Sentences with phrase «of photostats»

We are first introduced to the symbolic monochrome used by the Spiral Group, in which Romare Bearden drains the colour from his signature collage work and embraces the then new technology of the photostat.

Project Gallery: Romare Bearden features a series of photostat Projections produced by the artist in 1964.

Distinguished Columbia University Professor Robert O'Meally will discuss the work of Romare Bearden and his series of photostat projections which were produced in 1964 and are currently on view at PAMM.

[3] Building on the momentum from a successful exhibition of his photostat pieces at the Cordier and Ekstrom Gallery in 1964, Bearden was invited to do a solo exhibition at the Corcoran Gallery of Art in Washington, D.C., which increased his public profile.

Not exact matches

Note that these are actual replicas of the originals, along with stamps, watermarks etc. - not just photostats.

For reproduction purposes nothing more than a photostat in black and white of the original strip was required (composed of black ink on white paper).

The importance of having proper paperwork to back up the listing was emphasized: «Barb (the Registrar at the time) stresses that dogs can not be included in these listings unless photostat copies of certifications are received by her.

Romare Bearden's collage is typically associated as beginning with his groundbreaking 1964 photomontage and photostats, coming out of his particpation with the Spiral Group.

Romare Bearden (1911 - 1988) The Prevalence of Ritual: Conjur Woman, 1964 gelatin silver print (Photostat) on fiberboard 35 1/8» x 28»

To hone his composition skills, Bearden made duplicates of European masterworks on a Photostat machine.

So, of course, would his familiarity with the photostat machine, and the socially conscious Expressionism he'd imbibed from George Grosz at the Art Students League in the 1930s.

A large photostat projection adapted from a small collage, the work is featured in «Project Gallery: Romare Bearden,» an exhibition of 21 black - and white - works the artist produced in 1964, which is on view through June 26.

Geometrical rigor and the mechanical application of matter in accordance with a minimalist structure of verticals and horizontals reveal, to the attentive eye, photostats of his birth certificate, pages from the single address book he kept from the seventies to the nineties and most recently, photographs of his birth house in Mississippi.

Barbara Kruger: Untitled (Your gaze hits the side of my face), 1983, photostat, red painted wood frame, 55 1/4 by 40 7/8 inches.

In addition to guerilla receptions on the street, this exhibition highlights the so - called «alternative spaces» where different versions and different printings of Holzer's posters also appeared in installations of window - bound, street - facing Photostats that were accompanied by sound installations: these included Franklin Furnace (1978), Fashion Moda (Bronx)(1979), and Printed Matter (1979).

Intended as a publication maquette, the original pasteup (owned by the Metropolitan Museum of Art) is composed of eighteen 8 1/2 x 11 «sheets of paper collaged with xeroxed photos and texts, typed text on notebook pages, handwriting, and tape; in the version exhibited here, these pages were reproduced as photostats on nine 20 x 24» panels.

It issues a formal citation of the artist's date pieces, rectangular photostats dominated by a dense, funerary black void, and accompanied by a compact series of white captions at the bottom of the image.

The Word «Definitio,» (1966 - 1968), an early Photostat enlargement of a dictionary entry for the word — definition; ‖ and Lawrence Weiner's A 36» x 36» Removal to the Lathing or Support Wall of a Plaster or Wallboard from the Wall (1968), a work which, according to the artist's statement, can be fabricated or can simply exist as language.

The exhibition features large black - and - white photographic images of collages, «photostat projections,» produced by Romare Bearden in 1964, including «Evening 9: 10 461 Lenox Avenue.»

The treat of the show, Untitled (Don't Buy Us with Apologies)(1986), is a deceptively quieter work in a two - tone yellowish - white and black Photostat image with red text to match the «artist frame.»

On February 21st, Cardi Gallery (organised in collaboration with the Estate of Fred Sandback) presents a solo exhibition of 8 sculptures, drawings and photostats by the American artist Fred Sandback,...

During this time he studied at the School of Visual Arts while also pursuing his interest in design at Seventeen magazine, where he did paste - ups, mechanicals, and photostats.

Robert Smithson, The Fountain Monument — Bird's Eye View [illustrated above] Detail of Monuments of Passaic, 1967 Six photographs and a cut Photostat map Total size: 16.55 x 133.39 in.

The main protagonist of Cornell's Juan Gris series is a bird — the great white - crested cockatoo — specifically, an image taken from a 19th - century print of the species that Cornell repeatedly used along with Photostats or silhouettes of the bird's form to explore the fascinating shadows that Gris produced in his own practice.