And producers Stacey Sher and Shannon McIntosh discuss the logistics of making Quentin Tarantino's The Hateful Eight work in glorious 70MM film using Ultra Panavision lenses that haven't seen the light
of a film set since Khartoum in 1966.
Not exact matches
In Tangled, the Walt Disney Company's new animated, feature - length, 3 - D adaptation
of «Rapunzel,» critic Armond White finds, sadly, that the story
of the girl with the very long locks not only «has been amped up from the morality tale told by the Brothers Grimm into a typically overactive Disney concoction
of cute humans, comic animals, and one - dimensional villains,» but also that the
film's «hyped - up story line... gives evidence that cultural standards have undergone a drastic change» in the decades
since Walt Disney first
set out to charm both children and adults with his animated retellings
of fairy tales.
That being said, this is a beginning and hopefully I'll be able to
film a holiday look for you guys,
since this is the strong point
of this
set!
Since then, the website has continued the tradition
set forth by the magazine; a lone voice shouting into the void
of mainstream media, that there is more to
film than summer blockbusters and celebrity gossip.
Published: 15:57 EST, 17 Anna has
since moved on and is dating cinematographer Michael Barrett, who she met on the
set of film Overboard.
In the seven years
since that threequel
set box office records and earned a Best Picture nomination, the studio has had some generally liked if not quite loved triumphs (Finding Dory, Brave, Monsters University), one
film that most would agree is at least in contention
of «masterpiece» status (Inside Out), and some perplexing, unprecedented misses (Cars 2 & 3 plus the aforementioned Good Dinosaur).
The look
of the
film is unique which is quite amazing
since it is
set in such a dull and uninteresting environment.
From its charming characters and amazing
set design, the
film has been the talk
of the town
since its release earlier this month.
News broke last week that James Franco was
set to star in his first superhero movie (
since Sam Raimi's Spider - Man) as Jamie Madrox, aka Multiple Man, in a
film of the same name.
The chatter
of this strange assortment
of upper - middle class Brits might work better in the theater,
since the action takes place in real time
set wholly in an extensively furnished London home (actually
filmed in a West London studio), with the women doing most
of the talk and much
of the witty liftings.
Since we're a couple
of years out from the
film's
set release, Marvel is making more moves to fill out the cast by bringing back one
of the most entertaining parts
of the
film: Michael Pena.
Knowing Martin Scorsese was a fan
of Jean Renoir's India -
set The River, we asked him to record an introduction when we first released it in 2004 (
since then, he even included it in his Criterion Top 10, calling it «a
film without a real story th...
Knowing Martin Scorsese was a fan
of Jean Renoir's India -
set The River, we asked him to record an introduction when we first released it in 2004 (
since then, he even included it in his Criterion Top 10, calling it «a
film without a real story that is all about the rhythm
of existence, the cycles
of birth and death and regeneration, and the transitory beauty
of the world»).
I've been enjoying a lot
of the Trailblazing Women programming myself but
since we're in the middle
of Schocktober, I thought I'd
set aside some time to highlight some
of my favorite horror
films and thrillers directed by women who have left their macabre mark on a genre that many mistakenly assume is not very female friendly.
The entire gag takes a long while to play out (the money shot - close - up on a
set of buttocks most definitely not those
of the 62 year - old Willis), though it is infused with the kind
of nutty energy that Willis last exhibited in his 1991 megaflop, Hudson Hawk (a
film that has
since acquired an army
of «guilty pleasure» defenders, including yours truly).
Ever
since Goldfinger
set the pattern that has guided the series, the individual
films have risen or fallen on the quality
of the leading man and the cleverness
of the execution.
The Good Time star plays a wealthy pioneer who
sets out across the American frontier to marry the love
of his life (Mia Wasikowska), but that logline hardly does the
film justice, and
since the
film kind
of defies description, just go in expecting a clever deconstruction
of traditional gender roles.
It may not be called Infinity War, but the second
film is still clearly going to be the conclusion
of the fight against Thanos, who has, after all, been
set up as the biggest
of Big Bads ever
since the stinger at the end
of the first Avengers.
The Clint Eastwood - directed
film about the late U.S. Navy SEAL sniper Chris Kyle has only been in limited release
since the end
of December, and is
set to go nationwide Friday.
Focused only slightly differently is «San Andreas: The Real Fault Line» (6 mins., HD), which spends its opening moments very superficially discussing the real threat
of earthquakes in California before delving into the production tricks behind the
film's earth - shaking scenes, like a restaurant
set designed so that everything visible in the frame is shaking except the floor itself,
since it was being prowled by a Steadicam operator.
He's
since been spotted on the
set of Infinity War, which would fulfill that original four -
film contract.
Watching Gangster Squad put me even more in mind
of The Untouchables with a climax centered on a
set of hotel steps that reminded me
of The Untouchables» famous sequence in Union Station (itself an homage to the Odessa Steps sequence in Eisenstein's Battleship Potemkim), but it had been long enough
since I watched The Untouchables that I didn't even realize how very many things Gangster Squad stole from DePalma's
film.
But, really, even if the CAS had tossed a lifesaver to Captain Phillips, or a dollar into the hopelessly lightweight guitar case
of Inside Llewyn Davis, it still wouldn't have changed our opinion that this statuette belongs to Alfonso Cuarón's minimalist, outer space -
set spectacle, which is poised to pick up more technical Oscars than any
film since The Lord
of the Rings: the Return
of the King.
Setting the
film at the end
of the 20th century may seem kind
of arbitrary,
since the novel it's based on was published in 1992.
Presumably he hasn't begun shooting the past -
set sequences yet,
since we've only seen images
of characters from the first three X-Men
films.
It's more
of a shock than the Ranger situation
since Proyas had gathered his crew and started building a cast that included Bradley Cooper (who talked to us about the
film last week), Benjamin Walker, Diego Boneta and Camilla Belle ready for a shoot
set to start next month in Australia.
Though Ng dropped out
of film school with one semester left for the chance to document Willard's journey to the screen, I can't imagine she'll live to regret it: She's the best I've seen at compiling on -
set footage with momentum
since David Prior and should find steady employment in the specialized field
of DVD production.
It's a ballsy move by Marvel, especially
since Warner Bros. has the Batman / Superman
film set for July 17 across the pond that year; Marvel will be hoping that everyone flocks to that in the first two weeks and is ready for something different by the end
of the month.
This is amazing news for fans
of the cult 80's
film who have been clamoring for new stories
set in the Starfighter universe ever
since its original release.
Since most
of the
film is
set up to explore tangential story elements, I think the plot summary is practically superfluous.
Although they do love each other, tensions between the two
set in regarding the casting
of the
film adaptation
of Joe's latest bestselling book, as Sally think she would be the natural woman for the role,
since she believes it is based on her.
I am guessing that the mention
of «rural Middle America» is what brought David Gordon Green into the picture,
since that's where he likes to
set most
of his
films.
Among the highlights include the world premiere
of Chris Evans» directorial debut «Before We Go» (formerly «1:30 Train»), dueling Anna Kendrick
films in dark drama «Cake» and musical adaptation «The Last Five Years,» ensemble comedy «This is Where I Leave You» starring Corey Stoll, Adam Driver and more, Jason Reitman's «Men, Women and Children» with Ansel Elgort, Kaitin Dever and others, and «99 Homes,» Ramin Bahrani's financial world
set drama which also serves as the first
film outside
of «The Amazing Spider - Man» franchise for Andrew Garfield
since «The Social Network.»
Though associated with heritage
films set in Britain's imperial past, producer Ismail Merchant, director James Ivory, and screenwriter Ruth Prawer Jhabvala have collaborated on a variety
of masterfully constructed literary adaptations
since the early 1960s.
At face value KHNH does indeed have a fairly rote Hindi
film set - up with three central players: Naina Catherine Kapur (Preity Zinta), a sullen twentysomething whose life and household has been in disarray
since a devastating family tragedy; her best friend Rohit Patel (Saif Ali Khan), would - be slick ladies» man but all - around good guy; and Aman Mathur (Shahrukh Khan), Naina's freshly - arrived neighbor, whose upbeat and generous nature will come to affect the lives
of all he encounters in his new community, not least
of which Rohit and especially Naina.
In The Director and the Jedi, by filmmaker Anthony Wonke, he places the spotlight on director Rian Johnson, and his process as a director new to the franchise, as Johnson has been a fan
of the
film since childhood, and
sets out to make the most powerful Star Wars movie he can.
Since that auspicious debut, he has continued to collaborate with Anderson on «The Darjeeling Limited» (which the pair wrote with Roman Coppola); the short
film «Hotel Chevalier»; his animated feature, «Fantastic Mr. Fox» (for which he contributed his vocal talents); «Moonrise Kingdom» (part
of Anderson's stellar ensemble cast
of Murray, Tilda Swinton, Edward Norton and Frances McDormand), which
set a new record at the specialty box office over Memorial Day weekend for best limited indie debut
of all time, and, the Academy Award nominated
film, «The Grand Budapest Hotel,» whose eclectic cast brought back thespians Murray, Norton and Swinton, along with Willem Dafoe, Soirsae Ronin, Ralph Finnes, Jude Law, Jeff Goldblum, Owen Wilson and Adrian Brody.
His
films since then have all come up just a bit short
of that very high bar he
set 13 years ago.
Inaugurating the MPAA's ambiguous PG - 13 rating, its relentless but bloodless bloodletting
set against not a whisper
of sex or nudity established the tone for PG - 13
films in Puritanical America ever
since.
I think it's interesting that McCarthy's follow - up, The Road, is
set in the post-apocalypse — in a broad sense, all
of his books
since All the Pretty Horses have been roughly chronological, making No Country for Old Men (and the
film of it, and all the great
films of 2007) a chronicle
of Armageddon: all whimpers and no bang; I hardly noticed it happening, and now it's done and there's no helping it.
What it attempts is no more offensive than trying to glom together A Few Good Men with The Usual Suspects while returning McTiernan to the jungle
setting of his Predator and reuniting the two stars
of Pulp Fiction, neither
of whom frankly has been in a
film nearly as good as that in the nine years
since.
The
film has been in the works
since 2010 when, says The Wrap, «Disney
set the project up in the wake
of its success with Alice in Wonderland.»
Over a year has passed
since Deadpool lit up the box office,
setting records for the month
of February, R - rated
films, and the X-Men franchise as a whole.
Since his 2007 debut with Shotgun Stories, starring Michael Shannon, Jeff Nichols from Little Rock, Arkansas, still only 38, has made a whole series
of stunningly good indie
films set in the American South.
Like most one night present action
films, Superbad
sets itself up for needing some real resolution and —
since it's already running 110 — it hurries it through in three minutes, sucking a lot
of the interesting possibilities from what it previously established.
Director Guillermo del Toro has described the script for his upcoming
film Crimson Peak, his first ghost - themed horror
film since The Devil's Backbone, as a classic Gothic romance with a mix
of kinky and scary moments,
set in a haunted house in England.
The production designer met his wife, Sissy Spacek, on the
set of Badlands in 1972, and
since then has worked on every single Terrence Malick
film.
However, a report from Variety suggests that there had been tension on the
set of the Han Solo
film since it commenced production in February.
The list
of icons making appearances was truly unprecedented: Superman soars twice — once in the «return» and the other as Ben Affleck; Crockett and Tubbs exude cool; Ethan Hunt falls short; Captain Jack Sparrow
sets the stage for the finale; Jack Black sometimes wears stretchy pants; Huey Long is resurrected and somehow over-played by Sean Penn; the mass appeal
of the DaVinci Code novel fizzled onscreen; Robert Altman's amazing career ended with an excellent adaptation
of a radio series starring Garrison Keillor's made for radio face; Johnny Depp tried to untrack his career with The Libertine; Nicolas Cage was front and center in the disastrous remake
of The Wicker Man, but if the preview is any indication, his sleep - walk was merely a tune - up for this year's Ghost Rider; Woody Allen (with Scarlett Johansson as his muse) re-emerged with his best comedy
since Crimes and Misdemeanors; amazingly, Jen and Vince's real life break - up was more entertaining than the
film version; and while on -
set hook - ups seem to the norm, how could the dreadful You, Me and Dupree have been an aphrodisiac for Kate and Owen?
Since then, he has served in a variety
of roles, including
sets shading supervisor,
sets shading technical director, senior shading artist on many
of their
films like Cars, WALL • E, Toy Story 3, Monsters University, and Inside Out.