Sentences with phrase «of hopper»

Rocky Poulin of Hopper Group, made selling my house as easy as possible.

With the introduction of its Hopper 3 hardware and 4K Joey, Dish joined DirecTV in offering 4K content both live and on - demand.

Like many of Hopper's paintings, Cape Cod Evening was not a preconceived composition, but the result of a long process of deliberation.

* It is probably the best and most informative show of Hopper's work and certainly the best in recent memory.

The treatment of these Hopper works was done in conjunction with ongoing research within the Whitney's collection into the artist's materials and technique.

Installation view of Hopper Drawing (Whitney Museum of American Art, New York, May 23 — October 6, 2013).

No heir of Hopper's could have possibly conceived of a show like Women at Work.)

In celebration of Hopper Drawing, a life - size window installation of Edward Hopper's Nighthawks (1942) is on view inside the landmark Flatiron prow, one of the original architectural inspirations for this iconic painting.

Something of Hopper's astringent melancholy survives in these blocky compositions.

However, this painting, like House by the Railroad (1925, Museum of Modern Art, New York), is an exception, and focuses instead on one of Hopper's passions - the sea.

Starkly contrasting areas of light and shade model the forms, but also give a sense of imposing stillness, one of the hallmarks of Hopper's art.

This contradiction at the heart of Hopper's work was identified as early as 1946 by critic Clement Greenberg, who perceptively wrote that Hopper «is not a painter in the full sense; his means are second - hand, shabby, and impersonal,» and, more to the point, «Hopper simply happens to be a bad painter.

Unseen trouble may lurk beneath the surface or beyond the horizon of Hopper's otherwise serene painting.

The accuracy and specificity of Hopper's sky indicate, if nothing else, that it is one the artist had seen, rather than one born of imagination or synthesis [fig. 8][fig. 8] Edward Hopper, study for Ground Swell, 1939, fabricated chalk, charcoal, and graphite pencil on paper, Whitney Museum of American Art, New York, Josephine N. Hopper Bequest 70.339.

The choice of Hopper follows in the footsteps of such internationally - renowned past presenters of the prize as Madonna and Yoko Ono.

Painted in 1928, Blackwell's Island is among the largest of Hopper's oil paintings, measuring 34-1/2 inches by 59-1/2 inches.

Literary themes: Includes photographs and photocopies of photographs of Hopper drawings and paintings with literary references, and notes on these literary influences Hopper signatures: Photographs and photocopies of photographs of Edward Hopper signatures on paintings and drawings

General correspondence relates to loans of Hopper works, permission to reproduce them, and general information on Hoppers that was presumably being gathered for the catalogue raisonne.

The papers in this group document Goodrich's relationship with Hopper, as well as his work as a researcher and curator at the Whitney Museum where he arranged several major exhibitions of Hopper's work, and wrote extensively on the artist.

Gail Levin was associate curator of the Hopper collection from 1977 to 1984.

This series includes correspondence, notes, research, documentation for various exhibitions of Hopper's work, and other material generated in Whitney Museum curatorial offices in relation to Edward Hopper from the 1940s through the 1990s.

It includes voluminous documentation of the artist's life and work compiled by Whitney curators in the course of preparing exhibitions of Hopper's work and the Hopper Catalogue Raisonné, as well as correspondence with Hopper and his wife Josephine, and with collectors of Hopper work.

There will also be some film content, including a «sculptural installation» that involves the projection of Easy Rider and two of Hopper's other movies.

Many of Hopper's paintings are available as prints in the form of poster art.

It includes voluminous documentation of the artist's life and work compiled by Whitney curators in the course of preparing exhibitions of Hopper's work and the Hopper Catalogue Raisonné, as well as correspondence with Hopper and his wife Josephine, and with collectors of Hopper works.

(1963), which had echoes of Hopper's «Gas» (1940).

Curators: Recipients of The Hopper Prize will be selected by: Misa Jeffereis, Assistant Curator, Contemporary Art Museum, St. Louis, and Magdalyn Asimakis, Independent Curator & Writer, New York & Toronto

As the catalogue explains, Diebenkorn forged strong allegiances to sources in American art and popular culture before fully responding to Matisse's influence; the teacher who introduced him to Sarah Stein was in fact a disciple of Edward Hopper, and it was the example of Hopper's hard - won, vernacular images that guided Diebenkorn's early engagement with the harsh literalism of the American scene, which was often hostile to modernism.

An image of the Whitney Museum recreation of Edward Hopper's Nighthawks in the prow of the Flatiron Building, part of the Hopper Drawing exhibit.

One of Hopper's most recognizable works is Nighthawks (1942).

Although most big museum exhibitions take years to organize, Deitch had the idea for this show just a couple of months ago when visiting Schnabel, a longtime friend of Hopper, who, at 73, has advanced prostate cancer.

In 2004, a large selection of Hopper's paintings toured Europe, visiting Museum Ludwig in Cologne, Germany, and the Tate Modern in London.

This was the beginning of Hopper's popularity in Europe and his large worldwide reputation.

Regular American life and the people were two of Hopper's muses.

June: Critic Brian O'Doherty and photographer Hans Namuth visit Hopper in Truro; Namuth makes a series of photographs of Hopper at work.

At the New Museum, Karen Finley's live sext paintings challenge an institutional denial of boundary - pushing work, while the Whitney has more shows of Hopper and Hockney.

The menace of Hopper and Munch combines with overtones of Cézanne, Courbet and others who depicted solitary lakeside fortresses.

In the podcast, which features more than 50 of Hopper's paintings and watercolors, Senior Curator Franklin Kelly discusses New York City, New England, and the cinema as Hopper saw and portrayed them — and as we view them today through his work.

Despite the overwhelming success he was enjoying at the time, some of Hopper's finest work was still to come [9].

In 1920, at age 37, the painter was given his first one - man show, held at the Whitney Studio Club — it featured a collection of Hopper's paintings of Paris.

The photographs include some of Hopper's most iconic work, arranged in evocative narrative groupings that encapsulate his unique and conceptual photographic practice.

Kohn Gallery presents for the first time in Los Angeles, Dennis Hopper: The Lost Album, a re-envisioning of Hopper's first photography show in 1970.

The first gallery — directly in front of you as you come off the elevator — presents an overview of Hopper's drawing practice.

The Whitney already holds the largest collection of Hopper's artworks in the world.

The portraits, with their echoes of Hopper and the Brits, certainly offer one clue.

Check to the right of Hopper Pond for the general vicinity.

In addition to that cool feature, the core of Hopper's business is the ability to predict whether the current price of a...

In addition to that cool feature, the core of Hopper's business is the ability to predict whether the current price of a flight will rise or fall.

The refuge is one of four units of the Hopper Mountain National Wildlife Refuge Complex for California condors.

Because the rats have to work the blocks out of the hopper one by one, it adds a bit of enrichment to their environment.