Sentences with phrase «of a human figure»

Then they tested their «impulsive approach tendencies» toward men (that is, their latent attraction to them) in a task that involved tapping keyboard keys rapidly, to move an on - screen manikin - a basic drawing of a human figure - as quickly as possible in a specified direction.
Not only in texts but also on buildings the elaboration of the visible word became a major art form, especially as representation of the human figure was not allowed lest it lead to idolatry.
Some of the human figures are engaged in humble tasks; one man has paused to taste the fruit; a pregnant woman is gazing into the distance.
Purchased in 2005 for a specially reducedrice (thanks to the artist Alison Kinnaird) of # 25,000 it is formed of images of human figures in various poses again engraved on coloured glass.
Her destination is Delicado Shelter, one of some 300 shallow caves in the region known for paintings of human figures, deer, canines, felines, birds, rabbits, snakes, and other desert animals.
In an outlined space beneath the line was a row of human figures in black.
Cedar Springs had a cascade of human figures holding spear - throwers and long staffs adorned with feathers.
The team split men and women into groups of 24 and then had them watch virtual simulations of a human figure walking (see video).
Many of the human figures have cavities carved into their nostrils, ears, mouths, or the tops of their heads.
A study of the human figure and the gestures in a minimal environment.
A fun diversion is Google Body, which presents a 3D image of the human figure and lets you switch to various views (muscle, skeleton, etc.).
The church of San Andres Xecul has an unusual dome painted in colorful stripes, but the highlight is the bright yellow facade, on which some 200 painted sculptures of human figures, angels, monkeys, fruit, corn and quetzal birds.
Thanks to the increased technological advances in video game capabilities, the legislators were especially concerned with the realistic replica of human figures in video games like Mortal Kombat, as opposed to the previously standard animation style characters in video games previously.
As visitors engage directly with their surroundings and walk among the immersive excavation, they are met with sculpted openings in which jagged edges morph from abstract forms into the silhouette of a human figure,» a museum statement said.
Thus People (2000), 91 by 54 inches, for instance, shifts from reading as a loose net of brushstrokes to a depiction of dozens of human figures linked by their outstretched arms and legs.
Deprived of the human figure, his aim was to remove any obstacle between the painting and the viewer, using the shimmering color to prepossess the one's visual field.
For Extravagant Features, Dalrymple brings together a selection of artists who express a form of exaggeration in their depiction of the human figure.
Those who have seen the previous exhibition of Antony Gormley in this gallery will surely remember the «Insiders», the minimal, skeletonlike sculptures that visualize the core of the human figure.
I've had a fabricator create a cutout of a human figure with knives angled towards it.
2002 - Exposed: Drawings of the Human Figure: Juried Exhibition, Creative Alliance, Baltimore - Art Bash, Gallery 2, Chicago - Collaboration project: LIPA Gallery, Chicago
The subtle interaction of human figures in her densely patterned tableaux reflects the work of Malick Sidibé, the great, late Malian photographer.
Hockney's humor is apparent in works such as Crawling Insects, 1961, where scratched - out figures are accompanied by a trail of insects drawn in ink, as though, frustrated with his depictions of the human figure, the artist decided to draw tiny bugs instead.
By the late 1950s, when Kinley painted Red, White and Black and other pared down palette - knifed abstractions of landscape with subliminal suggestions of the human figure, the Vienna - born, St. Martin's - trained painter had already enjoyed two solo exhibitions at Gimpel Fils, London.
His two recent paintings, Patches of Color, Three Hands, and a Partition Line (2015) and A Lot of Dark Blue Legs and Patch of Color (2015), are covered in multiple layers of pastel blues and purples that reveal only certain body parts of human figures.
Artists are encouraged to share their artistic vision and interpretation of the human figure.
Although Gehard Demetz has training in traditional religious sculpture, the Italian artist delves into the medium's introspective and subverted depictions of the human figure.
In lush evocations of the female form, such as Nude — Elbow on Knee (above), painted in 1961, he continued many of the pictorial innovations of his previous series, but set them within an intimate portrayal of the human figure.
She is not satisfied with expressions of human figure or birds on the level of appearance, but goes deep into the material and uncovers what makes it human or birds.
It takes the shape of what I would like to call a «body - ography,» or the individual and collective stories conveyed by images of the human figure.
One of the most significant British artists of the last century, working from the early 1960s to the present day, Jones explores the representation of the human figure.
In «Sublimation: Ancestral Patterns,» the painting with the clearest presence of human figures is Les Trois Danseuses — Homage to Berber.
Without applying the actual body, or making intentional markings with the ink, her large scale monoprints on paper appear to carry traces of human figures and faces — the weight of bodily flesh and quality of a spirit - like presence.
The pattern seen is reminiscent of Arab - Islamic Art that has developed throughout history in the field of abstraction as religion forbade the representation of the human figure.
They also offer an alternative to the frequent invasion of the human figure into abstraction — or, for Ellen Berkenblit, horses.
People have seen traces of the human figure in Pollock's last work, and they have seen it as a betrayal, much as de Kooning's women before him or the merger of abstraction and cartoon agonies in Philip Guston later on seemed one as well.
During the 1960s Johns added an array of household and studio objects and imprints and casts of the human figure.
His graphic works of self - portraits, portraits of old lovers, and depictions of the human figure produce the same grotesque and expressive natures as those seen in his paintings.
During the 10 - year period on which this exhibition focuses — from 1971 to 1981 — Ramberg's radical, enigmatic, and accomplished paintings moved towards increasing abstraction of the human figure.
Filipe Rocha da Silva has long been fascinated with patterns, including imagery composed of small particles that when seen up close are comprised of human figures.
Ron Mueck's hyper - real sculptures of the human figure are tender portrayals of people in their most intimate, isolated and vulnerable moments.
Twombly began like the first generation, with suggestions of the human figure amid abstract designs.
From examples of Chinese calligraphy that informed his cut - out period to African sculptures that influenced his depictions of the human figure, his personal possessions played a role in each stage of his career — and in many cases you can see the works they inspired displayed alongside.
Finally, a series of mesmerizing video installations Order, More and Culture Plate # 7 (ALL 2003) featuring emblematic, anonymous figures in patterns, culminates in the monumental Time Left (2002), a grand opera of isolation and connection, in which row upon row of human figures forming a vast wall text in motion, endlessly march across the entire perimeter of a room to an unknowable destination.
Through her portrayal of the human figure, Morisot was able to explore the themes of modern life that came to define impressionism, such as the intimacy of contemporary bourgeois living and leisure activities, the importance of fashion and the toilette, and women's domestic work, all while blurring the lines between interior and exterior, public and private, finished and unfinished.
In subsequent years his brushstrokes became larger, he painted nature and made use of toys he described as «archetypes of the human figure».
This class will focus on the fundamental principles essential to achieve a convincing three - dimensional representation of the human figure in oils.
This exhibition explores Lichtenstein's treatment of the human figure in works that proceed from his iconic cartoon paintings from the»60s.
Other highlights of the exhibition include her Neverland series from 2002, where she photographed objects, either alone or in groups, on fields of color; Figure Drawings from 1988 - 2008, featuring an installation of 40 framed images of the human figure; Objects of Desire from 1983 - 1989, where she made collages of found photographs and rephotographed them against bright background of red, blue, green, yellow, and black; Renaissance Paintings from 1991, featuring individual figures and objects from disparate Renaissance paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text redacted.
The portrait that will be shown at Tate Britain next year is an angst - ridden image of the human figure, bare - chested and curled into the corner of a dark room beneath a single lightbulb.
This exhibition focuses on Lichtenstein's diverse treatment of the human figure in works that proceed from his iconic cartoon paintings from the»60s.
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