Sentences with phrase «of a renaissance portrait»

On entering the exhibition space, one is immediately drawn to the almost life - size portraits through the odd contrast of figures in a contemporary setting staged so to be reminiscent of Renaissance portrait paintings.

Not exact matches

Inspired by Dutch Renaissance portraits of young girls, the beauty look at Valentino included luminous skin, minimalist makeup, and ultralong braids.

In the Milan exhibition, a series of portraits of model Gemma Ward, which occupy a whole wall, pay homage to the Renaissance master Antonio del Pollaiolo.

The German designer, photographer and all - around Renaissance man captures model Anna Ewers in a series of black and white portraits.

Carl Van Vechten & the Harlem Renaissance: A Portrait in Black & White By Emily Bernard Yale University Press Hardcover, $ 30.00 372 pages, Illustrated ISBN: 978 -0-300-12199-5 Book Review by Kam Williams «This book is a portrait of a once - controversial figure... a white man with a passion for blackness... [who] played a crucial role in helping the Harlem Renaissance... come to understand itself... Carl Van Vechten has been viewed with suspicion... [as] a racial voyeur and sexual predator, an acolyte of primitivism who misused his black artist friends and pushed them to make art that fulfilled his belief in racial stereotypes... While his early interest in blackness was certainly inspired by sexual desire and his fascination with what he perceived as black primitivism, these features were not what sustained his interest... More important [was] his conviction that blackness was a central feature of Americanness... Van Vechten's enthusiasm for blacks may have catapulted many careers, but at what cost to the racial integrity of those artists, and to the Harlem Renaissance as Portrait in Black & White By Emily Bernard Yale University Press Hardcover, $ 30.00 372 pages, Illustrated ISBN: 978 -0-300-12199-5 Book Review by Kam Williams «This book is a portrait of a once - controversial figure... a white man with a passion for blackness... [who] played a crucial role in helping the Harlem Renaissance... come to understand itself... Carl Van Vechten has been viewed with suspicion... [as] a racial voyeur and sexual predator, an acolyte of primitivism who misused his black artist friends and pushed them to make art that fulfilled his belief in racial stereotypes... While his early interest in blackness was certainly inspired by sexual desire and his fascination with what he perceived as black primitivism, these features were not what sustained his interest... More important [was] his conviction that blackness was a central feature of Americanness... Van Vechten's enthusiasm for blacks may have catapulted many careers, but at what cost to the racial integrity of those artists, and to the Harlem Renaissance as portrait of a once - controversial figure... a white man with a passion for blackness... [who] played a crucial role in helping the Harlem Renaissance... come to understand itself... Carl Van Vechten has been viewed with suspicion... [as] a racial voyeur and sexual predator, an acolyte of primitivism who misused his black artist friends and pushed them to make art that fulfilled his belief in racial stereotypes... While his early interest in blackness was certainly inspired by sexual desire and his fascination with what he perceived as black primitivism, these features were not what sustained his interest... More important [was] his conviction that blackness was a central feature of Americanness... Van Vechten's enthusiasm for blacks may have catapulted many careers, but at what cost to the racial integrity of those artists, and to the Harlem Renaissance as a whole?

We Need to Talk About Kevin: Akin to Lynne Ramsay's directorial approach only in miserable tone, the very best poster for We Need to Talk About Kevin abandons modern tendencies for an evocation of Renaissance art, its rain - pelted, window - shielded handling of subject calling to mind an aged, cracked portrait by Vermeer.

Before they graduated, when she was in her Renaissance phase, she'd taken a crack at painting Quentin's portrait in the manner of Leonardo da Vinci's John the Baptist, but instead of being flattered, he got all sore about it.

Portrait of a Conspiracy by Donna Russo Morin My good friend Donna Russo Morin's first installment in the Da Vinci's Disciples series takes us on an irresistible headlong adventure: A ruthless assassination rocks Renaissance Florence to its core, and a secret sisterhood of women artists band together to save one of their own from the bloody reprisals.

Picture of King John from The Medieval and Renaissance History Portrait Gallery Picture of Crusaders from Middleages.org

Boucher introduces Lotto as «an outlier in Italian Renaissance art, a portrait painter capable of capturing the soul on canvas, a man whose religious art struck a note of sincerity in an age bound by ritual and dogma, a figure overshadowed in life by Titian and Raphael and condemned to poverty and relative failure in his own day.»

One of the paintings stolen was El Greco's «Portrait of a Gentleman,» painted in 1570 by the Spanish Renaissance artist.

The 1977 show also included female Old Masters of established reputation: Renaissance painters like the Cremonese aristocrat Sophonisba Anguissola and the Bolognese Lavinia Fontana; eighteenth - century professionals like the pastel portraitist Rosalba Carriera, whose Venetian studio was once as essential a stop on the Grand Tour as that of her male colleague Pompeo Batoni in Rome, and the Swiss - born Angelika Kauffmann, represented by a self - portrait that showed the dark - haired, porcelain - skinned beauty making a definitive choice between painting and music.

It's a head - on portrait of a woman with her skin precisely rendered via lots of little red brushstrokes against a vivid green background, recalling the backgrounds of the German Renaissance master Hans Holbein the Younger.

Highlights of the exhibition include Stark's pre-YouTube Cat Videos (1999 — 2002); the playful, provocative and psychedelic «chorus girl» collages from the series A Torment of Follies (2008); My Best Thing (2011), a video that debuted at the 2011 Venice Biennale edited from Stark's cyber exchanges with two online paramours; the celebrated video installation Bobby Jesus's Alma Mater b / w Reading the Book of David and / or Paying Attention Is Free (2013), set to a West Coast gangsta rap soundtrack and featuring images that range from Renaissance paintings, to family snapshots, to portraits of hip hop legends.

It's as if these details were borrowed from Late Italian Renaissance portraits of Spanish nobility.

1996 Hotter than July, Margo Leavin Gallery, Los Angeles, CA Interzones, Kunstforeningen, Copenhagen, Denmark, Traveled to Konstmuseum, Uppsala, Sweden Persona, Renaissance Society at the University of Chicago, Chicago, IL Portraits, James Graham and Sons, New York, NY The Paranoid Machine, Shoshana Wayne Gallery, Santa Monica, CA

For her first solo institutional exhibition, «Tenderheaded,» on view at The Renaissance Society in Chicago through November 5, Packer further explores emotional and physical vulnerability through new portraits as well as a developing series of painted funerary bouquets.

,» on view at The Renaissance Society in Chicago through November 5, Packer further explores emotional and physical vulnerability through new portraits as well as a developing series of painted funerary bouquets.

Best known for large - scale interiors, landscapes, and portraits featuring powerful black figures, Marshall explores narratives of African American history from slave ships to the present and draws upon his deep knowledge of art history from the Renaissance to twentieth - century abstraction, as well as other sources such as the comic book and the muralist tradition.

The early works, such as Botticelli's Virgin Adoring the Sleeping Christ Child, which has not been exhibited outside of Scotland for more than 150 years, are religious paintings while later works from the Renaissance masters, 17th - century painters, Impressionists, Post-Impressionists, and Cubists include different genres of paintings such as portrait, still life and landscape, and represent the changing treatment of those genres over time.

«Prayers and Portraits: Unfolding the Netherlandish Diptych» shows the private side of the Renaissance.

DAVID DRISKELL Creative Spirit: Five Decades by Bridget Goodbody DAINA HIGGINS New Paintings by Charles Schultz LOIS DODD New Panel Paintings by Sharon Butler Unlikely Friends: JAMES BROOKS & DAN FLAVIN by Greg Lindquist DAMIEN HIRST The Complete Spot Paintings 1986 — 2011 by Corina Larkin LORI ELLISON by Corina Larkin GEORGES HUGNET The Love Life of the Spumifers by Valery Oisteanu Dark Christmas by Bradley Rubenstein ELLSWORTH KELLY Schwarz & Weiss by David Rhodes MALCOLM MORLEY Another Way to Make an Image, Monotypes by Robert Storr Five Works from the Collection of Albert Murray: ROMARE BEARDEN and NORMAN LEWIS by Charles Schultz THE RONALD S. LAUDER COLLECTION: Selections from the 3rd Century BC to the 20th Century / Germany, Austria, and France by Charles Schultz Anonymous Tantra Paintings by Noah Dillon SANGRAM MAJUMDAR New Work by Kara L. Rooney GUDMUNDUR THORODDSEN Father's Father by Paolo Javier SOTO Paris and Beyond, 1950 — 1970 by Cora Fisher JESS Paintings by Phong Bui GEORGE MCNEIL by Robert Berlind VICTOR MATTHEWS by Vincent Katz LOLA MONTES SCHNABEL Love Before Intimacy by David Markus THOMAS WOODRUFF The Four Temperament Variations by Kara L. Rooney MARTHA CLIPPINGER Hopscotch by Robert Berlind PETER GALLO by Jonathan Goodman Connected by Noah Dillon KANDINSKY's «Painting with White Border» by Susan Bee BARBARA SANDLER Straight On Till Morning by Robert Berlind December (Organized by Howie Chen) by Nathan Kernan EDWIN DICKINSON In Retrospect by Robert Berlind JOSÉ RIVERA by Nathan Kernan REMBRANDT»S WORLD: Dutch Drawings from the Clement C. Moore Collection by Sara Christoph JOSEPH MONTGOMERY Velveteen by Linnea Kniaz The Renaissance Portrait from Donatello to Bellini by Mira Schor BOSCO SODI Ubi Sunt by Jonathan Goodman DOUG WADA Americana by Lilly Wei Mind the Gap by Anne Sherwood Pundyk BILL JENSEN by Ben La Rocco WITHIN / WITHOUT: A Studio Visit With SHOSHANA DENTZ by Zachary Wollard SUSANNA HELLER's Studio by Robert Berlind STUDIO VISIT: JOYCE PENSATO by William Corwin Making American Taste: Narrative Art for a New Democracy by Shane McAdams Letter from BERLIN by David Rhodes JOSEPH MARIONI Eye to Eye by Robert C. Morgan GORDON MOORE by Joan Waltemath Master Bill at MoMA by Irving Sandler

«The Renaissance Portrait» moves from Donatello to Giovanni Bellini and from heads of states to a wider world.

Since then the collection has grown to incorporate an impressive number of gifts, donations and acquisitions, from Renaissance masterpieces to Tudor portraits, Victorian decorative arts to contemporary works.

Jaimie Warren's video You Are Not Alone: Self - Portrait as Michael Jackson in a Recreation of the Genealogical Trees of the Dominican Order (2014) offers a setting for an 1980s - MTV - style music video within an early Renaissance painting.

«The Renaissance Portrait from Donatello to Bellini,» Co-organized by The Metropolitan Museum of Art, New York and Staatliche Museen zu Berlin, Gemäldegalerie.

Electronic Renaissance, Palazzo Strozzi, Florence 2016 Bill Viola and the Moving Portrait, National Portrait Gallery, Washington DC Mary, St. Paul's Cathedral, London (permanent installation) 2015 Inverted Birth, James Cohan Gallery, New York Moving Stillness (Mt. Rainer), 1979, Blain Southern, London The Talking Drum, Blain Southern at The Vinyl Factory Space at Brewer Street Car Park, London Artist Rooms, The Wilson, Cheltenham Art Gallery and Museum, Gloucestershire Bill Viola, Yorkshire Sculpture Park, West Yorkshire Bill Viola: Selected Works, Art Gallery of South Australia, Adelaide Bill Viola: Kukje Gallery, Seoul 2014 Martyrs (Earth, Air, Fire, Water), St. Paul's Cathedral, London (permanent installation) Bill Viola: Passions, Kunstmuseum Bern and at the Cathedral of Bern Bill Viola, Grand Palais, Paris Bill Viola — en dialogo, Real Academia de Bellas Artes de San Fernando, Madrid Bill Viola: Transformation, Faurschou Foundation, Beijing

With more than 250 works on show, the exhibition explores the tireless experimental spirit that drives Raysse's entire artistic output, from his small, playful sculptures to the self - discipline of drawing; from films expressing the libertarian trends of the 1970s to Raysse's use of neon as colour; and from installations celebrating consumer society to his paintings, which represent the most complete aspect of his work — among them, transcriptions of great Renaissance masterpieces, female portraits, large group paintings, and imaginary landscapes.

Taking cues from the fruit and flower portraits of Italian Renaissance painter Giuseppe Arcimboldo and vanitas paintings depicting decaying plants and vegetation, Jiang's forms portray plants realistically.

Two major acquisitions for the San Diego Museum of Art this month: Lucas Cranach the Younger's Nymph of the Spring (c. 1537 — 1540), described by the museum as its «most important Northern Renaissance painting» and John Singer - Sargent's Portrait of John Alfred Parsons Millet (1892), the first work by the painter to enter its collection.

The Museum is also a prominent summer venue for major exhibitions such as Edward Hopper's Maine (2011); William Wegman: Hello Nature (2012); Maurice Prendergast: By the Sea (2013); Richard Tuttle: A Print Retrospective (2014); Night Vision: Nocturnes in American Art, 1860 — 1960 (2015); This Is a Portrait If I Say So: Identity in American Art, 1912 to Today (2016); and The Ivory Mirror: The Art of Mortality in Renaissance Europe (2017).

Their extravagant symmetries of colorful plants, flowers and animals usually surround or cover human faces like elaborate headdresses or masks and evoke Mardi Gras revelers, Mayan carvings and the anamorphic portraits of the Renaissance painter Arcimboldo.

Those dumb one - eyed potato - heads and hooded Ku Klux Klan figures are both self - portraits of sorts; tragicomic figures in a schematic universe filled with symbolic objects like any Renaissance painting.

His mastery of formal composition, colour and detail have made him one of the pre-eminent European art photographers of our time, and he is best known for his large - scale cityscapes and his ongoing series of family portraits, many of which nod to Renaissance paintings.

The Renaissance Society is pleased to present a career survey of Bey's work, including a new chapter of Strangers / Community featuring portraits of individuals from Hyde Park, Chicago, home to both the University of Chicago and the artist.

The third gallery features early portraits including the striking Arnold Comes of Age (1930) made the same year as American Gothic, an amalgam of Northern Renaissance works, but also Piero della Francesca, German realist art by Wood's contemporary Christian Schad, and the idyllic and symbolic American landscapes of Arthur B. Davies and Maxfield Parrish.

Features the much iconic Hans Namuth portrait of Warhol set amidst a brilliant Renaissance painting.

Her work has been shown in group exhibitions at the Museum of Contemporary Art Detroit, The Renaissance Society, Chicago, and MoMA PS1, New York, and is included in the important collections of the Museum of Modern Art, New York; the Solomon R. Guggenheim Museum, New York; the National Portrait Gallery, Smithsonian Institution, Washington, D.C.; the Whitney Museum of American Art, New York; the Art Institute of Chicago; The Museum of Fine Arts Boston; and the San Francisco Museum of Modern Art.

Her exhibition includes jug - like portrait sculptures inspired by the maiolica tradition of colourful glazed ceramics that started in the Italian Renaissance and is still going strong.

An enigmatic Renaissance portrait of an unidentified woman by Parmigianino arrived at the Frick Collection last week.

Her past projects include a series of paintings and drawings about subjects ranging from what she calls «renaissance faces» to making portraits of stones.

A large self - portrait color photograph of Cindy Sherman (b. 1954) as a Renaissance lady, Lot 13, sold for $ 269,750, surpassing her former auction record of $ 200,500.

In his Renaissance series, Chicago - based photographer Freddy Fabris celebrates the Renaissance master painters with a twist — taking interesting portraits of car mechanics and recreating classic images including Leonardo Da Vinci's The Last Supper and Michelangelo's The Creation of Adam.

From Laurie Simmons, who photographs «Dutch Renaissance» style portraits of human - size silicone sex dolls in everyday settings, to Jordan Wolfson, whose controversial animatronic artwork, Female Figure will only move when someone makes eye contact with it.

His most recent solo exhibitions include: «Song,» The Renaissance Society, Chicago (2017); «The Measure of Memory,» Galleria Raffaella Cortese, Milan (2017); Public Process, Sculpture Center, New York (2017); «Play,» Tanya Leighton Gallery, Berlin (2015), «Prescribe The Symptom,» Midway Contemporary Art, MN, (2015), «Loyalties and Betrayals,» Murray Guy, New York (2015), «Secondary Revision,» Frac Île - de - France / Le Plateau, Paris (2013), «A Portrait, A Story, And An Ending,» Kunsthalle Zürich, Switzerland (2013), «Alejandro Cesarco,» MuMOK, Vienna (2012), «Words Applied to Wounds,» Murray Guy (2012), «The Early Years,» Tanya Leighton (2012), «A Common Ground,» Uruguayan Pavilion, 54th Venice Biennial (2011), «One Without The Other,» Museo Rufino Tamayo, Mexico (2011), «Present Memory,» Tate Modern, London (2010).

The portraits he had created of Jeannine, which reveal influences of Renaissance master El Greco (1541 — 1614) and Picasso's «Blue Period», were now a thing of the past.

The exhibition, titled Portrait of a Young Man, builds on Grasso's reflections on the Renaissance, a time when the fields of science and the arts actively informed one another.

2018 Galerie Max Hetzler, Berlin Galerie Greta Meert, Brussels Aspen Art Museum, Aspen 2017 Marian Goodman Gallery, New York Nature & Politics Saint Louis Art Museum, Saint Louis Figure Ground Haus der Kunst, Munich (catalogue) Nature & Politics Moody Center for the Arts - Rice University, Houston 2016 Nature & Politics Museum Folkwang, Essen (traveled to Martin - Gropius - Bau, Berlin; High Museum, Atlanta)(catalogue) 2015 Galerie Rüdiger Schöttle, Munich Galleria Monica De Cardenas, Milan Marian Goodman, London 2014 Thomas Struth - Photographs Metropolitan Museum of Art, New York Rineke Dijkstra & Thomas Struth: Seeing Henry Art Gallery, Seattle Cristina Iglesias & Thomas Struth Ivory Press, Madrid Galerie Max Hetzler, Berlin Five Works Nederlands Fotomuseum, Rotterdam Marian Goodman Gallery, New York 2013 Stiftung zur Förderung zeitgenössischer Kunst, Weidingen / Eifel 2012 St. Petersburg Schirmer / Mosel Showroom, Munich Galleri K, Oslo 2011 Thomas Struth, Fotografien 1978 — 2010 Museu Serralves, Porto; traveled from: Whitechapel Gallery, London; K20, Düsseldorf; Kunsthaus Zürich, Zurich (catalogue) 2010 Situation Kunst, Bochum Thomas Struth, Korea 2007 — 2010 Gallery Hyundai, Seoul New Works Galerie Max Hetzler, Berlin Marian Goodman Gallery, New York (catalogue) 2009 Paradises Frieze Art Fair 2009 - DB VIP Lounge, London Museum of Cycladic Art, Athens 2008 Galleria Monica de Cardenas, Zuoz Galerie Meert - Rihoux, Brussels Museo d'Arte Contemporanea Donna Regina — MADRe, Naples Familienleben SK Stiftung Kultur, Cologne; traveled to: De Pont Museum of Contemporary Art, Tilburg (catalogue) Family Portraits Galerie Paul Andriesse, Amsterdam 2007 Making Time Marian Goodman Gallery, New York Making Time Galerie Max Hetzler, Berlin Making Time Museo del Prado, Madrid (catalogue) 2006 Thomas Struth — Rineke Dijkstra Galerie Xippas, Athens Galerie Meert - Rihoux, Brussels 2005 Audience, Read This Like Seeing It For The First Time (Video work in collaboration with The Bern Academy of Music) Marian Goodman Gallery, New York Museum Photographs 1987 - 2004 Galleri K, Oslo Audience Galerie Paul Andriesse, Amsterdam Imágenes el Perú Museo de Arte Lima, Lima Arbeiten aus Peru Galerie Max Hetzler, Berlin Audience Galerie Rüdiger Schöttle, Munich 2004 Pergamon Museum I - VI Hamburger Bahnhof - Museum für Gegenwart, Berlin (catalogue) Une Heure: Video Portraits CAPC - Musée d' Art Contemporain de Bordeaux, Bordeaux 2003 1977-2002 Museum of Contemporary Art, Chicago Metropolitan Museum of Art, New York Cities Marian Goodmann Gallery, Paris Strassen Galleri K, Oslo Pergamon Musum I - VI Galleria Monica de Cardenas, Milan 2002 Pergamon I — IV Marian Goodman Gallery, New York 1977 - 2002 Dallas Museum of Art, Dallas; MOCA - Museum of Contemporary Art, Los Angeles (catalogue) New Pictures from Paradise Staatliche Kunstsammlungen Dresden; Centro de Fotografía, Universidad de Salamanca (catalogue) Galerie Rüdiger Schöttle, Munich 2001 Pictures from the Dandelion Room Schirmer / Mosel Showroom, Munich (catalogue) Galerie Max Hetzler, Berlin (catalogue) Galerie Meert - Rihoux, Brussels 2000 My Portrait National Museum of Modern Art, Tokyo; traveled to: National Museum of Modern Art, Kyoto; Galleri K, Oslo (catalogue) Galerie Shimada, Tokyo 1999 Galleria Monica de Cardenas, Milan Still Centre National de la Photographie, Paris Gallery Shimada, Tokyo The Berlin - Project (with Klaus vom Bruch) Hamburger Kunstverein, Hamburg New Pictures from Paradise Marian Goodman Gallery, New York; Marian Goodman Gallery, Paris 1998 The Berlin - Project (with Klaus vom Bruch) Kunstmuseum Luzern, Luzern Still Carré d'Art, Musée d'Art Contemporain, Nîmes; Stedelijk Museum, Amsterdam (catalogue) Centro Galego de Are Contemporanea, Santiago de Compostela Galerie Meert - Rihoux, Brussels Nouveau Portraits Marian Goodman Gallery, Paris 1997 Face to Face (with Luo Yongijn) Fine Arts Foundation of Beijing; International Art Palace, Peking (catalogue) Portraits Sprengel Museum, Hanover (catalogue) Achenbach Kunsthandel, Düsseldorf (with Cindy Sherman) The Berlin - Project (with Klaus vom Bruch) Galerie Max Hetzler, Berlin Marian Goodman Gallery, New York Nieuw Werk Galerie Paul Andriesse, Amsterdam 1996 Valocuvia Fotografier Kluuvin Galleria, Helsinki (catalogue) Galerie Shimada, Tokyo 1995 Strangers and Friends Art Gallery of Ontario, Toronto (catalogue) Strassen Kunstmuseum Bonn, Bonn (catalogue) Neue Arbeiten Galerie Max Hetzler, Berlin Oeuvre récentes Galerie Marian Goodman, Paris Landschaften Galerie Shimada, Yamaguchi 1994 Strangers and Friends Institute of Contemporary Art, Boston; ICA - Institute of Contemporary Arts, London (catalogue) Marian Goodman Gallery, New York Galerie Meert - Rihoux, Brussels 1993 Museum Photographs Hamburger Kunsthalle, Hamburg (catalogue) Galleria Monica de Cardenas, Milan Photographien aus Deutschland Galerie Shimada, Yamaguchi The Saint Louis Art Museum, St. Louis Marian Goodman Gallery, New York Galerie Max Hetzler, Cologne 1992 Portrait Museum Haus Lange, Krefeld (catalogue) Directions Hirshhorn Museum and Sculpture Garden, Washington D.C. Galerie Max Hetzler, Cologne 1991 Galerie Meert - Rihoux, Brussels House - Street - Individual - Group Galerie Shimada, Yamaguchi 1990 Photographs The Renaissance Society, University of Chicago, Chicago (catalogue) Portrait and Museum Photographs Marian Goodman Gallery, New York Galerie Paul Andriesse, Amsterdam Giovanni Minelli, Paris Urbi et Orbis, Paris 1989 The Clocktower, New York (with Andreas Gursky) Halle Sud, Geneva Galerie Peter Pakesch, Vienna Neue Bilder Galerie Max Hetzler, Cologne 1988 Galerie Meert - Rihoux, Bruxelles Neapel and Tokyo Galerie Rüdiger Schöttle, Munich Portikus, Frankfurt / Main (with Siah Armajani) 1987 Unconscious Places Kunsthalle Bern, Bern; Westfälisches Landesmuseum Münster, Münster (with Siah Armajani); Prefectural Museum of Art, Yamaguchi; Fruitmarket Gallery, Edinburgh (catalogue) Tokyo und Münster Galerie Max Hetzler, Cologne 1986 Galerie Shimada, Yamaguchi 1985 Galerie Rüdiger Schöttle, Munich 1980 Galerie Rüdiger Schöttle, Munich Stadtmuseum Düsseldorf, Düsseldorf (with Roswitha Ronkholz) 1978 PS1 - Contemporary Art Center, Long Island City

From Pollock to Pop: America's Brush with Dalí, Salvador Dalí Museum, St. Petersburg, Florida, December 9, 2005 — April 23 (extended through April 28), 2006 (Catalogue) Majestic Tapestries of Magnolia Editions: Woven Work by Contemporary Painters, Bedford Gallery, Walnut Creek, California, November 30, 2005 — January 29, 2006 Self Portrait: Renaissance to Contemporary, National Portrait Gallery, London, October 20, 2005 — January 29, 2006.

His subject - matter has ranged from sugar skulls to a head of Christ after the Renaissance painter Correggio, from studies of men and women — in a series titled Masculine / Feminine — to portraits and floral still lifes.