Sentences with phrase «of main gallery»

The reality of death interpreted, I turned my attention to the oil painting of Euripides and to the giant collages which hang along the walls of the main gallery.

Hundreds of copies of this same image paper the walls of the main gallery, surrounding the viewer.

Glenn Ligon's sculpture A Small Band (2015) is the largest piece in Blue Black, the exhibition Ligon curated at the Pulitzer Art Foundation in St. Louis (reviewed by Jason Rosenfeld in the September Brooklyn Rail.2 It occupies most of the main gallery, positioned so that it is in dialogue with Ellsworth Kelly's Blue Black.

Smaller works on paper, arranged on freestanding walls in the center of the main gallery are less effectively supported.

The unconventional, boat - like layout of the main gallery, with angled walls on the far end from the entranceway, pairs a large, canted window covered in frosted, translucent film with Robert Swain's grid painting «Untitled, 8 x 12 — Green» (2017)-- an appropriate match, given the number of instances in which light seems to emanate from the paintings themselves.

Artworks will be organized in collective groupings («bundles») and exhibited inside the walls, between the studs of the main gallery of ALH.

«It has atmosphere, not white - cube pharmaceutical coldness,» he said of the main gallery's terra - cotta interior.

Cain has created a monumental painting directly on the walls and floor of the Main Gallery.

A commissioned work for the exhibition, Jennifer Marman's and Daniel Borins» Stripped (2012), is a curtain of PVC strips across the entrance of the main gallery onto which the artists have appropriated and abstracted the visual style of document censorship and redaction.

He plays a key role in the programming of the main gallery and The Calder, the new contemporary art space.

With the succinctly titled Wall, Yinka Shonibare sheathed the end of an ugly nearby apartment block in colorful PVC, while Fiona Banner's arresting hand - scrawled Black Hawk Down dominated the walls of one corner of the main gallery.

When he drew a life - size image of a car on a large, white cardboard box in the center of the main gallery at the New Museum, then proceeded to smash the «windows» with a crowbar, shattering a «door» and climbing into the «vehicle» to cause more damage from the inside, the effect of this fake violence was not fake at all.

This enclosure claims most of the space of the main gallery, reserving for the viewer only a four - foot wide corridor around the perimeter.

The walls of the front section of the main gallery are covered with paintings featuring optical patterns, geometric shapes, and stylized heads, along with the occasional acronym — «THR» («The Human Race» or «The Harsh Reality») and «DFW» («Down for Whatever»).

There is a lovely outdoor garden area just off of the Main Gallery.

«Kienholz: The Ozymandias Parade / Concept Tableaux» juxtaposes one monumental installation that commands the space of the main gallery with series of small plaques in a rear room — instructions for a various projects over the years that were never realized.

«Billy wanted to take one of the largest spaces at Bergamot and cut it in half,» said Freeman, 34, of his main gallery, which is 40 - by -27-feet wide, has a soaring corrugated tin ceiling and an unpolished concrete floor.

At the center of the main gallery lies an enormous back - bending, gender - bending figure split apart by a derelict Brooklyn house.

In the center of the main gallery, a modern white couch is splattered with black paint.

Three larger - than - life photographs propped against the walls of the main gallery space all bore the title UMRISS (Outline), 2014.

The see - through set of Cunningham's 1968 performance, «Walkaround Time,» exhibited in the middle of the main gallery, was designed by Johns and based upon elements of Duchamp's «Large Glass.»

The delicate blue - gray shadows and leafy branches dancing on the wall beneath the coffered ceiling are actually an element of Audrey Hynes» untitled (rounded form, light and shadow), an installation occupying the floor of the main gallery.

She will be presenting a new, large scale installation entitled «Live Through This,» incorporating Victorian tobacco clay pipes sourced from the banks of the Thames, Shire horse collars and a cattle feeder which will reach from floor to ceiling of the main gallery space at EB&F low alongside a series of smaller installations.

Then there's the sour alcohol smell that you get when they open up the doors of the main gallery in the morning.

Roger Hiorns» current solo exhibition at Luhring Augustine — the British artist's first in New York City — presents viewers with two inscrutable situations: In one, a quantity of gray powder has been deposited, apparently by hand, over a large, rectangular area occupying the better part of the main gallery; in another, a nude male model loiters about a massive, faceted stone object and a low table, the surface of which is a flat - screen TV monitor displaying video content by the Wall Street Journal.

Let it hypnotize you, and then walk into the light of the main gallery, where questions begin to get asked more explicitly.

Even more to the point is the set of white curtains that covers a large swath of the main gallery; look closely, and you'll see a clear vinyl silhouette attached to it, as well as a swarm of insects printed on the curtains themselves.

The ceiling of the main gallery, which hosts most of the paintings in the complex, is within easy reach and would have been relatively well lit by daylight.

Haacke's functional - abstract sculpture, «Together,» first made in 1969, covers the floor of the main gallery, with electric motors pumping water through lengths of intersecting plastic tubes.

The rest of the main gallery is given over to a first - person, handwritten account by a William Powhida who may or may not be the artist (the gallery's news release addresses the confusion), about a stint in a Thai jail where the writer undergoes chemical detoxification, among other indignities.

The exhibition «What's old is old for a dog» (as far as I can tell, an invented idiom very much in keeping with Lum's other fictional deployments of signifiers) is divided in two by a temporary wall in the middle of the main gallery.

When including Joseph Havel's sculptures in the «Floor Plan» show, I was most interested in how these pieces engage the outdoor space, and the courtyard as an extension of the main gallery space in this contemplation of a floor plan.

The shifting of the structural box at this level has created an additional, quiet, and unique gallery space — ten feet wide and forty feet long, accessed from either end of the main gallery — on the north side of the core.

A particularly strong piece, The Lifted X (1965), sits in the center of the main gallery and meets visitors as the first sculpture they experience in the space.

Molloy pays homage to another artist, the nineteenth century Franco - American painter Henry Farny, in nine drawings of Native Americans that hang in the front half of the main gallery.

The very large - scale sculpture, Primary Producers, which inhabits the whole of the main gallery, is an architectural form reminiscent of the more progressive play structures for children that were popular in the 1970s, or a skater - proof city centre streetscape.

It's just the right space for this work — when you walk in you slow down, it's quiet and to the side of the main gallery — it somehow has a very intimate human feel to it.

The presentation opens with a drawing entitled Gun that hangs just outside of the main gallery.

The back half of the main gallery contains two sets of photographic images.

The centerpiece of the exhibition, entitled Indianapolis Motor Speedway Pits # 4, # 7, # 9, # 26, # 32, # 33, # 35, # 37, # 39, # 40, is a vibrantly - colored large - scale pounce wall drawing wrapping around all four walls of the main gallery and incorporating tracings of tire tracks from the Indy Speedway.

The crumpled painting Untitled (The Supreme Court Painting), created over two years in the mid-aughts, lies on the floor of the main gallery of the museum.

This allows for more works to be seen beyond the limitations of the main gallery.

Once inside of the main gallery, your attention is grabbed by the monumental Cor - ten steel sculpture Drusilla Senior executed just a couple of years ago, in 2014.

In the center of the main gallery is a Rirkrit designed ping pong table (produced by Cumulus Studios) fabricated to be played outdoors.

In the UTA Artist Space show, for instance, a huge, hairy creature — which looks a bit like the child that might result from a gorilla mating with the ice monster from Empire Strikes Back — sits in the middle of the main gallery room.

«Exemplary of [The Chicago Effect: Redefining the Middle's] strengths is a brief interlude in the middle of the main gallery marked by a stripe of grey paint that hangs on the walls and floor between two halves of the white cube... Isolated Fictions: A Reenactment, as the sub-show is titled, presents a provocative case study in the generative possibilities between art schools, small galleries, art centers, and other «middle men» of the art economy.»

Taking advantage of the Main Gallery's unique architecture and expansive space, the Center invited five artists who work in varying media, size and scope to create one - of - a-kind, site - specific art installations that will become individual micro-environments and encourage viewers to experience the space in a new way.

While some guests continued to peruse, others ventured to the open bars at the back of the main gallery and outside and to the antipasto bar in the lobby.

In 2016, Etage Projects was a part of our Curio program, and this year they have since graduated to become a part of the main gallery program.

Two of the main gallery's walls are painted the most godawful shade of Naugahyde ® brown you can imagine, but somehow the artworks hung on them, which largely skew toward cool colors, look spectacular against it.