We can't be denied the opportunity on the basis
of nonobjective criteria such as race, color, religion, sex, national origin, handicap, or familial status.
Over the past ten years, Evertz has also curated several critically - acclaimed artist retrospectives and surveys of abstract painting at Hunter College, including Visual Sensations: Robert Swain Paintings, 1967 - 2010; Presentational Painting III; Seeing Red: An International Exhibition
of Nonobjective Painting (co-curated with Michael Fehr); Set in Steel: The Sculpture of Antoni Milkowski; and Mac Wells: Light into Being (co-curated with Robert Swain).
Of these visionaries, foremost is the museum's founder, Solomon R. Guggenheim, who, with support from his trusted advisor, the German - born artist Hilla Rebay, set aside a more traditional collecting focus to become a great champion
of nonobjective art — a strand of abstraction with spiritual aims, epitomized by the work of Vasily Kandinsky.
Her work engages the history
of nonobjective art — from Constructivism to Futurism — posing contemporary questions about the relationship between utopian impulses and abstraction.
2003 Bertha and Karl Leubsdorf Art Gallery and Times Square Gallery, Hunter College, New York, New York [Participating in both Parts I («Pioneers
of Nonobjective Painting») and II («Contemporary Nonobjective Painting»)-RSB-, «Seeing Red: International Exhibition
of Nonobjective Painting» P.S. 1 Gallery, an affiliate of the Museum of Modern Art, Queens, New York, «Site and Insight: An Assemblage of Artists (Curated by Agnes Gund)»
She gained recognition after World War II, when she received a grant from the Solomon R. Guggenheim Foundation and showed at both Peggy Guggenheim's Art of This Century Gallery and the Museum
of Nonobjective Painting (now the Guggenheim Museum).
It's an appropriate pairing, as both Stewart and Ahn (a recent MFA from the Savannah College of Art and Design in Atlanta) impose similar limitations on their processes and work in similar modes
of nonobjective abstraction.
The most important exhibitions include, in 2003, participations at the Mies van der Rohe - Haus, Berlin and Seeing Red: An International Exhibition
of Nonobjective Painting, at the Hunter College / Times Square Gallery in New York City.
Despite the title of the painting, the work feels more abstract than figurative — yet one remembers that nature is a forceful originator
of nonobjective art.
In 1953 a group
of nonobjective painters in Toronto, inspired more by abstract expressionism in New York than their contemporaries in Montréal, formed Painters Eleven as a means of exhibiting their work.
Gego and Gerd Leufert: A Dialogue provides a long - overdue, tandem examination of the artists» works; the exhibition unveils an underlying, parallel dialogue
of nonobjective language within their organic forms, linear structures, and systematic, spatial investigations.
In the following year he began Hoarfrost, a series
of nonobjective large - scale paintings on hardboard characterized by all - over white colour and criss - crossed patterning.
In 1929, Guggenheim and his advisor, German - born artist Hilla Rebay, began collecting his paintings, works on paper, and sculpture in depth for the Guggenheim's growing collection
of nonobjective art.
Foremost is the museum's founder, Solomon R. Guggenheim (1861 — 1949), who with support from his trusted advisor, the German - born artist Hilla Rebay (1890 — 1967), set aside a more traditional collecting focus to become a great champion
of nonobjective art — a strand of abstraction with spiritual aims and epitomized by the work of Vasily Kandinsky.
Not exact matches
To learn from the pine tree or from the bamboo in a conscious way is to make effective a kind
of «
nonobjective knowing» that has been implicit in our experience throughout, and that is central to our true identity (p. 163).
Iconic symbols, he writes, «are
nonobjective symbols that express the feelings, values, and hopes
of subjects, or that organize and regulate the flow
of interaction between subjects and objects or even point to the context or ground
of that whole.
«14 If God is conceived in act as
nonobjective, Bonhoeffer concludes that one may also speak
of faith as
nonobjective.
Judging will be conducted by a completely unqualified,
nonobjective board consisting
of Dan and Rachel Evans.
I feel it essential that my reader have some sense
of who I am and the direction from which I am coming, for the subject matter
of this book is both personal and
nonobjective.
The exhibition traces the evolution
of Michael Goldberg's work from the early cubist inspired drawings
of the 1940s to the monumental
nonobjective paintings
of the early Read More»
Af Klint had begun producing
nonobjective paintings by 1906, significantly before Vasily Kandinsky, Kazimir Malevich, Piet Mondrian, and others widely considered trailblazers
of the movement to free artwork
of representational content.
Museum Collection, Museé d'art moderne, Saint Étienne Métropole, France Oracle, The Broad Museum, Los Angeles
nonObjectives, Sheldon Museum
of Art, Lincoln, Nebraska Instant Karma, Achenbach Hagemeier Gallery, Düsseldorf The Healing Power
of Art, Elgiz Museum, Istanbul Color Block, Triple V, Paris Colour Is, Waddington Custot, London (catalogue) Pattern Recognition, Xippas Galleries, Paris
Here I found a Korean counterpart, or perhaps an extension,
of issues in
nonobjective painting that emanated over a historical continuum, from Seoul to New York and from New York to Seoul over the course
of decades.
The exhibition traces the evolution
of Michael Goldberg's work from the early cubist inspired drawings
of the 1940s to the monumental
nonobjective paintings
of the early 1960s and the abstracted landscapes and still - lifes
of the mid - to late «60s, the monochromatic paintings
of the 1970s and ending with his use
of grids in the 1980s.
Though working on a diminutive scale as compared to Rosenquist's monumental compositions, Steele draws on rigorous observations
of the real world to create fragmented images that waver between recognizable form and
nonobjective abstraction.
The juxtaposition
of defined, more geometric pattern and amorphous underpainting recalls the biomorphic surrealism
of Joan Miro, whose
nonobjective imagery simultaneously conjured cosmic and cellular life.
(2017) is the largest and most commanding work
of Carroll's
nonobjective works.
Baselitz, who moved to West Berlin after his expulsion from art school in his native East Germany, is the senior member
of a group
of artists who were adamantly opposed to
nonobjective styles
of the 1950s and 60s.
Rejecting social realism and regionalism
of the 1930s, this generation
of artists embraced abstract surrealism - a
nonobjective language with limitless possibilities.
The Pompidou may largely be closed but it's not idle: Among recent undertakings, it has organized this exhibition
of roughly a hundred paintings and drawings, charting the early development
of the pioneering modernist, who conceived
of abstraction in purely visual terms, quite distinct from the spiritual motivations
of early
nonobjective artists such as Kandinsky and Mondrian.
Traces
of the Blinky Palermo: Retrospective 1964 - 1977, exhibition which was previously presented in the CCS Bard Galleries, are reactivated by Pittas to illuminate the artists» shared engagement with the
nonobjective work
of the Russian avant - garde.
Art critic Jonathan Goodman once wrote that Puder's paintings are «at the cusp between representation and abstraction, where the overall gestalt is accessible as figuration but also presents itself as a
nonobjective arrangement
of forms.»
Central to Visionaries is the story
of museum founder Solomon R. Guggenheim, who with support from his trusted advisor, Hilla Rebay, become a great champion
of «
nonobjective» art and assembled a radical collection against the backdrop
of economic crisis and war in the 1930s and»40s.
Yet by 1935, just as the New York artists began to seek a regionalist identity for their modernism, Jonson moved toward visually intangible subjects in
nonobjective paintings, free
of any obvious reference to the natural world.
In Holland members
of the Stijl group (1917 — 31), including Mondrian and Theo van Doesburg, created a disciplined,
nonobjective art.
While exploring abstract art, gain an understanding
of how to view and discuss
nonobjective art and why it is significant.
In 1913 he began a series
of paintings
of colored discs that have no reference to any object and are considered hallmark paintings in the evolution
of abstract or
nonobjective art.
Because
of the complicated manner in which the Norton Simon museum as it presently exists came to be, its holdings include some big abstract paintings from the 1960s despite Mr. Simon's distaste for
nonobjective art.
Wassily Kandinsky was one
of the most influential painters
of the twentieth century, and this text, in which he laid out the tenets
of painting as he saw them and made the case for
nonobjective artistic forms, is universally recognized as an essential document
of Modernist art theory.
Nonobjective Art The abstract or «nonobjective» art in this gallery represents a period in the early twentieth century when American artists began to follow their European counterparts in questioning the purpose and na
Nonobjective Art The abstract or «
nonobjective» art in this gallery represents a period in the early twentieth century when American artists began to follow their European counterparts in questioning the purpose and na
nonobjective» art in this gallery represents a period in the early twentieth century when American artists began to follow their European counterparts in questioning the purpose and nature
of art.
By the late 1940s, Rothko had virtually eliminated all elements
of surrealism or mythic imagery from his works, and
nonobjective compositions
of indeterminate shapes emerged.
In an artist statement from 1999 he wrote, «The majority
of my work has been
nonobjective in nature.
Championing what he called subjective photography, Steinert and the Fotoform artists sought to reforge the links between photography's experimental,
nonobjective elements and the inner experience
of both viewer and photographer.
Malevich and his followers conceived
of art as a spiritual activity whose purpose was to give man a new vision
of the world; their
nonobjective paintings were intended to free man from the shackles
of natural forms.
By 1947 Rothko had eliminated all elements
of surrealism or mythic imagery from his works, and
nonobjective compositions
of indeterminate shapes emerged.
In other words, my primary stride at that time as a painter was to make my painting real even though it was
of, shall we say, abstract or even
nonobjective nature, to make it terribly physical.
With paintings by Dan Christensen, Gene Davis, Richard Diebenkorn, Lorser Feitelson, Amy Feldman, Peter Halley, Willy Heeks, Carmen Herrera, Odili Donald Odita, Sean Scully, David Simpson, Cary Smith, Leon Polk Smith, and Frank Stella,
nonObjectives is a vibrant chronicle
of the evolution
of reducing art to its essential qualities.
2017 Works on paper, ANNAELLE Gallery, Stockholm, SE Artemisia, Albert Baronian, Brussels, BE
nonObjectives, Sheldon Museum
of Art at University
of Nebraska, Lincoln, US Playground Structure, Blain Southern London, UK Heartbreak Hotel, Invisible Exports, New York, US Quicktime (curated by Sid Sachs), Rosenwald - Wolf Gallery at The University
of the Arts, Philadelphia, US
But he was a product
of his time and teachers, so in the 1950s he flirted with abstraction and abstract expressionism, another movement defined in general terms as combining
nonobjective forms with spontaneous, emotion - fueled technique.
«Max Cole is a
nonobjective painter; her work is determined by the components
of its making: the linen surface, the acrylic medium, the pigment restricted to tones
of black and white.