The press release provides some background into his ongoing research into «consumer fantasy, branding and notions
of museology» as we are invited to «see his work and a transformed gallery space as a whole and substantively in order to reconsider the status and narrative capacity of objects.»
Through employing the Nefertiti bust as a metaphorical thread, and by interrogating the contested history of Egyptian Museum collections from the 19th century onwards, the exhibition is concerned with the critique
of museology, the staging of the artwork and the writing of art - historical narrative as a means of forming and informing cultural otherness.
Berlin - based artist Mariana Castillo Deball (b. Mexico City, 1975) reveals gaps in the often unquestioned narratives
of museology and archaeology in a new exhibition at San Francisco Art Institute's (SFAI) Walter and McBean Galleries this spring.
Notably, the dialogue I had with the MSU Museum's new Director and anthropologist, Mark Auslander, offered a unique perspective
of museology and ideas around Early - Paleolithic shamanic expression, which has really stuck with me.
Miriam holds an MA in Curating the Contemporary from London Metropolitan University, a Master
of Museology from Reinwardt Academy, Amsterdam, and a BA (Hons) in Art History from Università Cattolica del Sacro Cuore, Brescia.
He has held positions as professor and researcher at the National Pedagogical University of Columbia in the Visual Arts Program (2008 - 2009), at the Pan - American University (2007 - 2008), in the master's program
of Museology and Heritage Management at the National University of Colombia (2006 - 2009), at the University of Communication - Mexico (2012), and at the Academy of Mexican Dance (2013 - 2014).
Not exact matches
Given this current panorama
of growing private initiatives, The Private Museum
of the Future, published by the same editors
of 2015's successful Museum
of the Future, tackles this central issue in
museology and contemporary society.
Avant
Museology is a two - day symposium copresented by the Walker Art Center, e-flux, and the University
of Minnesota Press.
Taking its cue from the recently published book Avant - Garde
Museology, the symposium will address the memory machine
of the contemporary museum vis - à - vis its relationship to the contemporary artistic practices, sociopolitical contexts, and theoretical legacies that shape and animate it.
Avant
Museology is a two - day symposium exploring the practices and sociopolitical implications of contemporary m
Museology is a two - day symposium exploring the practices and sociopolitical implications
of contemporary
museologymuseology.
And yet, though the early decades
of 20th - century Russia have been firmly registered in today's art history as a time
of radical social and artistic change, the uncompromising and often absurd ideas in Avant - Garde
Museology appear alien to a contemporary art history that explains suprematism and constructivism in terms
of formal abstraction.
Sketches and renderings
of exhibits and artifacts, combined with relevant quotations from historical sources, are interspersed with speculative essays on the intersections
of ecology, race,
museology, historiography, economics and politics.
Avant
Museology will coincide with the opening
of Question the Wall Itself (November 20, 2016 — May 21, 2017), an exhibition curated by Walker Art Center Artistic Director Fionn Meade with Jordan Carter, featuring the work
of Jonathas de Andrade, Uri Aran, Nina Beier, Marcel Broodthaers, Tom Burr, Alejandro Cesarco, Marc Camille Chaimowicz, Theaster Gates, Ull Hohn, Janette Laverrière / Nairy Baghramian, Louise Lawler, Nick Mauss, Park McArthur, Lucy McKenzie, Shahryar Nashat, Walid Raad, Seth Siegelaub, Paul Sietsema, Florine Stettheimer, Rosemarie Trockel, Danh Vo, Cerith Wyn Evans, and Akram Zaatari.
The Panorama
of the City
of New York, a baseball - diamond - size model
of the five boroughs, constructed for the 1964 - 65 World's Fair (and updated many times since), is an astonishing sight, a must - visit for anyone who cares about architecture, urban planning, cartography,
museology, or a host
of other fields.
The editor
of Avant — Garde
Museology reflects upon the main conclusions drawn from his research for the book.
Zhilyaev is the editor
of Avant - Garde
Museology (V - a-c Press with e-flux and University
of Minnesota Press, 2015).
Edited by Arseny Zhilyaev, Avant - Garde
Museology documents the progressivism
of the period, with texts by Alexander Bogdanov, Nikolai Fedorov, Kazimir Malevich, Andrey Platonov, Aleksandr Rodchenko, and many others — several
of which are translated into English for the first time.
Avant
Museology is a a two - day symposium exploring the practices and sociopolitical implications of contemporary m
Museology is a a two - day symposium exploring the practices and sociopolitical implications
of contemporary
museologymuseology.
Within his projects, the artist casts a revisionist lens on the heritage
of soviet
museology and meaning
of museum in Russian Cosmism.
Faux Guide extends the exploration
of palaeontology,
museology and natural history in Morocco that Barrada launched in her Abraaj Group Art Prize show during Art Dubai and coincides with Salon Marocain, a solo exhibition
of her work at the Serralves Museum
of Contemporary Art, Porto, on view through 20 September.
Curated by The Center for Experimental
Museology (CEM) and the Museum
of American Art in Berlin (MoAA)
His recent work questions the relationship between humans and objects; exploring links between cinema, technology and
museology through archives
of historical film props.
Arseny Zhilyaev explores the heritage
of Soviet
museology in his artworks from a revisionist perspective.
Fig. 5 becomes a forum for different museographical methodologies — sharing ideas and imaginative processes with a range
of institutions not devoted primarily to contemporary art (Second session: On
Museology).
Located in the Cultural Center
of the National Autonomous University
of Mexico (UNAM), the MUAC is the first museum fully created, in its architecture, management,
museology, and interpretation, for contemporary art.
Considering non-visual and embodied approaches to learning, the group will assess the collection for tactile taxonomy and vocabulary while employing the critical methodology that Georgina Kleege, Lecturer in English at the University
of California at Berkeley and author
of «Blind Rage: Letters to Helen Keller» (2006) and «Sight Unseen» (1999)- describes in her writings on tactility and
museology.
Via this blending
of materials and ideas relating to economics, agriculture, magic, anthropology and
museology, she extends earlier research, undertaken at the Jeu de Paume and the South London Gallery, into belief systems and pre - and post-independency trajectories in Tanzania.
She previously occupied two positions that operated between academic and arts - institutional contexts: as LJMU Research Curator within the Tate Research Centre: Curatorial Practice &
Museology (2014 - 15) and as Head
of Nottingham Contemporary's Public Programme (2011 - 14), a leading platform for the public debate
of ideas and practices relevant to contemporary art and its institutions.
[1] They revealed, among other things, that most visitors were related in some way to the professions
of art, art teaching, and
museology, and most were politically liberal.
The interior
of the pavilion is lined with glass display cases that connect Hall's installation to Victorian - era
museology, highlighting how these widely adopted systems
of collection and display
of art and visual culture are anchored in the values
of the colonial period.
In a young city such as Los Angeles, archaeology can take many forms: Small's idiosyncratic
museology, Gala Porras - Kim's reappraisal
of unattributed objects from the ethnographic Fowler Museum or even the curatorial work
of Moshayedi and Walker in excavating little - known art from Los Angeles's recent past.
Seitz utilises the poetry
of objects to explore ideas and experiences
of collecting,
museology, colonisation, personal history and the complexities
of representation.
Held in conjunction with the exhibition, Avant
Museology is a two - day symposium (November 20 — 21) copresented by the Walker, e-flux, and the University
of Minnesota Press.
e-flux and Walker Art Center present Avant
Museology, a symposium exploring the practices and sociopolitical implications of contemporary museology, and taking place this November in two parts: at the Brooklyn Museum and at the Walker Ar
Museology, a symposium exploring the practices and sociopolitical implications
of contemporary
museology, and taking place this November in two parts: at the Brooklyn Museum and at the Walker Ar
museology, and taking place this November in two parts: at the Brooklyn Museum and at the Walker Art Center.
Wide repertoire
of interests: from
museology and museum pedagogics, exhibiting and reception
of artworks, to curating (and) contemporary art.
In 2013 Lopez completed dual Masters at the School
of the Art Institute
of Chicago in Modern and Contemporary Art History, Theory, and Criticism and Arts Administration and Policy; her graduate thesis examined anthropology,
museology, and performance in work by Guillermo Gómez - Peña and Coco Fusco.
Eduardo Terrazas is considered a founding member
of the contemporary Mexican art scene, having worked across the disciplines
of architecture, urban planning, design and
museology.
The University
of New South Wales has launched a DomeLab in the hope to help researchers visualise data sets in the medical and
museology field.