Sentences with phrase «of a given space»

These are works that do not necessarily ask to be hung from a wall, but can just as well be placed as markers within the architecture of a given space.
I rely on the energy of the given space as a support structure in generating a line, a mark, a drawing, or a physical action.
In the act of giving them space to perform, be sure they know that it's okay to make a mistake or even fail entirely.
Well amongst other attributes it displays, light reveals the precise contours and boundaries of given spaces.
The most simple method of giving a space more life?
These creations, she explains, are interventions into the space of architecture and a process of mapping the self - evident features of the architectural experience onto the reality of a given space.
A person's progression through a space informs the understanding of the given space's layout and shapes their short - term memory.
It is exactly what it sounds like: The lights of a given space, which may or may not contain other art, are set to turn off and on at regular intervals.
She utilizes this experience to help clients visualize the possibilities of any given space - the process of turning a house into a home.
Regardless of the small dimensions of any given space, it can be changed into a radiant, inviting and well - designed space with just a few minor adjustments.
Typically, after a meticulous analysis of a given space, either a natural landscape or human construction, her work includes a performative intervention that transforms that space through her thoughtful and minimal use of color, and documents that intervention in photography or painting or both.
But he's so wasteful that eventually defenders are no longer afraid of giving him space, like in the Bayern game, he only turns up once every 5 - 6 games.
Saints made the fatal mistake of giving him space and he duly punished them.
Dear Rosie & Sherry, In previous columns you've mentioned the idea of giving one another space during the dating process.
For the annual commission, each artist is invited to deal with the nature of the given space in their given idiom, without restriction and in a transparent and flexible manner.
Irwin's discovery of scrim while on a trip to Amsterdam in 1970 was pivotal to this transition and provided the conceptual means to both eclipse object - based production and intervene in the architectural conditions of a given space.
All of the works on view at White Cube are site - specific interventions, a clear indication of Overton's passion to inspect the properties of a given space and respond to its concealed challenges for spatial elucidation.
Megan Burchett, Maddie Zerkel, Jonathan Quinn Nowell, Forest Kelley, and Alexis Spina play off one another's practices in the context of the given space to create connections, and explore elements of scale, materiality and domestic forms.
The gallery explains: «Drawing slanted lines on the front, sides, and bottom of the given space, Park completed an illusion as if the walls were skewed or the floor was rising up.
Her works are often intended to be site - specific, playing with the particularities and implications of a given space.
By means of materiality and colour this intervention proposes an interaction of volume and proportion addressing the characteristics of given space.
The work produced and conceived for The Suburban aims to reflect on the substance of given space.
Ironically, the purity Terry seeks to achieve through her method is inspired and guided by the impurities of the given space.
His immersive wall works, usually large in scale, recalibrate our perception of a given space and can range from highly graphic to spatially confounding, overwhelming both the eyes visually and the body physically.
In his own personal response to a given surrounding environment, the questions of how certain scales of things behave in a particular space, as well as how they generate one total image, are investigated thoroughly in Larson's relentless activation of any unexpected volume of given space, whether indoor or outdoor.
AK: I see myself as a sculptor and painter whose large - scale sculptural installations always incorporate the architecture of a given space as well.
Based on the analysis of a given space and on the use and reuse of everyday objects and shapes, Cevdet Erek «s work is above all a sonic and three dimensional investigation about the structure of the so called «natural» and «human made» spaces and times, and the way we try to measure, organize and materialize these concepts.
In a list view your cover takes 100 % of given space — that is 115 px by 115 px.
A: Requiem adapts itself to the architecture of a given space, yet disrupts the natural rhythms of its surroundings in both physical and sensory ways.
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