Sentences with phrase «of eai»

Professional Summary: * Over 9 + years of extensive IT experience in various phases of software development cycle like analysis, design, coding and Testing of EAI Applications.

PROFESSIONAL SUMMARY: Have 8.4 years of EAI experience in software development involving analysis, design, development, and testing of applications using TIBCO suite of products.

Electronic Arts Intermix (EAI) Educational Streaming Site provides full - length streaming access to a portion of the EAI catalog.

The IHP addresses the allergens when known, signs and symptoms, locations of medication, how to assist students, administration of EAI, and medication safety.

In particular, the study noted volume loss at the Totten and Moscow University ice shelves, which help buttress a large section of the EAIS.

If CO2 reaches 450 ppm and remains there for decades, parts of the EAIS will become unstable too.

The sea - level estimates are consistent with those from delta18O curves and numerical ice sheet models, and imply a significant sensitivity of the WAIS and the coastal margins of the EAIS to orbital oscillations in insolation during the Mid-Pliocene period of relative global warmth.

Apart from these last concerns, the WAIS is much less worrying than the GIS, because the huge thermal inertia and albedo effect of the EAIS, the antarctic continent itself, and the large amount of antarctic sea ice in the southern winter, all act to reduce the degree of warming for the WAIS (whereas the GIS is the victim of various unfortunate circumstances which amplify warming there).

Modelling has already suggested that low - lying areas of the EAIS are candidate zones for Pliocene melt.

This to me is a very pertinent conclusion as previous studies were lambasted at WUWT for showing those losses (and subsequently responded to by me over at Skeptical science) http://www.skepticalscience.com/Part-One-Why-do-glaciers-lose-ice.html http://www.skepticalscience.com/Part-2-How-do-we-measure-Antarctic-ice-changes.html http://www.skepticalscience.com/Part-Three-Response-to-Goddard.html So even with the uncertainties lowered it is still clear that the submarine portions of EAIS are losing more ice than the center part is gaining in snowfall.

Not exact matches

You just like to ignore it becasue it makes it eaiser for you to villianize all of us for the actions of a few that we are trying to stop as well.

So, let's look at samplings of the voting record of Addison County's two state senators, as an example of the data EAI makes public:

By offering support for the idea that the EAIS has been largely stable during the last 14 million years, the research offers some hope that a massive collapse of the ice sheet, and associated sea level rise of tens of meters, may not be imminent.

The EAIS rests on a major land mass but the bed of the WAIS is, in places, more than 2,500 metres below sea level.

Three pivotal school board members, who were elected less than three months ago on a platform of keeping the Minneapolis - based company in Hartford, said last week that their support for the experiment had withered during more than two months of negotiations over how much money EAI should receive from the district.

The earlier controversy over EAI soured many on the idea of market competition, but as that memory fades the state and city have become more willing to turn to private providers to manage the city's reconstituted schools.

In the end, the experiment was done in by a test - score controversy in which EAI was accused by the Baltimore Sun of overstating test score gains.

Despite a previous diagnosis, many students do not have a current prescription for EAIs, they do not provide one at school, the drug expires and some students are not capable of self - management.

To Dr. Tyler Carmack with Hampton Roads Veterinary Hospice, she couldn't of made a hard, sad situation any eaiser.

EAI would not say that from a technical point of view it took a lot of time, it's just that the development choices we made were deliberately time - consuming insofar as it was actually The first time that one made such a vast world in which one can move naturally.

© BRUCE NAUMAN / PROLITTERIS, ZURICH / STILL COURTESY ELECTRONIC ARTS INTERMIX (EAI) / EXHIBITION FILE COURTESY ELECTRONIC ARTS INTERMIX (EAI) / THE MUSEUM OF MODERN ART, NEW YORK, PURCHASED FROM VIDEO DATA BANK, THE SCHOOL OF ART INSTITUTE OF CHICAGO

Founded in 1971, Electronic Arts Intermix (EAI) is one of the world's leading nonprofit resources for video art.

Celebrating their 45th anniversary in 2016, Electronic Arts Intermix (EAI) is one of the world's leading nonprofit resources for moving image art.

A pioneering advocate for media art and artists, EAI fosters the creation, exhibition, distribution, and preservation of moving image art.

, Institute of Contemporary Art, Philadelphia, United States Virtuoso Illusions, MIT, Cambridge, United States 45 Years of Performance Video from EAI, PS1, New York, United States 45 Years of Performance Video from EAI, Wiels, Brussels, Belgium Slightly Unbalanced, Harnett Museum, Richmond (VA), United States Queer Voices, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, United States

A catalogue for Broadcasting: EAI at ICA will be produced upon the conclusion of the exhibition.

Organized in partnership with Electronic Arts Intermix (EAI), Broadcasting: EAI at ICA brings together an intergenerational group of artists whose time - based artworks are produced in concert with their means of circulation, from the democratic platform of public access television to the instantaneity of social media.

Exhibitions include: a group exhibition curated by artist Nayland Blake that investigates queer identification through new communications technologies; the first comprehensive career survey and solo museum exhibition dedicated to Cary Leibowitz, whose bold text - based works address issues of identity, sexuality, and queer politics; and a focused exhibition on broadcast and video work, organized in partnership with Electronic Arts Intermix (EAI), that focuses on how artists have engaged with the legacy of broadcast media.

Merce Cunningham, Antic Meet, 1958; Courtesy of the Merce Cunningham Trust; Distributed by Electronic Arts Intermix (EAI)

Whitney Museum of American Art, New York; purchase, with funds from Lori and Alexandre Chemla 2013.82 Courtesy Electronic Arts Intermix (EAI), New York.

Drawing on EAI's extraordinary archive, and building upon ICA's history of engagement with media art since 1975, Broadcasting will foster a dialogue between early innovators and contemporary practitioners, such as Ulysses Jenkins, Shigeko Kubota, Tony Cokes, and Kristin Lucas.

EA - Épreuve d'Artist (same as an AP, but in French) EACC — Espai d'Art Contemporani in Castello EAI - Electronic Arts Intermix (New York) EARN — European Artistic Research Network EAT - Experiments in Art & Technology (trailblazing art & tech organization started by Robert Rauschenberg and Bell Labs's Billy Kluver, among others) ECF — European Cultural Foundation EMPAC — Experimental Media and Performing Arts Center (Upstate New York) EMST — National Museum of Contemporary Art, Athens

* All works in Mercy Mercy Mercy courtesy of the artists and Lux, London except Julia Heyward, Shake Daddy Shake, which is courtesy of the artist and Electronic Arts Intermix (EAI).

Dara Birnbaum, Damnation of Faust: Evocation, 1983 Video, color, sound, 10:02 minutes Courtesy of the artist and Electronic Arts Intermix (EAI), New York

Vito Acconci, Theme Song, 1973 Video, black and white, sound, 33:15 minutes The Museum of Modern Art, New York, Gift of the artist © 2018 Estate of Vito Acconci, Courtesy Electronic Arts Intermix (EAI), New York

Image courtesy of Electronic Arts Intermix (EAI), New York

Following this, he spent a summer interning at Electronic Arts Intermix (EAI) in New York, doing filing all morning in return for free afternoons in which to pillage EAI's vast archives of historical and current video works by artists.

Works in the exhibition: Administrating Eternity (2011), courtesy of the artist, Hauser & Wirth and Lurhing Augustine; Japsen (1988), sound by Muda Mathis, Pipilotti Rist and Les Reines Prochaines, courtesy the artists, Hauser & Wirth and Luhring Augustine; I'm Not The Girl Who Misses Much (1986), sound by Pipilotti Rist after Happiness is a Warm Gun (1968) by John Lennon and Paul McCartney, courtesy the artist, Electronic Arts Intermix (EAI), New York, videoart.ch, Hauser & Wirth, Luhring Augustine; Ever Is Over All (1997), sound by Anders Guggisberg and Pipilotti Rist, courtesy the artist, Hauser & Wirth and Luhring Augustine; 4th Floor to Mildness from the Mildness Family (2016), courtesy the artist, Hauser & Wirth and Luhring Augustine; Sip My Ocean (1996), sound by Anders Guggisberg and Pipilotti Rist after Wicked Game (1989) by Chris Isaak, courtesy the artist, Hauser & Wirth and Luhring Augustine; Tender Room from the Lobe of the Lung Family (2009), courtesy the artist, Hauser & Wirth and Luhring Augustine; Pixelforest (2016), courtesy the artist and New Museum; Enlight My Space (2008), courtesy the artist, Hauser & Wirth and Luhring Augustine.

This Tuesday, EAI is hosting an hour - long screening of video art that's inspired by science fiction from artists who aren't typically associated with the genre.

He has exhibited at venues including the Whitney Museum of American Art, MoMA P.S. 1, the Getty Museum, the British Film Institute, the New York Film Festival, and is distributed by Electronic Arts Intermix (EAI).

2010Today is not a Dress Rehearsal, SFMOMA live installation in collaboration with Mika Tajima / New Humans, New York Dance With Camera, ICA Philadelphia and touring to Contemporary Arts Museum, Houston Virtuoso Illusion: Cross Dressing and the New Media Avant Garde, MIT / LIST Visual Art Centre, Cambridge, Massachusetts Albrecht Dürer Gessellschaft, Kunstverein Nürnberg, Nürnberg, Germany Recent Acquisitions, De Hallen Haarlem, The Netherlands Move: Choreographing You, Hayward Gallery, London Body / Space Mechanics, De Hallen Haarlem, The Netherlands 100 years, (Version no. 2, Nov 2009): 45 Years of Performance Video from EAI», PS1, New York, touring to Garage «100 years, (Version no. 2, Nov 2009): 45 Years of Performance Video from EAI», PS1, New York, touring to Garage Centre for Contemporary Art, Moscow Time Based Arts Festival, PICA, Portland Institute for Contemporary Art, Portland Nobody Gets to See the Wizard.

Chelsea non-profit organizations Printed Matter, Eyebeam, Electronic Arts Intermix (EAI), and Family Business announce the first edition of a new annual artists» music festival: Chelsea Sound.

ABOUT ELECTRONIC ARTS INTERMIX: Electronic Arts Intermix (EAI) is one of the world's leading nonprofit resources for video art and interactive media.

Founded in 1971, EAI's core program is the international distribution of a major collection of new and historical media works by artists.

Courtesy of Electronic Arts Intermix (EAI), NYC and the artist.

The tour is organized by Independent Curators International (ICI), New York, and is made possible, in part, by the Andy Warhol Foundation for the Visual Arts, the Horace W. Goldsmith Foundation, Video Data Bank, Electronic Arts Intermix (EAI), and with the generous support of Robert Redd, LLC, and the ICI Board of Trustees.

ABOUT THE CURATOR: Rebecca Cleman is the Director of Distribution of Electronic Arts Intermix (EAI), NY.

Estate Of Robert Smithson, Courtesy James Cohan Gallery, New York Shanghai And Electronic Arts Intermix, EAI, New York.

In association with Artprojx, Anthony Reynolds Gallery, Chris Meigh - Andrews, Document 8, EAI NY, Four Corners, HRTV, Lightweightmedia, LUX, Photoworks, Royal Academy of Arts / Richard Wilson, SHAPE, workinprogress and WORKS / PROJECTS.

As John commented here, EAI has a long and important history leading and advocating for the preservation of video formats — at a time when very few institutions or dealers were willing to assume this responsibility (things have changed significantly only in the last decade or so).