Sentences with phrase «of hammer exhibitions»
Exhibition walkthroughs feature artists, scholars, and colleagues who lead tours of Hammer exhibitions, offering unique perspectives
https://hammer.ucla.edu/ Not exact matches
Nevertheless, I believe Arsenal will force the Hammers to submission at their Bolyn ground as they look to collect all the hammers in the hands of the West Hammers and hammer them thoroughly with them to leave them squarolling on the ground and thereafter the Gunners will capture 5 of them as spoils, and bring them to the Ems exhibition room for the Gooners to Hammers to submission at their Bolyn ground as they look to collect all the hammers in the hands of the West Hammers and hammer them thoroughly with them to leave them squarolling on the ground and thereafter the Gunners will capture 5 of them as spoils, and bring them to the Ems exhibition room for the Gooners to hammers in the hands of the West Hammers and hammer them thoroughly with them to leave them squarolling on the ground and thereafter the Gunners will capture 5 of them as spoils, and bring them to the Ems exhibition room for the Gooners to Hammers and hammer them thoroughly with them to leave them squarolling on the ground and thereafter the Gunners will capture 5 of them as spoils, and bring them to the Ems exhibition room for the Gooners to behold.
My girlfriend and I went to see the «Mandala of Compassion» exhibition at the Hammer Museum on the last day it was up.
She has been the subject of solo exhibitions at the Institute of Contemporary Art, Boston; Samuel Dorsky Museum of Art at SUNY New Paltz (travelled), and forthcoming at UCLA Hammer Museum, Los Angeles.
He has exhibited his work in solo exhibitions at Marx & Zavattero, San Francisco; Steve Turner Contemporary, Hayworth Gallery, and Hammer Museum, UCLA in Los Angeles; Kravets Wehby, New York; and The Sheppard Fine Arts Gallery, University of Nevada, Reno.
This exhibition relates to the Hammer Museum's Radical Women: Latin American Art, 1960 - 1985, REDCAT's Palabras Ajenas (The Words of Others), LA Plaza de Cultura y Artes and California Historical Society's ¡ Murales Rebeldes!
He has also participated at group exhibitions at the following institutions: The Hammer Museum, Los Angeles, California (2014); The National Museum of Norway, Oslo, Norway (2014); The New Museum, New York, United States (2013); The Palais de Tokyo, Paris, France (2012), among many others.He has participated in various biennials, including: The Sharjah Biennial 12, Sharjah, United Arab Emirates (2015 & 2007); The 30th Biennial of Graphic Arts, Ljubljana, Slovenia (2013); The XIV International Biennial of Sculpture, Carrara, Italy (2012); The 9th Gwangju Biennale, Gwangju, South Korea (2012); Whitney Biennial, New York, United States (2006); Sao Paulo Biennial, Sao Baulo, Brazil (2006); 2nd Guangzhou Trienal, Guangzhou, China (2005); The 50th Venice Biennale, Venice, Italy (2003 & 1999); The 7th International Istanbul Biennial, Istanbul, Turkey (2001), among others.
Recent solo exhibitions have been presented internationally at venues including Hammer Museum (2015); Neuer Kunstverein Wien (2014); Institute of Contemporary Art, Boston (2013); and The Contemporary Austin, TX (2013).
Recent group exhibitions include Museum of Modern Art Warsaw, Warsaw; Hammer Museum, Los Angeles; Cell Space, London; Studio for Propositional Cinema, Düsseldorf; JTT, New York; and Kunsthalle Bern, Bern.
Most recently, her work was featured in the critically acclaimed traveling 2015 - 2017 group exhibition Leap Before You Look: Black Mountain College 1933 - 1957, held at the Institute of Contemporary Art, Boston; Hammer Museum, Los Angeles; and Wexner Center for the Arts in Columbus, Ohio.
Mackler has organized exhibitions at The Museum of Contemporary Art, Los Angeles (MOCA); The Hammer Museum, Los Angeles; Artissima LIDO, Turin, Italy; and Frieze Projects, New York amongst others.
Opie, who last year had a two - part exhibition of her photographs at the Hammer Museum and Los Angeles» Museum of Contemporary Art, has taught at UCLA for 16 years and says the new studios can't arrive soon enough.
He is one of the most important young sculptors working today, whose work has been included in the last two Whitney Biennials; the Lyon Biennale in 1997; and Sunshine & Noir exhibitions at the Louisiana Museum, Humblebaek; Castello di Rivoli, Italy; and the Armand Hammer Museum, Los Angeles.
Selected group exhibitions include ANIMALITY - A Fairy Story by Jens Hoffmann, Marian Goodman Gallery, London (2016); FADE IN: INT.ART GALLERY — DAY, Swiss Institute, New York (2016); A Shape That Stands Up, Hammer Museum (Off - Site), LA (2016); Flatlands, Whitney Museum of American Art, New York (2016); Unorthodox, Jewish Museum, New York (2015 and Greater New York, MoMA PS1 (2015).
Important group exhibitions include the Weatherspoon Art Museum, Greensboro (2017), Hessel Museum of Art (2017), Museum van Hedendaagse Kunst, Antwerp (2016), Museum für Moderne Kunst, Frankfurt a.M. (2016), Tate Liverpool (2015/16), MUMOK, Vienna (2015/16), LACMA (2015/16), New Mexico Museum of Art, Santa Fe (2015), Bergen Kunsthall (2015), Hammer Museum of Art (2014), MoMA (2014), J. Paul Getty Museum (2012/13), Institute for Contemporary Art, Boston (2012/13), Walker Art Center (2012), Museum of Contemporary Art, Chicago (2012).
Also that year, her first solo exhibitions in her hometown of Los Angeles were on view concurrently at Art + Practice and the Hammer Museum.
LARA FAVARETTO Born 1973 (Treviso, Italy) Lives and works in Torino, Italy EDUCATION 1994 - 1999 Accademia di Belle Arti di Brera, Milano, Italy 1998 Advanced Course in Visual Arts, Visiting Professor Hacmilton Fulton, Fondazione Antonio Ratti, Como, Italy Scholarship at Kingston University, London, UK SOLO EXHIBITIONS 2019 Castello di Rivoli Museo d'Arte Contemporanea (forthcoming) Aspen Art Museum (forthcoming) 2018 «SUCKING MUD» Galleria Franco Noero, Piazza Carignano, Turin, Italy 2017 «Absolutely Nothing», Nottingham Contemporary, Nottingham, UK 2015 «Good Luck», MAXXI, Rome, Italy «Lara Favaretto: Collected Works», Rennie Collection, Vancouver, Canada «REDEFINE», Galleria Franco Noero, Turin, Italy 2013 «The 2013 Carnegie International», Carnegie Museum of Art, Pittsburgh, USA 2012 «Just Knocked Out», Sharjah Art Foundation, Sharjah, UAE and MOMA PS1, New York, USA 2009 «Absolutely no Donations» Tramway, Glasgow, UK SELECTED GROUP EXHIBITIONS 2018 «Reichtum: Schwarz ist Gold / Black is Gold», Lehmbruck Museum, Duisburg, Germany «Sexy and Cool», Kunsthalle Tübingen, Tübingen, Germany «Playtime», Peabody Essex Museum, Salem, USA «Stories of Almost Everyone», Hammer Museum, Los Angeles, USA 2017 «I am you, you are too», Walker Art Center, Minneapolis, USA «A Poet * hical Wager», MOCA Cleveland, USA Skulptur Projekte Münster, Münster and Marl, Germany 2016 Liverpool Biennial 2016, Liverpool, UK 2015 «The Event Sculpture», The Henry Moore Foundation, Leeds, UK 2014 «Manifesta 10», The State Hermitage Museum, Saint Petersburg, Russia «Infinte Jest», Schrin Kunsthalle, Frankfurt, Germany 2013 «The 2013 Carnegie International», Carnegie Museum of Art, Pittsburgh, USA 2012 «When Attitudes Became Form Become Attitudes», CCA Wattis Institute for Contemporary Arts, San Francisco, USA «dOCUMENTA (13)», Kassel, Germany and Kabul, Afghanistan 2011 12th International Istanbul Biennial, cur.
Recent solo exhibitions have been featured at the Hammer Museum, Los Angeles (2014); Centre d'Art Contemporaine, Geneva (2012); MAXXI, Rome (2012); Museo Marino Marini, Florence (2012); and the Institute of Contemporary Art, Tirana, Albania (2008).
I've only the most marginal idea of what Chicago - based artist Conrad Freiburg's recent exhibition, «The Blind Light, the Pyre of Night,» is actually about, but have no doubt that he could account for every flick of a pencil and hammering of a nail, that it all comes together for him in pristine and irrefutable logic.
Exhibited: The Southern New England Invitiational Art Exhibition, Fairfield University, Fairfield, CT, 1978; National Midyear Show, Butler Institute of American Art, Youngstown, OH, summer, 1979; Barkley L. Hendricks, The Studio Museum in Harlem, New York, January 20 - March 30, 1980; Black Male - Representations of Masculinity in Contemporary American Art, the Whitney Museum of American Art, New York, NY, November 10, 1994 - March 5, 1995, the Hammer Museum of Art, Los Angeles, CA, April 25 - June 18, 1995; Barkley L. Hendricks: Birth of the Cool, Nasher Museum of Art at Duke University, Durham, NC, February 7 - July 13, 2008, Santa Monica Museum of Art, Santa Monica, CA, May 9 - August 15, 2009, Pennsylvania Academy of the Fine Arts, Philadelphia, PA, September 18 - December 20, 2009, Contemporary Arts Museum, Houston, TX, January 23, 2010 - April 18, 2010, with museum labels on the painting back.
Jeffrey Gibson: Like a Hammer is the first exhibition to focus on the art that one of the brightest stars working in the contemporary art world today has made since 2011, a creative turning point for him.
The works of Josef and Anni Albers have been featured both together and separately in exhibitions worldwide, most recently including A Beautiful Confluence: Anni and Josef Albers and the Latin American World, Mudec, Museo delle Culture, Milan, 2015 - 2016; and Leap Before You Look: Black Mountain College 1933 - 1957 at the Institute of Contemporary Art, Boston in 2015 (traveled to the Hammer Museum, Los Angeles and will be on view at the Wexner Center for the Arts, Columbus, Ohio, from September 17, 2016 — January 1, 2017).
The Aspen Times, December 18, 2008, pp. 6 - 7 Zuckerman Jacobson, Heidi, «Now You See It,» Aspen Magazine, Holiday 2008 - 09, p. 66 Bankowsky, Jack, «Best of 2008: Guyton / Walker (LAXART, Los Angeles),» Artforum, December 2008, p. 273 Calderoni, Irene, Wade Guyton, «50 Moons of Saturn: T2 Torino Triennale,» catalogue, pp. 294 - 299 Garrels, Gary, «Oranges & Sardines,» Hammer, Exhibitions calendar, Fall 2008, p. 9 Serafin, Amy, «The Perfect Antidote,» Art & Auction, October 2008, pp. 178 - 183 & 215 Frankel, David, «Painting: Now and Forever, Part II», Artforum, October 2008, pp. 379 - 380 Grosenick, Uta.
James's writings have been included in Artforum and the International Review of African American Art, in addition to exhibition catalogues for the ICA LA, the Leslie - Lohman Museum of Gay and Lesbian Art, New York; Hammer Museum, Los Angeles; the Nasher Museum at Duke University, Chapel Hill, N.C.; and the Studio Museum in Harlem, New York, among others.
The opening of «Radical Women: Latin American Art, 1960 — 1985» at the Hammer Museum in Los Angeles last September was a revelation: finally, a thoughtful, scholarly exhibition with real popular appeal that focused on a period of cultural history that was almost completely unrecorded in conservative, mainstream surveys.
It may or may not have started with artist and choreographer Simone Forti's inclusion as one of the «Made in L.A.» finalists (the Hammer Museum's mega-group exhibition - cum - contest from last summer), but the upcoming «Dancing with the Art World» conference (again at the Hammer) clinches the deal — two days of lectures and events with -LSB-.....]
Head a few blocks over, and seize the opportunity to see some more top - shelf art by heading to Hammer Galleries to admire their exhibition dedicated to the masters Matisse and Picasso, or to Leslie Feely, currently displaying a selection of paintings by Jules Olitski that explore light and color through his diverse painting techniques, processes, and materials.
His recent and forthcoming exhibitions include the Hammer Museum, MOCA Detroit, the Museum of Contemporary Art, Los Angeles, Portland Institute of Contemporary Art, The Jewish Museum, Institute of Contemporary Art Philadelphia, The Studio Museum in Harlem and Swiss Institute.
The exhibition is curated by Ann Goldstein, Director, Stedelijk Museum, Amsterdam; in cooperation with the Mike Kelley Foundation for the Arts; and organized at MoMA PS1 by Connie Butler, formerly The Robert Lehman Foundation Chief Curator of Drawings at The Museum of Modern Art, now Chief Curator, Hammer Museum, Los Angeles; and Peter Eleey, Curator and Associate Director of Exhibitions and Programs, MoMA PS1.
Isenstein's performances, installations, drawings, and sculptures have been the subject of solo exhibitions at Reed College, Portland, OR (2013); Andrew Kreps Gallery, New York (2010 and 2007); Hammer Projects at the Hammer Museum (2007); Meyer Riegger Galerie, Karlsruhe and Berlin, Germany (2006); and Guild and Greyshkul, New York (2004).
His work has been shown widely, with solo exhibitions at the Hammer Museum in Los Angeles, the Whitney Museum of American Art in New York, and the Portland Art Museum in Oregon.
Barry Schwabsky punctures the mythic balloon of Black Mountain College, the subject of a touring exhibition that's been at Boston's ICA and is now at the Hammer until May.
Jeffrey Gibson: Like a Hammer — the first major museum exhibition of the artist's work — will chronicle a pivotal moment in Gibson's career when his contemporary artistic practice converged with his Native American heritage.
SELECTED GROUP EXHIBITIONS 2008 for what you are about to receive, Gagosian Gallery c / o Red October, Moscow Oranges and Sardines: Conversations on Abstract Painting with Mark Grotjahn, Wade Guyton, Mary Heilmann, Amy Sillman, Charline von Heyl, and Christopher Wool, curated by Gary Garrels, Hammer Museum, Los Angeles, CA Painting Now and Forever: Part II, Matthew Marks Gallery and Greene Naftali Gallery, New York Not So Subtle Subtitle, curated by Matthew Brannon, Casey Kaplan Gallery, New York That social space between speaking and meaning, by Fia Backstorm, White Columns, New York God is Design, curated by Neville Wakefiled, Galerie Fortes Vilaca, San Paulo A New High in Getting Low, John Connelly Presents, New York Nina In Position, curated by Jeffrey Uslip, Artists Space, New York Sculpture and Concepts of Spacial Illusion: 1967 - 2007, curated by Don Desmett, Western Michigan University, Kalamazoo Records Played Backwards, curated by Daniel Bimbaum, Modern Institute, Glasgow Blasted Allegories: Work from the Ringier Collection, Luzern Zuordnungsprobleme, Galerie Johann Konig, Berlin
Following her death, several exhibitions of her work were held in Warsaw and Paris, however in recent years, Szapocznikow has been recognized by numerous major international exhibitions, including the first comprehensive retrospective that traveled to the Museum of Modern Art, New York; Hammer Museum, Los Angeles; WIELS Contemporary Art Centre, Brussels; and the Wexner Center for the Arts, Columbus (2011 - 2012); as well as a major survey at the Centre Georges Pompidou, Paris (2012).
All of this and nothing is the sixth in the Hammer Museum's biennial invitational exhibition series, which highlights work of Los Angeles - based artists, both established and emerging, alongside a number of international artists.
Erik van Lieshout has participated in numerous important solo and group exhibitions at home and abroad including S.M.A.K, Ghent, Istanbul Museum of Modern Art, BAWAG Contemporary, Vienna, Witte de With Center for Contemporary Art, Ludwig Museum, Cologne, New Museum, New York, Kunsthaus, Zurich, Hammer Museum, Los Angeles, Walker Art Center, Minneapolis, Tate Modern, London, ICA London, Museum Boijmans Van Beuningen, Rotterdam, the 2006 Gwangju Biennale, Stedelijk Museum, Amsterdam, 2005 Sjarjah Biennial, Centre Pompidou, Paris, Centre d'Art Contemporain, Geneva, and the Museum of Modern Art, Tokyo.
Hammer senior curator Anne Ellegood organized the Hammer's presentation of the exhibition.
Kehinde Wiley's work has been the subject of numerous exhibitions worldwide and is in the permanent collections of many museums including: the Metropolitan Museum of Art, New York; the Studio Museum in Harlem; the Denver Art Museum; the Los Angeles County Museum of Art; The Hammer Museum, Los Angeles; the Walker Art Center, Minneapolis; the High Museum, Atlanta; the Columbus Museum of Art; the Phoenix Art Museum; the Milwaukee Art Museum; the Jewish Museum, New York; and the Brooklyn Museum, New York.
Her work has been included in many group exhibitions, including modern modern, Chelsea Art Museum, New York, NY (2009); Rendez - Vous Nowhere, Montehermoso Cultural Center, Vitoria - Gasteiz, Spain (2008); Art Sheffield 08: Yes, No & Other Options, UK (2008); Love in a void (with Jutta Koether), Academy of Fine Arts, Vienna, Austria (2006); 9th International Istanbul Biennial, Turkey (2006); and The Undiscovered Country, Hammer Museum, Los Angeles, CA (2004).
Mail, 2013 Museum mail accumulates unopened during run of exhibition Dimensions variable Installation view, Stories of Almost Everyone Hammer Museum, Los Angeles, USA, 2018 Photo: Brian Forrest
A highlight from the Hammer Museum's Grunwald Center Collection is currently on display in the San Diego Museum of Art exhibition The Art of Music.
She has had solo exhibitions at the Hammer Museum, Los Angeles; the Whitney Museum of American Art, New York; Metro Pictures, New York; Fondazione Memmo, Rome; Altman - Siegel, San Francisco; and the Approach, London.
We have been enjoying watching the process of Maya Hayuk's first museum exhibition of murals at the Hammer Museum over the past couple weeks.
Including never - before - seen photographs, the exhibition covers the 1970s to the present, showcasing the work of artists including Barbara Hammer, The Harrisons, Sara Shelton Mann, Eiko + Koma, Joan Jonas, Guillermo Gómez - Peña, Ann Hamilton, Marina Abramović, and more.
Since simultaneously launching a book of poetry and an exhibition at Tomorrow Gallery in 2011, Yago has been exploring the ways that words and images inflect each other — the latest results of which will be shown at Parisian gallery High Art and in the Hammer Biennial in the coming months.
This exhibition will be the first presentation of the complete video trilogy and will include portraits of her recurring characters in the Hammer's courtyard lightboxes.
Solo exhibitions include the Carnegie Museum of Art, Pittsburgh, Witte de With, Rotterdam, Neuer Aachener Kunstverein, Aachen, Artspace, Auckland and the Hammer Museum, Los Angeles.
Drawn primarily from the extensive collection of works on paper in the Grunwald Center for the Graphic Arts, the exhibition is one in an ongoing series of exhibitions focusing on the Hammer's permanent collections.
In 2014, she participated in the Whitney Biennial, the Whitney Museum of American Art, New York; «Made in L.A.,» the Hammer Museum, Los Angeles; and she had solo exhibitions in Portland, Oregon; Riga, Latvia; and New York.