We do not use logic to discern the pulsing beauty
of a concerto in D Minor on oboe....
«Cadenza,» said Sullivan, «is a virtuoso and improvised section
of a concerto in which the soloist shows off his or her individuality, technical brilliance, bravado, and style.
Not exact matches
Were I to live as long as Methuselah, I would see endless changes
in science — it may be even some
of Einstein's formulas upset — but I never would have to change my mind about the beauty
of sunsets and rose gardens and Beethoven's
concerto.
In addition, most
of the concerts included a Mozart piano
concerto with Barenboim as soloist.
In 1950, Turing published «Computing Machinery and Intelligence,» written largely in response, not to fellow mathematicians but to neurologist Geoffrey Jefferson, who in 1949 famously declared, «Not until a machine can write a sonnet or compose a concerto because of thoughts and emotions felt, and not by the chance fall of symbols, could we agree that machine equals brain.&raqu
In 1950, Turing published «Computing Machinery and Intelligence,» written largely
in response, not to fellow mathematicians but to neurologist Geoffrey Jefferson, who in 1949 famously declared, «Not until a machine can write a sonnet or compose a concerto because of thoughts and emotions felt, and not by the chance fall of symbols, could we agree that machine equals brain.&raqu
in response, not to fellow mathematicians but to neurologist Geoffrey Jefferson, who
in 1949 famously declared, «Not until a machine can write a sonnet or compose a concerto because of thoughts and emotions felt, and not by the chance fall of symbols, could we agree that machine equals brain.&raqu
in 1949 famously declared, «Not until a machine can write a sonnet or compose a
concerto because
of thoughts and emotions felt, and not by the chance fall
of symbols, could we agree that machine equals brain.»
The humpback sings
in complicated sequences the length
of a
concerto; the blue whale makes great moans; the fi n whale sends out pulses that divers used to think were the creaking
of the ocean floor.
Recently completed projects include Azul, a cello
concerto for Yo - Yo Ma and the Boston Symphony; the soundtrack for Francis Ford Coppola's film Youth Without Youth; Rose
of the Winds, commissioned by the Chicago Symphony Orchestra and premiered by them with Yo - Yo Ma, the Silk Road Ensemble and Miguel Harth - Bedoya conducting; and Kuai Le (Joy), premiered by Yo - Yo Ma and the Silk Road Ensemble at the opening
of the 2007 Special Olympics
in Shanghai.
For their first ready - to - wear collection, Karen Erickson and Vicki Beamon transported us back
in time to the Prohibition Era by way
of a swanky German speakeasy burlesque bar complete with cabaret café - style seating, flapper dancers, and live
concerto music courtesy
of The Citizens Band.
August 31, 2016 • From operas about Steve Jobs and Alice
in Wonderland to an orchestral evocation
of Detroit and a new
concerto for Yo - Yo Ma, the new concert season is flush with premieres.
In a medium that relies on a concerto of audio and visual, Krasinski is able to completely engage us and cause us to lean deeper into the story, in a movie that at times, is devoid of any sound whatsoeve
In a medium that relies on a
concerto of audio and visual, Krasinski is able to completely engage us and cause us to lean deeper into the story,
in a movie that at times, is devoid of any sound whatsoeve
in a movie that at times, is devoid
of any sound whatsoever.
Paddy Considine also has a tremendous small role at the very beginning as Andreyev, the radio producer who presides over a live transmission
of a piano
concerto, featuring a soloist, Maria Yudina (Olga Kurylenko) who is to play a fateful role
in the action.
In February of 2012 Patrick performed as the featured soloist with the Temple University Symphony Orchestra in the North American Debut of John Psaths» timpani concerto «Planet Damnation»
In February
of 2012 Patrick performed as the featured soloist with the Temple University Symphony Orchestra
in the North American Debut of John Psaths» timpani concerto «Planet Damnation»
in the North American Debut
of John Psaths» timpani
concerto «Planet Damnation».
«Four Seasons,» Antonio Vivaldi As the seasons change one into the next, Vivaldi's
concertos evolve from spritely upbeat Spring to a calm sleepy warm Summer, through to the warm, rich notes
of Autumn, and finishes with snow falling
in Winter.
While the
concerto is
in one, single movement, the elements
of a traditional four movement
concerto are all featured.
At its core is a performance
of the Adagio
of Mozart's Clarinet
concerto in A major, conveyed via drums suspended from the gallery ceiling.
Sala recomposed the tempo
of the
concerto for each musician so that the two performances progress
in and out
of sync to produce the perception
of musical echoes — a paradoxical experience
in a space
in which actual echoes are impossible.
Drawn from the holdings
of the Dakis Joannou Collection and installed
in the beautiful spaces
of Geneva's Museum
of Art and History, False Friends proposes unexpected connections between artworks and aesthetics, methods and materials, offering a reading
of contemporary art as a magnetic field
of elective affinities and striking variations — a cacophonic
concerto of forms.
Sala wanted to imagine how a fictional journey through the winds, the waves, and the water currents
of the high seas would affect a musical masterpiece
of the age
of Enlightenment; what would become
of Mozart's Clarinet
concerto if it were to float and drift like a message
in a bottle.