippe's second exhibition at
Drei, «Queens
of the Tear Duct», comprises a site - specific installation as well as four smaller sculptures.
Brussels, Belgium Oh,
Of Course, You Were Berry Picking, co-organized by Rosa Tyhurst,
DREI Galerie.
His «Three Candles (
Drei Kerzen)», a 1982 oil on canvas 49 1/4 by 59 1/2 inches sold at Sothebys for May 15, 2001 for $ 5,395,750, breaking the previous world auction record for the artist
of $ 4,956,000 (see The City Review article).
Made in Germany
Drei «by Reinhard Spieler (director
of Sprengel Museum Hannover).
Solo exhibitions will be on view as part
of Art - O-Rama between August 25 and September 10, 2017 at Friche la Belle de Mai in Marseille and at
DREI, Cologne, in November 2017.
A similar idea lay at the core
of events such as «Bühne 03» (2003) and «
Drei Geschäfte.
Tiril Hasselknippe is presenting solo exhibition Queens
of the Tear Duct at Cologne's
DREI, opening April 26 and running to June 3.
This is Hasselknippe's second solo show with
DREI and also takes place at the beginning
of Art Cologne 2017, which runs April 26 to 29.
, ASC Gallery, London UK; Left Hand to Back
of Head, Object Held Against Right Thigh, The Bluecoat, Liverpool UK (all 2016); The Place
of the Scene, Bloc Projects, Sheffield UK; Artissima with The Gallery Apart, Turin IT; Conversation Piece, Part 1, Fondazione Memmo, Rome IT; And so we gape (solo public performance), curated by Nero, Rome IT (all 2015); Chronovisor: Archive, South Kiosk, London UK (2014); The Starseed Transmission, Enclave Projects, London UK; Hack the Barbican, The Barbican, London UK; Open Cube, The White Cube, London UK (all 2013); Cold Compress,
Drei Gallery, Cologne DE; Punctuating (duo show), La Scatola Gallery, London UK (both 2012); Site
of Flesh and Stone, Çağdaş Galeri, Istanbul TR (2011); To Look is to Labour, Laden Fuer Nichts, Leipzig DE (2010).
Titled «
Drei Schwestern (Three Sisters),» the German artist's four - gallery free - for - all consists
of a suite
of six architectural models, a series
of 21 three - dimensional collages, a 40 - minute movie and, in the pitch - black main gallery, a massive sculpture you can walk into.
Three Sounds (
Drei Klange), 1926 A talisman in the form
of a postcard I stuck onto a sheet
of paper in 1984 in New York placed by my IBM Selectric and soon covered with appointments, telephone...
Born 1977, Mexico City, Mexico Solo Exhibitions 2018 «Under the immortal skin», T293, Rome 2018 «Temazcal», Michael Benevento, Los Angeles 2017 «Works and Days», Atlantis, Chevalier Roze, Marseille 2016 «Retrospectiva», Lulu, Mexico City 2016 «Chambres aver vue sur le champ», Untilthen, Paris 2016 «Paradise»,
DREI, Cologne 2016 «Frenetic Gossamer», Palais de Tokyo, Paris 2016 «Huellas de la Revolución Industrial», Museo Pietro Canonica a Villa Borghese, Rome 2015 «La bella durmiente», Museo Universitario del Chopo, Mexico City 2015 «Caramel Huysmans», Proyectos Monclova, Mexico City 2015 «The Contemporary Comedy: Glossy Mist», Clifton Benevento, New York 2014 «Luster Butterfly», T293, Rome 2014 «All That I Never Was», Michael Benevento, Los Angeles 2013 «Mariposas Migratorias», Clifton Benevento, New York 2012 «I miss my thread», Karma International, Zurich 2012 «The Equation
of Desire», Kunsthalle Winterthur 2012 «The Bright
of the Whisper», Kunstraum, Innsbruck 2012 «La Alcoba Doble», T293, Rome / Naples 2010 «Martin Soto Climent — A bridge between two towers», Clifton Benevento, New York 2010 «A Long Chapter One», Sorcha Dallas, Glasgow 2009 «El Mago», Martin Van Zomeren, Amsterdam 2009 «Laberintome», T293, Naples 2009 «Impulsive Chorus», X Initiative, New York 2009 «The Intimate Revolt», Karma International, Zurich 2009 «For your eyes only», La Sala, Mexico City 2009 «Martin Soto Climent», Michael Benevento, Los Angeles 2008 «Hidden Symmetries», Broadway 1602, New York 2008» Parabolic Dust», Broadway 1602, New York 2008 «01.18.08», T293, Naples 2007 «Vacio Contenido», Museo de Arte Carrillo Gil, Mexico City 2006 «Checkmate», Broadway 1602, New York 2006 «Study Objects», Nina Menocal Gallery, Mexico City 2005 «Other Objects», The Other Gallery, The Banff Center, Alberta 2005 «Biotic Project», Subway Station Tacuba, Mexico City 2004 «Cotton Candy Doves», MUCA, Mexico City 2004 «Throw Balls», UNAM — The University Cultural Building, Mexico City 2003 «Curious objects vol1», Curious objects vol2», The space, Mexico City 2003 «03-03-03», installation in Jardín Hidalgo, Coyoacán, Mexico City 2002 «It was green», Museum Desierto de los Leones, Mexico City 2001 «Empty Spaces (Journey Sensations)», Casa de la Cultura Malinalxochitl, Malinalco, Mexico 2001 «One
of so Many, Young Artist Collective», Sebastián Foundation, Mexico City Group exhibitions 2018 «Dwelling Poetically: Mexico City, a case study», ACCA, Australian Centre for Contemporary Art, Melbourne 2017 «Deseo.
A new series
of paintings by Gerhard Richter, Birkenau, plus his Doppelgrau, are presented alongside a performance
of a new Arvo Pärt composition,
Drei Hirtenkinder aus Fátima, by Estonian choir Vox Clamantis.
Jesse's recent contribution to «they, them,» an exhibition that recently closed at
DREI in Cologne, saw the artist traversing sculptural ground with an assemblage
of found objects, Princess Horse (Tiril's Horse)(2015), that came together as a gender - bending, jerry - rigged plaything.
Marcia L. Russell,
DREI, is the author
of Fair Housing, 3rd Edition, published by Dearborn Real Estate Education.