Sentences with phrase «of focal point gallery»

Jury: Penelope Curtis (Chairperson and Director of Tate Britain); Andrew Hunt (Director of Focal Point Gallery); Heike Munder (Director of Migros Museum of Contemporary Art, Zurich); Michael Stanley (Director of Modern Art Oxford), sadly now deceased; and Mark Sladen (Director of Kunsthal Charlottenborg, Copenhagen).

This year's jury are: Andrew Hunt, director of Focal Point Gallery, Southend - on - Sea, Heike Munder, director of Migros Museum für Gegenwartskunst, Zurich, Michael Stanley, director of Modern Art Oxford, Mark Sladen, director of Kunsthal Charlottenborg, Copenhagen, and Penelope Curtis, director of Tate Britain.

The jury included Andrew Hunt of the Focal Point Gallery in Southend - on - Sea, Heike Munder from the Migros Museum fur Gegenwartskunst in Zurich, Michael Stanley of Modern Art Oxford, Mark Salden from Denmark's Kunsthal Charlottenborg, Tate director Sir Nicholas Serota and Tate Britain's Penelope Curtis.

Judge Andrew Hunt, the director of Focal Point gallery in Southend, said the show was «exciting» bringing together installation, performance and sculpture.

Not exact matches

The church is not the focal point of the building; the coffee shop, art gallery, and music venue is.

As the focal point in a room or as a piece of your gallery wall, this print is an easy way to make a fun, modern statement.

Many of the works on display will be loaned from the collection of Louis K. Meisel, whose gallery has become the focal point of the movement.

Art & Stupidity (Focal Point Gallery, Southend - on - Sea, to 26 Mar), a show featuring the definitely - not - dumb likes of Ryan Gander, Bonnie Camplin and Sturtevant.

Previously she held curatorial positions at the South London Gallery (SLG), the Institute of Contemporary Arts (ICA) in London and the Hayward Gallery in London where she curated film, performance and exhibitions, and commissioned new works by artists including Juliette Blightman, Michael Smith, Bonnie Camplin, Kapwani Kiwanga, Jill Magid, Lis Rhodes as well as the group exhibitions Last Seen Entering the Biltmore (2014) and independently Duh — Art and Stupidity (co-curated with Paul Clinton) at Focal Point Gallery (2015).

As Simon Schama so splendidly demonstrated in his study of Rembrandt, the eye of the artist is a vital motif, a psychological and symbolic focal point that recurs subtly at the Robert Miller Gallery in Krasner's haunting series of «Umber» paintings that are the climax of the show.

Her work has been included in group exhibitions such as «SoundSpill,» Zabludowicz Collection, New York (2013), «With the Tip of a Hat,» the Artist's Institute, New York (2012), «Novel,» a screening for Time Again hosted by the Sculpture Center, New York (2011), «Outrageous Fortune: artists remake the Tarot,» Hayward Touring / Focal Point Gallery, Southend (2011), and «The Great White Way Goes Black,» Vilma Gold, London (2011).

In acknowledgement of the important role arts organisations outside of London play within the UK cultural scene, a different regional organisation joins the collective each year, with Focal Point Gallery presenting a selection of their editions (Hilary Lloyd, Bridget Smith, Benedict Drew, Hannah Sawmill, Volker Eichelmann, Scott King and Keith Farquhar, Dawn Mellor, Clunie Reid, Milly Thompson, David Mabb) at the stand in 2017.

Solo and special presentations that promise to be focal points in the fair include: Carsten Höller (Gagosian Gallery, London), Eric Bainbridge (Workplace Gallery, Gateshead), Rosa Barba (Meyer Riegger, Berlin & Gió Marconi, Milan), Will Benedict (Overduin & Co., Los Angeles), Martin Creed (Galerie Rüdiger Schöttle, Berlin), Koo Jeong A (Pilar Corrias Gallery, London), Lee Kit (Vitamin Creative Space, Guangzhou), Goshka Macuga (Kate MacGarry, London), a pairing of work by Mark Grotjahn with Tabwa masks (Anton Kern Gallery, New York); and a booth curated by Mark Wallinger (Hauser & Wirth, London).

While contemporary artist Pawel Althamer's depiction of three figures around a campfire becomes a focal point around which the other sculptures — by artists including Petr Galadzhev and Anatoly Osmolovsky — seem to be gathered.The display highlights the V - A-C collection, Moscow, as part of the Whitechapel Gallery's programme of opening up rarely seen collections from around the world.

She is included in «Assembly»: A Survey of Recent Artists» Film and Video Britain 2008 - 2013 ′ at Tate Britain in December 2013 and will have solo exhibitions at Focal Point Gallery, Southend and Bergen Kunsthall, Norway in 2014.

20112011 Edition of the Festival Printemps de Septembre, curated by Anne Pontegnie, Le Printemps de Septembre, Toulouse Painting Show, Eastside Projects, Birmingham, curated by Sophie von Hellermann & Gavi Wade Watercolour, Tate Britain, London Outrageous Fortune: Artists Remake the Tarot, Focal Point Gallery, Southend

«ART ASIA has busied itself with establishing a reputation as the unchallenged focal point for contemporary Asian Art collectors in the U.S. Sundaram Tagore Gallery's curated show «SIGNS: Contemporary Arab Art» was well received by both visitors and collectors and was cited by Yolande Whitcomb, ART ASIA's global relations representative, as an example of «ART ASIA's commitment to representing a broad range of Asian art.»

In addition to Soleil Double, which will be shown in the lower level gallery, a focal point of the installation in the main gallery will be a large - scale projection of Grasso's film, Uraniborg, which examines the scientist Tycho Brahe's discoveries in astronomy in the 16th century and, specifically, the astronomical observatory that Brahe built in 1576 on the island of Ven in Sweden.

2011Outrageous Fortune: Artists Remake the Tarot, Hayward Touring Exhibition, Focal Point Gallery Friendship of the Peoples, Simon Oldfield, London Fountain Show, Dispari and Dispari Project, Italy The Extension, Vilma Gold, London

In terms of the wide range of media employed, the show looks like it could have been made by several different artists: sculptures similar to the ones shown a the Whitney occupy one gallery; another room boasts huge, scribbly pencil drawings on walls that surround a replica of a hearth («the traditional focal point of the American home»); in another, stacks of mannequins wearing identical outfits and wigs create a chute through which you can walk to view floor - facing monitors screening videos featuring the real - life character the mannequins seem to be modeled after (the artist's mother).

«Richards selects from the V - A-C collection» sees Study for a Portrait (solely selected from Moscow's impressive V - A-C collection) as the focal point of an immersive environment crafted in the redesigned London gallery space.

For your installations included in The London Open at the Whitechapel Gallery in 2015 and Saatchi Art New Sensations in 2014, a single colour was not the focal point; instead, a panoply of surfaces, faux and real, barraged the viewer.

Focal points of the booth will be the presentation of The Lovers by Marina Abramović, a body of work she created after walking the Great Wall of China in 1988; Embajada Rusa, a new sculpture by Los Carpinteros constructed from LEGO ® bricks, playfully reimagining the architecture of the Russian Embassy in Cuba; a group of new paintings by Hugo McCloud; and The Time Vivarium, a stop - animation film by Sun Xun, created for his debut exhibition at the gallery in 2015.

06.2017 Suffering ², MONA, Tasmania (solo show) 04.2017 The World Made New, PiArts London [commissioned] 03.2017 Casebooks, Ambika P3 London [commission] 10.2016 Suffering, Queenstown, Tasmania [commission] 10.2016 Nowhere Less Now ⁷ Glynn Vivian Gallery, Swansea, Wales, UK [commissioned solo show] 07.2016 Leisure Land Golf, Quad, Derby, UK 06.2016 Seeing Round Corners, Turner Contemporary UK 04.2016 Leisure Land Golf, New Art Exchange, Nottingham, UK 02.2016 Objects Do Things, Ujazdowsky Castle, Centre for Contemporary Art, Poland 03.2016 Stories in the Dark, The Beaney, Whitstable Biennale, UK 05.2015 Leisure Land Golf, Venice Biennale (EM15 commission) 01.2015 Reads Like a Book, Cricoteka, Kraków, Poland 09.2014 Mirrorcity, Hayward Gallery, Southbank Centre, London [new work] 10.2014 Top of the World, Sami Centre for Contemporary Art, Karasjok, Norway 01.2014 For The Record, Birmingham Museum and Art Gallery, UK 09.2013 Entangled ², (Theatre II), Matt's Gallery, London (solo show) 09.2013 Monocular ⁴, Quad, Derby [commission] 08.2013 Narrative Structures, Stryx, Birmingham, UK 06.2013 Nowhere Less Now ², (Red Queen) MONA, Tasmania, Australia [commission] 05.2013 A» Comes First, Toulouse International Art Festival, France [commission] 01.2013 The Book Lovers, EFA Project Space, New York, USA 11.2012 The Book Lovers, MHKA, Antwerp, Begium 11.2012 Reality Bites, Kiasma, Helsinki, Finland 09.2012 Nowhere Less Now, Tin Tabernacle, Kilburn, London [Artangel commission solo show] 07.2012 Entangled ², Turner Contemporary, Margate [commission] 06.2012 Focal Points: Art and Photography, Manchester Art Gallery, UK 05.2012 Møte (Meeting), Galleri Festiviteten, Norway 03.2012 Ich is ein Anderer, Kunstverein Freiburg, Germany 02.2012 A Trip to the Moon, Bonniers Konsthall, Stockholm, Sweden11.2011 Monodrome, Athens Biennale, Greece 11.2011 Beyond Deception, Erik Steen Gallery, Oslo, Norway 08.2011 Something In The Way, Lofoten International Art Festival, Norway 07.2011 Outrageous Fortunes, Focal Point Gallery, Southend, UK 03.2011 Extramission 6, TPW Gallery, Toronto [as part of Images Festival solo show] 03.2011 Dis - covery, Salamanca Art Centre, Tasmania 03.2011 The Collection, Rugby Art Gallery, inaugural exhibition of CAS and V&A purchase for the collection 03.2011 Just Photography, Ancient and Modern at Martos Gallery, New York, USA 02.2011 It has to be this way ², BALTIC, Gateshead (solo show) 11.2010 Persistence of Vision, Kunsthallen Nikolaj, Copenhagen, Denmark 10.2010 It has to be this way ², Mead Gallery, Warwick (solo show) 10.2010 It has to be this way1.5, Aspex Gallery, Porstmouth (solo show) 09.

David Mabb's work has been exhibited at the William Morris Gallery, London (2015); Focal Point Gallery, Southend on Sea (2014); Delaware Centre for the Contemporary Arts, Wilmington (2010); The Bluecoat, Liverpool (2009); Contemporary Art Centre, Vilnius (2006); Art Gallery of Windsor, Ontario (2003) and Oakville Galleries, Ontario (2000).

Art & Stupidity (Focal Point Gallery, UK), Komma (Kunstverein Springhornhof, DE), Objective Considerations of Contemporary Phenomena (MOT International, London), and Stupidious (South London Gallery, London).

2014Spirals of Time Documentary Film and Salt Crystals, Focal Point Gallery, Essex, UK One Mile Film, Marc Foxx Gallery, Los Angeles, CA Spirals of Time Documentary Film and Salt Crystals, Vdrome.org, presented by Quinn Latimer, curated by Jens Hoffman, Andreas Lisson and Filipa Ramos

The first version of SUNLIGHT was shown in 2013 at Focal Point Gallery, Southend - on - Sea.

Six artists / curators were selected on the basis of their relevant knowledge and experience as mentors in a six month mentoring programme: Michelle Cotton (then independent curator and writer and holder of Cubitt Gallery curator's bursary, now Curator at Firstsite), Harriet Godwin (curator of Modern and Contemporary Art, Norwich Castle Museum and Art Gallery), Andrew Hunt (director, Focal Point Gallery), Simon Liddiment (artist), Sally O'Reilly (writer and event organiser and now Wysing Ambassador), Jamie Shovlin (artist).

He has published widely in continental philosophy of art, ethics, responsibility, on Derrida, Deleuze, Rancière, Nancy, Lyotard, Heidegger, Nietzsche and Kant; and at the same time he has given many readings of what he calls performative texts in galleries, including Wilkinson («Where narrative stops»), Focal Point («Goldmine ten theses on music»), Stroom («The swerve of freedom after Spinoza»), and Extra City («Philosophers enowning that there be no own»); and he collaborates with artists, notably Ian Kiaer, Benoît Maire, and Gregory Maass & Nayoungim.

Residencies 2014 Darling Foundry, Montreal 2012 - 2013 Mejan Residency, Royal Institute of Art, Stockholm 2012 Inheritance projects Gibside and Baltic, Newcastle 2012 Valand research center residency, Göteborg 2011 Happy & Bob Doran Artist in Residence, Yale University Art Gallery, New Haven 2009 Focal Point Gallery Residency, Southend - on - Sea 2008 Iaspis Residency, Stockholm

Art & Stupidity, Focal Point Gallery, Southend - on - Sea, UK I speak, knowing it's not about speaking, Caixaforum, Barcelona, ES British Art Show 8, Leeds Art Gallery, Leeds, UK THE DREAM OF MODERN LIVING: Contemporary Artists Explore Ikea, Warrington Museum and Art Gallery, Warrington, UK CRU - Comida Transformacao e Arte, CCBB - Centro Cultural Banco do Brasil Brasília, Brasília, BR Open City Festival, Lublin, PL Ryan Gander and A.FOUR present Brand Evalgelism and The universe as I knew it aged 5, collapsed and expanded several times or more (Reflector), Wild West Space, Maastricht, NL Adventures in Bronze, Clay & Stone, Arezzo Biennale Arts Festival, Arezzo, IT Art as a Verb, Monash University Museum of Art, Melbourne, AU Let's start playing the game, Onomatopee Eindhoven, NL When I Give, I Give Myself, Van Gogh Museum, Amsterdam, NL Transparenzen, Bielefelder Kunstverein, Bielefeld, DE 2014 I would like to Join a Club and Hit Myself with It, Castlefield Gallery, Manchester, UK The Peace One Day Project for 2014, ICA, London, UK L'Avenir / Looking Forward, La Biennale de Montréal, CA Art as a Verb, Monash University Museum of Art, Melbourne, AU Blue Times, Kunsthalle Wien, AT The Human Factor, Hayward Gallery, London, UK Will Happiness Find MOF MODERN LIVING: Contemporary Artists Explore Ikea, Warrington Museum and Art Gallery, Warrington, UK CRU - Comida Transformacao e Arte, CCBB - Centro Cultural Banco do Brasil Brasília, Brasília, BR Open City Festival, Lublin, PL Ryan Gander and A.FOUR present Brand Evalgelism and The universe as I knew it aged 5, collapsed and expanded several times or more (Reflector), Wild West Space, Maastricht, NL Adventures in Bronze, Clay & Stone, Arezzo Biennale Arts Festival, Arezzo, IT Art as a Verb, Monash University Museum of Art, Melbourne, AU Let's start playing the game, Onomatopee Eindhoven, NL When I Give, I Give Myself, Van Gogh Museum, Amsterdam, NL Transparenzen, Bielefelder Kunstverein, Bielefeld, DE 2014 I would like to Join a Club and Hit Myself with It, Castlefield Gallery, Manchester, UK The Peace One Day Project for 2014, ICA, London, UK L'Avenir / Looking Forward, La Biennale de Montréal, CA Art as a Verb, Monash University Museum of Art, Melbourne, AU Blue Times, Kunsthalle Wien, AT The Human Factor, Hayward Gallery, London, UK Will Happiness Find Mof Art, Melbourne, AU Let's start playing the game, Onomatopee Eindhoven, NL When I Give, I Give Myself, Van Gogh Museum, Amsterdam, NL Transparenzen, Bielefelder Kunstverein, Bielefeld, DE 2014 I would like to Join a Club and Hit Myself with It, Castlefield Gallery, Manchester, UK The Peace One Day Project for 2014, ICA, London, UK L'Avenir / Looking Forward, La Biennale de Montréal, CA Art as a Verb, Monash University Museum of Art, Melbourne, AU Blue Times, Kunsthalle Wien, AT The Human Factor, Hayward Gallery, London, UK Will Happiness Find Mof Art, Melbourne, AU Blue Times, Kunsthalle Wien, AT The Human Factor, Hayward Gallery, London, UK Will Happiness Find Me?

Solo Exhibitions 2018 «Material Longevities», Galeria Francisco Fino, Lisbon (upcoming) 2018 «Tris Vonna - Michell», Local Arte Contemporaneo, Santiago 2017 «From The Serralves Collection: Tris Vonna - Michell», Museu Serralves, Porto 2017 «PUNCTUATIONS & PERFORATIONS», La Verrière, Brussels 2016 «Register», T293, Rome 2015 «Wasteful Illuminations: Distracted Listening», Jan Mot, Brussels 2015 «Capitol Complex», Appleton Square, Lisbon 2015 «Tris Vonna - Michell», Overduin & Co., Los Angeles 2015 «Tris Vonna - Michell», Presentation House Gallery, Vancouver 2014 «Turner Prize 2014», Tate Britain, London 2014 «Postscript III (Berlin)», Metro Pictures, New York 2014 «Capitol Complex», TPW, Toronto 2014 «Tris Vonna - Michell», VOX Centre de l'image contemporaine, Montreal 2013 «Postscript II (Berlin)», Jan Mot, Brussels 2013 «Pebble Dash», T293, Rome 2013 «Capitol Complex», Jan Mot, Mexico City 2012 «Ulterior Vistas», BALTIC Centre for Contemporary Art, Gateshead (in collaboration with Inheritance Projects) 2011 «Tris Vonna - Michell», Metro Pictures, New York 2010 «Wasteful Illuminations», T293, Naples 2010 «Not a Solitary Sign or Inscription to Even Suggest an Ending», Overduin and Kite, Los Angeles 2010 «Tris Vonna - Michell», Capitain Petzel, Berlin 2010 «No more racing in circles — just pacing within lines of a rectangle», Focal Point Gallery, Southend - on - Sea 2009 «Capstans», Halle fur Kunst, Lüneburg 2009 «Finding Chopin: Endnotes», Jeu de Paume, Paris 2009 «Tris Vonna - Michell», Tensta Konsthall, Stockholm 2009 «Auto - Tracking: Ongoing Configurations», Jan Mot, Brussels 2009 «Tris Vonna - Michell», X Initiative, New York 2009 «Auto - Tracking - Auto - Tracking», Kunsthalle Zurich 2009 «Studio A: Monumental Detours / Insignificant Fixtures», GAMeC, Bergamo 2008 «Tris Vonna - Michell», Cabinet Gallery, London 2008 «Auto - Tracking», Kunsthalle Zurich 2008 «The Trades of Others», T293, Naples 2007 «Tall Tales and Short Stories», Cubitt, London 2007 «Puzzlers», Kunstverein Braunschweig Cuboid, Braunschweig 2007 «Tris Vonna - Michell», Witte de With, Rotterdam 2006 «Faire un effort», Palais des Beaux - Arts, Brussels 2006 «Down the Rabbit - Hole», Milliken Gallery, Stockholm

Among their solo exhibitions Ultimate Substance, B3, Biennale des bewegten Bildes 2013, Frankfurt am Main DE; Ultimate Substance, Extra City, Antwerp BE (2013); Ultimate Substance, Neuer Berliner Kunstverein, Berlin, DE; Liverpool Biennial, FACT, Liverpool UK; living truthfully under imaginary circumstances, Transmission, Glasgow UK; Ultimate Substance, Secession, Vienna AT (all 2012) living truthfully under imaginary circumstances, Hollybush Gardens, London; The Empty Plan, Focal Point Gallery, Southend UK; Curated by: The Last Days of Jack Sheppard, Galerie Krobath, Vienna AT; and The Empty Plan, Kunsthall Oslo NO (all 2011).

A focal point of the action was to draw out the parallels between the rapid gentrification of neighborhoods in New York and Los Angeles, and how artists and galleries in both cities often contribute to that process.

In 2014, Dantas received the Award of Merit, Focal Point from the Maryland Federation of Art Circle Gallery, USA.

The focal point of Panorama is Modern Utopias, the featured exhibition on view in Main Line Art Center's galleries September 12 through November 4.

Awards 2014 - Award of Merit, Focal Point, Maryland Federation of Art Circle Gallery, Annapolis, MD, USA.

She recently performed as part of Lucky PDF's residency at the 2011 Frieze Art Fair, and has presented work at A Foundation, Liverpool, Focal Point Gallery, Southend - on - Sea and Tate Britain, London.

Solo exhibitions include: Please believe these days will pass, Art Gallery of Ontario, Toronto, 2012; Ends Thou, Focal Point Gallery (offsite project), Southend; Be not Content, Upstream Gallery, Amsterdam, 2012; New Art Gallery, Walsall, 2011; Motto, Art House Foundation, London, 2009; The Age of Happiness, Hellenic American Union, Athens, 2009; Plateau Aurora Borealis, Peres Projects, Berlin, 2008; Run, Black River, Run, BALTIC, Gateshead, 2008; The Eye Don't See Itself, Vilma Gold, London, 2007; IT IS YOU, Arnolfini, Bristol, 2006.

Focal Point Gallery presents Video, Eddie Peake's first UK regional solo exhibition, which is divided between the organisation's main space and project room through site - specific material indicative of the artist's burgeoning practice.

When seen within the context of the soon - to - be-emptied Brutalist building that Focal Point Gallery and Southend Central Library currently occupy (both organisations will move to another structure in late 2013), Peake's project is akin to the endearing vision of Tecton which, much like the collection of animals in a zoo, or the archive of books in a library, somehow continues to survive against all external forces.

Recent group exhibitions include The Pictures Generation, 1974 — 1984, held at the Metropolitan Museum of Art, New York in 2009; After Architects, (2010), Kunsthalle Basel, Switzerland; Anti-Photography, (2011), Focal Point and The Beecroft Art Gallery, Southend - on - Sea, UK and 101 Collection: Route 3, (2012), CCA Wattis Institute for Contemporary Arts, San Francisco, USA.

Joe never had problems with finding representation either as he always seemed able to find his place in prestigious galleries and prominent museums in the United States — he was the focal point of numerous high - profile exhibitions, crowned with his participation in the 2014 exhibition titled The Forever Now: Contemporary Painting in an Atemporal World, a show organized by The Museum of Modern Art in New York City.

Luis Camnitzer's remarkable piece, Last Words (2008), will be the focal point of the gallery's presentation in Miami.

Mostre Personali 2018 «Material Longevities», Galeria Francisco Fino, Lisbona (in programma) 2018 «Tris Vonna - Michell», Local Arte Contemporaneo, Santiago 2017 «From The Serralves Collection: Tris Vonna - Michell, Museu Serralves, Porto 2017 «PUNCTUATIONS & PERFORATIONS», La Verrière, Bruxelles 2016 «Register», T293, Roma 2015 «Wasteful Illuminations: Distracted Listening», Jan Mot, Bruxelles 2015 «Capitol Complex», Appleton Square, Lisbona 2015 «Tris Vonna - Michell», Overduin & Co., Los Angeles 2015 «Tris Vonna - Michell», Presentation House Gallery, Vancouver 2014 «Turner Prize 2014», Tate Britain, Londra 2014 «Postscript III (Berlin)», Metro Pictures, New York 2014 «Capitol Complex», TPW, Toronto 2014 «Tris Vonna - Michell», VOX Centre de l'image contemporaine, Montreal 2013 «Postscript II (Berlin)», Jan Mot, Bruxelles 2013 «Pebble Dash», T293, Roma 2013 «Capitol Complex», Jan Mot, Città del Messico 2012 «Ulterior Vistas», BALTIC Centre for Contemporary Art, Gateshead (in collaborazione con Inheritance Projects) 2011 «Tris Vonna - Michell», Metro Pictures, New York 2010 «Wasteful Illuminations», T293, Napoli 2010 «Not a Solitary Sign or Inscription to Even Suggest an Ending», Overduin and Kite, Los Angeles 2010 «Tris Vonna - Michell», Capitain Petzel, Berlino 2010 «No more racing in circles — just pacing within lines of a rectangle», Focal Point Gallery, Southend - on - Sea 2009 «Capstans», Halle fur Kunst, Lüneburg 2009 «Finding Chopin: Endnotes», Jeu de Paume, Parigi 2009 «Tris Vonna - Michell», Tensta Konsthall, Stoccolma 2009 «Auto - Tracking: Ongoing Configurations», Jan Mot, Bruxelles 2009 «Tris Vonna - Michell», X Initiative, New York 2009 «Auto - Tracking - Auto - Tracking», Kunsthalle Zurich, Zurigo 2009 «Studio A: Monumental Detours / Insignificant Fixtures», GAMeC, Bergamo 2008 «Tris Vonna - Michell», Cabinet Gallery, Londra 2008 «Auto - Tracking», Kunsthalle Zurich, Zurigo 2008 «The Trades of Others», T293, Napoli 2007 «Tall Tales and Short Stories», Cubitt, Londra 2007 «Puzzlers», Kunstverein Braunschweig Cuboid, Braunschweig 2007 «Tris Vonna - Michell», Witte de With, Rotterdam 2006 «Faire un effort», Palais des Beaux - Arts, Bruxelles 2006 «Down the Rabbit - Hole», Milliken Gallery, Stoccolma

This year's Turner Prize jury was made up of Andrew Hunt, from Focal Point Gallery, Southend - on - Sea; Heike Munder, director of the Migros Museum für Gegenwartskunst, Zurich; Mark Sladen, from the Kunsthal Charlottenborg, Copenhagen; and Penelope Curtis, Tate Britain director and chair of the jury.

Allied Editions is an artist's editions collective organized by several UK public institutions: Camden Arts Centre, Chisenhale Gallery, Institute of Contemporary Arts (ICA), South London Gallery, Serpentine Galleries, Studio Voltaire and Whitechapel Gallery — this year, Focal Point Gallery, Southend is a guest, presenting new works by Hilary Lloyd, among others.

10 am - Registration with coffee and tea 11 am - Welcome by Joe Hill, Director Focal Point Gallery, and Introduction to the day by Chelsea Pettitt, Head of Partnerships, and Donna Lynas, Director, Wysing Arts Centre 11.15 am - Keynote address — Beatrix Ruf, Director, Stedelijk Museum with artist Ed Atkins.

ECVAN includes Aid & Abet, Cambridge; Art Exchange at The University of Essex; Bedford Creative Arts; Black Barn Project Space, Norfolk; Deborah Smith Projects; Departure Lounge, Luton; Focal Point Gallery, Southend; Kettle's Yard, Cambridge; Norwich Castle Museum; Outpost, Norwich; Smiths Row, Bury St Edmunds; The Sainsbury Centre for Visual Arts, Norwich; The Minories Galleries, Colchester; UH Galleries, University of Hertfordshire; freelance artists and curators.