Using various materials, Lee Bul constructs a circus like landscape that echoes the industrial architecture
of Turbine Hall.
For the 20th Biennale of Sydney, Lee Bul will present a new installation which expands the entirety
of Turbine Hall, the largest structure on Cockatoo Island.
Confronted with the unusual size and shape
of Turbine Hall — it is taller than it is wide — I suddenly became aware of the possibilities of space.
Visitors enter the Tate Modern through the great void
of Turbine Hall, the former engine house of the power station the museum used to be.
At first glance, the agora
of Turbine Hall cuts against the grain of such digital collectivism.
I was witnessing firsthand how the monumental scale
of Turbine Hall disrupted the quiet triangulation between the viewer's body, the artwork and the gallery.
Sometimes the image is of the back wall
of the Turbine Hall itself, but with its gridded form coloured in red, yellow and blue so it resembles a Mondrian.
In 2007 Doris Salcedo's Shibboleth dramatically cracked open the floor
of the Turbine Hall, while Dominique Gonzalez - Foerster's TH.2058 transformed the Turbine Hall into a futuristic shelter in 2008.
Michael Clark's new work for Tate Modern starts after sunset, with twilight visible through the skylights
of the Turbine Hall.
A spokeswoman for Tate said: «We will start discussions with other companies about the sponsorship
of the Turbine Hall commission from 2014 onwards.»
You don't have to do it that way round but, if you visit Tate Modern first, at least you will give the latest
of its Turbine Hall commissions the benefit of the doubt.
The installation is currently viewable from ground level and the bridge
of the Turbine Hall.
Under Charmatz's direction, the cavernous space
of the Turbine Hall will become a venue for classes, workshops and performances, while scattered throughout the Tate's galleries will be specially adapted versions of dance works by Charmatz and other choreographers.
Serra is a wonderful artist, Gonzalez - Foerster is blatantly one with no ideas worthy
of the Turbine Hall's grand space.
Never an easy task with the enormous size and popularity
of the Turbine Hall, Cruzvillegas also follows in the footsteps of some particularly fierce art giants, including Louise Bourgeois, Olafur Eliasson and Ai Weiwei.
As part of this event on Friday 14 May at 15.00, a performance / talk under the title Hong Kong: politics behind our life will be conducted by the artists, on the site
of the Turbine Hall.
«1000» a performance piece by Paola Pivi, Sunday 24 May, 17.00, Turbine Hall Bridge Adding to the lively atmosphere
of the Turbine Hall during the day, a newly commissioned, one - off performance devised by contemporary artist Paola Pivi will form the latest instalment in the artist's characteristically playful, irreverent and sometimes surreal oeuvre.
You can't account for the kinds of entertainment people make of the dourest art — whether Doris Salcedo's Shibboleth, her artificial crack that ran the length
of the Turbine Hall, or Miroslaw Balka's How It Is, whose darkened space gives ample opportunity for witless use of mobile phone - cams.
In this installation, The Weather Project, representations of the sun and sky dominate the expanse
of the Turbine Hall.
In 2007, Salcedo dug a crevasse the length
of the Turbine Hall, a great fissure with a resounding presence.
Rather than fill this iconic space with a conventional sculpture or installation, Salcedo has created a subterranean chasm that stretches the length
of the Turbine Hall.
Doris Salcedo's Shibboleth is the first work to intervene directly in the fabric
of the Turbine Hall.
By making the floor the principal focus of her project, Salcedo dramatically shifts our perception
of the Turbine Hall's architecture, subtly subverting its claims to monumentality and grandeur.
The performers who had left the room now lay on the floor
of the Turbine Hall, each forming part of a «birth chain» with their head between the «V» - shape of another performer's legs.
Using movement, sound and conversation, Sehgal's work titled These associations draws on the existing atmosphere
of the Turbine Hall and its unique position as a public space within a museum.
«I am delighted that she will be undertaking this year's Hyundai commission and I look forward to seeing how she activates the public forum
of the Turbine Hall.»
SUPERFLEX, Tate Turbin Hall Tate Modern's signature series of site - specific installations in the vast former industrial space
of the Turbine Hall continues with the news that SUPERFLEX will be the next artists to undertake the Hyundai Commission to reinvent this major London venue.
Fulton presented Slowalk (In support of Ai Weiwei) at Tate Modern as a collective action created specifically in response to the iconic architecture
of the Turbine Hall and in the context of the recent disappearance of Chinese artist Ai Weiwei, whose work Sunflower Seeds is currently on display in the east end
of the Turbine Hall as the eleventh project in the series of Unilever Commissions.
Upon descending the grey, scarred slope
of the Turbine Hall, Tate Modern, a new and unfamiliar opening in the wall reveals itself to the right.
Entrance to the Tate Modern building is down a wide ramp that descends to the bottom
of the Turbine Hall, a gargantuan interior space — 500 feet long, 115 feet high — that housed the generators of the long - decommissioned powerhouse.
Poured into the interior
of the Turbine Hall's vast industrial space, the 100 million seeds form a seemingly infinite landscape.
Email your best shot
of a Turbine Hall installation to
[email protected] — we will print a selection in G2.
Tate Modern's signature series of site - specific installations in the vast former industrial space
of the Turbine Hall continues with SUPERFLEX.
In the center
of the Turbine Hall at Moderna Museet Malmö, visitors encounter an enlarged replica of Axel Nordell's play sculpture «The Apple» that has been permanently placed in Pildammsparken in Malmö since 1972.
The press conference announcing the new sponsorship also marked the completion of the new bridge across the top
of the Turbine Hall, which will link the gallery to its new wing, now scheduled to open in 2016.
The boldness and enormity
of the Turbine Hall took the art world by storm, from the opening moment when Louise Bourgeois's complex towers were unleashed upon an unsuspecting public.
In the UK he is probably best known for Marsyas (2002), the viscerally red «ear trumpet» that elegantly spanned the entire length
of the Turbine Hall in Tate Modern.
Relive a decade
of Turbine Hall art commissions at Tate Modern, from the spider to the big orange sun
How It Is joins Juan Muñoz's 2001 Double Bind, Doris Salcedo's Shibboleth and Bruce Nauman's sea of voices, Raw Materials, as the most successful
of the Turbine Hall commissions.
Immediately impressive, the site - specific work occupies the vast 1640 square metre industrial space
of the Turbine Hall and references the utopian visions of early 20th century modernity from a post-modern perspective.
The interior appears as a black, open void, facing the end wall
of the Turbine Hall and swallowing the light.
These will be suspended from the ceiling as a sculptural form, contrasting with the solid industrial architecture
of the Turbine Hall, to create a huge volume of joyous colour and fluidity.
Not exact matches
THE MEETING WILL TAKE PLACE JUNE 6 2018 AT 14317 WEST BARRE ROAD ALBION N.Y. 14411 PLEASE CALL THE THE TOWN
OF BARRE N.Y. TOWN
HALL AT 585-589-4666 AND PUT YOUR NAME ON THE LIST TWO DAYS BEFORE THE PUBLIC MEETING SO WE THE RESIDENTS
OF ORLEANS COUNTY AND THE TOWN
OF BARRE N.Y. 14411 CAN HAVE ALL
OF OUR VOICES HEARD AND TELL THEM TO STAND UP FOR THE HEALTH
OF THE RESIDENTS AND NOT THE MONEY
OF APEX WIND
TURBINE COMPANY.
High levels
of radiation registered in the
turbine hall add credibility to this scenario.
Tino Sehgal's These Associations at Tate Modern
Turbine Hall this summer, in which a flock
of participants (one
of whom was me) approached strangers and talked to them about their lives — an example
of customised storytelling in the flesh, going back to the core
of how we can and might want to share words with each other in the technological age.
One
of the most successful major public art projects in recent (ish) memory as Olafur Eliasson's The Weather Project, when in 2003 the Tate Modern's vast
Turbine Hall was bathed in sunlight and a sublime fine mist that felt entirely otherworldly.
From vast outdoor public sculptures such as the Angel
of the North and Mark Wallinger's soon to be realised White Horse to the many projects designed to enliven Tate Modern's vast, bare
Turbine Hall, the scale
of art just keeps getting bigger.
In 2011 - 12, her piece FILM was featured in the
Turbine Hall at Tate Modern as part
of the Unilever series.
Since Tate Modern opened in 2000, the
Turbine Hall has hosted some
of the world's most memorable and acclaimed works
of contemporary art, reaching an audience
of millions each year.
Art Installation by Danish artists» collective Superflex in the
Turbine Hall of Tate Modern in...