Sentences with phrase «of oriental»

A 1987 Direct Recruit Officer, Milap Chand has been appointed as the Chief Regional Manager of the at Nagpur regional branch of The Oriental Insurance.

Chairman and Managing Director of Oriental Insurance, Dr. A. K. Saxena here today gave a cheque of Rs. 5.8 lakhs to Secretary, Sports Shri Ajit M Sharan as their initial contribution to NSDF as CSR as reimbursement of Insurance premium of athletes.

The 26/11 terror strike has forced policy makers to consider insurance cover for emerging threats like terrorism, said M Ramadoss, chairman of the governing body of the Balewadi - based National Institute Academy (NIA) and chairman and managing director of the Oriental Insurance Co Ltd..

The best offer was of Oriental Insurance who have decided to contribute to NSDF as CSR the amount of premium which NSDF pays to Oriental insurance for the said insurance covers.

Hiba has a BA in Law and Politics from the School of Oriental and African Studies, University of London, and is admitted as a Solicitor of the Senior Courts of England and Wales and an Attorney of the State of New York.

Faria holds a J.D. from the University of Toronto, Faculty of Law and a M.A. (with Distinction) in Human Rights Law from the School of Oriental and African Studies at the University of London.

They spoke under conditions of strict anonymity for an independent study commissioned by the Bar Council and published this week, Injustices in Immigration Detention, written by Dr Anna Lindley of the School of Oriental and African Studies (SOAS), University of London.

He is a visiting professor at the London University School of Oriental and African Studies, and a Distinguished Policy Fellow at the Grantham Institute for Climate Change at Imperial College.

See the links below: http://www.caralperu.gob.pe/civilizacion/intro.html http://en.wikipedia.org/wiki/Caral And, if you read Walter Fairservis» «The origins of oriental civilization» you will find there that the first wrinting in China was the Quipu (Kee - poo), knot writing tought by the emperor FU - HI.

12) Philip Stott, Emeritus Professor of Biogeography at the School of Oriental and African Studies in London says climate change is too complicated to be caused by just one factor, whether CO2 or clouds

Rob hold a degree in Business Administration and is currently studying a postgraduate certificate in sustainable development with the School of Oriental and African Studies at the University of London in his spare time.

Kouwenhoven, a Dutch national, was General Manager of the Oriental Timber Company (OTC), Liberia's biggest logging company during the regime of former president Charles Taylor.

The new species, found in sparse forest on rugged limestone formations, is described in a paper published in the July issue of the Oriental Bird Club journal Forktail.

A new study, conducted by the School of Oriental and African Studies at the University of London, found that poor agricultural workers in Uganda and Ethiopia have not benefited as much as they should from working on Fairtrade certified farms.

Layla Eplett (old blog, Twitter) has an M.S. in Social Anthropology of Development from The University of London's School of Oriental and African Studies, and her interests lie in global development issues revolving around food.

He is left handed and out of logistic necessity, he works right to left, top to bottom, much in the tradition of oriental calligraphy.

He studied Fine Art and Art History at St Martins College of Art (1989), and the School of Oriental and African Studies (1995).

She was famous for her complex woodblock prints of oriental carpets that required multiple intricately carved blocks of wood.

The Asian department at the British Museum and the Victoria & Albert Museum have permanent exhibits of Oriental artifacts, which offer a perfect indoor respite from the British weather; for contemporary art places such as the Hayward Gallery at the Southbank Centre, which presented a major exhibition of the Indian photographer Dayanita Singh in 2013, are great for wandering round.

The exhibition features recent research by a team from the School of Oriental and African Studies (SOAS) and the British Museum, funded by the Economic and Social Research Council.

She holds a Master of Arts with Distinction in Islamic Art and Archaeology from the School of Oriental and African Studies at the University of London and a Bachelor of Arts in Art History from Georgia State University.

Including: «A Pictorial Encyclopedia of The Oriental Arts» 2 vols in slipcase, edited by Shoten, publ by Crown; «Oriental Cloisonne and Other Enamels» by Chu; «Japanese and Oriental Ceramics» by Gorham; «Half the World», edited by Toynbee; «Chinese Jade of Five Centuries» by Hartman; «Chinese Export Porcelain» by Lunsingh - Scheurler; «Treasures of Chinese Glass Work Shops» by Asiantiques; «A History of Far Eastern Art» by Lee; «The Art of Japan» by Kidder; «Japan: A History in Art» by Smith; «China: A History in Art» by Smith & Weng; «Jade of the East» by Wills; «Wolf Kahn, Paintings & Pastels», 2 vols in slipcase, Ameringer - Yohe Fine Art; «Near Eastern Mythology» by Hamlyn; «Vasarely» by Diehl; «The Drawings of Milton Avery» by Taplinger; «Milton Avery» by Haskell; «Wolf Kahn, Landscape Painter» by Sawin; «Wolf Kahn, The City as Landscape» by Ameringer / McEnery / Yohe; «Hans Hofmann», ibid; «Picasso at Work at Home» by Schiff; «Wondrous Strange, The Wyeth Tradition»; «Fletcher Martin» by Cooke; PLUS (14 vols set) Cooper - Hewitt Museum Art & Antique Guidebooks; PLUS several gallery exhibition catalogs.Read more

«The idea that the present is trapped in a tension between a lost past and an anticipated future,» writes Rawan Sharaf, «forms the conceptual frame for the group exhibition Chapter 31: An Odd Piece of Research on the Many Virtues of Oriental Imagination,» at P21 Gallery, London, which was curated by Sarha collective, an interdisciplinary platform by Nadia Jaglom, a visual anthropologist, and philosopher Mai Kanaaneh.

Wassan graduated from Georgia State University, the School of Oriental and African Studies and the Getty Leadership Institute.

2014 Progress and Hygiene, Zachęta National Gallery of Art, Warsaw, Poland Red Queen, Museum of Old and New Art, Hobert, Tasmania, Australia The Pink Gaze, National Museum of Oriental Art, Rome, Italy Japan Art Today, Kunsthaus Interlaken, Interlaken, Switzerland Go - Betweens: The World Seen through Children, Mori Art Museum, Tokyo, Japan Group Show, Mimmo Scognamiglio, Milan, Italy Opera Tristan and Isolde, Opera House Kiel, Germany Threads.

Works are in the State Tretyakov Gallery, the State Russian Museum, Museum of Oriental Art, Cologne Ludwig Museum, the National Museum in Poland, Bangladesh National Museum.

Aimee Dawson studied Arabic and Middle East Studies at the University of Exeter and holds a Masters in Contemporary Art and Art Theory of Asia and Africa from the School of Oriental and African Studies (SOAS), London.

From the mid 1960s a mood of oriental simplicity could increasingly be seen in his paintings.

She received her PhD in the Department of History of Art and Archaeology at the School of Oriental and African Studies (SOAS), University of London, where her research focused on historical photography in Sierra Leone, West Africa and the diaspora.

She was also one of the organizers of a seminal exhibition of Iranian Contemporary art Recalling the Future: Iranian Contemporary Art after the Revolution of 1979 at Brunei Gallery at School of Oriental and African Studies (SOAS), London that opened in January 2014.

Sagar was born two years later and studied Anthropology and Hindi at the School of Oriental and African Studies in London, 1994 - 97.

The reception was lukewarm: people wanted to know if and when the Chinese avant - garde would cut through certain quaint notions of oriental mystique and evolve a distinct identity.

This includes a wide - ranging text by Juan Manual Bonet; an interview between Feldman and his friend the writer and anthropologist Francesco Pellizzi; texts by Bunita Marcus on the influence of the Oriental rugs on his work; by artist and writer Brian O'Doherty on the New York art milieu of the time; by art historian Dore Ashton, offering an insight into Feldman's personality, and a musical perspective by composer Kevin Volans, who was influenced by Feldman.

Their placement and movement are reminiscent of the ancient practice of oriental calligraphy while functioning as contemporary means of personal cartography, attempting to articulate the notions of imaging and imagination, encounters and loss.

COLLECTIONS State Tretyakov Gallery, Moscow State Museum of Oriental Art, Moscow State Hermitage, St Petersburg, Russia Russian Ethnographical Museum, St Petersburg, Russia Irkutsk Regional Museum of Fine Arts named after V. P. Sukachev, Irkutsk, Russia Buryat Art Museum named after T. Sampilov, Ulan - Ude, Russia Tibet House, New York Guangzhou Museum of Art, China Chi - Mei Museum, Tainan County, Taiwan National History Museum, Taipei, Taiwan

Group Exhibition 2013 The Nomad: Memory of the Future, National Arts Club, New York, USA 2013 World of Myths, Tampere Art Museum, Finland 2012 Dashi Namdakov: A Nomad's Universe, Halcyon Gallery, London 2011 Bronze Asia of Dashi Namdakov, Irkutsk Regional Museum of Fine Arts named after V. P. Sukachev, Irkutsk, Russia 2011 Dashi Namdakov's Universe of the Nomads, Khazine Art Gallery, State Museum of Fine Arts of the Republic of Tatarstan, Kazan, Russia 2010 Nostalgia for the Roots: Dashi Namdakov's Universe of the Nomads, State Hermitage, St Petersburg, Russia 2009 The Element of Dashi Namdakov: Sculpture, Graphics, Jewellery Collection, New Manezh Moscow State Exhibition Hall, Moscow 2009 The Element of Dashi Namdakov, Omsk Regional Art Museum named after M. Vrubel, Russia 2009 Transformation: Sculpture, Graphics and Jewellery of Dashi Namdakov, Buryat Art Museum named after T. Sampilov, Ulan - Ude, Russia 2008 Transformation: Sculpture, Graphics and Jewellery of Dashi Namdakov, Dom Nashokina Gallery, Moscow 2008 Transformation: Sculpture, Graphics and Jewellery of Dashi Namdakov, Irkutsk Regional Museum of Fine Arts named after V. P. Sukachev, Irkutsk, Russia 2008 Dashi's Bronze Asia, Dalian Modern Museum, China 2007 Dashi's Bronze Asia, Dongguan Exhibition Centre, China 2007 Dashi's Bronze Asia, Guangzhou Museum of Art, China 2007 Dashi's Bronze Asia, Municipal Museum of Zhongshan, China 2007 State Tretyakov Gallery, Moscow 2006 The Nomad's Universe, Beijing World Art Museum, China 2006 Knight under the Firmament, Taichung City Seaport Art Centre, Taiwan 2005 Jeff Hsu's Art Gallery, Taipei, Taiwan 2005 Hanart Gallery, Hong Kong 2005 Sunjin Gallery, Singapore 2005 Knight under the Firmament, Kaohsiung Museum of History, Kaohsiung, Taiwan 2005 Knight under the Firmament, Taiwan History Museum, Taiwan 2004 Tibet House, New York 2004 The Nomad's Universe, State Museum of Oriental Art, Moscow 2004 Gertsev Gallery, Atlanta, Georgia, USA 2004 Hong Kong Convention and Exhibition Centre 2003 Krasnoyarsk Culture and History Museum Centre, Russia 2003 Irkutsk Regional Museum of Fine Arts named after V. P. Sukachev, Irkutsk, Russia 2003 State Museum of Oriental Art, Moscow 2003 Russian Ethnographical Museum, St Petersburg, Russia 2003 Museum of Fine Arts, Yekaterinburg, Russia 2002 Zurab Tsereteli Art Gallery, Moscow 2001 Museum of Buryat History, Ulan - Ude, Russia 2001 Klassika Gallery, Irkutsk, Russia 2000 Irkutsk Regional Museum of Fine Arts named after V. P. Sukachev, Irkutsk, Russia

Reem Charif obtained a degree in Architecture from the Architectural Association, School of Architecture, after which she completed an MSc in Development Studies at the School of Oriental and African Studied (SOAS), University of London.

Paying attention to the spirit and future of humanities, Zhang Huan is dedicated to the extension of boundaries in forms and subjects of oriental and occidental, past and present art creation.

Insightful review by Gareth Harris of the group exhibition Recalling the Future: Post-revolutionary Iranian Art, at the School of Oriental and African Studies (SOAS) in London.

The exhibition aims to elaborate the effect, influence and glamour of Oriental traditional culture in the contemporary aesthetic context through the outstanding redwood furniture and royal lanterns.

I create trompe - l'oeil paintings of oriental rugs.

Chinese Lantern and Redwood Art Exhibition focuses on the contemporary representation of the traditional culture of oriental palace.

The exhibition — organized by Maysaloun Faraj, an Iraqi artist and curator — was first shown in 1999 at the School of Oriental and African Studies in London.

Al - Khudhairi has studied at Georgia State University, the School of Oriental and African Studies, and the Getty Leadership Institute.

In London, the Brunei Gallery at the School of Oriental and African Studies is organizing «Serendipity Revealed: Contemporary Sri Lankan Art,» scheduled for October 2014.

The Chinese Garden Party exhibition which runs June 16 through July 8 in the Main Gallery is presented by The Association of Oriental Arts (TAO Arts) in association with the Dallas and Fort Worth Chapters of Ikebana International and the Dallas Chapter of Sogetsu School.

Recent group shows include; 2017 FIAC — Paris Moving Image Istanbul, Gaia Gallery, Istanbul; Contemporary Istanbul 2017, Gaia Gallery, Istanbul; Moving Image, Gaia Gallery, New York; The State Museum of Oriental Art Bilge Collection Exhibition, Moscow; Contemporary Istanbul 2017, Gaia Gallery, Istanbul; ODTU / METU Sanat 2017, Gaia Gallery, Istanbul; Moving Image, Gaia Gallery, Istanbul; Contemporary Istanbul 2016, Gaia Gallery, Istanbul; Alter - Hero, Gaia Gallery, Istanbul; Loop Barcelona Video Fest.

Collections: China Fine Arts Museum, Beijing; LiuHaisu Museum of Fine Arts, China; Borong Museum of Arts, China; The Museum of Art Education, Television University, China; Xenzhou Arts Institute, Singapore; The Academy of Oriental Arts, China.

He was as aware of — and as accomplished in — Renaissance tempera techniques as he was of Oriental calligraphy and the pioneering movements in modern painting.

After receiving approximately 400 German Expressionist pieces from collector Galka Scheyer in 1953, [1] the Pasadena Art Institute changed its name to the Pasadena Art Museum in 1954 and occupied the Chinoiserie - style «The Grace Nicholson Treasure House of Oriental Art» building (now the Pacific Asia Museum) on North Los Robles Avenue until 1970.