Sentences with phrase «of gallery assistants»
She is responsible for the daily running of the gallery, managing the team of Gallery Assistants, overseeing events, and managing the shop and production of editions.
https://www.zabludowiczcollection.com/ Not exact matches
I love collaborating with our volunteers, assistants and instructors to build our programs; I love seeing our campers» eyes light up when they meet our Futalognkosaurus; I love buying craft materials for campers to turn into gallery - themed masterpieces... but the part of my job that I treasure most is holding the door at the end of the day during Summer Club.
The imaging techniques developed by Northwestern and the National Gallery have allowed Kenneth Brummel, the AGO's assistant curator of modern art, to better understand Picasso's style, influences and process.
In an interview Rudolph helpfully singled out an Altman film he worked on as assistant director, The Long Goodbye — a much better film, one that can accommodate in its gallery of gargoyles a tragic figure like Sterling Hayden's alcoholic novelist as well as a nightmarishly comic one like Mark Rydell's Jewish gangster.
But Sally's marriage to Roy (Josh Brolin) is in its own trouble; he's a novelist who hasn't been able to live up to the promise of his first book, and isn't doing much in the way of providing for their future, so she ends up going back into the workforce as the assistant to Greg (Antonio Banderas), a handsome gallery owner.
Brolin and Watts are Sally and Roy Channing, a struggling author and art gallery assistant, respectively, fighting to keep their heads above water, financially, while also harboring thoughts of starting a family.
Included is an excellent new audio commentary by the always informative film historian / author Troy Howarth; an additional audio commentary by director Peter Duffell and author Jonathan Rigsby; a new 10 - minute interview with second assistant director Mike Higgins; A-Rated Horror Film, a 17 - minute vintage featurette about the film featuring interviews with director Peter Duffell and actors Geoffrey Bayldon, Ingrid Pitt, and Chloe Franks; the English and Spanish theatrical trailers for the film, both in HD; 4 radio spots; an animated image gallery with 68 stills containing on - set photos, promotional materials, and advertisements; and a collection of Amicus radio spots and still galleries for Asylum, At the Earth's Core, From Beyond the Grave, Madhouse, Scream and Scream Again, Tales from the Crypt, The Beast Must Die, The Land That Time Forgot, The Mind of Mr. Soames, The People That Time Forgot, and Vault of Horror.
The supporting cast is excellent and includes Reg E Cathey («House of Cards») as a mentally - shaky neighbor, Mark Margolis («Breaking Bad») as a more level - headed neighbor, Alia Shawkat (underutilized here, but very talented) as Freddy's assistant, and Neal Huff as the eccentric gallery owner.
She goes at the behest of her daughter, Sally (Naomi Watts), a gallery assistant stuck in a failing marriage with a failing writer, Roy (Josh Brolin).
Orly was in conversation with Adam Glick, Assistant Director of Gallery Lelong and former Martin Friedman Curator of Mad.
Anthony Allen, Associate Director, Paula Cooper Natalie Bell, Assistant Curator, New Museum Heather Darcy Bhandari, Adjunct Lecturer, Visual Art, Brown University Marina Chao, Assistant Curator, International Center of Photography Jean Cooney, Project Manager, Artist Commissions, Creative Time Sean Corcoran, Curator of Photographs and Prints, Museum of the City of New York Lisa Dent, Director of Resources & Award Programs, Creative Capital Kareem Estefan, Independent Art Critic and Editor - at - large, Creative Time Reports Hitomi Iwasaki, Director of Exhibitions and Curator, Queens Museum Flora Katz, Independent Curator Theodore Kerr, Writer, Hyperallergic William Petroni, Managing Director, Cristin Tierney Gallery Heather Reyes, Exhibitions and Collection Manager, The Bronx Museum of the Arts Matthew Schum, Independent Curator Anthony Allen, Associate Director, Paula Cooper Marco Antonini, Executive Director, NurtureArt and Writer Mark Beasley, Curator, Performa George Bolster, The Shelley & Donald Rubin Foundation Gary Carrion - Murayari, Kraus Family Curator, New Museum Susan Cross, Curator, Mass MoCA Clément Delépine, Assistant Curator, Swiss Institue Bridget Donahue, Owner / Director, Bridget Donahue Gallery Lisa Dent, Director of Resources & Award Programs, Creative Capital Elizabeth M. Grady, PhD, Programs Director, A Blade of Grass Stamatina Gregory, independent curator and critic Janice Guy, Owner, Murray Guy Nicole Hayes, Curator, The Fields Sculpture Park, Art Omi Amanda Hunt, Assistant Curator, Studio Museum Alexis Johnson, Associate Director, Paula Cooper Ruba Katrib, Curator, Sculpture Center Vitaly Komar, Artist Melanie Kress, High Line Art Curatorial Fellow, High Line Art Thomas Lax, Associate Curator in the Department of Media and Performance Art, MoMA Barbara London, Independent Curator, formerly of MoMA Matthew Lyons, Curator, The Kitchen Julie McKim, Curator, Galapagos Christiane Paul, Curator of New Media, Whitney Museum Christian Rattemeyer, The Harvey S. Shipley Miller Associate Curator, Department of Drawings and Prints, MoMA Sara Reisman, Artistic Director, The Shelley & Donald Rubin Foundation Magda Sawon, Owner, Postmasters Nato Thompson, Chief Curator, Creative Time Nat Trotman, Associate Curator, Guggenheim Museum Eugenie Tsai, John and Barbara Vogelstein Curator of Contemporary Art, Brooklyn Museum
In 2012, the gallery held its first showcase of art created by the ever - expanding David Zwirner staff of art handlers, sales assistants, registrars, and photographers.
An assistant professor of art and director of the Diggs Gallery at Winston - Salem State University, Beal is recognized for her «photographic narratives and video testimonies that examine the personal, yet contemporary stories of women of color working within the corporate space.»
With Madeline Murphy Turner, Graduate Curatorial Assistant, Grey Art Gallery, and PhD Candidate, Institute of Fine Arts, NYU.
With Brian Bentley, graduate curatorial assistant, Grey Art Gallery, and PhD student, Institute of Fine Arts, NYU.
Seph Rodney, Editor at Hyperallergic Roderick Schrock, Director at EyeBeam Arden Sherman, Curator and Director at Hunter East Harlem Gallery Nathalie Arglés, Executive Director at Residency Unlimited Katie Fuller, Independent Curator Max Durón, Photo Editor at ArtNews Ysabel Pinyol, Curatorial Director MANA Contemporary Joey Lico, Curator and Director at The Cultivist Elisabeth Larison, Program Director at APEX Art Larry Ossei - Mensah, Independent Curator Amara Antilla, Assistant Curator at the Guggenheim Anne Barlow, Director, Art in General Laura Welzenbach, Program Manager, Eyebeam Dexter Wimberly, Independent Curator Alex Jovanovich, Associate Editor, Artforum.com Benjamin Sutton, Writer, Hyperallergic Brian Droitcour, Associate Editor and Online Editor, Art in America Nat Trotman, Curator, Performance and Media, Solomon R. Guggenheim Museum, New York Helga Christoffersen, Assistant Curator, New Museum Sharon Matt Atkins, Vice Director, Exhibitions and Collections, Brooklyn Museum Christopher Y. Lew, Associate Curator, Whitney Museum of American Art Rujeko Hockley, Assistant Curator of Contemporary Art, Brooklyn Museum Joeonna Bellorado - Samuels, Director, Jack Shainman Gallery
Elyse Goldberg, Director, James Cohan Gallery Flora Katz, Independent Curator Erin Kimmel, Associate Curator, Ballroom Marfa Christopher Lew, Assistant Curator, MoMA PS 1 Omar Lopez - Chaoud, Independent Curator Matthew Lyons, Curator, The Kitchen Allyson Melchor, Trustee, La Napoule Arts Foundation Erica Papernik, Assistant Curator, MoMA Christian Rattemeyer, The Harvey S. Shipley Miller Associate Curator, Department of Drawings and Prints, MoMA Elisabeth Sherman, Curatorial Assistant, Whitney Museum Nat Trotman, Associate Curator, Guggenheim Museum Eugenie Tsai, Curator, Brooklyn Museum Hrag Vartianian, Editor in Chief, Hyperallergic Edward Winkleman, Director, Edward Winkleman Gallery Jordana Zeldin, Executive Director, ArtBridge
With Brian Bentley, Graduate Curatorial Assistant, Grey Art Gallery, and PhD Candidate, Institute of Fine Arts, NYU.
I Don't Know, Or The Weave of Textile Language is curated by Magnus af Petersens, Chief Curator, Whitechapel Gallery and Achim Borchardt - Hume, Head of Exhibitions, Tate Modern with Poppy Bowers, Assistant Curator, Whitechapel Gallery and Hansi Momodu - Gordon, Assistant Curator, Tate Modern.
The exhibition is curated by Jonathan Bober, Andrew W. Mellon Senior Curator of Prints and Drawings, department of prints and drawings, National Gallery of Art, Washington, and Mollie Berger, curatorial assistant, department of prints and drawings, National Gallery of Art, Washington.
A rousing round of the wave and stand - up cheers to Gallery Director Whitney Steiger with high - five huzzahs to Gallery Assistants Haven Ashley and Lizzy Lunday for a stellar starting lineup presentation.
At one point, we hear an Artists Space staffer in a downtown dive bar explain the gallery's horizontal organizational structure while assistant curator Harry Burke stabilizes a precarious pyramid of cocktail glasses.
Sometimes gallery assistants decide to strike out on their own, inviting a few of the original gallery artists with them.
She also maintains a position as Assistant Curator at BRIC Contemporary Art a program of BRIC Arts Media Bklyn, and at BRIC Rotunda Gallery she has curated a number of public programs and exhibitions.
Recorded as lost in the disastrous Tate Gallery flood of 1928, the painting was rediscovered by Christopher Johnstone, a Research Assistant at the gallery, when he was researching his book «John Martin» Gallery flood of 1928, the painting was rediscovered by Christopher Johnstone, a Research Assistant at the gallery, when he was researching his book «John Martin» gallery, when he was researching his book «John Martin» (1974).
An expert panel comprising Emily Butler, Mahera and Mohammad Abu Ghazaleh Curator, Whitechapel Gallery; Cameron Foote, Assistant Curator, Whitechapel Gallery; artist Ryan Gander; Co-Owner of Hales Gallery Paul Hedge; Deputy Editor of Frieze Magazine Amy Sherlock; and collector Robert Suss embraced the formidable challenge of choosing work to feature in the exhibition.
Exhibition Tours: Daily, 13:00 and Last Fridays, 19:00 Free You can join the SLG's gallery assistants for an informal, drop - in tour of the current exhibition.
Join ICP's Assistant Curators Susan Carlson and Claartje van Dijk in the ICP Gallery at Mana Contemporary for a walk through and discussion of Winning the White House: From Press Prints to Selfies.
Mickalene Thomas (B.F.A.» 00), visiting assistant professor, Fine Arts Thomas's installation was on view in Kavi Gupta Gallery's booth in the Kabinett section of Art Basel at the Miami Beach Convention Center.
Gun Country is organized by the Addison Gallery of American Art and curated by Stephanie Sparling Williams, Assistant Curator and Visiting Scholar.
Carla Gannis, assistant chair, Digital Arts Assistant Chair of Digital Arts Carla Gannis» s The Garden of Emoji Delights was on view at hypersalon, a collaboration between TRANSFER, XPO Gallery, and Hyperassistant chair, Digital Arts Assistant Chair of Digital Arts Carla Gannis» s The Garden of Emoji Delights was on view at hypersalon, a collaboration between TRANSFER, XPO Gallery, and HyperAssistant Chair of Digital Arts Carla Gannis» s The Garden of Emoji Delights was on view at hypersalon, a collaboration between TRANSFER, XPO Gallery, and Hyperallergic.
Lilia Kudelia is the Assistant Curator at Dallas Contemporary, and has previously worked as a curatorial assistant at the Corcoran Gallery of Art, WashiAssistant Curator at Dallas Contemporary, and has previously worked as a curatorial assistant at the Corcoran Gallery of Art, Washiassistant at the Corcoran Gallery of Art, Washington DC.
11a — 3p: Art - making, Peking Opera Face, relating to Wŏmen (我们): Contemporary Chinese Art (Saligman Family Atrium) 11a — 3p: Button - making (Saligman Family Atrium) 11a — 3p: Scavenger hunt (Permanent Collection Gallery) 11a — 3p: Scavenger hunt: Georges Braque and the Cubist Still Life, 1928 - 1945 (Ebsworth Gallery) 11a — 3p: Calligraphy (Saligman Family Atrium) 11a — 3p: Art - making with still - life artist Bill Neukomm (Saligman Family Atrium) 11:30 a — 12p: Live music by Washington University's Asian acapella group Sensasians (Saligman Family Atrium) 12 — 12:30 p: Storytelling: Lon Po Po: A Red - Riding Hood Story from China by Ed Young (Teaching Gallery) 1 — 2p: Gallery talk with Karen K. Butler, assistant curator, on Georges Braque and the Cubist Still Life, 1928 — 1945 and John Klein, associate professor of art history, on Face and Figure in European Art, 1928 — 1945.
Alien She is organized by the Miller Gallery at Carnegie Mellon University (CMU), and is curated by Astria Suparak, independent curator and former director of the Miller Gallery, and Ceci Moss, assistant curator for the Yerba Buena Center for the Arts — both of whom possess deep roots in the Riot Grrrl movement.
In the centre of the gallery, he set up a fully functional print studio, where he was present with a team of assistants two afternoons per week, making carefully carved woodblock prints as visitors observed him.
Before the Met he was graduate curatorial fellow and curatorial assistant at New York University's Grey Art Gallery, where he worked on a groundbreaking survey of art from New York in the 1970s and early «80s, The Downtown Show: 1974 — 84 (2005).
-- Adventures of the Black Square: Abstract Art and Society 1915 — 2015, 15 January — 6 April 2015 is curated by Iwona Blazwick OBE, Director, and Magnus af Petersens, Curator at Large, with Sophie McKinlay, Acting Head of Exhibitions and Candy Stobbs, Assistant Curator, Whitechapel Gallery.
Anthony Allen, Associate Director, Paula Cooper Marco Antonini, Executive Director, NurtureArt and Writer Mark Beasley, Curator, Performa George Bolster, The Shelley & Donald Rubin Foundation Gary Carrion - Murayari, Kraus Family Curator, New Museum Susan Cross, Curator, Mass MoCA Clément Delépine, Assistant Curator, Swiss Institue Bridget Donahue, Owner / Director, Bridget Donahue Gallery Lisa Dent, Director of Resources & Award Programs, Creative Capital Elizabeth M. Grady, PhD, Programs Director, A Blade of Grass Stamatina Gregory, independent curator and critic Janice Guy, Owner, Murray Guy Nicole Hayes, Curator, The Fields Sculpture Park, Art Omi Amanda Hunt, Assistant Curator, Studio Museum Alexis Johnson, Associate Director, Paula Cooper Ruba Katrib, Curator, Sculpture Center Vitaly Komar, Artist Melanie Kress, High Line Art Curatorial Fellow, High Line Art Thomas Lax, Associate Curator in the Department of Media and Performance Art, MoMA Barbara London, Independent Curator, formerly of MoMA Matthew Lyons, Curator, The Kitchen Julie McKim, Curator, Galapagos Christiane Paul, Curator of New Media, Whitney Museum Christian Rattemeyer, The Harvey S. Shipley Miller Associate Curator, Department of Drawings and Prints, MoMA Sara Reisman, Artistic Director, The Shelley & Donald Rubin Foundation Magda Sawon, Owner, Postmasters Nato Thompson, Chief Curator, Creative Time Nat Trotman, Associate Curator, Guggenheim Museum Eugenie Tsai, John and Barbara Vogelstein Curator of Contemporary Art, Brooklyn Museum
And, we have a wonderful new gallery assistant, Lauren Purje, an artist from Ohio University, my alma mater, who arrived in New York City just 6 months ago and here she is already in the center of the NYC Art World!
As part of the exhibition programming, the gallery will become a common space for storytelling and tea drinking with Dylan Miner; a bustling executive assistant's office with Sheryl Oring; and a tactile, expansive personal archive with the performance collective The Hinterlands.
Studio Visitors 2014 Christopher Allen, Founder, Director of UnionDocs Alexander Benenson, Independent Curator Heather Darcy Bhandari, Director, Mixed Greens Gallery Jennifer Blessing, Senior Curator of Photography, Guggenheim Museum Sherry Dobbin, Director of Public Art, Times Square Alliance Taraneh Fazeli, Education Associate, New Museum of Contemporary Art Elizabeth Ferrer, Director of Contemporary Art, BRIC Arts Media Gabriel Florenz, Chief Operations Officer, Pioneer Works Larissa Harris, Curator, Queens Museum Paddy Johnson, Editor, Art Fag City Naima Keith, Assistant Curator, Studio Museum Emily Liebert, Curatorial Assistant, Department of Painting and Sculpture, MoMA Barbara London, Independent Curator / Writer, Former longtime Curator of Media and Performance, MoMA Jennifer McGregor, Director of Arts and Senior Curator, Wave Hill Julie McKim, Director, Kunsthalle Galapagos Magdalena Sawon, Owner / Director, Postmasters Gallery Manon Slome, President and Chief Curator, No Longer Empty Cara Starke, Director of Exhibitions, Creative Time Lumi Tan, Associate Curator, The Kitchen Gregory Volk, Writer, Art in America
Jenny is now officially our assistant director and continues doing her wonderful job of handling daily details at the gallery, spotting problems and posting on our Facebook and Instagram sites.
For more information about using the Academic Focus Gallery, contact Ellen C. Raimond, Ph.D., Assistant Curator of Academic Initiatives, at [email protected].
Assistant to the Director of Operations David Johnson then explains the efforts to install this extremely large, flat field painting in our galleries.
He began his career as a Research Assistant in the Department of Prints and Drawings at the British Museum before moving to work in the Education Department of the National Gallery, London as Head of Education.
Heather Darcy Bhandari, Director, Mixed Greens Gallery Marina Cashdan, Editorial Director, Artsy Janine Foeller and Jane Hait, Wallspace Galler Joanna Kleinberg, Adjunct Assistant Curator, Drawing Center Carin Kuoni, Director, Vera List Center for Art and Politics at the New School Melissa Levin, Director of Artists Residencies, Lower Manhattan Cultural Council Rachel Liebowitz, Assistant Curator, Drawing Center Sara Reisman, Dirctor, Percent for Art and Independent Curator Amie Scally, Deputy Director / Curator, White Columns Erin Sickler, Independent Curator Lowery Stokes Sims, Chief Curator, Museum of Art and Design Michael Steinberg, Owner / Director, Michael Steinberg Fine Art and Smack Mellon Board Member Eugenie Tsai, Curator, Brooklyn Museum
Past events include: • Curated tour of Harlem art spaces, including the inHarlem public art projects in Harlem's Historic Parks, the Harlem Hospital Murals, PS209, followed by a reception and artist talk at the Lewis Long Gallery • Private preview of artist Lynette Yiadom - Boakye's work at Jack Shainman Gallery with Yiadom - Boakye and Thelma Golden, Studio Museum Director and Chief Curator • Private tour of the JPMorgan Chase Art Collection led by Lisa K. Erf, Director and Chief Curator of the JPMorgan Chase Art Program, with Studio Museum Associate Curator Lauren Haynes • Private breakfast and studio visit with 2016 — 17 Studio Museum artists in residence Autumn Knight, Julia Phillips, and Andy Robert, with Thelma Golden and Hallie Ringle, Assistant Curator Studio Society offers two options: Individual ($ 1,500) or Steering Committee ($ 2,500) membership.
Too we added an impromptu show of gallery artists» work from the back room that was curated & installed by our trusty gallery assistant Lauren and our intern Michelle.
Cara Manes is Assistant Curator in the Department of Painting and Sculpture at The Museum of Modern Art, where she works extensively on the ongoing displays in the collection galleries and sculpture garden, as well as on temporary exhibitions and special installations.
Carrie is currently represented by Pop Gallery in Santa Fe, New Mexico, and works as an Assistant Professor of Painting and Drawing at Florida State University.