Sentences with phrase «of eine»

Join our community and meet thousands of lonely hearts from various parts of Eine.

Not exact matches

It is also stated forthrightly in Platons Lehre von der Wahrheit (Bern: A. Francke, 1947), p. 5, «Die «Lehre» eines Denkers ist des in seinem Sagen Ungesagte,...» — «the «doctrine» of a thinker is what is unsaid in his sayings,...

(The important works of Schweitzer dealing with this subject are Das Messianitäts und Leidensgeheimnis: Eine Skizze des Lebens Jesu (Tübingen, 1901).

In the same way, the concept of what can happen only once as absolutely unrepeatable necessitates the counter-concept of what always is and always was [eines Immer - Seienden, eines Immer - Gewesen], even though one might be able to make conceptual sense out of something (even everything) in terms of the former concepts.

(Cf. Heiler, «i zur Liebe,» in Die Zusammenarbeit der Religionen im Dienste der ganzen Menschheit [Lecture in the «Week of Brotherhood»], Eine heilige Kirche [1953 - 54], pp. 18 - 33).

This document is an up - to - date, authoritative specification of all metadata terms maintained by the Dublin Core Hier sollte eine Beschreibung angezeigt werden, diese Seite lässt dies jedoch nicht zu.

She said she literally does an eine - meenie - minie - moe with the pages of e-mails, deleting whole pages arbitrarily and opening other e-mails randomly.

YouPorn ist eine Pornoseite We know that it can be difficult to find that spark of sexual connection so we provide you with a simple, safe environment where you can make that date without the strings.

Ask a Librarian: an online reference service from the Library of Congress that allows researchers to submit reference questions to Library of Congress Hier sollte eine Beschreibung angezeigt werden, diese Seite lässt dies jedoch nicht zu.

Our goal is to collect scans of every bank note from the regular issues ever printed, from the ones dating back in Hier sollte eine Beschreibung angezeigt werden, diese Seite lässt dies jedoch nicht zu.

Spare parts management: software for the creation of spare parts catalogue, sales catalogue, electronic parts catalogs and spare parts, consultation over Eine Liste aller Apple Stores weltweit mit Informationen zu Öffnungszeiten, Wegbeschreibungen und mehr.

YouPorn ist eine Pornoseite Let me tell you something... you can get more p ** sy on some of the best adult dating sites in one week than you could get by cold approaching 100 women in the street.

Among the highlights of the 2009 AFI Fest was the last - minute addition of Michael Haneke's extraordinary Das weisse Band — Eine deutsche Kindergeschichte (The White Ribbon), as a substitute for Jacques Audiard's Un Prophète (A Prophet), whose US distributor had decided to move the release date).

There are no critic reviews yet for Die Freundin eines großen Mannes (The Girl Friend of a Big Man).

There are no featured reviews for Die Freundin eines großen Mannes (The Girl Friend of a Big Man) at this time.

Twin Peaks: The Return (David Lynch, 2017) Zama (Lucrecia Martel, 2017) Toivon tuolla puolen (The Other Side of Hope, Aki Kaurismaki, 2017) Split (M. Night Shyamalan, 2016) A Fabrica de Nada (The Nothing Factory, Pedro Pinho, 2017) Paterson (Jim Jarmusch, 2016) Bamui haebyun - eoseo honja (On the Beach at Night Alone, Hong Sang - soo, 2017) Gen - hu (The Day After, Hong Sang - soo, 2017) Western (Valeska Grisebach, 2017) Rey (Niles Atallah, 2017) Estiu 1993 (Summer 1993, Carla Simon, 2017) Colo (Teresa Villaverde, 2017) Nocturama (Bertrand Bonello, 2016) La Flor (Parte 1)(La Flor: Primera Parte, Mariano Llinás, 2016) Gok - seong (The Wailing, Na Hong - jin, 2016) Inimi cicatrizate (Scarred Hearts, Radu Jude, 2016) The Autopsy of Jane Doe (André Øvredal, 2016) Tumble (Robert Todd, 2016) António Um Dois Três (Leonardo Mouramateus, 2017) Silence (Martin Scorsese, 2016) Good Time (Ben Safdie & Josh Safdie, 2017) Toni Erdmann (Maren Ade, 2016) No Intenso Agora (In the Intense Now, Joao Moreira Salles, 2017) It Comes at Night (Trey Edward Shults, 2017) The LostCity of Z (James Gray, 2017) In Praise of Nothing (Boris Mitic, 2017) Person to Person (Dustin Guy Defa, 2017) i hate myself:)(Joanna Arnow, 2013 - 2017) Selbstkritik eines bürgerlichen Hundes (Self Criticism of a Burgoise Dog, Julian Radlmaier, 2017) ΕΥΡΩΠΗ (Mario Sanz, 2017) Hell or High Water (David Mackenzie, 2016)

Already an iconic figure amongst graffiti artists, Eine crossed into the mainstream in 2010 when David Cameron presented Barack Obama with one of his works as a gift.

Leading the way with his «Scary» wrap is Ben Eine, one of the most celebrated street artists in the world and a pioneer of graffiti letterforms.

, The Museum of Modern Art, New York, USA (curated by Anne Umland) Ironie der Objekte, MUSEION — Museo d'arte moderna e contemporanea, Bolzano, Italy Klio — Eine kurze Geschichte der Kunst in Euramerika nach 1945, ZKM Museum für Neue Kunst & Medienmuseum, Karlsruhe, Germany Repeat Performances: Seriality and Systems Art since 1960, Allen Memorial Art Museum, Oberlin, USA (organized by Colette Crossman)

Some contemporary works on view played with the format and aesthetic of the newspaper, as in Robert Gober's Untitled (Brooklyn)(2011) or Gerhard Richter's Erster Blick in das Innere eines Atoms (First Look at the Inside of an Atom)(2000), both of which resemble clippings.

She currently has work in a group show at A.I.R. Gallery in Brooklyn called Another Gesture / Um Outro Gesto / Eine weitere Geste /, which «moves away from the dominant male legacy of abstract expressionism, in which gesture was used to champion the uniqueness of painting as a medium.»

/ 334 Broome / thru 3/2 Opening 2/7 Sadie Benning; Thomas Kovachevich; Dona Nelson / Callicoon / 124 Forsyth / thru 2/17 Siri Berg / Hionas / 124 Forsyth (new, second location) / thru 2/17 Omar Khayyam / Ping / 131 Eldridge / thru 2/16 Andy Graydon / LMAK / 139 Eldridge / thru 2/10 Benjamin Senior / Fuentes / 55 Delancey / thru 3/1 Opening 2/6 Cal Crawford / Brennan & Griffin / 55 Delancey / thru 2/24 Maya Bloch / Thierry Goldberg / 103 Norfolk / thru 2/17 Becky Beasley; Alicja Kwade / Cooley / 107 Norfolk / thru 3/17 Opening 2/10 Erik Wysocan / Gitlen / 122 Norfolk (new location) / thru 2/17 Nevermore / On Stellar Rays / 133 Orchard / thru 3/10 Thomas Bayrle / The Artist's Institute / 163 Eldridge / thru 7/14 Opening 2/10 Tectonic Drift: Amanda Church; Brian Cypher; Stacy Fisher; Gary Petersen; Russell Tyler / Morris / 163 Chrystie / thru 3/16 Opening 2/13 (6 - 9 PM) Casey Ruble / Foley / 97 Allen / thru 2/24 Nathaniel Robinson / Feature / 131 Allen / thru 2/9 Jane Mount / Bekman / 6 Spring / thru 2/17 Opening 2/8 Color or Colour: Ben Eine; Lee Baker; Katrin Fridriks; Michael Bevilacqua / Charles Bank / 196 Bowery / thru 2/17 (extended) The White Album organized by David Fierman & Amie Scally / James / 143B Orchard / thru 2/22 All The Best People / 1:1 / 121 Essex — floor 2 / thru 2/14 SexEd: Chapter 1 curated by Liz Slagus & Norene Leddy / Cuchifritos / 120 Essex (SE corner of market) / thru 3/10 Opening 2/9 (4 - 6:30 PM) Camila Sposati / Eleven Rivington / 11 Rivington / thru 2/10 Environmental Services: Doug Weathersby; Carolyn Salas / Dodge / 15 Rivington / thru 2/17 Narcissister / Envoy / 87 Rivington (second location) / thru 2/10 Takuro Kuwata / Salon 94 / 1 Freeman Alley / thru 2/23 David Kramer; Michael Harrington / Mulherin + Pollard / Freeman Alley — 187 Chrystie / thru 2/24 Metal Coyote curated by Aldo Sanchez / Y / 165 Orchard / thru 2/17 Hooper Turner / Frosch & Portmann / 53 Stanton / thru 3/10 Drew Conrad / Fitzroy / 195 Christie / thru 2/22 (extended) Ishmael Randall Weeks / Eleven Rivington / 195 Chrystie (second location) / thru 2/10 Robin Rhode / Lehmann Maupin / 201 Chrystie / thru 3/9 Nari Ward thru 4/21; NYC 1993 thru 5/26 Opening 2/13 / New Museum / 231 - 235 Bowery Takuro Kuwata / Salon 94 / 243 Bowery / thru 2/25 Fabio Viale; Quadreria Italian Paintings / Sperone Westwater / 257 Bowery / thru 2/23 Lauren Dicioccio; Word: R. Wynne; S. Hyland; K. Fandell; C. Conant; T. Allen / Tomlinson Kong / 270 Bowery / thru 3/29 Vandana Jain / Station Independent / 164 Suffolk / thru 2/10 Snout to Tail: Anna - Sophie Berger; Zak Kitnick; Sean Paul / JTT / 170 A Suffolk / thru 2/17 Dream Out: Joke Schole; Steel Stillman; Sally Webster / Show Room / 170 Suffolk / thru 2/24 Paul Resika / Harvey / 208 Forsyth / thru 2/10 Katrina del Mar / Participant / 253 E Houston / thru 2/17 Kurt Johannessen Opening 2/8; Michael Alan / NOoSPHERE / 251 E Houston / thru 2/24 Melissa Dubbin; Aaron Davidson / Audio Visual Arts / 34 E 1 / thru 2/17 Decopolis / The Proposition / 2 Extra Place (East 1st St. off Bowery) / thru 2/24 Opening 2/6 Joel Holmberg / American Contemporary / 4 E 2 / thru 2/22 Jaimie Warren thru 2/6 Closing talk 8 PM; Herbie Flether thru 2/28 Opening 2/9 / The Hole / 312 Bowery

This results in conflicting energies that appear to be incompatible with the self - image of Conceptual art and its emphasis on rationalization since the 1960's: in employing her handwriting as a medium and assembling material - informed montages, Darboven is, furthermore inserting a subjective ductus into her conceptual works, literally inscribing her own life - time, the span in which her works were written, into these: «am burgberg — heute... und keine worte mehr... und eine welt noch.»

Having enjoyed a number of highly successful solo shows he has also collaborated with a number of acclaimed artists including Ben Eine, Stik and DJ Fatboy Slim.

Showcasing a range of contemporary painting and sculpture, they've got new and recent works from Ben Eine, Ca

Damien Hirst, Paul Fryer, David Bailey and Joana Vasconcelos are the latest artists to confirm participation in Art Wars — an exhibition of Stormtrooper helmets transformed into works of art by artists including Yinka Shonibare, Inkie, Mat Collishaw, Mr.BrainWash, Ben Eine, Antony Micallef, Oliver Clegg and Jake and Dinos Chapman.

Installation view, Power Distributor Door, Hotel Door, Safari Bar Door and Temporary Construction Door designed by Anna Viebrock, 2017; Floor Runner from the stage design of Riesenbutzbach Eine Dauerkolonie, by Anna Viebrock, 2009; and Alexander Kluge, The Soft Makeup of Light, 65 mm film transferred to digital projection, 13 minutes 34 seconds.

Where else can you go to mix with internationally recognised artists like Sir Peter Blake, Gavin Turk, Polly Morgan, Tracey Emin, Bob and Roberta Smith, Darren Coffield, Ben Eine and Matt Collishaw and buy their original artwork for a fraction of the price that galleries charge.

Teller was the recipient of the Citibank Photography Prize 2003 and has published numerous books of his work with Steidl including Tracht, Go - Sees, Märchenstüberl, Zwei Schäuferle mit Kloß und eine Kinderportion Schnitzel mit Pommes Frites, Ohne Titel, Louis XV, and Nürnberg.

2000 Creative Review, December, p. 94 Ewald, Gudrun, Hellsen ist eine Kunst, Coolibri, October, p. 50 Publications (selected) 2014 Gavin, Francesca, The Book of Hearts, Laurence King Publishers, London, UK

Important early solo shows includeOn Kawara, 1973 - Produktion eines Jahres / One Year's Production at the Kunsthalle Bern and the Palais des Beaux - Arts, Brussels in 1974; On Kawara: continuity / discontinuity 1963 - 1979, which was first on view at the Moderna Museet in Stockholm in 1980 and traveled to the Museum Folkwang, Essen, Germany, Van Abbemuseum, Eindhoven, The Netherlands, and the National Museum of Art, Osaka; On Kawara: Date paintings in 89 Cities, which toured from 1991 to 1993 to the Museum Boijmans Van Beuningen, Rotterdam to Deichtorhallen Hamburg, Museum of Fine Arts, Boston, and the San Francisco Museum of Modern Art; On Kawara: Whole and Parts 1964 - 1995, on view from 1996 to 1998 at the Nouveau Musée / Institut d'art contemporain, Villeurbanne, France, Castello di Rivoli, Turin, Museu d'Art Contemporani de Barcelona, Musée d'Art Moderne, Villeneuve d'Ascq, France, and the Museum of Contemporary Art, Tokyo; and On Kawara: Horizontality / Verticality at the Städtischen Galerie im Lenbachhaus und Kunstbau München, Munich and Museum Ludwig, Cologne in 2000 to 2001.

David Walsh, Elizabeth Pearce, Jane Clark 2013 ISBN 9780980805888 Lindsay Seers, George Barber, Frieze, January 2013 One of Many, Adrian Dannatt, Artist Comes First, Jean - Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsend.

The worn brick walls of London have long offered sanctuary to some of the world's greatest street artists — from Banksy and Ben Eine to ROA, Shepard Fairey, Swoon, and now

62 / October 2012 «Petrit Halilaj's new project for Kunsthalle St. Gallen», Michele Robecchi, Kunstbulletin, 7-8/2012 «Future Greats», Giovanni Carmine, Art Review, issue 57, March 2012 2011 «Die Zeit zurückdrehen», Dorothea Nikolussi - Salzer, Der Standard, October 2011 «Eine Himmelsscheibe, die die Zeit zurückdreht», Ivona Jelcic, Tiroler Tageszeitung, October 2011 Ingeborg Wiensowski, Loch der Erinnerung, Spiegel Online, July 25, 2011 «Ernste Tiere» im Bonner Kunstverein, General Anzeiger Bonn, July 15, 22011 «Art Basel», Quinn Latimer, Art Agenda, June 17, 2011 «Petrit Halilaj — Zeitschrift zuschnitt 42» Stefan Tasch, Obendrauf, June 2011 «Petrit Halilaj, by Johan Lundh, Metropolis M, no. 3 June / July 2011 «Petrit Halilaj — Brand New», Laura Cherubini, Flash Art International, March - April 2011 2010 «Best of 2010», Christine Macel, Artforum, December 2010 «Where Is Petrit's Real House?»

In Depth, Unit 5 Gallery's inaugural group exhibition, counts with the participation of renowned artists like Axel Void (ES), Ben Eine (UK), Herakut (DE), Hin (HK), Isaac Cordal (ES) and Biancoshock (IT), just to name a few of them, presenting an amazing collection of sculpture, installation, and three - dimensional works that will be on view until 26th February 2017.

Im Karussell der Diakonservierung», Hamburger Kunsthalle, Hamburg 2017 «Performance lecture», Lothringer13, Munich 2017 «Artist's Books», Hamburger Kunsthalle, Hamburg 2017 «Rosebuds», D21 Kunstraum Leipzig 2017 «t twoninethree in - residence at Luciana Brito Galeria», São Paulo 2017 «Morphogenesis», Galeria Francisco Fino, Lisbon 2016 «Par Tibi, Roma, nihil», Palatino archeological area, Rome 2016 «VI x VI Positionen zur Zukunft der Fotografie», Landesgalerie Linz, Linz 2016 `... und eine Welt noch», Kunsthaus Hamburg, Hamburg 2016 «Poésie Balistique», La Verrière — Hermès Foundation, Brussels 2016 «This Is Your Replacement», Sies + Höhe, Dusseldorf 2016 «New - Self - Portrait - Paradox», MINI / Goethe - Institut Curatorial Residencies Ludlow 38, New York 2015 «A story within a story», 8th Göteborg International Biennial for Contemporary Art (GIBCA) 2015 «The day will come when photography revises», Triennial of Photography, Kunstverein in Hamburg 2015 «Digital Voices», Oxford Library and the Language Center, Oxford 2014 «Society Acts — The Moderna Exhibition 2014», Moderna Museet, Malmö 2014 «Against the grain», Centre de la photographie, Genève 2014 «T293 - in - residence», Sadie Coles HQ, London 2014 «Un Nouveau Festival», Centre Pompidou, Paris 2014 «Return Journey», MOSTYN, Wales 2013 «The Story Behind», NoguerasBlanchard, Barcelona 2013 «Lecture - Performance: New Artistic Formats, Places, Practices and Behaviours», MUSAC — Museo de Arte Contemporáneo de Castilla y León, León 2013 «Unrest of Form.

«The A — Z of Change» A solo exhibition of new work by Eine Opening Reception: Thursday July 9 2009 / 7.00 pm — 10.00 pm Exhibition Dates: July 9 — July 30 2009 Please RSVP to [email protected] Address: Carmichael Gallery / 1257 N. La Brea Ave / West Hollywood CA 90038 On Thursday, July 9 Carmichael -LSB-...]

Eine Dusseldorfer Perspektive, Kunst Sammlung Nordrhein Westfalen, K21, Dusseldorf Picture Industry (Goodbye to all that), regen projects, Los Angeles, CA Rise of the Rad, The Torrance Museum, Torrance, CA Summer Group Show, Skarstedt Gallery, New York, NY The Library of Babel: In and Out of Place, Zabludowicz Collection, London, UK Twenty Five, Luhring Augustine, New York, NY

1993 Kunstverein Kippenberger Fridericianum, Kassel Kandidatur für eine Retrospektive Centre Georges Pompidou, Paris Founds MOMAS (Museum of Modern Art Syros), Greece Construction of the first subway station, Syros

The show includes a historical selection of ten works on paper by Joseph Kosuth, dating from 1996 to 2008, such as Kurz, eine Metapher ist... (N. Goodman)(1996), Double Meaning (2005), Andersen Self Described (2006) and A Grammatical Remark (Pescara)(2005).

Paris, Galerie Nikki Diana Marquardt, Dan Flavin: Hommage à Leo Castelli, 1957 - 1987, May - June 1987 (another example exhibited) Musée d'Art Contemporain de Lyon, Collection Panza: Dan Flavin, June - September 1989 (another example exhibited) Cologne, Galerie Tanit, Dan Flavin: eine Auswahl neuerer Arbeiten, November 1989 - January 1990 (another example exhibited) Musée d'Art Moderne de la Ville de Paris, Un Choix d'art minimal dans la collection Panza, July - November 1990, pp. 48 - 49, illustrated in colour (another example exhibited) New York, Solomon R. Guggenheim Museum, Dan Flavin, September 1995 - January 1996 (another example exhibited) Osaka, Gallery Yamagucki, Untitled (to Don Judd, colorist), October - November 1996 (another example exhibited) North Adams, Museum of Contemporary Art, Test Site, May 1999 - April 2000 (another example exhibited) London, Serpentine Gallery, Dan Flavin, August - September 2001, pp. 16 - 17, illustrated in colour (another example exhibited) New York, Home Alone 2 Gallery, Jimmy Desana and Dan Flavin, September — October 2013 St Ives, Tate St Ives, Artist Rooms: Dan Flavin, 23 May - 27 September 2015 (another example exhibited)

V1 Gallery in Denmark celebrates its 10th year with Tonight We Won't Be Bored; a massive show of 100 new works by artists like André, Kenny Scharff, Futura, Faile, Lydia Fong (aka Barry McGee), Barbara Kruger, Shepard Fairey, Steve Powers, Todd James, Andrew Schoultz, Thomas Campbell, Erik Parker, André, Neckface, Eine, Wes Lang, Clayton Brothers, and many others.

a limited run of fifty exclusive new Ben Eine «E Is The Magic Number» hand cast resin sculptures, launching his first foray into 3 - D art

Ausbruch eines großen Geysir, or Eruption of a Big Geyser, is one of Gerhard Richter's graphite works executed in 1964.

1999 Strengthening Wind from Changing Directions: The Paul Maenz Collection, Kunst zu Weimar Sammlungen - Neues Museum Weimar, DE Entrevoir, Villa du Parc, Annemasse, FR oLdNEWtOWn, Casey Kaplan, New York, US Kirsten Ortwed, Lawrence Weiner, Barry Le Va, Kunsthalle, Malmö, SW Zeichnen ist eine Andere Art von Sprache: Neuere Amerikanische Zeichnungen aus einer New Yorker Privatsammlung, Akademie der Künste, Berlin, DE Til Mertz, Vestsjœllands Kunstmuseum, Sorø, DK Heroines and Heroes: an Idiosyncratic Anthology of International Art (1943 - 1999), Cynthia Broan Gallery, New York, US Hogar TV Hogar: Guía de Televisión (Canal 3: La Cocina), Museo Nacional - Centro de Arte Reina Sofía, Madrid, ES Bookmarks7, Northern Illinois University Art Gallery, Chicago, Illinois, US Art at Work: Forty Years of the Chase Manhattan Collection, Museum of Fine Arts and Contemporary Arts Museum, Houston, Texas, US Proliferation, Museum of Contemporary Art, Los Angeles, California, US Positionen / Posizioni, Museum für Moderne Kunst, Bolzano, IT L'Art et l'Écrit, Espace Sculfort, Maubeuge, FR Parkett, Parkett Viewing Room, New York, US Mach's Gut, Mensch: das Letzte Jahrtausend des Homo Sapiens geht zu Ende, Kunstverein, Schwerte, DE Drawn from Artists» Collections, Drawing Center, New York, US A Piece of Furniture..., Galerie Anselm Dreher, Berlin, DE Conceptualism: Points of Origin, 1950s - 1980s, Queens Museum of Art, New York, US; Walker Art Center, Minnesapolis, Minnesota, US; Miami Art Museum, Miami, Florida, US Scripta Manent, Esso Gallery, New York, US Wallpaintings, Helga Maria Klosterfelde, Hamburg, DE Audrey Hepburn: una Donna, lo Stile, Museo Salvatore Ferragamo, Florence, IT Wände / Walls, Konrad Fischer Galerie, Dusseldorf, DE Troublespot.Painting, MUHKA & NICC, Antwerp, BE Save the Day: Eine Aktion anlässlich deseine Andere Art von Sprache: Neuere Amerikanische Zeichnungen aus einer New Yorker Privatsammlung, Akademie der Künste, Berlin, DE Til Mertz, Vestsjœllands Kunstmuseum, Sorø, DK Heroines and Heroes: an Idiosyncratic Anthology of International Art (1943 - 1999), Cynthia Broan Gallery, New York, US Hogar TV Hogar: Guía de Televisión (Canal 3: La Cocina), Museo Nacional - Centro de Arte Reina Sofía, Madrid, ES Bookmarks7, Northern Illinois University Art Gallery, Chicago, Illinois, US Art at Work: Forty Years of the Chase Manhattan Collection, Museum of Fine Arts and Contemporary Arts Museum, Houston, Texas, US Proliferation, Museum of Contemporary Art, Los Angeles, California, US Positionen / Posizioni, Museum für Moderne Kunst, Bolzano, IT L'Art et l'Écrit, Espace Sculfort, Maubeuge, FR Parkett, Parkett Viewing Room, New York, US Mach's Gut, Mensch: das Letzte Jahrtausend des Homo Sapiens geht zu Ende, Kunstverein, Schwerte, DE Drawn from Artists» Collections, Drawing Center, New York, US A Piece of Furniture..., Galerie Anselm Dreher, Berlin, DE Conceptualism: Points of Origin, 1950s - 1980s, Queens Museum of Art, New York, US; Walker Art Center, Minnesapolis, Minnesota, US; Miami Art Museum, Miami, Florida, US Scripta Manent, Esso Gallery, New York, US Wallpaintings, Helga Maria Klosterfelde, Hamburg, DE Audrey Hepburn: una Donna, lo Stile, Museo Salvatore Ferragamo, Florence, IT Wände / Walls, Konrad Fischer Galerie, Dusseldorf, DE Troublespot.Painting, MUHKA & NICC, Antwerp, BE Save the Day: Eine Aktion anlässlich desEine Aktion anlässlich des 60.

2002 CAB Gallery Retrospective 1999 - 2001, Essor Gallery Project Space, London, UK Between Language and Form, Yale University Art Gallery, New Haven, Connecticut, US Amsterdam Revisited: Adam & Eve On Sex, Tolerance and other Dependencies, De Appel, Amsterdam, NL Reaction - A Global Response to 9/11, Exit Art, New York, US Art Aficionado Auction of Cigar Box Art, Birmingham Museum of Art, Birmingham, Alabama, US Just Remember: It's Vienna, Galerie Hubert Winter, Vienna, AT Welfare State International, London, UK Light & Shadows..., Galerie Anselm Dreher, Berlin, DE From the Observatory, Paula Cooper Gallery, New York, US Galerie Pietro Spartà, Chagny, FR Coolecção Onnasch: Aspectos da Arte Contemporânea, Museu Serralves / Museu Arte Contemporânea, Porto, PT Conceptual Art 1965 - 1975 from Dutch and Belgian Collections, Stedelijk Museum Amsterdam, NE DIN Art 4 - 560 Künstler und 1 Formular, Museum für Kommunikation, Hamburg, DE 2002 Benefit Silent Auction and Gala, White Columns, New York, US Parole, Parole, Parole, Galleria Civica di Arte Contemporanea, Trento, IT Water - Sand — Space, The International Art Exhibition: Sharjah Art Museum, UAE; Städtischen Galerie Wolfsburg, DE Private Views, London Print Studio Gallery, London, UK Collections, Stedelijk Museum, Amsterdam, NL Startkapital, K21 Kunstsmamlung Nordhein - Westfalen, DE 20 Years in Danish Art, Stalke Galleri & Galleri Kirke Sonnerup, DK The Artists» Memory, Stadtische Museen Jena, Kabinett im Stadtmuseen, DE Ideal Avalanche, The Pond, Chicago, Illinois, UK Pièes de Collection / Oeuvres Contemporaines, Une Proposition de Françoise et Jean - Philippe Billarant, Ecole Supérieure des Beaux - Arts de Nîmes, ESBAN @ Hôtel Rivet, FR Hors d'Oeuvre, Artist's Pages, Le Journal de l'art Contemporain en Bourgogne, No. 10, FR Frenetic Interferences a presentation of MEMORY / CAGE EDITIONS, Museum Store of The New Museum of Contemporary Art, New York, US Sens Giratoire Exposition Collective Peintures, Photographies, Installations PASSAGES, Centre d'Art Contemporain, Troyes, FR Ilona Ruegg, Kunsthalle Bern, Bern, CH Kunst und Schock Der 11, September und das Geheimnis des Anderen, Eine Austellung mit Bildern und Texten in Zusammenarbeit mit Lettre International, Haus am Lützoplatz, Berlin, DE Art Unlimited, Basel Art Fair, Basel, CH Les Horizons du Paysage, curated by François Montliau & Hubert Besacier, Maison de la Culture de Bourges, FR Ansammlungen von Ingrid Wald und Gerhard Jaschke («Freibord»), Sommerallerie, Unterretzbach, AT Out of Print Edição Esgotada, Museu Serralves, Museu de Art Contemporaneâ, Porto, PT De Concert, Oeuvres d'une Collection Privé, Frac des Pays de la Loire, FR What About Hegel (And You)-RRB-?

Image: Russell Young Event curators The Future Tense have assembled an eclectic roster of 30 original works valued at over $ 1m from some of the world's most exciting, dynamic and sometimes controversial artists, including painting, photography, sculpture and a large - scale public installation in downtown Dallas by streetartist Ben Eine.

Inscribed «GABO» on wooden backing Plastic, metals and cork set into wooden box, 24 x 11 x 23 (61 x 28 x 58.5) Presented by the artist 1977 Exh: Gabo: konstruktive Plastik, Kestner - Gesellschaft, Hanover, November 1930 (20) as «Konstruktive Raumgestaltung für eine Wandnische» 1930; Constructions by N. Gabo, London Gallery, London, January 1938 (5) as «Constructive Treatment for an Interior Niche» 1930; Gabo: Constructions in Space, Wadsworth Atheneum, Hartford, March 1938 (5) as «Constructive Treatment for an Interior Niche» 1930; Gabo - Pevsner, Museum of Modern Art, New York, February - April 1948 (works not numbered) as «Construction in a Niche» 1930; Naum Gabo: The Constructive Process, Tate Gallery, November 1976 - January 1977 (27) as «In a Niche» 1928 - 9 Repr: Herbert Read and Leslie Martin, Gabo: Constructions, Sculpture, Paintings, Drawings, Engravings (London 1957), p. 42 as «Construction in a Niche» 1930

RECENT PRESS Daniel Völzke, «Porträt Amy Feldman: Grau ist eine frohe Farbe», Monopol, March 2017 Daniel Schreiber, «Amy's Shades of Grey», Welt AM Sonntag, February 12, 2017 Vittorio Colaizzi, «Robert Ryman», Phaidon, 2017 Jerry Saltz «To Do: May 31 — June 14, 2017», New York Magazine, May 31, 2017 Tommaso Monorchio, «Amy Feldman / Pascual Sisto», Flash Art Italia, February 2016 Andrianna Campbell, «Amy Feldman at Brand New Gallery», Mousse, December 2015 Artforum, Critics Pick, Amy Feldman REYNOLDS GALLERY

Recent solo exhibitions of his work have been presented at Gallery Paule Anglim, San Francisco (2013); Corvi - Mora, London (2011); LA > The Air We Breathe, San Francisco Museum of Modern Art (2011), Aktualität eines mediums, nader ahriman bis chen zhen, Galerie Krinzinger, Vienna (2010); Urban Stories, The Contemporary Art Centre, Vilnius (2009); and Four Exhibitions, White Columns, New York (2008).