This balance makes up her definition
of Hard Edge painting — wherein color forms are positioned against each other, alternating between being a positive or negative space.
The American abstract artist Ellsworth Kelly, who has died aged 92, created sharply defined compositions that were, at least initially, linked to his visual experiences — «a window, or a fragment of a piece of architecture, or someone's legs...» In the early 1950s, his style anticipated the unbroken colours and clear lines
of hard edge painting by some years.
The first show, «Lorser Feitelson and the Invention
of Hard Edge Painting,» was followed by «Lorser Feitelson: The Kinetic Series — Works from 1916 - 1923» in 2005 and «Lorser Feitelson: The Late Paintings» in 2009.
(For US collections of 20th - century paintings which include examples
of hard edge painting, see: Best Art Museums in America.)
In 1967 he took up the post of art critic for the New Yorker, which gave him a vastly increased audience for his views, several of which were critical of the arts establishment, as well as certain twentieth century painters - including Frank Stella (b. 1936), inventor
of Hard Edge Painting.
• Ellsworth Kelly (b. 1923) Painter, sculptor and printmaker, born in New York, he is best known as one of the leading exponents
of Hard Edge Painting.
Another «discovery», which Castelli made in 1959, was the young Princeton graduate Frank Stella (b. 1936), soon to become the leader
of Hard Edge painting.
Lorser Feitelson and the Invention
of Hard Edge Painting 1945 - 1965.
A refinement
of Hard Edge Painting, Op - Art was a type of non-objective art which employed black and white geometric patterns to create a variety of optical effects on the viewer's physiology and psychology of perception.
The legendary Black Square and the star of the Suprematism movement, the artwork by Kazimir Malevich certainly represents one of the major examples
of hard edge painting, even though it wasn't created during the highlight years of the style.
The viewer's participation in an active visual dialogue with a painting was in fact a part
of all Hard Edge painting and the MoMA exhibition included examples by all three schools.
Artists Lorser Feitelson (Lorser Feitelson and the Invention
of Hard Edge Painting, The Late Paintings, and The Kinetic Series: Works from 1916 - 1923), Karl Benjamin (Karl Benjamin: Paintings from 1950 — 1965, Drawings from 1950 — 1965, Dance the Line: Paintings by Karl Benjamin, and Karl Benjamin and the Evolution of Abstraction) and Helen Lundeberg (Helen Lundeberg and the Illusory Landscape, Infinite Distance — Architectural Compositions by Helen Lundeberg) have each been featured in extensive retrospective exhibitions.
From the rigorous flatness
of hard edge painting to the celestial expanse of color field work, color can enhance or defy the flatness of the canvas, and activate the work in an exciting variety of ways.
I made a lot
of hard edge paintings during that time and by the Fall of 1965 I finished a series of drawings of my next and really first series of mature paintings.
Noting the gallery was acquiring a sub-concentration
of hard edge paintings, they decided to present a focused and dramatic show at Art New York that reveals a survey of work available at the gallery, he said.
Characteristic
of hard edge paintings, they had a flat, geometric look.
Not exact matches
It
painted us as being on the cutting
edge of in - stadium experience, as some other teams are having a
hard time filling it.
The one thing about
painting on a sweater is that because it is a knit it was a bit
harder to control the
edges of the image.
Frankenheimer looked to the
paintings of Andrew Wyeth for inspiration, and the
hard edges and muscular camerawork
of his earlier films gave way to tableaus
of unadorned Americana.
March 2011 featured many wonderful
painting blog posts on diverse topics ranging from
hard -
edged abstraction to the Danish Golden age
of figure
painting and by a mix
of established art writers and artist bloggers.
I soften back the
edge of the yellow
paint with water so that I don't get a
hard edge of yellow where the highlight begins (I want the
edge to blend).
But then I'll do something intentional like
painting a
hard -
edged geometric shape on top
of an area
of thick texture or heavy impasto.
Instead, you had
hard -
edge painting, a kind
of minimalism that existed here before it was in vogue anywhere else.
Opening: Mark Reynolds at Pierogi Geometer Mark Reynolds» first exhibition
of drawings reflects the artist's lifelong commitment to «drawing and visually constructing geometries,» according to a release, in the styles
of geometric abstraction,
hard -
edge painting, minimalism, and others.
I finished my series
of fifteen
hard edge border
paintings (colored borders around the void) in August 1966.
As a cerebral painter, this body
of work continues his interest in systems, minimalism, and Op Art from the 1960s and 70s; with the computer as a drawing tool, his images also explore contemporary graphic design, digital technology and the history
of hard -
edged abstract, geometric
painting.
In 1964, he made a series
of hard -
edge border
paintings using gray, orange, salmon and other soft and felt color relationships.
With precise, clipped versions
of nature but a joyful surface quality, the
paintings juxtapose the
hard edges of architecture with the dynamic chaos
of the natural world.
His use
of colour in his «wobbly
hard edge»
paintings (his term) makes everything else in here look dull.
I would also point to Jaffe's
hard -
edged paintings of the 70s, which are not Abstract Expressionist, Minimalist or Pop.
Some
of the new styles and movements that appeared in the early 1960s as responses to abstract expressionism were called: Washington Color School,
Hard -
edge painting, Geometric abstraction, Minimalism, and Color Field.
As disparate as the artistic approaches appear to be in Rothko to Richter, what united the painters throughout the period was a commitment to process, as artists explored a range
of brushwork techniques, from audaciously gestural ribbons
of built - up
paint to vibrating fields and soft washes
of color to
hard -
edged geometries.
The dragging and scraping
of the grey
paint with a palette knife creates a soft surface in opposition to the
hard -
edged and flat shapes.
Her
paintings draw on various traditions
of abstraction from gestural and geometric,
hard -
edge styles.
Radical, new,
Hard -
Edge painting, Colorfield
painting and Pop Art replaced what had become the conventional look
of Abstract Expressionism.
The «Protractor» series
of the late 1960s saw him
paint hard -
edged rainbows
of color on asymmetrically combined, broadly curved canvases, forever leaving behind the rectangular frame.
Mark di Suvero's sculpture, and to a lesser degree John Chamberlain's (whose sculpture bridges Abstract Expressionism with
Hard -
Edge painting), and the
paintings by Joan Mitchell, Grace Hartigan, Robert Rauschenberg, Cy Twombly, and Alfred Leslie resonate with the qualities
of the Second Generation.
Herrera
paints or draws daily even now, and her work has remained an exhilarating example
of hard -
edged abstraction.
Before I began my fifteen series
paintings, 9» x 6», large open fields with 4» borders I made a group
of nine or ten large
hard edge paintings in mostly primary colors and some smaller ones a few
of which were in black and white.
His earlier works, produced in the 1980's, were signature Day - Glo,
hard -
edged paintings that acted as metaphors for the way in which social spaces have become delineated within the proliferating abstract nature
of the technological world we now live in - as prisons or cells.
The adjacent room
of Hard -
Edge and Colorfield
Painting is as empty and absurd an installation as I've ever seen.
His diverse
painting practice weaves together impulses
of minimalism and
hard -
edge abstraction with those
of the California Light and Space movement, to forge an entirely singular creative vision.
In the years following World War II, a distinctive style
of art, identified as
Hard -
Edge painting, was developed by pioneering artists such as Karl Benjamin, Lorser Feitelson, Oskar Fischinger, Helen Lundeberg, and John McLaughlin.
Painted on rectangles
of sky blue with thin
hard edge black lines describing simple yet complicated designs; a few
of his sky blue
paintings had black numbers stenciled on the surface corresponding to his own arcane system
of height and width.
I should also note that he was the first
of the New York School to make a mural - size
painting (it measures 7.5 × 10 feet), and that his personal style owes nothing to the athletic gesture that is often identified with certain works by Pollock, de Kooning and Kline, or the subtle applications
of the
hard -
edge geometry
of Reinhardt, or the fields
of suffused and unbroken color in Rothko and Newman.
His first solo exhibition took place at Kordansky's gallery in Los Angeles in 2013, a selection
of early,
Hard -
Edge paintings curated by gallery - mate Rashid Johnson.
In 1969 I began a continuing series
of stain
paintings combining stained surfaces, with
hard edged colored bands,
painted in different sizes across the bottom (some
of which had abstract writing in them) and later, colored bands
of different lengths and widths on the
edges.
A
painting such as «Untitled (CR1403)» (2014) easily takes its place in a lineage
of hard -
edged abstraction with roots in Russian constructivism and including painters such as Frederick Hammersley (1919 - 2009) and Ellsworth Kelly.
Young also made a couple
of sky blue
paintings with white
hard edge lines.
I began a group
of hard edge acrylic stripe
paintings and I also began to write a long and intensely personal prose poem that I called the myth.