Sentences with phrase «of ikon»

The Lake Tahoe season pass dilemma thickened recently with the announcement of the Ikon Pass, the newest «super pass» to hit the ski and snowboard world.

Within a few months, Trammel Crow sold the property on behalf of Ikon for the market price of $ 5 million.

Courtesy of Ikon Gallery

The four artists officially listed as the founders of Ikon — Jesse Bruton, Robert Groves, Sylvani Merilion and David Prentice — were joined by several others in order to help develop and articulate the original vision.

has been Director of Ikon Gallery since 1999.

An internationally renowned curator and writer, Jonathan Watkins has been Director of Ikon Gallery, Birmingham, since 1999.

The original installation was commissioned by Ruya Foundation for Contemporary Culture in Iraq (RUYA), established in 2012 to promote culture in Iraq, and was curated by Jonathan Watkins, Director of Ikon Gallery, Birmingham.

It is the second chapter in the story of Ikon, following on from our 2004 exhibition, The best things in life happen accidentally, featuring work by founder artists, their colleagues, friends and acquaintances.

Published to coincide with the 40th anniversary of Ikon Gallery, founded in 1963 as a «gallery without walls», and started as a co-operative of artist - volunteers to challenge a conservative local art world.

In honour of this occasion, Cornelia Parker will be joining us, and she will discuss her work in conversation with Jonathan Watkins, Director of the Ikon Gallery in Birmingham who has written extensively about Parker.

Directors of the Ikon Gallery, Birmingham, have twice been in juries where their own shows were featured.

At the heart of Ikon's exhibition is untitled (to Barnett Newman) one, two, three and four (all 1971), an installation that frames the corners of the room and alludes to the older artist's celebrated series of four paintings, Who's Afraid of Red, Yellow and Blue.

Join artist Edmund Clark as he discusses with Jonathan Watkins, Director of Ikon Gallery, his artistic practice, which combines a range of reference and forms including photography, video, found image, text and installation.

The four speakers are Jonathan Walkins, Direcotr of the Ikon Gallery in Birmingham; independent curator Sarah Pierce; Stephen Snoddy, Director of the Milton Keynes Gallery; and Enrique Juncosa, Director of the Irish Museum of Modern Art.

There is no more appropriate moment to examine new and recent contemporary art from Iraq and we are privileged that this talk will be led by curator and Director of Ikon Gallery in Birmingham, Jonathan Watkins, who curated the highly acclaimed Pavilion of Iraq at the 55th International Art Exhibition at the Venice Biennale in 2013.

Commissioned by Ruya Foundation for Contemporary Culture in Iraq (RUYA), established in 2012 to promote culture in Iraq, Welcome to Iraq is curated by Jonathan Watkins, Director of Ikon Gallery, Birmingham.

Jonathan Watkins has been Director of Ikon Gallery since 1999.

Ruya Foundation's chairman Tamara Chalabi writes about her research trip in Baghdad with curator Jonathan Watkins, for the for the Pavilion of Iraq at the 55th Venice Biennale: With Jonathan Watkins, Director of Ikon in Birmingham and curator of the pavilion, we travelled as a team to Iraq for the first time in December 2012,...

The series was shown again this spring in a slightly smaller version of the Venice show at the South London Gallery, mounted by Jonathan Watkins, director of Ikon and curator of the Iraq pavilion.

The new gearbox and engine combo make the overall experience so much better compared to the old setup that you'll start thinking that it is time for Ford to slap on «The Josh Machine» sticker that came on the windscreen of the Ikon on the Freestyle as well!

Craig Snyder of Ikon Public Affairs, a longtime Republican consultant and lobbyist, is trying to line up GOP backers on K Street for Clinton's presidential bid.

Not exact matches

Byzantium at its most sublime was a wedding of spirit, light, form and flesh still observable in old ikons and fragments of mosaics scattered throughout Asia Minor; in the architecture of Hagia Sophia and the monasteries of Mount Athos, Mar Saba and St. Catherine; and in the thoughts of the Eastern church fathers, Athanasius, Irenaeus and the Cappadocians.

It doesn't even help much to say that he denied God and affirmed Christ, because in place of the denied God he put his own passionate Karamazov God; and, as we have seen, the Christ he affirmed is a strange and elusive combination of a principle of freedom, an ugly Russian ikon, and a suffering nation.

Dostoevsky's Christ is an ikon, an ascetic who has lost touch with the real world of ordinary men.

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Aaron Mullett toured Ikon Park on Monday, and Carlton look poised to sign the delisted free agent after the Blues continued their list clean - out on Tuesday Geoffrey Blainey put Aborigines back into the heart of Australian history, but he is still fixated on violence in their communities.

As an owner of the «17 / ’18 M.A.X. Pass, I heard many people talking about a new Ikon Pass and guessing what resorts will be included.

The addition of SkiBig3 adds nearly 8,000 skiable acres in the dramatic Canadian Rockies to the Ikon Pass community of destinations.

Revelstoke Mountain Resort «Revelstoke Mountain Resort is thrilled join some of North America's best destinations on the Ikon Pass.

«We look forward to welcoming Ikon Pass holders to explore our 3,000 + acres of legendary terrain.»

Recent solo exhibitions include Whitford Fine Art, an exhibition of his early 80's steel sculptures; other significant exhibitions include Hayward Gallery and Serpentine Gallery, Guggenheim, Venice, Ikon Gallery, Birmingham, Galerie Josine Bockhoven, Amsterdam, Robert Steele Gallery, New York, Bodo Niemann Gallery, Berlin, Waddington & Shiell Gallery, Toronto, Musee Dʼart Moderne, France and The National Gallery, Australia, Flowers Gallery, London, Whitford Fine Art, London, and Henry Moore Institute, Leeds.

Over the course of her career Finn - Kelcey exhibited at numerous galleries in the UK including, in London, the Royal Academy of Art, Whitechapel Gallery, Chisenhale Gallery, Matt's Gallery, the Serpentine Galleries, the Hayward Gallery, the Saatchi Gallery, Camden Arts Centre and Tate Britain; also at the Ikon gallery in Birmingham and the Irish Museum of Modern Art in Dublin.

She has also participated in various group exhibitions at the Hamburger Kunsthalle, 2008, the Institute of Contemporary Art, Boston, 2000, P.S. 1, New York, 1999, Ikon Gallery, Birmingham, 1997, and Tate Liverpool, 1995.

Solo exhibitions include Kunsthalle Helsinki, Finland (2015); Museum of Contemporary Art Krakow (MoCAK), Poland (2014); National Portrait Gallery, London, UK (2011); IVAM, Valencia, Spain (2010); MAK, Vienna, Austria (2008); CAC Malaga, Spain (2006); Neues Museum, Nuremberg, Germany (2003); Ikon Gallery, Birmingham, UK (2001); Kunstverein Hannover, Germany (1994) and Institute of Contemporary Arts, London, UK (1985).

Garis & Hahn and Ikon Arts Foundation are pleased to present Notes on Undoing, a group exhibition of established and emerging Croatian artists curated by Branka Benčić.

At Birmingham's Ikon Gallery (to 25 Jan), Imran Qureshi infiltrates exquisite miniature paintings with a topical aura of all - pervading political dread.

Extract from our April Diary featuring the director of Birmingham's Ikon gallery, Jonathan Watkins, on the museum's upcoming 50th anniversary

St Martin's College of Art, The Slade School of Art, The Architectural Association, Sir John Cass School of Art (all London), Impressions Gallery (York), Watershed (Bristol), Ikon (Birmingham), Collins Gallery (Glasgow), Stills (Edinburgh), City Art Gallery (Leeds), California Institute for the Arts (Valencia).

2012 Barber Institute of Fine Arts, Birmingham 2011 RWA, Bristol 2010 Artsdepot, London 2009 Alan Cristea Gallery, London 2007 Ikon Gallery, Birmingham 2006 Galerie Lelong, Zurich The New Art Centre Sculpture Park and Gallery, Roche Court, Salisbury 2005 Alan Cristea Gallery, London Tate Modern, London 2004 Focus London Galerie Lelong, Zurich Kunstmuseum Bonn, Bonn

Patterson has exhibited in Chisenhale Gallery, London; Ikon Gallery, Birmingham; MOMA, New York; Museum of Contemporary Art Chicago; Brooklyn Museum of Art, Brooklyn; The Victoria and Albert Museum and Tate Britain, London.

During the 1980's my early work was associated with «New Image Painting» and significant exhibitions during this period include a solo show, «Journeying in Search of Hidden Treasures» at the Ikon Gallery, Birmingham, UK, «Problems of Picturing» at the Serpentine Gallery, London and «Between Identity & Politics — A New Art», Gimpel Fils, London and New York.

At Birmingham's Ikon Gallery from 10th October 2015 to 17th January 2016, Scroll Down And Keep Scrolling, is the most comprehensive exhibition of Fiona Banner's work to date, re-presenting key early projects alongside recent and unseen works that span a period of 25 years.This exhibition is accompanied by a major new artist's book of the same title.

It will be distributed to V&A Museum London, Tate Britain, Turner Contemporary Margate, Arnolfini Bristol, Impressions Gallery Bradford, Ikon Gallery, Library of Birmingham, Baltic Centre of Contemporary Art Newcastle, Open Eye Gallery Liverpool & Norwich University of the Arts.

Representatives from the following organisations will be in attendance Art Fund / Artangel / Arts Council England / East Street Arts / Edinburgh Art Festival / Elephant Magazine / FACT Liverpool / Glasgow School of Art / Hiscox / Holden Gallery / Ikon Gallery / Iniva / Jupiter Artland / Leeds Beckett University / Leeds College of Art / London College of Communication / Magnum Photos / Max Mara Art Prize for Women / Nesta / Nottingham Contemporary / Open Eye Gallery / PHOTOFAIRS / Photomonitor / Royal British Society of Sculptors / Tate Liverpool / University of York / Visual Arts South West / Wellcome Trust / Whitechapel Gallery / World Photography Organisation / York St John University / Zabludowicz Collection

Inspired by an exhibition at Birmingham's Ikon Gallery, The Piper Gallery's distinctive agenda was to show the work of mature artists with a career of 40 years or longer.

«Hurvin Anderson: Reporting Back» was published on the occasion of his survey exhibition at Ikon Gallery in Birmingham UK.

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A room of drawings at the Ikon Gallery shows how each composition is worked out by trial and error.

Solo exhibitions have been staged at Fosun Foundation, Shanghai, China (2017); Fundacion Bancaja, Valencia, Spain (2017); Kunsthalle Helsinki, Finland (2015); Museum of Contemporary Art Krakow (MoCAK), Poland (2014); National Portrait Gallery, London, UK (2011); IVAM, Valencia, Spain (2010); MAK, Vienna, Austria (2008); CAC Malaga, Spain (2006); Neues Museum, Nuremberg, Germany (2003); Ikon Gallery, Birmingham, UK (2001); Kunstverein Hannover, Germany (1994) and Institute of Contemporary Arts, London, UK (1985).

Perhaps because of the incandescence of the YBAs in the 1990s, British art in the 1980s often gets short thrift in terms of column inches in histories of modern and contemporary art, but — as Ikon's new show on the decade should demonstrate — it was a period of free - wheeling experimentation, in which figurative painting made a comeback, the variety of abstract styles increased, installation art grew in ambition and cut - and - paste appropriation prevailed.