Sentences with phrase «of a green screen for»

Director Jon Watts reveals a new shot of Tom Holland filming a mysterious scene featuring plenty of green screen for Spider - Man: Homecoming.

Not exact matches

Images of people — even spies — tapping away on computers make for boring movie footage, so Hollywood usually resorts to showing silly fake green display screen to make it more interesting.

So they ended up shooting Gadot on a green screen for her head - to - toe reveal as Wonder Woman as she got to the top of the ladder.

To screen print the flags directly onto the surface of a square green bottle represented a significant challenge for the decoration team, and one that was met through careful pre-planning and a meticulously organised production process using organic UV inks.

To be considered for the Seal of Approval and earn a listing in the annual National Green Pages ™, businesses complete a rigorous screening process to ensure they meet Green America's standards for the environment, community and labor.

When measuring the temperature of the water, the screen will display blue to indicate the water is too cold, red for too hot and green for the perfect temperature.

A computer screen, she explains, will warn me which shock I am to receive — a green screen for a mild zip and a red one for a blast I've ranked on a pain scale as six out of 10.

Supporters of the Safe Cosmetics Act were hopeful that passage of their bill would usher in a new era of more rigorous mandatory screening of cosmetics here at home, and leadership in a global marketplace hungry for safer, greener products.

The researchers created a large library of MphR protein variants and screened them for the ability to switch on production of a fluorescent green protein when they were in the presence of a desired macrolide.

The recent explosion of green fluorescent protein (GFP) based sensors of pH, halides, proteases, kinases, G proteins, and many second messengers (including Ca2 +, cAMP, cGMP, nitric oxide, and IP3) have provided important tools for the design of screening assays.

Green Fluorescent Protein as a Screen for Enzymatic Activity in Ionic Liquid - aqueous Systems for in situ Hydrolysis of Lignocellulose, Paul Wolski, Douglas Clark, Harvey Blanch, Green Chemistry, doi: 10.1039 / C1GC15691H, October 5, 2011.

Chevy Chase, MD (OBBeC)- According to a report from the Howard Hughes Medical Institute, scientist Michael Green and colleagues have developed a systematic method for screening the genomes of cancer cells to detect...

«Of the patients screened for the study, only about 1 percent... were enrolled in the registry; this is a very low number for most studies,» noted Dr. Stephen Green, associate chairman of the department of cardiology at North Shore University Hospital in Manhasset, N.Of the patients screened for the study, only about 1 percent... were enrolled in the registry; this is a very low number for most studies,» noted Dr. Stephen Green, associate chairman of the department of cardiology at North Shore University Hospital in Manhasset, N.of the department of cardiology at North Shore University Hospital in Manhasset, N.of cardiology at North Shore University Hospital in Manhasset, N.Y.

John Green has had plenty of success as an author, writing bestsellers like The Fault in Our Stars and Paper Towns, which have both been adapted for the big screen.

This unisex top is screen - printed with kid - friendly original graphics and crafted of a cozy blend of eco-friendly Green Cotton and modacrylic that meets the federal requirements for sleepwear without chemical treatment.

Behind - the - scenes video below =) All of the stunts are real except for one, which we had to green screen.

opts to pop the collar of her deep army green Dior Haute Couture coat dress for a screening of Blue Jasmine at the Zurich Film Festival — and since it's Cate, that choice reads more posh than preppy.

With a a no - itch printed label, this unisex top is screen - printed with kid - friendly original graphics and crafted of a cozy blend of eco-friendly Green Cotton and modacrylic that meets the federal requirements for sleepwear without chemical treatment.

Know of any great sites for green screen video footage that we might have missed out?.

You may not be able to remember the specifics of Rogue Nation's plot for more than a few weeks and yet you will remember how much fun you had letting it take you on its ride of high - octane spy action for which there is clearly still a place in today's CGI and green screen - heavy Hollywood.

Those include a formidable physique joined to a relaxed, self - referential sense of humor («that's a big arm, don't fight it,» he advises), a gift for green - screen sincerity and the ability to say lines like «something's not right here» and «you're making a big mistake» with a straight face.

Despite perilously under - lighting a few nighttime sequences, cinematographer Rachel Morrison shoots the country so full of life that it's genuinely hard to believe she didn't film a single frame of it in Africa (for a movie that's full of sloppy CG, the environmental green screen work is astonishing).

There's some very candid, fascinating footage here capturing the process of making the film (in, for a surprise revelation, not a real Parisian flat but a studio - built apartment replica surrounded by green screens, not at all dissimilar to David Cronenberg's use of similar magic for A Dangerous Method, not that you can tell in either film in its finished form, where the technology is seamless and unobtrusive), with Haneke working with the actors in a rigorous, nitty - gritty way that lets us see what infinitesimal precision he's looking for in performance, in movement, in blocking, and in composition.

With many noticeable green screen effects and animals that looked a little less than artificial, the visuals clashed with the plot of the film for me.

Too many of the wide shots and battle sequences are all too obviously green - screen, in that they consist of actors running around somewhat aimlessly, looking for their marks and trying to use their imagination.

It's hard to say whether the increased use of green - screen was a creative decision on Jackson's part or a studio mandate to keep down the already huge budget and make up for lost time.

It is the nature of the beast that any filmmaking team doing this sort of movie (particularly in modern times unless you are Guy Maddin) has to be fully committed to such a thing to make it work, green screens and CGI would likely undermine things, but when done right, few genres have such built in potential for white knuckle tension.

You can tell that some money has gone into production design and locations instead of the cheaper, easier, less realistic green screen & CGI work most comedy makers would settle for.

: Footage of the green screen shoot of the crew blowing up the model for The Interceptor.

The dramatic scenes are hilariously ridiculous (often unintentionally so); many of the performances feel stilted and off - beat; and the combination of 3D visual design and an attempt to use more on - location settings (as opposed to sound stage or green screen) results in moments that feel unusually amateurish for The Wachowskis.

Though Rinsch deserves some credit for convincing a major studio to green light a Keanu Reeves vehicle with Japanese screen veteran Hiroyuki Sanada, and not Reeves, playing the main lead, the actor's presence ultimately proves to be more of a distraction than an advantage.

John Carter (PG - 13 for violence and intense action sequences) Screen adaptation of «A Princess of Mars,» Edgar Rice Burroughs» sci - fi novel about a Civil War Confederate veteran (Taylor Kitsch) who is magically transported to Mars where he rescues a desperate damsel in distress (Lynn Collins) while on the run from a horde of 12 - foot tall green creatures.

Set for a 2016 release, the film has found it's fantasy setting in former Middle Earth New Zealand, instead of just green screens (thank goodness).

The Green Prince screens this Saturday in the Human Rights Watch Film Festival at the Film Society of Lincoln Center and opens for a theatrical run on August 8.

Among the big high - profile comic book sequels of the year («Captain America,» «The Amazing Spider - Man» et al.), there's one that's been a little more under the radar: «Sin City: A Dame To Kill For,» Robert Rodriguez and Frank Miller «s sequel to their 2005 green - screen noir.

Four years later, as Green gathered audiences for a 10th Anniversary screening of the original «Hatchet» at the FrightFest Film Festival, it turned out to be a surprise screening of the furtively shot «Victor Crowley,» the fourth installment in the deathless series.

Each episode opens with a must - see bit of web randomness and closes with a glimpse of Tosh on his green stage screen (which must not be very pleasant for his guests).

For example, instead of fading to a black screen between acts like the original Sonic the Hedgehog game did, Green Hill Zone Act 2 now begins directly at the end of Act 1, like in Sonic the Hedgehog 3 and Sonic & Knuckles.

No one seemed too convinced by my enthusiasm for «Green Room» (even if they professed admiration for Saulnier's previous work, «Blue Ruin»), but that might be because I claimed that I came out of the screening pleasantly wanting to kill somebody.

Where «The Soup» places its affable stand - up comedian host in front of green screen to ridicule diverting clips of reality television and talk shows, «Tosh.0» does the same for amateur Internet videos.

Combining bad green screen, worse compositing and some CGI monkeys for good measure, this is the least believable moment in a movie that ends with aliens using the power of raw knowledge to disintegrate a Russian Cate Blanchett.

It was a particularly heartening year for homegrown cinema, as the oft - maligned UK film industry produced such gems as Andrew Haigh's 45 Years, Daniel and Matthew Wolfe's Catch Me Daddy, Debbie Tucker Green's Second Coming, and Rufus Norris's ambitious stage - to - screen transfer London Road.The cream of the crop for me, however, was Carol Morley's infinitely intriguing The Falling, a film that echoed the best work of Nic Roeg and established its director as one of the most exciting talents of her generation.

As an entry in the Victorian - period ghost story canon, Crimson Peak strives for the time - honored and sumptuous sadism of Mario Bava — especially with all the sea green and blood red hues that occupy the picture — del Toro does visual justice to the cobwebbed candelabras and blood - flecked vaults and terraces emblazoned on the screen, but the overall effect is meager, he mostly just taps a thinning vein of gothic clichés.

The set for this one scene alone includes half a Quinjet, a massive platform with about 20 - foot - high fencing on one side, and about 180 degrees of green screen that stands in for Wakanda.

Added to which, the liberal use of CGI and green screen makes for a visual flimsiness.

On a similarly exciting note, Trick or Treat Studios just announced over the weekend that they will be the official costume licensor for the David Gordon Green - directed sequel to John Carpenter's original classic, with plans to release screen - accurate replicas of Nelson's mask and other goodies based on the new movie!

Which is about all that we ever get from him as much of his screen time is given over to young Harry Osborne so that he can convincingly morph into the dreaded Green Goblin (thanks to a fatal genetic illness we learn about literally the first second he is introduced to us) and proving the modern adage that more than one super villain is too much for one of the films to juggle.

As Jill looks for clues in the home of a friend, she passes a screening of the 1946 noir Behind Green Lights, an obscure movie with a wild plot that echoes faintly in this movie's twists and turns.

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The title will expand through a combination of regular theatrical and special screenings in the coming weeks with non-theatrical set for August 30 and spearheaded by Broad Green Pictures.