Sentences with phrase «of fine art painting at»

• Robert Armstrong (b. 1953) Abstract painter; head of the Department of Fine Art painting at NCAD.

Graduate of Fine Art Painting at Chelsea College of Art and design (2005), Kate Knight's latest collection of work, holds a harmony of luscious colours and glittering gold.

Not exact matches

At the time, Simon, who runs Robert Simon Fine Arts on the Upper East Side of Manhattan, thought the painting was a diamond in the rough.

But the fact remains, and I hold myself fully responsible: Sunday at the Boston Museum of Fine Arts saw me almost running past various displays, silently offering what penance I could — apologizing to statues, begging forgiveness of Egyptian jewelry, and mentally flagellating myself before fresco paintings of the crucifixion.

The main piece of art at Erven, a vegan fine - dining joint in Santa Monica, is a gigantic painting of Mick Jagger smooching Gandhi.

I trained in fine art at the Manchester School of Art, where I did a BA (hons) specialising in oil paintiart at the Manchester School of Art, where I did a BA (hons) specialising in oil paintiArt, where I did a BA (hons) specialising in oil painting.

It's «phenomenal» work — both in terms of what it reveals about Picasso's artistry and the development of new technology, says Jennifer Mass, a cultural heritage scientist at the Scientific Analysis of Fine Art in Philadelphia, Pennsylvania, who has done similar imaging work on another one of Picasso's paintings but was not involved in the new research.

Massie adopted Mao as a kitten in Ashville, N.C., and the pet followed its now -32-year-old owner on moves to Athens, Ga., San Bernardino, Calif., and finally to Charlotte, N.C., where Massie is working toward earning a fine arts degree in painting at the University of North Carolina at Charlotte.

THE MOSCOW TIMES — Nov 25 — Since most of Maria Shubina's paintings are called «Me,» visiting her exhibition at Fine Art gallery is a bit like flipping through a friend's photo album.

Since I know a lot about writing and painting, the fickle worlds of publishing and fine art, and have gotten pretty damn good at internet marketing, platform building, and online sales, it's really easy for me to help struggling artists and authors figure out what their problems are and get them earning enough money to quit their jobs and focus on being creative geniuses that change the world.

A comprehensive look at the paintings of the last 40 years — oils, watercolors, and more — this $ 75 behemoth is full of stunning images and knowledgeable commentary from Tony Godfrey, who works at Sotheby's Institute of Art and is a Fine Arts professor.

Explore the long - hidden brilliance of female artists in Bali at Seniwati Art Gallery and local Balinese paintings at Nyoman Sumerta Fine Art Gallery.

He studied oil painting, figure drawing and palette mixing at the Boulder Academy of Fine Arts in 2002 and 2003.

The February Review Panel held at the National Academy Museum and School of Fine Arts, New York focused on painting.

I studied at Edinburgh College of Art / Edinburgh University and have a BA (Hons) Fine Art, painting degree.

Limitations in some templates; too much wasted white space (would love my work to be displayed much larger); integration of pages to sell prints and / or products with my work on it in pages with the original artwork (lower priced or alternative options for folks who aren't yet ready to invest in fine art); room setting view where customers can see the size / shape of a painting / print in an actual room like over a couch or bed, in a kitchen, etc; greater options in template layout (social buttons and email NL signup at top of page, etc).

painttube is a research group of staff and post graduate students at the National College of Art and Design, in Dublin, who are engaged and interested in painting within contemporary fine art practiArt and Design, in Dublin, who are engaged and interested in painting within contemporary fine art practiart practice.

Thus, an exhibition now on view at Lori Bookstein Fine Art in New York that showcases a number of Müller's mature, large - scale paintings is a welcome, if short lived, opportunity to see his monumental Abstract Expressionist allegories.

Alice Neel: Painted Truths Originating at the Museum of Fine Arts, Houston until 13 June, this extraordinary survey of Alice Neel's work will be on view at the Whitechapel Gallery in London 8 July to 19 September 2010, and will continue on to Moderna Museet, Malmö, Sweden, 9 October 2010 to 2 January 2011 Alice Neel: Painted Truths is accompanied by a fully illustrated catalogue of the same title published by the MFAH and distributed by Yale University Press.

And there was certainly a time, not so long ago, when I was also a fully paid - up McKeever Believer: his seriousness, his commitment to the act of painting, and the complete absence from his work of what the American painter Gary Stephan has dubbed «visual sarcasm» — that is, the use of paint only in order to flaunt its supposed inadequacy and redundancy — made him seem like a bulwark against the insufferable smart - alec nihilism of Richard Prince, Wade Guyton, or Christopher Wool; and against the prevailing attitudes within the Higher Education establishment at which I both teach, and study on the MA programme, where the buzz - phrase on the Fine Art Critical Studies syllabus is «post-Making»; in other words, goodbye and good riddance to all that messy business with brushes and squeegees and welding torches, once and for all.

The exhibition of nearly 20 recent paintings currently at McKenzie Fine Art may be his strongest yet.

This exhibition of paintings, sculptures and drawings marks the London debut of American artist Justin Almquist, who was born in Minneapolis in 1976, received his BFA at Pratt Institute, New York in 1998 and his MFA at the Academy of Fine Arts in Munich in 2010.

Soon after the opening reception of his survey at Yale University's Edgewood Avenue Gallery, Malcolm Morley In A Nutshell: The Fine Art of Painting 1954 — 2012, curated by Robert Storr, Dean of the Yale School of Art, (January 31 — March 31, 2012), and Malcolm Morley: Another Way to Make An Image, Monotypes at Sue Scott Gallery (January 11 — February 19, 2012), publisher Phong Bui made a trip to Brookhaven Hamlet, Long Island, New York to visit the painter's home / studio, a former church he has shared with his wife Lida Morley since 1986.

As seen in the second half of Monet in the 20th Century the exhibition currently at the Museum of Fine Arts, Boston, Monet's paintings of 1914 - 1926 are equaled only by those of Picasso, Matisse and Pollock in this century.

He studied painting at the Croydon College of Art (London) and Newcastle University (England), received a Graduate Fellowship at Harvard University in 1973, a Guggenheim Fellowship in 1983, and Honorary Degrees, Doctorate of Fine Arts from The Massachusetts College of Art (Boston) and the National University of Ireland (Dublin).

Other notable exhibitions include «Malcolm Morley in a Nutshell: The Fine Art of Painting 1954 - 2012» at the Yale School of Art (2012), an exhibition exploring the role of paper in Morley's art - making process at the Parrish Art Museum (2012 - 13), and an exhibition at the Ashmolean Museum, Oxford, organized in collaboration with the Hall Art Foundation (2013 - 1Art of Painting 1954 - 2012» at the Yale School of Art (2012), an exhibition exploring the role of paper in Morley's art - making process at the Parrish Art Museum (2012 - 13), and an exhibition at the Ashmolean Museum, Oxford, organized in collaboration with the Hall Art Foundation (2013 - 1Art (2012), an exhibition exploring the role of paper in Morley's art - making process at the Parrish Art Museum (2012 - 13), and an exhibition at the Ashmolean Museum, Oxford, organized in collaboration with the Hall Art Foundation (2013 - 1art - making process at the Parrish Art Museum (2012 - 13), and an exhibition at the Ashmolean Museum, Oxford, organized in collaboration with the Hall Art Foundation (2013 - 1Art Museum (2012 - 13), and an exhibition at the Ashmolean Museum, Oxford, organized in collaboration with the Hall Art Foundation (2013 - 1Art Foundation (2013 - 14).

Dumas grasped as well as anyone what made Neel unique, and she writes about it in the catalog for Alice Neel: Painted Truths, a knockout of an exhibition at the Museum of Fine Arts, Houston.

Contributed by Sharon Butler / In «Of Earth and Sky,» on view at Susan Eley Fine Art, Rachelle Krieger presents a new series of elegant abstract paintings in which winding brushstrokes float throughout tightly - cropped square spaceOf Earth and Sky,» on view at Susan Eley Fine Art, Rachelle Krieger presents a new series of elegant abstract paintings in which winding brushstrokes float throughout tightly - cropped square spaceof elegant abstract paintings in which winding brushstrokes float throughout tightly - cropped square spaces.

Murillo's huge and physically enveloping canvases (seen at Art Basel 20135), echo familiar threads through contemporary fine art painting practice — the energetic gestures and scribblings of Cy Twombly, the haptic scruffs and mixing of materials of Antoni Tàpies and Anselm Kiefer, the calling out (in script) of Colin McCahon6 and the drawing, foodstuffs and performances of Joseph Beuys and William Pope.Art Basel 20135), echo familiar threads through contemporary fine art painting practice — the energetic gestures and scribblings of Cy Twombly, the haptic scruffs and mixing of materials of Antoni Tàpies and Anselm Kiefer, the calling out (in script) of Colin McCahon6 and the drawing, foodstuffs and performances of Joseph Beuys and William Pope.art painting practice — the energetic gestures and scribblings of Cy Twombly, the haptic scruffs and mixing of materials of Antoni Tàpies and Anselm Kiefer, the calling out (in script) of Colin McCahon6 and the drawing, foodstuffs and performances of Joseph Beuys and William Pope.L.7

Some of his recent exhibitions have included: Brice Marden: Work Books 1964 - 1995, at The Fogg Art Museum at Harvard University, The Wexner Center for the Arts, Ohio, and The Museum of Fine Arts, Houston; Brice Marden: Work of the 1990s at The Dallas Museum of Art, The Hirshhorn Museum, Washington, D.C., and The Carnegie Museum of Art, Pittsburgh; and an exhibition of recent paintings and drawings at The Serpentine Gallery, London.

Part II, 1950 — 2000, Whitney Museum of American Art, New York (September 26, 1999 — February 13, 2000) Primed & Un-Primed: Paintings from the 60s and 70s, Lawrence Rubin, Greenberg Van Doren Fine Art, New York (August 9 — October 2) Abstractions Américaines, Musée Fabre, Montpellier, France (July 3 — October 3) American Abstraction / American Realism: The Great Debate, Susquehanna Art Museum, Harrisburg, Pennsylvania (June 8 — August 21) In Honor of Alan Groh» 49: The Buzz Miller Collection of American Art, Bayly Art Museum, Univeristy of Virginia (June 4 — July 18) between art and life: vom abstrakten expressionismus zur pop art (organized with Fundación «la Caixa,» Barcelona), Schirn Kunsthalle Frankfurt, Germany (April 30 — July 10) Catherine Murphy, Joan Mitchell, Harriet Korman: Three Rooms, Lennon, Weinberg, Inc., New York (April 1 — April 24) Art at Work: Forty Years of the Chase Manhattan Collection, Museum of Fine Arts, Houston and Contemporary Arts Museum, Houston (March 3 — May 2) Sign and Gesture: Contemporary Abstract Art from the Haskell Collection, North Carolina Museum of Art, Raleigh (March 21 — June 1Art, New York (September 26, 1999 — February 13, 2000) Primed & Un-Primed: Paintings from the 60s and 70s, Lawrence Rubin, Greenberg Van Doren Fine Art, New York (August 9 — October 2) Abstractions Américaines, Musée Fabre, Montpellier, France (July 3 — October 3) American Abstraction / American Realism: The Great Debate, Susquehanna Art Museum, Harrisburg, Pennsylvania (June 8 — August 21) In Honor of Alan Groh» 49: The Buzz Miller Collection of American Art, Bayly Art Museum, Univeristy of Virginia (June 4 — July 18) between art and life: vom abstrakten expressionismus zur pop art (organized with Fundación «la Caixa,» Barcelona), Schirn Kunsthalle Frankfurt, Germany (April 30 — July 10) Catherine Murphy, Joan Mitchell, Harriet Korman: Three Rooms, Lennon, Weinberg, Inc., New York (April 1 — April 24) Art at Work: Forty Years of the Chase Manhattan Collection, Museum of Fine Arts, Houston and Contemporary Arts Museum, Houston (March 3 — May 2) Sign and Gesture: Contemporary Abstract Art from the Haskell Collection, North Carolina Museum of Art, Raleigh (March 21 — June 1Art, New York (August 9 — October 2) Abstractions Américaines, Musée Fabre, Montpellier, France (July 3 — October 3) American Abstraction / American Realism: The Great Debate, Susquehanna Art Museum, Harrisburg, Pennsylvania (June 8 — August 21) In Honor of Alan Groh» 49: The Buzz Miller Collection of American Art, Bayly Art Museum, Univeristy of Virginia (June 4 — July 18) between art and life: vom abstrakten expressionismus zur pop art (organized with Fundación «la Caixa,» Barcelona), Schirn Kunsthalle Frankfurt, Germany (April 30 — July 10) Catherine Murphy, Joan Mitchell, Harriet Korman: Three Rooms, Lennon, Weinberg, Inc., New York (April 1 — April 24) Art at Work: Forty Years of the Chase Manhattan Collection, Museum of Fine Arts, Houston and Contemporary Arts Museum, Houston (March 3 — May 2) Sign and Gesture: Contemporary Abstract Art from the Haskell Collection, North Carolina Museum of Art, Raleigh (March 21 — June 1Art Museum, Harrisburg, Pennsylvania (June 8 — August 21) In Honor of Alan Groh» 49: The Buzz Miller Collection of American Art, Bayly Art Museum, Univeristy of Virginia (June 4 — July 18) between art and life: vom abstrakten expressionismus zur pop art (organized with Fundación «la Caixa,» Barcelona), Schirn Kunsthalle Frankfurt, Germany (April 30 — July 10) Catherine Murphy, Joan Mitchell, Harriet Korman: Three Rooms, Lennon, Weinberg, Inc., New York (April 1 — April 24) Art at Work: Forty Years of the Chase Manhattan Collection, Museum of Fine Arts, Houston and Contemporary Arts Museum, Houston (March 3 — May 2) Sign and Gesture: Contemporary Abstract Art from the Haskell Collection, North Carolina Museum of Art, Raleigh (March 21 — June 1Art, Bayly Art Museum, Univeristy of Virginia (June 4 — July 18) between art and life: vom abstrakten expressionismus zur pop art (organized with Fundación «la Caixa,» Barcelona), Schirn Kunsthalle Frankfurt, Germany (April 30 — July 10) Catherine Murphy, Joan Mitchell, Harriet Korman: Three Rooms, Lennon, Weinberg, Inc., New York (April 1 — April 24) Art at Work: Forty Years of the Chase Manhattan Collection, Museum of Fine Arts, Houston and Contemporary Arts Museum, Houston (March 3 — May 2) Sign and Gesture: Contemporary Abstract Art from the Haskell Collection, North Carolina Museum of Art, Raleigh (March 21 — June 1Art Museum, Univeristy of Virginia (June 4 — July 18) between art and life: vom abstrakten expressionismus zur pop art (organized with Fundación «la Caixa,» Barcelona), Schirn Kunsthalle Frankfurt, Germany (April 30 — July 10) Catherine Murphy, Joan Mitchell, Harriet Korman: Three Rooms, Lennon, Weinberg, Inc., New York (April 1 — April 24) Art at Work: Forty Years of the Chase Manhattan Collection, Museum of Fine Arts, Houston and Contemporary Arts Museum, Houston (March 3 — May 2) Sign and Gesture: Contemporary Abstract Art from the Haskell Collection, North Carolina Museum of Art, Raleigh (March 21 — June 1art and life: vom abstrakten expressionismus zur pop art (organized with Fundación «la Caixa,» Barcelona), Schirn Kunsthalle Frankfurt, Germany (April 30 — July 10) Catherine Murphy, Joan Mitchell, Harriet Korman: Three Rooms, Lennon, Weinberg, Inc., New York (April 1 — April 24) Art at Work: Forty Years of the Chase Manhattan Collection, Museum of Fine Arts, Houston and Contemporary Arts Museum, Houston (March 3 — May 2) Sign and Gesture: Contemporary Abstract Art from the Haskell Collection, North Carolina Museum of Art, Raleigh (March 21 — June 1art (organized with Fundación «la Caixa,» Barcelona), Schirn Kunsthalle Frankfurt, Germany (April 30 — July 10) Catherine Murphy, Joan Mitchell, Harriet Korman: Three Rooms, Lennon, Weinberg, Inc., New York (April 1 — April 24) Art at Work: Forty Years of the Chase Manhattan Collection, Museum of Fine Arts, Houston and Contemporary Arts Museum, Houston (March 3 — May 2) Sign and Gesture: Contemporary Abstract Art from the Haskell Collection, North Carolina Museum of Art, Raleigh (March 21 — June 1Art at Work: Forty Years of the Chase Manhattan Collection, Museum of Fine Arts, Houston and Contemporary Arts Museum, Houston (March 3 — May 2) Sign and Gesture: Contemporary Abstract Art from the Haskell Collection, North Carolina Museum of Art, Raleigh (March 21 — June 1Art from the Haskell Collection, North Carolina Museum of Art, Raleigh (March 21 — June 1Art, Raleigh (March 21 — June 13).

Organized by the Pennsylvania Academy of Fine Arts, this is the first in - depth museum look at the work of this lifelong Harlem resident with 90 paintings and works on paper from the early 1930s through the late 1970s.

Traveled to Musée Marmottan Monet, Paris (February 12 — May 11, 2008) Be — Bomb: The Transatlantic War of Images and all that Jazz in the 1950s, Museu d'Art Contemporani de Barcelona (MACBA), Spain (October 5, 2007 — January 7, 2008) Contemporary and Cutting Edge: Pleasures of Collecting, Part III, Bruce Museum, Greenwich, Connecticut (September 29, 2007 — January 6, 2008) Twentieth - Century American Women Artists from the Frances Lehman Loeb Art Center, Vassar College, Gallery at the Park Avenue Bank, New York, New York (September 17 — November 2) Americans in Paris: Abstract Painting in the Fifties, Tibor de Nagy Gallery, New York (July 16 — September 29) French Kiss, JGM Galerie, Paris, France (May 25 — July 13) When Art Worlds Collide: The 60s, Woodward Gallery, New York (May 17 — July 14) An Architect Collects: Robert D. Kleinschmidt and a Lifetime of Fine Arts Acquisitions, Krannert Art Museum and Kinkead Pavilion, University of Illinois at Urbana - Champaign (April 20 — July 29) Gestes, Signes, Traces, Espaces: Figures de la peinture moderne française dans les collections publiques normandes, Musée d'art moderne André Malraux, Le Havre, France (February 17 — April 30).

Paintings by Frank Bowling, Allan Freelon, Palmer Hayden, Felrath Hines, Wadsworth Jerrell, and Robert Neal, sold for record prices at Swann's April 7 sale of African American fine art.

Amongst our favorite artworks being exhibited here are Marc Dennis» realistic still - life painting of luscious flowers at Dallas» Cris Worley Fine Arts, Francis Upritchard's gesturing bronze figure at London «s Kate MacGarry, Jason Middlebrook's geometric abstraction on an elm plank at New York «s Ameringer McEnery Yohe, Luis Gispert's abstraction made by embedding gold chains in a field of black stones at Palma de Mallorca's Lundgren Gallery, and Klara Kristalova's ceramic sculpture of animals in a tub at Lehmann Maupin, with galleries in New York and Hong Kong.

Selections from his writings were included in the catalogue of Jack Tworkov: Paintings, 1928 - 1982, held in 1987 at the Pennsylvania Academy of the Fine Arts in Philadelphia.

In recent years, Alice Neel's work has been the subject of a major survey of paintings at the Museum of Fine Arts, Houston (touring to the Whitechapel Gallery, London, and Moderna Museet, Malmö, 2010) and a retrospective exhibition of drawings at the Nordiska Akvarellmeuseet, Skärhamn (2013).

Steve Martin watched the paintings of Lawren Harris go into place Tuesday at the Museum of Fine Arts.

The opportunity to see 86 paintings by Claude Monet at the Museum of Fine Arts, Boston in its exhibition: Monet In The 20th Century, September 20th to December 27th 1998, shouldn't be missed by any serious viewer of important contemporary painting.

And soon, Fine revealed to the audience gathered to hear the conversation at the National Gallery of Art in Washington, D.C., that two of Miller's paintings by Norman Lewis would be included in a fall 2015 exhibition of the abstract artist's work.

Diana Copperwhite studied Fine Art Painting at Limerick School of Art and Design and the National College of Art and Design, Dublin.

This unique combination of global cultural influences converge in his multi-disciplinary practice of more than a decade since the completion of his Master of Arts degree in painting at The Royal College of Art, London in 1998 and his Bachelor of Fine Arts degree in painting from the School of the Art Institute of Chicago in 1995.

Vehabovic earned his Ph.D. in painting at the vaunted Academy of Fine Arts in Zagreb and he has taken the slow road embracing the great painting history of Western Europe where technique and paint application matter.

And so at the moment about two dozen of Ms. Crockett's sparkling late paintings, with their bright tangles of jazzy lines and shapes floating on pale, brushy backgrounds, form a surprising exhibition at Meredith Ward Fine Art.

Exhibited: The Southern New England Invitiational Art Exhibition, Fairfield University, Fairfield, CT, 1978; National Midyear Show, Butler Institute of American Art, Youngstown, OH, summer, 1979; Barkley L. Hendricks, The Studio Museum in Harlem, New York, January 20 - March 30, 1980; Black Male - Representations of Masculinity in Contemporary American Art, the Whitney Museum of American Art, New York, NY, November 10, 1994 - March 5, 1995, the Hammer Museum of Art, Los Angeles, CA, April 25 - June 18, 1995; Barkley L. Hendricks: Birth of the Cool, Nasher Museum of Art at Duke University, Durham, NC, February 7 - July 13, 2008, Santa Monica Museum of Art, Santa Monica, CA, May 9 - August 15, 2009, Pennsylvania Academy of the Fine Arts, Philadelphia, PA, September 18 - December 20, 2009, Contemporary Arts Museum, Houston, TX, January 23, 2010 - April 18, 2010, with museum labels on the painting back.

Standout solo booths included an overview of abstract paintings from 1966 to 2013 by the brilliant British artist Richard Smith at Flowers Gallery, Ai Weiwei's conceptually playful sculptures and editions at Chambers Fine Art and painted abstract wood works by Cordy Ryman at Galerie Zurcher, while juxtapositions of works by Tony Tasset and Scott Reeder at Kavi Gupta and David Wojnarowicz and Martin Wong at P.P.O.W made group hangings pop.

More recently, multiple paintings and works on paper by Lewis, the late abstract painter whose first museum retrospective debuted last fall at the Pennsylvania Academy of the Fine Arts (and opens June 4 at the Amon Carter Museum of American Art in Fort Worth, Texas), have appeared regularly and covered the April catalog.

Traveled to the Finch College Museum of Art, New York (October 16 — November 25) and the Albright - Knox Art Gallery, Buffalo, New York (January 8 — February 2, 1974) Visual R&D: A Corporation Collects — the Ciba - Geigy Collection of Contemporary Paintings, University Art Museum, University of Texas at Austin (June 10 — August 12) American Drawings, 1963 — 1973, Whitney Museum of American Art, New York (May 25 — July 22) National Invitational Exhibit: The Explosive Decade, University of Wisconsin at Milwaukee Fine Arts Galleries (May 2 — 20, 1973) Women Choose Women (organized by Women in the Arts), The New York Cultural Center, New York (January 12 — February 18) 1973 Biennial Exhibition: Contemporary American Art, Whitney Museum of American Art, New York (January 10 — March 18) Contemporary American Painting from New York Galleries, Wilmington Society of Fine Arts, Wilmington, Delaware (April 20 — May 27)

Inspiration / [N. Blaine [and others]-RSB--- Introduction — 151: The «9th St.» Exhibition, the First Annual: the emergence of the New York School — Documentation of artists» participation in the New York Painting and Sculpture Annuals, including the «9th St.» Exhibition and the Stable Gallery Annuals, 1951 - 1957 — From downtown to uptown: The Ninth Street Show continued as the New York Painting and Sculpture Annuals, at the Stable Gallery, 1953 - 1957 — Documentation of artists» participation in the New York Painting and Sculpture Annuals, at the Stable Gallery, 1953 - 1957 — Complete index of artists» participation in the New York Artists» Annuals, 1951 - 1957 — Fine arts photographers and the New York School — Statements, artwork and biographies from the artists of the «9th St.» Show, 1951 and the Second Annual, 1953 Stable Gallery, NY.

Vehabović earned his Ph.D. in painting at the vaunted Academy of Fine Arts in Zagreb and he has taken the slow road embracing the great painting history of Western Europe where technique and paint application matter.