Not exact matches
Many times I have laughed about the holiness feeling, the candles, the dim light, the smell
of incense, accompanied by the art and expression
of great painters who were more atheist that many
of us here yet their work
of art are hung
on famous temples or cathedrals around the world.
Britain fared better, with my favourite sci - fi horror film in a long time, Glazer's Under the Skin, and my favourite entertainment film
of the year, the conventional, but charming Pride, while the flawed Mr. Turner impressively reflects the
great painter's sun worship through Dick Pope's widescreen cinematography.Highlights
of my year included being
on the FIPRESCI jury at the Hong Kong IFF, where I admired Yang Hen's third feature, Na pian hu shui (Lake August), and a couple
of first features among others, as well as attending the amazing HK film market for the first time, where I saw one
of my three 2014 «films for the ages», Tsai's Journey to the West; and seeing a nitrate print
of Hitchcock's Rebecca at the George Eastman House in Rochester (where they are doing a three - day all - nitrate festival in May, 2015!).
While it's true that Wes Anderson's The Grand Budapest Hotel is also an early contender for film awards, Mike Leigh's lavish epic about Britain's
greatest painter is very likely a film to keep an eye
on for end
of the year voting — if it...
However, for those familiar with the
great painter's works, as well as the prevailing spirit
of the Era
of Enlightenment and the style
of the other
great artists
of various mediums who used their craft to comment
on the blights
of the world around them, Goya's Ghosts speaks
on a level that transcends just the story
of two men looking after the welfare
of a young, unfortunate woman caught up in the hysteria
of power that marked the end
of the Spanish Inquisition's stranglehold
of power, as well as the outrageous hypocrisy in their manner
of governance.
In 1961, even before he had finished his first feature film Ivan's Childhood (1962), he submitted a proposal to the studio for a film
on the life
of Russia's
greatest icon
painter, Andrei Rublev.
This gives some extra understanding to how
painters hide things, or make them less obvious and challenges them to question why which is
great for AO1 and AO4, making informed responses and commenting
on the work
of artists in ways which help them develop ideas and understanding.
In her author's note in The Golden Day, Ursula Dubosarsky writes that Charles Blackman, an acclaimed Australian modernist
painter, was a particularly keen influence
on the novel:» [My]
greatest debt is to Charles Blackman's many astonishing, lush depictions
of schoolgirls — enchanting, disturbing, and endlessly evocative.»
Discover the fascinating city
of Toledo, once home to the
great painter El Greco,
on this tour from Madrid.
I had a
great day roaming the streets
of James Town to enjoy the acrobatics
of street artists, listening to music, shopping colorful pieces from the artistic stands, see street art
painters in action, walking
on the beach
of James Town, enjoying a delicious soy kebab, talk to people and just soak up the atmosphere
of the festival.
Stephen the
Great was a religious and cultural man, and it was his influence that gave rise to a school
of native
painters who have bequeathed some true masterpieces
of the fresco technique found
on the 16th and 17th - century painted monasteries
of Bucovina.
[Sent out earlier in the gapingvoid newsletter etc:] Picasso, the
greatest painter of the twentieth century, didn't sit around
on his rear end all day,...
Recurrent throughout 8
Painters are stylings
on past painterly marks and movements, not so much placed in quotations as absorbed into a work's facture... It's a hopeful sign that the artists in [the show] demonstrate a critical distillation
of influences that inform their particular sensibilities, philosophical outlooks, and relationship to materials — not making any
great claims, just proceeding in a personally deliberate way.»
Given his stature, and because it is for works other than these that Watteau is best known, this exhibition is especially rewarding since it allows for a clear - eyed appraisal
of a
painter on the cusp
of making his
greatest works.
The
painter Jane Freilicher, whose airy, radiantly colored still lifes and landscapes made her a leading light
of the 1950s New York School and one the
great representational artists
of postwar America, died
on Tuesday in New York.
Arguably — and often labeled — the
greatest painter of his generation, Luc Tuymans signals in every canvas the necessary limits
of the medium, even the coda to its drawn - out death: his reliance
on fleeting photographic and filmic imagery, his refusal to spend more than one day
on a canvas, and perhaps most
of all, his indifference to craft bring the Belgian artist into head -
on confrontation with painting, and endow his subjects — from the untouchable (the Holocaust) to the pedestrian (flowers, pigeons)-- with an unmistakable air
of violence inflicted.
It seems as if there's an element
of collaboration or material - sharing among all the artists in the show, which sounds more promising than it usually would based
on the list
of great painters here, which includes Nicholas Cueva and Joshua Bienko.
One
of the
greatest landscape
painters, John Constable devoted his career to capturing nature
on his canvases.
This exhibition tracks the transitional period
of the
great twentieth century
painter Arshile Gorky, who moved from figuration to abstraction with his drippy, brightly colored oil
on canvases.
• Tony Smith (1912 — 1980), sculptor who bridged AbEx and minimalism (dad
of Kiki) Mel Kendrick (b. 1949), formalist process - based sculptor Chris Wilmarth (1943 — 1987), sculptor
of steel, bronze, and etched glass Joel Shapiro (b. 1941), minimalist sculptor who flirts with figuration Christopher Wool (b. 1955), Neo-AbExer with a taste for graffiti and repetition Alex Hubbard (b. 1975), rising master
of painterly materials and abstract coloration Josh Smith (b. 1976), Factory - like
painter of great expressive volume Jacob Kassay (b. 1984), mirrored - painting - wunderkind - turned - sackcloth artist • Andy Warhol (1928 — 1987), Pop maestro and appropriationist world - changer David Robbins (b. 1957), artist and «Concrete Comedy» theorist David LaChapelle (b. 1963), lush photographer
of celebrity decadence Ronnie Cutrone (1948 — 2013), Factory personality and East Village cult figure George Condo (b. 1957), Neo-Picassian
painter of the grotesque Mark Dagley (b. 1957), Op abstractionist • Richard Serra (b. 1939), grand master
of process art and the post-industrial sublime Grégoire Müller (b. 1947),
painter of current - event appropriations Philip Glass (b. 1937), «Einstein
on the Beach» composer Lawrence Chandler (b. 1951), composer, musician, and sound artist • Sol LeWitt (1928 — 2007), father
of conceptual art, multitasking artistic outsourcer Adrian Piper (b. 1948), performance art innovator Mark Williams (b. 1950), monochromatic minimalist
painter
And also
on Great Jones Street, at No. 4, is Eric Firestone Gallery, where a strong exhibition
of the
painter Joe Overstreet (reviewed by my colleague Roberta Smith) is up until May 5.
Born
on the shores
of Armenia's Lake Van, Arshile Gorky immigrated to the United States in 1920 and went
on to become one
of the
greatest American
painters of the twentieth century.
Considering that Velázquez is widely seen as the
greatest painter ever to lay oil
on canvas, and considering that he only made about 110 paintings in his lifetime, the fact that a new portrait is visiting the Metropolitan Museum
of Art this month (April 16 - July 14) is bound to cause a stir.
People often think that a
great painter has to have
great brushes, and it's true that some
of them insist
on hair so fine that it could put the silkworms out
of business.
My mother had a ton
of books
on classical
painters, like Caravaggio, and the
greats of the Renaissance, whom I loved, but no books
on contemporary art.
One
of the truly
great «realist»
painters,
of the twentieth - century Gregory Gillespie, will be
on view at Forum Gallery in New York City.
This sparkling display
of some four score watercolours from the first decade
of the last century throw an unfamiliar light
on the artistry
of John Singer Sargent (1856 - 1925), the last
great swagger portrait
painter in the western tradition.
I can think
of few portraits in which a
painter's absolute dislike
of her subject is made more apparent than in the hatchet job she did
on the
great poet, curator and critic Frank O'Hara, whose liver - spotted bald head, bared teeth, and mad staring eyes are visible in no other portrait or photo
of him I know.
She is one
of the
greatest painters ever — by way
of Van Gogh, Cézanne, and
on into pure abstraction.
With the emphasis
on «impossible» and «negation,» Rubinstein is suggesting that the
painter no longer needs to think about making a
great painting, but simply «must go
on,» as the voice whispers at the end
of Samuel Beckett's The Unnamable.
Consider what happens when Robert Mapplethorpe encounters Mannerism, contemporary
painters like John Currin create their own «Idols
of Perversity,» and — long before both — Goethe built a
great drawing collection
on his mistakes.
TRIBECA & SOHO & NOHO & EAST VILLAGE & MURRAY HILL 100
Painters of Tomorrow / 23 Warren / thru 12/6 Material Way curated by Kathleen Kucka / BMCC — CUNY / 81 Barclay / thru 12/1 Carey Denniston / Kansas / 59 Franklin / thru 12/20 Anton Perich / Postmasters / 54 Franklin (new location) / thru 11/22 Terry Winters / The National Exemplar / 381 Broadway @ White — suite 206 / thru 12/31 Bianculli's Personal Theory
of TV Evolution organized by David Bianculli / Apexart / 291 Church / thru 12/20 Seokmin Ko; Elena Berriolo / API / 434 Greenwich / thru 12/20 Basim Magdy; Daphne Fitzpatrick; Will Yackulic / Art in General / 79 Walker / thru 1/10 Mohammed Kazem / Grahne / 157 Hudson / thru 12/20 MFA Thesis Exhibition (Part I) / Hunter / 205 Hudson (
on Canal) / thru 11/22 Ariel Orozco / Brownstone / 3 Wooster / thru 11/22 Design Series / Swiss Institute / 18 Wooster / thru 11/23 Classical Nudes / Leslie - Lohman Museum / 26 Wooster / thru 1/4 Roy Lichtenstein / Feldman / 31 Mercer / thru 12/20 Opening 11/22 Pedro Cabrita Reis / Freeman / 140 Grand / thru 12/20 Sam Samore / Team / 83 Grand / thru 12/21 Opening 11/23 Tim Noble & Sue Webster / Geiss / 76 Grand / thru 12/20 Chris Domenick / Recess Activities / 41 Grand / thru 12/20 Smoothie Social: 11/22 (3 - 6 PM) Performance: 12/18 (6 - 8 PM) Prime Matter / Senaspace / 229 Centre / thru 12/6 Thread Lines; Xanti Schawinsky / Drawing Center / 35 Wooster / thru 12/14 Open Sessions 2 / Drawing Center: The Lab / 35 Wooster / thru 12/14 Opening 11/21 Andreas Schulze / Team / 47 Wooster / thru 12/21 Opening 11/23 Phillip Chen, etc. / Museum
of Chinese in America / 215 Centre / thru 3/1 Nadja Frank; Jessica Segall / Denny / 261 Broome / thru 12/7 Paul Cowan / Clifton Benevento / 515 Broadway / thru 12/20 Mitsuko Miwa / Longhouse / 285 Spring / thru 12/6 Reuven Israel / Fridman / 287 Spring / thru 12/20 Plasmatik: K.K.Thoen, G.Kroenert, S.A.March, T.Francke, S.Tufnell; curated by N.Kates / Melissa / 102 Greene / Opening 11/20 (7 - 9 PM) Social Photography IV / Carriage Trade @ Harvey Foundation / 537 Broadway / Closing Reception 11/22 (6 - 9 PM) The Right Amount
of Wrong curated by Lovina Purple / ISE Foundation / 555 Broadway / thru 12/19 Ernesto Burgos / Werble / 83 Van Dam / thru 12/20 Suzatte Bross / Geary / 185 Varick / thru 12/6 Amy O'Neill / Karma / 39
Great Jones / thru 12/6 Alex Kwartler; LeRoy Stevens / Karg / 41
Great Jones / thru 11/26 Learn to Read Art: A Surviving History
of Printed Matter / 80WSE / NYU / 80 Washington Square East / thru 2/14 Opening 12/2 Reception 12/12 Ernest Cole / NYU Grey Art Gallery / 100 Wash..
Spanning more than 50 years
of his career, Jamie Wyeth,
on view through July 5 at the San Antonio Museum
of Art opens with his childhood drawings, traces his development as a portrait
painter, examines his stint in The Factory with Warhol in New York, contemplates the rural scenes that pay homage to his family's legacy and details his emergence as a
great animal and bird
painter.
See Surrey through the eyes
of one
of the
greatest English landscape
painters in a unique exhibition focusing
on his lifelong love affair with the county.
It was not until the late 1960s that she began to be recognised as one
of the
great American
painters of the century, not least because her work offered a unique window
on the changing world
of Harlem in the years before and during civil rights.
The critic Leo Steinberg, a
great admirer
of de Kooning's work, was deeply upset when he first heard about Erased de Kooning Drawing; the
great color - field
painter Barnett Newman is said to have remarked,
on seeing Rauschenberg's all - white pictures, «What's the matter with him?
On his return to the US in 1949, he taught and met the
great painters of the day, principally Pollock.
Last week, the New York Studio School hosted members
of the Center for Italian Modern Art (CIMA) for an interesting talk
on one
of the
greatest Italian
painters of the twentieth century: Giorgio Morandi — the subject
of the current exhibition at CIMA,
on until June 25th.
Arshile Gorky was one
of the last
great Surrealist
painters and a major influence
on (and early figure in) Abstract Expressionism.
The seriousness
of topics such as alcoholism, depression, and poverty was transferred
on canvas with
great softness and vigor, and therefore Fischl has quickly embraced the description
of himself as a
painter of the suburbs.
Luc Tuymans is one
of today's most widely admired
painters, a continuation
of the
great tradition
of Northern European painting and an enduring influence
on younger and emerging artists.
The Gemeentemuseum in The Hague, holder
of the world's
greatest Piet Mondrian collection, will put all 300 works
on show in one
great exhibition to chart the
painter's ground - breaking career (3 June — 24 September).
A lone figure walking beside an indigo swimming pool; a boat passing before the entrance
of a cave as a
great black bird swoops by; a girl dressed in white, clambering high in the branches
of a vast tree
on a starlit night: these are some
of the strange and poetic recent subjects
of the
painter Peter Doig, the subject
of a major exhibition at the Scottish National Gallery this summer.
Who knows if someday, a
great painter, looking with scorn
on the often brutal game
of supposed colorists and taking the seven colors back to the primordial white unity that encompasses them all, will not exhibit completely white canvases, with nothing, absolutely nothing
on them.
Great Critics and Their Ideas: Athena, Goddess
of Wisdom,
on painters apologising, interviewed by Matthew Collings.
Following in the footsteps
of the
great painter - sculptors Henri Matisse and Pablo Picasso, Bates's work in sculpture expanded his expressive range and had a profound impact
on his work in other media.
Using bodies in their most abject and raw forms, the
great painter orchestrated a highly personal, yet captivatingly universal visual aura with right doses
of social commentary
on religion, womanhood, and labor.
At the contemporary art annexe to the Kunstmuseum — Museum fur Gegenwartskunst there is an exhibition
of the polymath conceptual artist filmmaker,
painter and musician Rodney Graham [16-1-49] Canadian born artist who is a
great narrative inventor
of personas which can literally turn the world
on its head — witness his upside down tree photos — this museum is a wonderful place within a stones throw
of the Rhine
This concentrated look at a significant body
of rarely seen work sheds new light
on one
of the
greatest painters of the twentieth century.
But her nudes — where, in my opinion, she gets too close for comfort to
great painters of the past — are a quite different story... It takes courage and a lot
of talent to take
on the iconic artworks
of a famous master.
The fully illustrated catalogue does them more justice, featuring essays by seven writers, including Philippe Cézanne, the
painter's
great - grandson, which discuss in full detail Fiquet's relationship with her husband, the procedures used by her husband to make these pictures, and the influence
of these paintings
on Juan Gris, Henri Matisse, and a host
of other later artists.