Sentences with phrase «of luminism»
George Inness (1825 - 1894) American tonalist painter, a leading exponent of luminism, noted for his handling of outdoor light.
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Exponents of Luminism included frontier painters like Missouri man George Caleb Bingham (1811 - 1879), as well as wilderness or coastal landscape artists - from the Hudson River School and other groups / locations from around America - including Fitz Hugh Lane (1804 - 1865)(Nathaniel Rogers Lane), Martin Johnson Heade (1819 - 1904), Frederic Edwin Church (1826 - 1900), as well as John F. Kensett (1816 - 72), Jasper Francis Cropsey (1823 - 1900), Sanford Robinson Gifford (1823 - 80), Albert Bierstadt (1830 - 1902), William Trost Richards (1833 - 1905), Norton Bush (1834 - 94), Edmund Darch Lewis (1835 - 1910), Alfred T. Bricher (1837 - 1908), Thomas Moran (1837 - 1926), George Tirrell, Henry Walton, and JW Hill.
Friedrich's mystical approach was a precursor to several American art groups, such as the Hudson River School of New England - exemplified by the works of Thomas Cole (1801 - 48) and Frederic Edwin Church (1826 - 1900)- and the mini-movements of Luminism and the Rocky Mountain School.
A sub-group of Hudson River artists introduced the style of Luminism, active 1850 - 75.
Not exact matches
Kim Keever's painterly, panoramic photographs represent the evolution of landscape painting embodied by the Hudson River School, Luminism, and Romanticism.
His DayGlo canvases hover somewhere between luminism and appropriation, like geometry caught in the act of cross-dressing.
Albert Bierstadt (1830 - 1902) German - born landscape artist of Hudson River School, Luminism style.
During its period of activity, it spawned several other painting styles, including Luminism and the Rocky Mountain School.
19th century American landscape painting, depicting the American wilderness (including movements like Hudson River School and Luminism) is a particular strength of the museum and includes works by Frederic Church (1826 - 1900) and Thomas Cole (1801 - 48).
Later in the century it gave rise to an offshoot, known as Luminism, as exemplified by the Missouri frontier landscapes of George Caleb Bingham (1811 - 1879).
For exponents of Romantic landscape painting influenced by Turner, see: Hudson River School (fl.1825 - 75) and Luminism (fl.1850 - 75).
Another Karolik donation, in 1947, of American paintings produced between 1815 and 1865, secured numerous works by artists of the Hudson River school and its offshoot Luminism, along with a series of American genre paintings.
In due course, the unique quality of Bingham's landscape art was recognized and given the name «Luminism» by John Baur, director of the Whitney Museum of American Art, New York.
Sullivan Goss is pleased to announce a new exhibit of works by Lockwood De Forest, a painter whose works vary between Orientalism, Luminism and the American Hudson River School.
AMERICAN LANDSCAPE ART Romantic scenic painting in America was exemplified by the Hudson River School of landscape painting, and Luminism.
As it was, luminism (an American painting style) came before Impressionism (a French style), and both movements evolved quite independently of each other.
The luminist movement was profiled in «American Luminism» (Perspectives USA, Autumn 1954), while in 1989 it was the subject of a definitive exhibition at the National Gallery of Art, Washington DC.
Luminism Definition, Characteristics of American Landscape Painting Style.
In America, Romanticism was exemplified by the Hudson River School of landscape painting (1825 - 75) and Luminism (1850 - 75).
Like French Impressionism, luminism is all about the depiction of light, but its treatment is very different.
In Strange Muses I, the figure as a veil - like apparition is reinforced with a prismatic luminism employed by Hudson River School painters like Frederic Church; the aura surrounding the figure, although a product of the lenticular lens, takes us into the transcendental world of the Hudson River School painters.